World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2005, English / German
Softcover (w. folded poster dust-jacket), 192 pages, 22.5 x 27 cm
1st Edition. Out of print title, as new.,
Published by Walther König / Köln
$200.00 - Out of stock
Catalogue published on the occasion of the exhibition Rosemarie Trockel: Menopause at the Museum Ludwig, Köln, Oct. 29 2005 - Feb. 12 2006, and MAXXI-Museo nazionale delle arti del XXI secolo, Rome, 19 May - 6 Aug. 2006.
This wonderful, major book on Rosemarie Trockel seemed to disappear from print rather fast, quickly becoming a collector's item in the mid 2000s. A catalogue raisonné of sorts, collecting Rosemarie Trockel's work from 1980 to 2005 (sculpture, wool works, drawings, publications, garments, photography, video - including very rarely seen objects). Probably the best and most valuable books produced on one of Germany's most incredible artists, 'Post Menopause' was realised in close cooperation with Trockel herself, and features bilingual (English and German) essays by Brigid Doherty, Silvia Eiblmayr, Barbara Engelbach and Gregory Williams.
Very highly recommended!
This copy is in As New condition and features the original folded dust-jacket poster.
Rosemarie Trockel was born in Schwerte, Germany in 1952. She studied in the Werkkunstschule in Cologne until 1978. Trockel’s oeuvre is diverse in themes and mediums, which include works on paper, ‘knitted paintings’ and sculptures. Though it is difficult to associate a particular style with her work, several concurrent themes can be identified within her oeuvre, such as the female role in society, the trademarks and symbols as social signifiers and decorations and finally, her fascination with ethnographic and scientific studies, which are often expressed through her sculptures. Trockel has become best known for her machine-generated ‘knitted paintings’–knitted woolen material placed on a stretcher–in which she challenges traditional notions of painting, feminine roles in society and culture at large, as well as art making itself. Additionally, her incorporation of references to popular culture through logos or symbols and sometimes text is yet another way to comment on the commodification of art and on the subjectivity of language and visual representation.
Rosemarie Trockel has exhibited extensively throughout the United States and Europe. Recent solo exhibitions of her work have been held in institutions such as MAXXI – Museo Nazionale Delle Arti Del XXI Secolo, in Rome in 2006, The Museum of Modern Art in Frankfurt in 2004, and the Dia Foundation for the Arts in New York in 2002. She has also participated in exhibitions in major institutions such as the Museum of Modern Art in New York, the Fondation Beyeler in Rien and the Deichtorhallen in Hamburg. Trockel has also participated in several international biennials, and her work has been featured in multiple publications. Her work has been awarded numerous prizes, including the 2011 Kaiserring from the city of Goslar, which is one of the best-known prizes for contemporary art in the world. Rosemarie Trockel lives and works in Cologne.
2013, English / French
Hardcover (cloth-bound), 256 pages, 21 x 24 cm
Published by Black Jack Editions / France
$69.00 - In stock -
First anthology of Rosemarie Trockel's collages, which are a key for a difracted and non-academic view on the whole work of this German artist known internationaly.
Rosemarie Trockel's collages form an important and central component of the retrospective exhibitions “Flagrant Delight”, held in 2012-2013 at Wiels (Brussels), Culturgest (Lisbon) and Museion (Bolzano), and “Verflüssigung der Mutter” (Deliquescence of the Mother), at the Kunsthalle Zurich in 2010. These collages are the subject of this publication, which takes a more detailed and in-depth look at them through a comprehensive body of illustrations of the 100 or so collages Trockel has produced to date, together with commissioned essays that address specifically this (still relatively unexplored) aspect of her extensive and multifaceted work.
Texts by Brigid Doherty, Gregory Williams, Elvan Zabunyan.
Softcover, 15.6 x 24 cm, 256 pages (256 color ill.)
Published by Sternberg Press / Berlin
$38.00 - Out of stock
With contributions by Agency, Irene Albers, Oksana Bulgakowa, Edwin Carels, Bart De Baere, Didier Demorcy, Brigid Doherty, Sergei Eisenstein, Anselm Franke, Masato Fukushima, Avery F. Gordon, Richard William Hill, Darius James, Gertrud Koch, Joachim Koester, Bruno Latour, Maurizio Lazzarato and Angela Melitopoulos, Vivian Liska, Henri Michaux, Santu Mofokeng, Philippe Pirotte, Florian Schneider, Erhard Schüttpelz, Michael Taussig, Eduardo Viveiros de Castro, Martin Zillinger What is the role of aesthetic processes in the drawing of the boundaries between nature and culture, humans and things, the animate and inanimate? Structured around the aesthetic processes and effects of animation and mummification, Animism—a companion publication to the long-term exhibition of the same title, which premiered at Extra City Kunsthal Antwerpen in January 2010—brings together artistic and theoretical perspectives that reflect on the boundary between subjects and objects, and the modern anxiety that accompanies the relation between “persons” and “things.” With works by Agency, Art & Language, Christian W. Braune & Otto Fischer, Marcel Broodthaers, Paul Chan, Tony Conrad, Didier Demorcy, Walt Disney, Lili Dujourie, Jimmie Durham, Eric Duvivier, Harun Farocki, León Ferrari, Christopher Glembotzky, Victor Grippo, Brion Gysin, Luis Jacob, Ken Jacobs, Darius James, Joachim Koester, Zacharias Kunuk, Louise Lawler, Len Lye, Étienne-Jules Marey, Daria Martin, Angela Melitopoulos & Maurizio Lazzarato, Wesley Meuris, Henri Michaux, Santu Mofokeng, Vincent Monnikendam, Tom Nicholson, Otobong Nkanga, Reto Pulfer, Félix-Louis Regnault, Józef Robakowski, Natascha Sadr Haghighian, Paul Sharits, Yutaka Sone, Jan Švankmajer, David G. Tretiakoff, Rosemarie Trockel, Anne-Mie Van Kerckhoven, Dziga Vertov, Klaus Weber, Apichatpong Weerasethakul Co-published with Extra City – Kunsthal Antwerpen and M HKA – Museum of Contemporary Art, Antwerp Design by NODE Berlin Oslo