World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
THURS 11-5 PM
FRI 11-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
$40.00 - Out of stock
This book represents a major event in the art world. It is based on the first international exhibition of art by women, assembled by the Los Angeles County Museum of Art from dozens of private and public collections throughout the world, among them the Metropolitan, the Louvre, the Uffzi, the Victoria and Albert, and the Prado. It contains the work, chronologically arranged, of eighty-four women painters, from the Renaissance to the mid-twentieth century, from sixteenth-century portraiture to modern abstraction.
Included are works by artists as familiar as Kathe Kollwitz, Mary Cassatt, Marie Laurencin, Georgia O’Keeffe, Léonor Fini, and Sonia Delaunay. Here, as well, is the work of women who received much attention, even acclaim, in their own time but whose accomplishments art history has neglected and whose paintings are now largely inaccessible to the public — artists such as Anne Vallayer-Coster in the eighteenth century (who was praised for painting “like a clever man”), Judith Leyster (whose Jolly Toper was attributed until recently to Frans Hals), Vanessa Bell, the brilliantly talented sister of Virginia Woolf, and Anna Dorothea Lisiewska Therbusch (about whom her contemporary Diderot wrote: ‘‘It was not talent that she lacked in order to create a big sensation in this country..'.it was youth; it was beauty: it was modesty; it was coquetry; one must be ecstatic over the merits of our great male artists, take lessons from them, have good breasts and good buttocks, and surrender oneself to one’s teachers”). Individual commentaries consider the work of each artist in the context of her time, tell the story of her life, often quoting from letters, journals, and the memoirs of contemporaries, and discuss not only the techniques and the principles of her art but also the conditions and expectations that fostered or inhibited her development. Two brilliant critical essays encompassing all the periods represented are provided by the distinguished art historians Ann Sutherland Harris and Linda Hochlin.
Published on the occasion of the exhibition from the Los Angeles County Museum of Art, Los Angeles CA December 21, 1976-March 13, 1977. 1981 Edition.
Softcover, 74 pages, 15 x 20 cm
1st Edition, Out of print title / Used*,
Published by Fischer Fine Art Limited / London
$25.00 - Out of stock
Fantastic little catalogue produced on the occasion of the exhibition "Apocalypse and Utopia" at Fischer Fine Art Limited, London, March - May 1977.
Features the work of Karl Arnold, Ernst Barlach, Willi Baumeister, Herbert Bayer, Max Backmann, Heinrich Campendonck, Otto Dix, Lyonel Feininger, Georg Grosz, Erich Heckel, Hannah Höch, Adolf Hölzel, Johannes Itten, Alexei Von Jawlensky, Wassily Kandinsky, Ernst Ludwig Kirchner, Paul Klee, Oskar Kokoschka, Georg Kolbe, Käthe Kollwitz, August Macke, Franz Marc, Ludwig Meidner, Laszlo Moholy-Nagy, Otto Müller, Emil Nolde, Max Hermann Pechstein, Christian Rohlfs, Oskar Schlemmer, Karl Schmidt0Rottluff, Kurt Schwitters, Arthur Segal, Hans Walter.
"The idea for this exhibition arose when we were fortunate enough to be offered the famous Hess Guest Book. Around this nucleus we have planned a view of art in Germany between 1910 and 1939. With the generous help of many collectors and galleries we have been able to illustrate the varied aspects of this complex and important period of German art."
The Guest Book was a two volume book-set that spanned the years 1907-1956. They were the guest books of the home of Industrialist Alfred Hess and Thekla Hess, who were great lovers and collectors of art. Their home in Erfurt regularly gathered together leading figures of the art, music and literature worlds, and their guest books collected the inscriptions, autographs, drawings and watercolours of these times.
"The Guest Book is a remarkable, unique document of the most innovative period of 20th-century German art and forms a reference source of the greatest importance."
With an introduction by professor and author Norbert Lynton, the first part of this catalogue reproduces works from The Guest Book, and the second full-colour and black and white reproductions of works in the exhibition of 1977. Includes a full catalogue of the works.