World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
Softcover, 256 pages (colour ill.), 23 x 30 cm
Published by Kaleidoscope Press / Milan
$22.00 - In stock -
Kaleidoscope’s newest release, Issue 22 (Fall 2014), introduces a completely redesigned and revamped version of the magazine, under the visionary art direction of Munich-based Bureau Mirko Borsche. The magazine’s new direction combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update, and is best epitomized by the new cover tagline: VISUAL CULTURE NOW.
In the renovated opening section of HIGHLIGHTS, twelve profiles account for the best of the season: Boychild (by Francesca Gavin), Ed Fornieles (by George Vasey), Adriano Costa (by Laura McLean-Ferris), Liu Chuang (by Venus Lau), Carol Rama (by Jesi Khadivi), Tabor Robak (by Alex Gartenfeld), Jana Euler (by Martha Kirszenbaum), Guan Xiao (by Pablo Larios), Alex Da Corte (by Piper Marshall), David Ostrowski (by Peter J. Amdam), Aphex Twin (by Francesco Tenaglia), and Torey Thornton (by Ross Simonini).
To follow, our signature MAIN THEME section, titled SO NY, is dedicated to practices informed and inspired by the city of New York. From the gritty urban feeling to the great sense of community — living and working in NYC provides endless inspiration and fuel for artists and creators. We have selected four pairs, from different generations and circles, to share memories and discuss perspectives: Jeffrey Deitch and Fab 5 Freddy, Chris Martin and Joyce Pensato, Brendan Dugan and Ari Marcopoulos, and Cecilia Alemani and Marianne Vitale. The result is a choral tale of convergences, strategies, connections, and old and new magics. Enriched with a collectable poster by Ari Marcopoulos!
On the other hand, the MONO section and cover story are dedicated to Norwegian, Los Angeles-based photographer Torbjørn Rødland. Seemingly speaking the fetishistic idiom of advertisement, marketing and food photography, Rødland’s images are in fact pervaded by the most compelling kind of perversity and haunted by boredom, spiritual longing, and a sense of aftermath. This monographic survey comprises an essay by Chris Sharp, an interview by Hanne Mugaas, and original portraits by Trine Hisdal.
Later on, a brand new section invites the eye to an enthralling journey across over 80 pages of visual contributions by artists, curators and image-makers, affirming the magazine’s centrality as a tool to show and experience art. This issue’s VISIONS include “Chopped & Screwed: Austin Lee and David Benjamin Sherry,” curated by Alessio Ascari; H.R. Giger’s “Biomechanoid”; Dorothea Tanning’s “Paintings”; Alexandra Bachzetsis’s “From A to B via C”; “Rondes Bosses,” curated by Nicolas Trembley; Chris Wiley’s “Technical Compositions”; and David Rappeneau’s “$$$$$$$$$$$$$$$$$$$$$$$$$$$.”
Lastly, the closing section of REGULARS features our insightful columns on the past, present and future of art and culture: in the first installment of Futura 89+ Hans Ulrich Obrist and Simon Castets interview American poet Andrew Durbin; Producers features Carson Chan’s conversation with Artsy’s founder Carter Cleveland; Christopher Schreck explores Francesco Clemente’s India as part of the Panorama series; and in Pioneers Fredi Fischli and Niels Olsen talk to legendary artist Ashley Bickerton.