World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
BOOKSHOP CLOSED FOR BREAK UNTIL NOV 10.
WEB-SHOP OPEN 24/7.
ORDERS CAN STILL BE PLACED AND WILL BE PROCESSED AFTER NOV 10.
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Photography
Fashion
Eros
LGBTQ+
Fiction / Poetry
Weird / Speculative / Science Fiction / Horror
Transgressive / Visceral / Abject
Symbolism / Decadence / Fin de siècle
Film / Video
Painting
Sculpture / Installation
Performance / Dance / Theater
Drawing
Sound / Music
Curatorial
Group Shows / Collections
Periodicals
Out-of-print / Rare
Posters / Ephemera / Discs
Signed Books
World Food Books Gift Voucher
World Food Book Bag
Australian Art
Australian Photography
Japanese Photography
Conceptual Art
Minimal Art
Dada
'Pataphysics / Oulipo
Fluxus
Concrete Poetry
Pop Art
Surrealism
Arte Povera
Arte Informale / Haute Pâte / Tachism
Nouveau Réalisme / Zero / Kinetic
Situationism / Lettrism
Collage / Mail Art / Xerox Art
Art Brut / Folk / Visionary / Fantastic
Illustration / Graphic Art / Bandes Dessinées
Furniture
Italian Radical Design / Postmodernism
Textiles
Ceramics / Glass
Counterculture
Protest / Revolt
Anarchism
Socialism / Communism / Capitalism
Literary Theory / Semiotics / Language
Feminism
Fetishism / BDSM
Drugs / Psychedelia
Crime / Violence
Animal Rights / Veganism
Occult / Esoterica
Ecology / Earth / Alternative Living
Whole Earth / Crafts
All prices in AUD (Australian dollars)
Pick-Ups
Please note: The bookshop is closed until February 1, 2024.
Pick-up orders can be collected in our bookshop during opening hours after this date. Please collect any Pick-up orders within 3 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected.
Return Policy
All sales are final. We do accept returns (for refund, exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1979, Japanese
Softcover (staple-bound), 250 pages, 21 x 15 cm
1st Edition, Out of print title / used / very good
Published by
Sun Publishing / Japan
$65.00 - Out of stock
SM Kitan March 1979 issue, featuring cover artwork by legendary erotic fantasy artist Ran Akiyoshi (1922–1982). This issue features the work of some of the best names in Japanese SM art, including Shoji Oki, Namio Harukawa, Yoko Ozuma, Yoji Muku, Gekko Hayashi (Gojin Ishihara), and Reiko Kita. A cult classic of vintage Japanese BDSM and Kinbaku (Japanese bondage), SM Kitan was the SM magazine published by the great Sun Publishing house, and was formerly known as S&M Abhunter (changing its name to SM Kitan from August 1975). Heavy with wonderful artwork galleries in colour and bw, glossy bondage photo-features, illustrated fetish fiction, manga, fold-outs, and much more. Ran Akiyoshi (1922–1982) illustrated many of the iconic covers, with regular contributors including Sotaro Aki, Tadao Chigusa, Namio Harukawa, Yoko Ozuma, Reiko Kita, Akiyoshi Akiyoshi, Hakuzan Shiraishi, Shoji Oki, Namio Harukawa, Akira Kasuga, and Gekko Hayashi (Gojin Ishihara).
Very Good copy. Light cover wear/age.
1972, English / German
Softcover, 32 pages, 22 x 22 cm
1st Edition, Out of print title / used / very good
Published by
Goethe-Institute / Münich
$180.00 - Out of stock
Extremely rare, early publication on the work of director, actor, playwright and catalyst for the New German Cinema movement, Rainer Werner Fassbinder (1945–1982), published in 1972 by Goethe-Institute, Münich. Illustrated throughout with chronology of his prolific work to date, with each feature including a full-page film image, full cast listing, production, camera and music credits, along with bi-lingual texts in German and English for each film, including Love Is Colder Than Death (1969), Katzelmacher (1969), Why Does Herr R. Run Amok? (1970), The American Soldier (1970), The Niklashausen Journey (1970), Whity (1971), Beware of a Holy Whore (1971), The Merchant of Four Seasons (1972), and more, ending with his latest feature, The Bitter Tears of Petra von Kant (1972). Ten years before his untimely death in 1982, this gorgeous publication celebrates and documents the early achievements of one of cinema's greatest directors.
