World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
Hardcover, 122 pages, 23 x 29 cm
Published by Hauser & Wirth / Zurich
$85.00 - In stock -
Although much attention has been paid in recent years to Philip Guston’s figurative painting of the late 1960s and ’70s, this new book focuses on the decade preceding that period, published to accompany Hauser & Wirth’s first presentation of the work of Philip Guston. Part of the New York School, which included many abstract expressionists, Guston’s influence on his contemporaries and the following generation of painters is considered quite significant. This book focuses specifically on the period beginning in the late 1950s and spanning nearly a decade until the artist’s return to figuration in the late 1960s, featuring nearly 90 paintings and drawings from the artist’s abstract expressionist period, many of which have not been shown in public for decades, presenting a major survey of a seminal phase in the artist’s oeuvre.
This publication features an expanded chronology on the artist, which includes archival material, historic installation views, conversations with Guston and other selected texts (by the artist himself) from the exhibition’s time period. The book concludes with a section of 50 of Guston’s ‘pure’ drawings completed in the late 1960s.
Organised and edited by Paul Schimmel.
$65.00 - Out of stock
Hans Arp was one of the most innovative and influential artists of the 20th century. With a playful hand and a multifaceted practice that included sculpture, relief, painting, collage and poetry, Arp juggled the dominant art currents of Cubism, Surrealism, and Constructivism, combining seemingly contradictory geometric and organic formal idioms with the artistic "-isms" of his epoch.
In 1916, Arp was invited by Hugo Ball to take part in the Cabaret Voltaire at Spiegelgasse 1 in Zurich. The now iconic event marked the birth of Dadaism and the beginnings of a long overdue breakthrough for Arp. "Ovi Bimba" is a revelatory publication exploring these early years of Arp’s practice, focusing on his time in Zurich during the birth of Dada to his sculptures in the 1940s and 1950s.
The publication positions these diverse pieces alongside those of Arp's fellow artists, including his wife, Sophie Taeuber-Arp.
Featuring texts by renowned Dada scholar, Juri Steiner, and over eighty beautifully reproduced colour plates.
Published with Hauser & Wirth, Zurich/London/New York.