World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
Softcover, 200 pages, 24 x 25 cm
1st edition, Out of print title / used*,
Published by Museum of Modern Art / Kamakura
$90.00 - Out of stock
Rare 1988 catalogue of exhibition "Japanese Photography in 1930s", Sep. 10 - Oct. 30, 1988 at the Museum of Modern Art, Kamakura.
Lavishly illustrated (just under 350 colour and black and white photo reproductions) catalogue surveying the incredible and diverse modern and avant-garde photographic work to come out of Japan during the 1930s (and early 1940s), including the work of Jun Watanabe, Ei-Q, Manshichi Sakamoto, Iwata Nakayama, Kiyoshi Koishi, Masaki Yamaguchi, Hiroshi Hamaya, Shoji Ueda, Hisashi Hisano, Wataru Takahashi, Keiichiro Goto, Kansuke Yamamoto, Tsugio Tajima, Minoru Sakata, Koro Honjo, Sutezo Otono, Kametaro Kawasaki, Bizan Ueda, Nakaji Yasui, Yoshio Tarui, Toshinobu Yano, Kiyoshi Koishi, Kiyoshi Nishiyama, Ori Umesaka, Roso Fukuhara, Shinzo Fukuhara, Yasuzo Nojima, Mitsugi Arima...
A very valuable volume for anyone interested in modern photography.
Comes with printed ad for exhibition inserted.
Softcover (French-folds), 288 pages, 27 x 21.5 cm
1st edition, Out of print title / used*,
Published by Tokyo Metropolitan Museum of Photography / Tokyo
$200.00 - Out of stock
Wonderful first edition of this now very scarce Japanese photography book published in 1995 by Tokyo Metropolitan Museum of Photography, Tokyo, Japan on the occasion of the major photography retrospective "The Founding and Development of Modern Photography in Japan", held between 21 January-26 March 1995.
Fine historical photographic works by 76 Japanese artists are beautifully reproduced in this handsome edition, alongside reproductions of page-spreads from important modern Japanese photography publications such, complete list of exhibited works, and texts in English and Japanese, including "Consciousness and Expression of the Modern"; "The Modern in Lyricism"; "Photographs as Modern Forms of Expression"; "In Search of a New Image of the Photographer".
Isshū Nagata, Koshiro Onchi, Manshichi Sakamoto, Iwata Nakayama, Kiyoshi Koishi, Jun Watanabe, Ei-Q, Masaki Yamaguchi, Hiroshi Hamaya, Shoji Ueda, Hisashi Hisano, Wataru Takahashi, Keiichiro Goto, Kansuke Yamamoto, Tsugio Tajima, Minoru Sakata, Koro Honjo, Sutezo Otono, Kametaro Kawasaki, Bizan Ueda, Nakaji Yasui, Yoshio Tarui, Toshinobu Yano, Kiyoshi Koishi, Kiyoshi Nishiyama, Ori Umesaka, Shinzo Fukuhara,Roso Fukuhara, Yasuzo Nojima, Mitsugi Arima, and many more.
"... With the Meiji Restoration, Japan began its march towards modernization. As part of that process, photography, which had reached Japan in the waning days of the Edo period, spread throughout society. The Taisho era saw the rise of Taisho Democracy, with its respect for the individual as a human being. Paralleling that movement, photography became a popular medium closely involved in the lives of ordinary people, thanks to technical advances that made photography simpler and more accessible. By the start of the Showa period, the modernization of Japan was an accomplished fact, and photography was no longer simply another means of expression; through modernization it acquired social qualities. Japan, however, was on the path to war, a tragedy arising from the strains of modernization, and the collapse of everything that had been built up over the previous decades became unavoidable. Photography, as an art that had developed in the process of building a modern society, underwent a metamorphosis as the times overtook art. This exhibition takes the view that the history of modern photography is part of the history of modern Japan, and is an attempt to provide a thought-provoking retrospective of modern photography while posing the question, “What is the modern?""
January, 1993, Tokyo Metropolitan Museum of Photography