""He is", said Henri Langlois, director of the Paris Cinematheque during an Hommage a Rainer Werner Fassbinder, "the beginning of German post-war cinema". Indeed, Fassbinder is one of the most talked about and honored — and productive — moviemakers in West Germany. Not only 12 features in three years, but also five plays, a number of drama-adaptations, radio-plays and an eight-part-family-serial for television have made the 27 year-old director a unique phenomenon in the German cultural scene." (Wolfgang Limmer, opening of the introduction)
"Fassbinder's unique position in Germany is first of all the result of his fearless breaking of crusted cultural traditions, but also the result of the strong impression his enormous productivity has made on Germany's cultural industrie. Quickly he was captioned "German Warhol", "Kid-Genius", "Wunderkind . He is certainly none of those. Goethe's remark would fit here better: "His genius is deligence."" (Wolfgang Limmer, closing of the introduction)
Rainer Werner Fassbinder (1945–1982) was a West German filmmaker, actor, playwright and theatre director, who was a catalyst of the New German Cinema movement. Although Fassbinder's career lasted less than fifteen years, he was extremely productive. By the time of his death, Fassbinder had completed over forty films, two television series, three short films, four video productions, and twenty-four plays, often acting as well as directing. Fassbinder was also a composer, cameraman, and film editor. Fassbinder died on 10 June 1982 at the age of 37 from a lethal cocktail of cocaine and barbiturates.
Very Good copy, only light corner and spine wear.
2022, English
Softcover, 384 pages, 19.8 x 24.1 cm
Published by
Walker Art Centre / Minneapolis
$110.00 - Out of stock
Six decades of sculptural innovation from the Arte Povera pioneer and alchemist of the everyday captured in this stunning new volume.
Over the course of more than five decades, Jannis Kounellis developed a singular practice across painting, works on paper, sculpture, installation and hybrid works combining objects with live performance. Playing a central role in the Italian Arte Povera movement of the 1960s and early 1970s, Kounellis created wide-ranging and innovative works exploring theater, migration, history, politics and other themes, which continue to influence subsequent generations of artists.
Published by the Walker Art Center for the first US Kounellis survey in over 35 years, Jannis Kounellis in Six Acts offers the most comprehensive assessment of his career to date. The richly illustrated catalog, assembled with the full cooperation of the artist's estate and archive, presents a first-of-its-kind collection of visual materials and Kounellis' writings, including image-based exhibition and performance chronologies. The volume also features essays by Vincenzo de Bellis, Claire Gilman, Kit Hammonds and Ara H. Merjian.
Jannis Kounellis (1936-2017) was born in Piraeus, Greece. In 1956, he moved to Rome and by 1960 was an active member of the Arte Povera movement. In 1969 he created one of his best-known works: the installation of 12 live horses in the gallery L'Attico in Rome. Kounellis' first New York solo show was in 1972. Recent exhibitions have been held at the Museum of Cycladic Art, Athens, Greece (2012) and the Neue Nationalgalerie, Berlin, Germany (2007), among others.
1972, Japanese
Softcover, 378 pages, 11 x 18 cm
1st Edition, Out of print title / used / very good
Published by
Shimpei Book Publishing / Tokyo
$60.00 - Out of stock
SM Top 1972 December Edition, published by Shimpei Book Publishing. Cult classic of vintage Japanese BDSM and Kinbaku (Japanese bondage), each issue of SM Fan featured almost 400 pages of Japan's most depraved fetish fiction, littered with illustrations unseen elsewhere, including many historical pieces, plus full-colour glossy bondage photo-features, surreal erotic art and manga, fold-outs, reviews, letters, and much more. SM Top, alongside SM Select, SM King, SM Fan, SM Sniper, SM Fantasia, etc. were often the first place to showcase the artwork and photography by some of Japan's biggest names in the field of erotic art, including Namio Harukawa, Yoshifumi Hayashi, Toshio Saeki, and Ken Katayama, alongside the likes of masters such as Yoshitoshi Tsukioka.
Very Good copy.
1976, French / Japanese
Softcover, 40 pages (w. Japanese translation booklet insert), 34.5 x 29 cm
1st Edition, Out of print title / used / very good
Published by
Façade / Paris
$350.00 - In stock -
Inaugural issue of the incredibly rare and iconic Façade, the French underground magazine published in Paris between 1976—1983. Founded in 1976 by Alain Benoist and Hervé Pinard, Façade was the french answer to Andy Warhol's Interview, heavily centered around Parisian club, fashion and art scene and published without any date or periodicity until 1983. Launched at an Issey Miyake show where models handed out the magazine from the catwalk, the cult magazine witness through its pages a long-lost, short-lived period in Paris featuring the so-called "jeunes gens modernes" of the 1970's, like punk icons Edwige Belmore and Alain Pacadis. With pop celebrity covers and vibrant fashion shoots styled by the likes of a young Pierre et Gilles (who met through working on this very magazine), features in collaboration with the likes of Serge Gainsbourg, and in each issue a unique "false" advertisement created by Karl Lagerfeld, it's no wonder Façade's reputation spread quickly to New York, Tokyo and beyond, making it one of the most desired magazines of the new wave. With texts in French, these rare issues come complete with the inserted Japanese translation booklets. Includes Divine and John Waters (interview), Kenzo (interview), Christian Boltanski (interview), Jean-Louis Bory, Popy Moreni, nude centrefold by Jacques Parnel … with contributions from Pierre Commoy, Dominique Gangloff, Tan Giudicelli, Annette Messager… A very rare first issue with cover shot and designed by Pierre Commoy (of Pierre et Gilles) featuring Eva Ionesco.
