World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
2014, English / German
Softcover, 384 pages (1,052 colour illustrations), 24.4 cm x 16.8 cm
Published by Walther König / Köln
$79.00 - Out of stock
This publication attempts to map a visual approach to one of the world's foremost documentary and essay filmmakers, Harun Farocki.
Unlike the many other, more theoretical publications about his work, this book operates with still images beyond an illustrative or documentary purpose.
By means of repetition, interruption and displacement, the configurations pursue specific movements within each film, taking into account mechanisms of order and open-endedness that are characteristic for Farocki's work in general.
Diagrams traces the dynamics in ten of Farocki's films and presents them along with each film's complete commentaries, dialogues and intertitles, celebrating their major critical gesture: the exposition of mediality.
Edited by Benedikt Reichenbach, with texts by Thomas Elsaesser, Maren Grimm, Jan Verwoert, Christa Blümlinger, Dietrich Leder, Ute Holl, Benedikt Reichenbach, Matthias Rajmann, Hila Peleg, Anselm Franke.
Softcover, 296 pages, 18 x 11 cm
Published by August Verlag / Cologne
$46.00 - In stock -
Things and objects have been at the center of theoretical debate for some years. However, the question what Film and Media Studies can contribute to questions of human and non-human agency has been largely absent from these discussions.
The essays in this book address this lack and scrutinize cinema’s specific way of dealing with objects. If we consider cinema not as a mere mode of representation but as an epistemological machine: What does it know about things and objects?
How does it process the relations between humans and non-humans? Alternating theoretical approaches with individual case studies, this book provides answers from different perspectives and sheds light on the peculiar ontology of the ‘Cinematographic Object’.
Artists/filmmakers featured in this book include: Fritz Lang, Max Ophüls, John Baldessari, John Stezaker, and Michael Snow, among others.
Texts by Marcus Becker, Francesco Casetti, Thomas Elsaesser, Lorenz Engell, Ulrike Hanstein, R. John, Esther Leslie, Volker Pantenburg, Lesley Stern, Annette Urban, Kenneth White.
Published by August Verlag.
$40.00 - In stock -
Edited by Nick Aikens
Texts by Nick Aikens, Karen Archey, Thomas Elsaesser, Pablo Lafuente, Sven Lütticken, David Riff, Hito Steyerl, Ana Teixeira Pinto
Hito Steyerl is rightly considered one of the most exciting artists working today who speculates on the impact of the Internet and digitization on the fabric of our everyday lives. Her films and writings offer an astute, provocative, and often funny analysis of the dizzying speed with which images and data are reconfigured, altered, and dispersed, many times over, accelerating into infinity or crashing into oblivion.
Published to accompany the artist’s survey exhibitions at the Van Abbemuseum, Eindhoven, and the Institute of Modern Art, Brisbane, Too Much World gathers a series of essays and close readings of Steyerl’s films from the past ten years. Newly commissioned texts by Sven Lütticken, Karen Archey, Ana Teixeira Pinto, and Nick Aikens, alongside writings by Thomas Elsaesser, Pablo Lafuente, David Riff, and Steyerl, are spliced with over one hundred pages of color stills. This publication is a charged slideshow of the artist’s extraordinary investigations into the status, circulation, and materiality of images.
Copublished with Van Abbemuseum, Eindhoven, and Institute of Modern Art, Brisbane
Design by Bardhi Haliti