Very Good with light tanning. Beautiful copy.
1976, French / Japanese
Softcover, 40 pages (w. Japanese translation booklet insert), 34.5 x 29 cm
1st Edition, Out of print title / used / good
Published by
Façade / Paris
$160.00 - In stock -
Issue no. 2 of the incredibly rare and iconic Façade, the French underground magazine published in Paris between 1976—1983. Founded in 1976 by Alain Benoist and Hervé Pinard, Façade was the french answer to Andy Warhol's Interview, heavily centered around Parisian club, fashion and art scene and published without any date or periodicity until 1983. Launched at an Issey Miyake show where models handed out the magazine from the catwalk, the cult magazine witness through its pages a long-lost, short-lived period in Paris featuring the so-called "jeunes gens modernes" of the 1970's, like punk icons Edwige Belmore and Alain Pacadis. With pop celebrity covers and vibrant fashion shoots styled by the likes of a young Pierre et Gilles (who met through working on this very magazine), features in collaboration with the likes of Serge Gainsbourg, and in each issue a unique "false" advertisement created by Karl Lagerfeld, it's no wonder Façade's reputation spread quickly to New York, Tokyo and beyond, making it one of the most desired magazines of the new wave. With texts in French, these rare issues come complete with the inserted Japanese translation booklets. Includes features on New York City, Bodybuilding, an interview with Jean-Pierre Kalfon by Alain Pacadis, Elodie Lauten, and a long reprt of the Pigalle district of Paris, with collaborations from Pierre Commoy, Dominique Gangloff, Philippe Morillon, Thierry Ardisson, along with much more,
Good copy with some cover foxing and light wear.
1977, French / Japanese
Softcover, 40 pages (w. Japanese translation booklet insert), 34.5 x 29 cm
1st Edition, Out of print title / used / very good
Published by
Façade / Paris
$220.00 - Out of stock
Issue no. 3 of the incredibly rare and iconic Façade, the French underground magazine published in Paris between 1976—1983. Founded in 1976 by Alain Benoist and Hervé Pinard, Façade was the french answer to Andy Warhol's Interview, heavily centered around Parisian club, fashion and art scene and published without any date or periodicity until 1983. Launched at an Issey Miyake show where models handed out the magazine from the catwalk, the cult magazine witness through its pages a long-lost, short-lived period in Paris featuring the so-called "jeunes gens modernes" of the 1970's, like punk icons Edwige Belmore and Alain Pacadis. With pop celebrity covers and vibrant fashion shoots styled by the likes of a young Pierre et Gilles (who met through working on this very magazine), features in collaboration with the likes of Serge Gainsbourg, and in each issue a unique "false" advertisement created by Karl Lagerfeld, it's no wonder Façade's reputation spread quickly to New York, Tokyo and beyond, making it one of the most desired magazines of the new wave. With texts in French, these rare issues come complete with the inserted Japanese translation booklets. Includes Eddie and the Hot Rods, Andy Warhol, Gilbert and George, the Inauguration of Beaubourg, Serge Gainsbourg, Alain Pacadis, Karl Lagerfeld… with collaborations from Pierre Commoy, Thierry Ardisson, Philippe Morillon, and much more.
Very Good copy, tanning. Beautifully preserved.
1978, French / Japanese
Softcover, 58 pages (w. Japanese translation booklet insert), 34.5 x 29 cm
1st Edition, Out of print title / used / very good
Published by
Façade / Paris
$290.00 - In stock -
Issue no. 6 of the incredibly rare and iconic Façade, the French underground magazine published in Paris between 1976—1983. Founded in 1976 by Alain Benoist and Hervé Pinard, Façade was the french answer to Andy Warhol's Interview, heavily centered around Parisian club, fashion and art scene and published without any date or periodicity until 1983. Launched at an Issey Miyake show where models handed out the magazine from the catwalk, the cult magazine witness through its pages a long-lost, short-lived period in Paris featuring the so-called "jeunes gens modernes" of the 1970's, like punk icons Edwige Belmore and Alain Pacadis. With pop celebrity covers and vibrant fashion shoots styled by the likes of a young Pierre et Gilles (who met through working on this very magazine), features in collaboration with the likes of Serge Gainsbourg, and in each issue a unique "false" advertisement created by Karl Lagerfeld, it's no wonder Façade's reputation spread quickly to New York, Tokyo and beyond, making it one of the most desired magazines of the new wave. With texts in French, these rare issues come complete with the inserted Japanese translation booklets. Includes cover stars Salvador Dalí (front) and Eva Ionesco (back), with interviews and astrological charts for both, Amanda Lear, Jean-Charles de Castelbajac, Giorgio Moroder, General Idea, Yves Adrien, Le Palace, Christo, Maud Molyneux, Anja Lopez, Suicide Fashion shot by Laurence Sackman (featuring Eva Ionesco, Sayoko Yamaguchi, and others), Nightclubbing, Malcolm McLaren… with collaborations from Pierre Commoy, Jean-Baptiste Mondino, Thierry Ardisson, Alain Pacadis, Maud Molyneux… and much more.
Very Good copy of one of the best issues! Beautifully preserved.
1978, French / Japanese
Softcover, 58 pages (w. Japanese translation booklet insert), 34.5 x 29 cm
1st Edition, Out of print title / used / very good
Published by
Façade / Paris
$240.00 - In stock -
Issue no. 7 of the incredibly rare and iconic Façade, the French underground magazine published in Paris between 1976—1983. Founded in 1976 by Alain Benoist and Hervé Pinard, Façade was the french answer to Andy Warhol's Interview, heavily centered around Parisian club, fashion and art scene and published without any date or periodicity until 1983. Launched at an Issey Miyake show where models handed out the magazine from the catwalk, the cult magazine witness through its pages a long-lost, short-lived period in Paris featuring the so-called "jeunes gens modernes" of the 1970's, like punk icons Edwige Belmore and Alain Pacadis. With pop celebrity covers and vibrant fashion shoots styled by the likes of a young Pierre et Gilles (who met through working on this very magazine), features in collaboration with the likes of Serge Gainsbourg, and in each issue a unique "false" advertisement created by Karl Lagerfeld, it's no wonder Façade's reputation spread quickly to New York, Tokyo and beyond, making it one of the most desired magazines of the new wave. With texts in French, these rare issues come complete with the inserted Japanese translation booklets. Includes cover stars Jack Nicholson as 007 (front) and musician Djemila (back), with interviews and astrological charts for both, industrial designer Roger Tallon, Karl Lagerfeld, industrial designer Philippe Starck, publishing extraordinaire Daniel Filipacchi, Sonia Rykiel, Paco Rabanne, Thierry Mugler, a perverse fashion portfolio, Kenzo, Brion Gysin, Sid Vicious, Pierre et Gilles, Nightclubbing, Dining, Fashion, Music, tremendous ads and much more.
Very Good copy of one of the best issues! Beautifully preserved with only light marking/tan/age.
1980, French / Japanese
Softcover, 40 pages (w. Japanese translation booklet insert), 34.5 x 29 cm
1st Edition, Out of print title / used / very good
Published by
Façade / Paris
$200.00 - In stock -
Issue no. 8 of the incredibly rare and iconic Façade, the French underground magazine published in Paris between 1976—1983. Founded in 1976 by Alain Benoist and Hervé Pinard, Façade was the french answer to Andy Warhol's Interview, heavily centered around Parisian club, fashion and art scene and published without any date or periodicity until 1983. Launched at an Issey Miyake show where models handed out the magazine from the catwalk, the cult magazine witness through its pages a long-lost, short-lived period in Paris featuring the so-called "jeunes gens modernes" of the 1970's, like punk icons Edwige Belmore and Alain Pacadis. With pop celebrity covers and vibrant fashion shoots styled by the likes of a young Pierre et Gilles (who met through working on this very magazine), features in collaboration with the likes of Serge Gainsbourg, and in each issue a unique "false" advertisement created by Karl Lagerfeld, it's no wonder Façade's reputation spread quickly to New York, Tokyo and beyond, making it one of the most desired magazines of the new wave. With texts in French, these rare issues come complete with the inserted Japanese translation booklets. Includes cover stars Sophia Loren (front) and Brian Ferry (back), with interviews and astrological charts for both, James White and The Blacks, Yellow Magic Orchestra, Kansai Yamamoto, Karl Lagerfeld, "Assistant Fashion" (shoots by the assistants of fashion fashion photographers), Helmut Newton, nightclubbing, dining, records, terrific ads, and much more...
Very Good with light foxing, wear the covers.
1980, French / Japanese
Softcover, 58 pages (w. Japanese translation booklet insert), 34.5 x 29 cm
1st Edition, Out of print title / used / very good
Published by
Façade / Paris
$160.00 - In stock -
Issue no. 7 of the incredibly rare and iconic Façade, the French underground magazine published in Paris between 1976—1983. Founded in 1976 by Alain Benoist and Hervé Pinard, Façade was the french answer to Andy Warhol's Interview, heavily centered around Parisian club, fashion and art scene and published without any date or periodicity until 1983. Launched at an Issey Miyake show where models handed out the magazine from the catwalk, the cult magazine witness through its pages a long-lost, short-lived period in Paris featuring the so-called "jeunes gens modernes" of the 1970's, like punk icons Edwige Belmore and Alain Pacadis. With pop celebrity covers and vibrant fashion shoots styled by the likes of a young Pierre et Gilles (who met through working on this very magazine), features in collaboration with the likes of Serge Gainsbourg, and in each issue a unique "false" advertisement created by Karl Lagerfeld, it's no wonder Façade's reputation spread quickly to New York, Tokyo and beyond, making it one of the most desired magazines of the new wave. With texts in French, these rare issues come complete with the inserted Japanese translation booklets. Includes cover stars Catherine Deneuve (front) and James Brown (back), with interviews and astrological charts for both, Sports Fashion (featuring Françoise Hardy), Funky fashion, The Village People, Karl Lagerfeld, more James Brown, clubbing, dining, jet-setting, dance music and much more.
Very Good with some light wear/marks to covers, light tanning.
1981, French / Japanese
Softcover, 58 pages (w. Japanese translation booklet insert), 34.5 x 29 cm
1st US Edition, Out of print title / used / very good
Published by
Façade / Paris
$160.00 - In stock -
Issue no. 10 of the incredibly rare and iconic Façade, the French underground magazine published in Paris between 1976—1983. Founded in 1976 by Alain Benoist and Hervé Pinard, Façade was the french answer to Andy Warhol's Interview, heavily centered around Parisian club, fashion and art scene and published without any date or periodicity until 1983. Launched at an Issey Miyake show where models handed out the magazine from the catwalk, the cult magazine witness through its pages a long-lost, short-lived period in Paris featuring the so-called "jeunes gens modernes" of the 1970's, like punk icons Edwige Belmore and Alain Pacadis. With pop celebrity covers and vibrant fashion shoots styled by the likes of a young Pierre et Gilles (who met through working on this very magazine), features in collaboration with the likes of Serge Gainsbourg, and in each issue a unique "false" advertisement created by Karl Lagerfeld, it's no wonder Façade's reputation spread quickly to New York, Tokyo and beyond, making it one of the most desired magazines of the new wave. With texts in French, these rare issues come complete with the inserted Japanese translation booklets. Includes Gina Lollobrigida interview and astrology, so too Jacno, Karl Lagerfeld, Howard Hughes, Sonia Rykiel, Defunkt (Mudd Club), Paul-Loup Sulitzer, Catherine Breillat, Djémila, dining, dancing, music, the scene… with collaborations from Dominique Gangloff, Dominique Lauga, Philippe Morillon, Serge Krüger, Jean-Edern Hallier, Alain Pacadis… and much more.
Very Good with light wear/marking to cover. Light tanning.
2003, English / Spanish
Softcover (w. wax dustjacket and die-cuts), 428 pages, 28 x 22 cm
1st Edition, Out of print title / used / fine
Published by
Fundacion Cisneros / Venezuela
$490.00 - In stock -
Extremely rare, most comprehensive monograph illuminating the work of one of the most innovative and influential Latin American artists of the twentieth century, Gego (1912–1994). Long out-of-print, this heavy, detailed catalogue raisonne of work prepared by the Fundación Museo de Bellas Artes, with the collaboration and assistance of the Fundacíon Gego on the occasion of the exhibition Gego 1955—1990 that was presented at the Museo de Ballas Artes in Caracas from November 2000 to April 2001. The German-born Venezuelan artist created spare and unequivocally abstract drawings, prints, three-dimensional works, hanging net pieces, and wire constructions of extraordinary quality. Gego used lines as conceptual and visual tools to create in-between spaces within her works. Whether drawing lines on paper or projecting them into space, the artist sought to “make visible the invisible.” She believed that line could express what is not physically present in nature––including thought, intuition, and emotions. Profusely illustrated in colour and b/w throughout with documentation of Gego's work and life, accompanied by important texts by art critics and the most serious scholars of Gego's work, Mónica Amor, Ruth Auerbach, Guadalupe Montenegro, Josefina Núñez, Luis Pérez-Oramas, and Iris Peruga, plus full chronology, biography, bibliography, and much more. "Rarely do we have the opportunity to see such intellectual generosity united: the best photographic reproductions of a work that requires the greatest rigor to find the greatest subtlety, the genius of the best graphic design embodied by Alvaro Sotillo, the greatest editorial effort on the part of our teams ." An extensive and exhaustive reference on the artist, beautifully printed and bound with die-cut chapter markers and translucent wax dust jacket in homage to Gego's sensibility. The designer of this publication was awarded the 2005 Gutenberg Prize.
Co-published by Fundacion Cisneros, Fundacion Gego, and Faundacion Museo de Bellas Artes.
Very Good—Near Fine copy. Light buckling in the translucent white wax dust jacket (as usual), otherwise As New with only light tanning to edges.
2007, English / Spanish
Softcover, 256 pages, 27 x 23 cm
1st Edition, Out of print title / used / very good
Published by
The Museum of Fine Arts / Houston
Malba Colección Costantini / Argentina
$100.00 - Out of stock
Scarce first printing limited to 1250 copies, printed on the occasion of the exhibition at The Museum of Fine Arts, Houston and Fundacion Eduardo Constantini, Buenos Aires, Argentina, and long out-of-print. An incredible, comprehensive book on Latin American artist Gego (1912–1994), who produced a vast range of line-based abstract work, including drawings, prints, and wire sculptures. Focusing on a rare series of monotypes from the early 1950s, drawings and prints, and “drawings without paper” and “tejeduras” (woven paper pieces) of the late 1970s and 1980s, this fascinating book traces Gego’s exploration of line and space. Gego used lines as conceptual and visual tools to create in-between spaces within her works. Whether drawing lines on paper or projecting them into space, the artist sought to “make visible the invisible.” She believed that line could express what is not physically present in nature––including thought, intuition, and emotions. By manipulating the density of the lines or by interrupting them, she brought light, shadow, and feeling into her linear works.
Profusely illustrated throughout with accompanying texts in both English and Spanish by Mari Carmen Ramirez, Josefina Manrique, Catherine de Zegher, and Gago, plus bibliography, biography and index.
Very Good—Fine copy.
1996, English
Hardcover (w. CD), 304 pages, 31 x 26 cm
1st Edition, Out of print title / used / fine
Published by
Prestel / Munich
$100.00 - Out of stock
First 1996 hardcover edition (with CD) of Klangkunst, published by Prestel and edited by Akademie der Künste, Berlin, and Helga de la Motte-Haber. Catalogue for the landmark sound art festival, Sonambiente – Festival für Hören und Sehen, held in August—September 1996 in Berlin, curated by Matthias Osterwold, Georg Weckwerth, and Christian Kneisel and named after the American designer Harry Bertoia’s sound-sculpture studio. Part of the Akademie der Künste's tricentennial celebration, Sonambiente 1996 presented the most comprehensive survey to date of contemporary international sound art, with works by more than 100 participating artists at more than 20 venues in Berlin's Mitte district. For nearly one month the city of Berlin was overflowing with the sounds of sound art. This book accompanied this inaugural edition, heavily illustrated throughout and featuring chronology and texts by Helga de la Motte-Haber, Sabine Breitsameter, Volker Straebel, Michael Glasmeier, R. Murray Schafer, Douglas Kahn, Golo Föllmer, Gisela Baurmann, Georg Weckwerth, André Ruschkowski, Jean-Yves Bosseur, Paul DeMarinis, Dieter Daniels, Heiner Büld, Peter Roloff, Manfred Mixner, Gottfried Hattinger, Diedrich Diederichsen, and many more, plus illustrated chapter dedicated to the artists featured, including Henning Christiansen, Alvin Lucier, Christian Marclay, Achim Freyer Ensemble, Alvin Curran, Paul Fuchs, Brian Eno, Terry Fox, Zoro Babel, Matt Heckert, Fatima Miranda, David Moss, Wolfgang Rihm, Klaus Vom Bruch, Ensemble 13, Dieter Schnebel, Laetitia Sonami, Mark Trayle, Wada Junko, Hans Peter Khun, Laurie Anderson, Sam Auinger, Bruce Odland, Andres Boshard, Nicolas Collins, Paul De Marinis, Louis-Philippe Demers, Bill Vorn, Ulrich Eller, Paul Fuchs, Hans Gierschik, Gün, Josefine Günschel, Felix Hess, Gary Hill, Stephan Von Huene, Robert Jacobsen, Arsenije Jovanovic, Rolf Julius, Christina Kubisch, Hans Peter Kuhn, Ron Kuivila, Bernhard Leitner, Robin Minard, Gordon Monahan, Max Neuhaus, Ed Osborn, Roberto Paci Dalò, Isabella Bordoni, Nam June Paik, Paul Panhuysen, Yufen Qin, Martin Riches, Don Ritter, David Rokeby, Nicola Sani, Mario Sasso, Sarkis, Leo Schatzl, Kyra Stratmann, Suzuki Akio, Ana Torfs, Trimpin, Peter Vogel... and many more.
Fine—As New copy with CD present and unplayed (many of the first edition were not issued with the CD, available only as an additional purchase).
1988, Italian
Softcover (staple-bound), 32 pages, 29 x 21 cm
1st Edition, Out of print title / used / very good
Published by
Maelzel / Poirino
$90.00 - Out of stock
Third issue of this rare, wonderful experimental / industrial music fanzine, Maelzel, published in Italy in 1988 by artist, journalist and founder of later fanzine Chain D.L.K., Maurizio Pustianaz (aka Gerstein). In navy printed wraps packed with artwork and texts by/features on/interviews with Giancarlo Toniutti, Ramleh, Tito Turbina Tastierista Futurista (Luca Faraci), Amok (Enrico Piva), LSD (Gianfranco Santoro), Maurizio's own Infektion Prod., NUN, Regina, and more. Giancarlo Toniutti interview particularly substantial, with photography and discography. All postal contacts for artists throughout. Texts in Italian.
Very Good copy, with only light wear/age to covers.
1982, English
Hardcover (w. dust jacket), 424 pages
1st Edition, Out of print title / used / very good
Published by
Evans Brothers / London
$200.00 - Out of stock
The monumental, now collectible, hardcover volume The Icon, by in rare English edition, published by Evans Brothers, London, 1982. A lavishly illustrated, comprehensive volume dedicated to the subject of the Icon spanning 1000 years, from 10th century Constantinople through the centuries in Greece, Russia, Crete, the Balkan peninsula, and the Holy Land. The most out-standing published study on the subject to date, examining icons of Christ, the Blessed Virgin, the great Church feasts, and the Saints and their lives, all artworks beautifully reproduced in vivid colour. Texts by Kurt Weitzman, Gaiane Alibegasvili, Aneli Volskaja, Manolis Chatzidakis, Gordana Babic, Mihail Alpatov, Teodora Voinescu. A stunning book with cloth-binding and gilded detailing.
Kurt Weitzmann (1904—1993) was a Germa-born American art historian who studied Byzantine and medieval art. He attended the universities of Münster, Würzburg and Vienna before moving to Princeton in 1935, due to Nazi persecution. He is well known for the time he spent researching the icons and architecture at Saint Catherine's Monastery in Egypt. He was elected to the American Philosophical Society in 1964 and the American Academy of Arts and Sciences in 1978.
Very Good—Near Fine copy in VG dust jacket. Beautifully preserved.
1991, English
Softcover, 88 pages, 23.5 x 15.5 cm
Out of print title / used / very good
Published by
Creation Books / London
$65.00 - Out of stock
Scarce Creation Classics 1991 illustrated edition of Arthur Machen's first book, "The Great God Pan", once described by The Westminster Gazette as "An incoherent nightmare of sex..." upon its publication in 1894. An unwittingly complimentary description for one of the greatest works of weird horror and decadence, in which Machen unfurls with his singular eye for the bizarre and macabre the tale of a young girl cursed by her unnatural parentage to become a creature of shape-shifting polysexual demi-human evil. This special paperback edition with illustrations throughout by the great Austin Osman Spare. Includes bibliography and introduction by Iain S. Smith.
Good copy. Some light cover corner wear, tiny touch of foxing to edge.
2011, English
Hardcover, 228 pages, 23.3 x 27 cm
1st Edition, Out of print title / used / very good
Published by
MoMA / New York
$100.00 - In stock -
First edition of long out-of-print important catalogue published to accompany the exhibition On Line: Drawing Through the Twentieth Century, The Museum of Modern Art, New York, 21 Nov. 2010—7 Feb. 2011. On Line: Drawing through the Twentieth Century explores a radical transformation of drawing that began over a century ago and continues as a vital impulse in art today. In a revolutionary departure from traditional ideas of drawing, and from the reliance on paper as the medium's fundamental support, artists have pushed the line of drawing into real space, expanding its relationship to gesture and form and invigorating its links with painting and sculpture, photography and film, and, particularly notably, dance and performance. Through works by over 100 artists, and through essays by Cornelia Butler and Catherine de Zegher that illuminate both broad themes and individual practices, On Line presents a groundbreaking history of an art form. The great, recognized art movements, from Cubism and Futurism at the beginning of the twentieth century through Abstract Expressionism, Neo-Concretism, arte povera, Conceptualism, and many other approaches up to the diverse present, are shown from a new perspective, and are joined by a host of less familiar artworks that properly claim a place in this differently defined field. The exhibition and catalogue includes works by a wide range of artists, both familiar and relatively unknown, from different eras of the past century and from many nations, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum, and Monika Grzymala.
Very Good / As New copy.
1999, English
Softcover (w. dust jacket), 152 pages, 30.5 x 24.4 cm
1st Edition, Out of print title / used / very good
Published by
The MIT Press / Massachusetts
MOCA / Los Angeles
$100.00 - Out of stock
First edition of long out-of-print important catalogue published to accompany Afterimage : Draw Through Process, a major survey of conceptual / post-minimalist drawing at The Museum of Contemporary Art, Los Angeles, before travelling to Texas and Washington. Co-published by the MIT Press and MOCA.
The term "process art" describes a moment of radical, a formal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and post minimalist art of the 1970s.
The term "process art" describes a moment of radical, a formal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and postminimalist art of the 1970s. Nancy Grossman's use of language, for example, suggests a kind of material abstraction, and Nancy Holt's earth works and related drawings introduced content into a minimalist vocabulary. The book also explores the drawing as a residual object in works in which the process of making dictates the form of the drawing. Examples include Gordon Matta-Clark's stacked cuttings, Robert Morris' "blind time" drawings, and Sol Lewitt's folded construction drawings. Other works, such as those by Bruce Nauman and Robert Smithson, record a particular approach to body-based and process-oriented sculpture. The book, which accompanies an exhibition, contains an essay by Cornelia H. Butler on the historical ambiguity surrounding process art and one by Pamela M. Lee on temporality in work of the late 1960s.
The artists included in the book are William Anastasi, Richard Artschwager, Mel Bochner, Agnes Denes, Nancy Grossman, Robert Grosvenor, Marcia Hafif, Eva Hesse, Nancy Holt, Barry LeVa, Sol Lewitt, Lee Lozano, Sylvia Plimack Mangold, Gordon Matta-Clark, Robert Morris, Bruce Nauman, Yvonne Rainer, Dorothea Rockburne, Alan Saret, Joel Shapiro, Robert Smithson, Michelle Stuart, Richard Tuttle, and Jack Whitten.
Very Good copy. Only very light wear to soft dust jacket, light tanning to edges.
1991, English
Softcover, 256 pages, 15.6 x 23.4 cm
1st Edition, Out of print title / used / good
Published by
Routledge / London
$65.00 - In stock -
First 1991 Routledge edition of "Who Comes After the Subject?". Edited by Jean-Luc Nancy, Eduardo Cadava, and Peter Connor, this collectible volume offers an overview of contemporary French thought on the question of the "subject", as it is viewed in philosophy, politics, history and psychoanalysis. It represents the most recent research from a host of the foremost contemporary French figures in philosophy and theory, including essays by Deleuze, Derrida, Lyotard, Blanchot, Lacoue-Labarthe, Nancy, Descombes, Kofman, Irigaray, Badiou, Ranciere, and Balibar.
Very Good copy.
1971, Japanese
Softcover, 120 pages, 29.5 x 22 cm
1st Edition, Out of print title / used / good
Published by
Kajima Institute / Tokyo
$80.00 - In stock -
Scarce May 1971 issue of Japanese monthly journal of urban housing, Toshi-Jutaku, edited by Masahiro Yoshida. This issue with a cover feature on Haus-Rucker-Co, the Viennese group founded in 1967 by Laurids Ortner, Günther Zamp Kelp and Klaus Pinter, later joined by Manfred Ortner. Their work explored the performative potential of architecture through installations and happenings using pneumatic structures or prosthetic devices that altered perceptions of space. Such concerns fit with the utopian architectural experiments of the 1960s by groups such as Superstudio, Archizoom, Ant Farm and Coop Himmelblau. Alongside these groups, Haus-Rucker-Co were exploring on the one hand, the potential of architecture as a form of critique, and on the other the possibility of creating designs for technically mediated experimental environments and utopian cities. Includes a fold-out chronology of their projects. The other incredible feature being "Decoration, Urban Decoration & Do-It-Yourself", tracing histories of self-organisation and expression in the form of urban decoration, from William Morris, Art Nouveau and sub-cities to Drop City, road-side attractions, pop interiors and building facades, murals, the city as a dress-up doll, playgrounds, and a wonderful photographic diagram pull-out feature on Tokyo's Ameyoko Shopping Street. Also included articles on Osaka's Senri New Town living environment project, Palawan Hill people's tree houses, architect Atsushi Ueda, toilet design and much more. Published and printed in Japan, Toshi-Jutaku was an important, heavily researched resource of international architecture and urban planning, each issue rich with in-depth articles, technical studies, plans, elevations, profiles, interviews, and much more, spanning the most innovative historical and contemporary developments in the field. Japanese text, only occasional English.
Good copy, light age, wear.
2019, English
Softcover, 264 pages, 27 x 19.5 cm
Published by
Nero / Rome
$65.00 - Out of stock
Global Tools 1973–1975 documents and narrates the story of the eponymous experience of Radical Design and its multidisciplinary school program “without students or teachers.” The Global Tools journey began with its foundation in 1973 by groups and figures drawn from Italian Radical Architecture, Arte Povera, and Conceptual Art, and ended in 1975 after three years of intense experimentation. This book is both a commentary and an impressive visual archive that brings together essays by international authors and reproductions of many original documents—including the Global Tools bulletins, entirely republished here for the first time. This unique and definitive book marks a fundamental stage in the rediscovery of one of the most fascinating European cultural experiences of the late twentieth century.
Edited by Valerio Borgonuovo and Silvia Franceschini.
With texts by Manola Antonioli and Alessandro Vicari, Valerio Borgonuovo and Silvia Franceschini, Alison J. Clarke, Beatriz Colomina, Maurizio Lazzarato, Franco Raggi, Simon Sadler.
Published by Nero in collaboration with SALT, Istanbul.
2022, English
Hardcover, 120 pages, 24 x 28 cm
Published by
Skira / Milan
$65.00 - In stock -
Text by Amanda Renshaw
Critchlow's portraits of Black women transform Western portraiture and conflate kitsch with tradition.
Somaya Critchlow's canvases and sketchbooks log an ongoing process of world building. The artist fashions these realms by drawing upon her expansive knowledge of picture-making traditions ranging from the Renaissance to the Rococo. In charting the ever-expanding dimensions of this female-dominated universe, Critchlow casually disarms the distinctions that inform concepts of high and low culture by uncovering the ways in which class and racial difference are routinely conflated. The voluptuous, self-possessed women who explore Critchlow's fantasy landscapes and pensively occupy domestic interiors or otherwise blank pages owe as much to the aesthetics of Love and Hip Hop as they do to Peter Paul Rubens, and thus prompt the viewer to consider the disparate ways in which we esteem these forms of culture--and the women they feature.