World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
Softcover, 112 pages, 24 x 17 cm
Ed. of 500,
Published by ACCA / Melbourne
$20.00 - In stock -
Claire Lambe: Mother Holding Something Horrific, was published to accompany the Melbourne-based, English-born artist Claire Lambe's exhibition at ACCA, 8 April – 25 June, 2017. Curated by ACCA’s Artistic Director, Max Delany and Curator, Annika Kristensen, Claire Lambe: Mother Holding Something Horrific charges ACCA’s gallery spaces with a series of corporeal sculptures and dramatic installations that are at once uncanny, anarchic and full of life and libido.
As the most significant publication on Claire Lambe’s practice to date, the catalogue features a forward by Max Delany, a republished poem from 2011 by fellow artist Elizabeth Newman, a newly commissioned essay by author Emma Jane Unsworth, and Claire Lambe in conversation with Max Delany and Annika Kristensen, alongside an extensive colour documentation of Lambe’s work in progress, production stills, studio views, artist notes and reference materials.
Softcover, 24 pages, 21 x 29.7 cm
Ed. of 2000,
Published by Endless Lonely Planet / Melbourne
$0.00 - In stock -
Endless Lonely Planet 5, published on the occasion of the 4th/5th Melbourne Artist Facilitated Biennial held at Tarrawarra Museum of Art as part of TARRAWARRA BIENNIAL 2016: ENDLESS CIRCULATION (19 August - 6 November 2016) curated with Discipline. Exhibition and publication features the work of Christopher L G Hill, Nick Selenitsch, Lou Hubbard, Lewis Fidock, Endless Lonely Planet, Liam Osborne, Lisa Radford, Elizabeth Newman, Nicholas Tammens, Kate Meakin, George Egerton-Warburton, James Deutsher, Zac Segbedzi, Aurelia Guo, Rudi Williams, Alex Vivian, Lucina Lane, Lauren Burrow, Counterfeitnessfirst, Virginia Overell, Joshua Petherick, Laurel Doody, Tahi Moore, elp3 Vine, and more...
Free in the shop.
Free on request with any order (include in your order and shipping cost will be credited back)
If ordered alone, shipping charges apply.
Softcover, 14 pages, 15 x 20 cm
Published by Neon Parc / Melbourne
$8.00 - In stock -
Catalogue produced on the occasion of the exhibition "The effect that is propagated is not from the communication of speech but from the displacement of discourse" at Neon Parc, 25 June - 13 August 2016 by Melbourne artist Elizabeth Newman. Features full-colour documentation of the exhibition installation and individual paintings, alongside an essay by Rex Butler.
Design by Yanni Florence
Softcover, 192 pages + 92 page booklet, 23 × 30 cm
Published by Discipline / Melbourne
$30.00 - Out of stock
Edited by Nicholas Croggon, David Homewood, & Helen Hughes; with a guest edited section by Ferdiansyah Thajib, KUNCI Cultural Studies Center; and designed by Robert Milne.
Cover : Gordon Bennett
Editorial by Nicholas Croggon, David Homewood & Helen Hughes
Elizabeth Newman: Abstraction, Simulation, Obscuration by Francis Plagne
Critical Ambiguity: A Kantian Reading of Recent Work by Juan Davila by Helen Johnson
Trans-Pacific: Abstract Painting in Australia, New Zealand and America 1930–1960 by Rex Butler & A.D.S. Donaldson
Object Documentation by David Homewood & Bronté Lambert
The Dispute at the 19th Biennale of Sydney by Michael Ascroft
Illusion in Wendy Paramor’s Triad by Amelia Sully
Ambient Perspective and Endless Art by Nikos Papastergiadis & Amelia Barikin
Figures of the Machine: Richard Tuohy’s Halftone Films by Giles Fielke
Non-Resolution IRL by Danni Zuvela
Interview with Hito Steyerl by Amelia Groom
The Three Bodies of Angus Cerini by Jon Roffe
Encountering a Collection: Fiona Connor’s Wallworks by Kate Warren
What it’s Like to Dance Naked in the Museum and Other Thoughts: Stuart Ringholt’s Kraft (2014) by Liang Luscombe & Patrice Sharkey
Contemporary Art and Contemporaneity: Reflections on Method, Review of Reviews (Part 2) by Terry Smith
The Eternal Return of Irony: Gordon Bennett (1955–2014) by Ian McLean
Clothes by Centre for Style
Back Cover : John Citizen
Guess edited section by Ferdiansyah Thajib, KUNCI Cultural Studies Center (loose booklet in Bahasa and English)
Holopis Kuntul Baris: Karya Seni di Era Kolaborasi yang Tampak Mekanis / Holopis Kuntul Baris: The Work of Art in the Age of Manifestly Mechanical Collaboration
Pengantar/Introduction by Ferdiansyah Thajib
Kerangka Kolektivitas/Terms of Collectivity by Simon Soon
Wok the Rock & Co.: Memahami Persahabatan dalam Dunia Seni Yogyakarta/Wok the Rock & Co.: Making Sense of Friendship in Yogyakarta’s Art Scene by Nuraini Juliastuti
Punkasila, Kerjasama dan Persahabatan/Punkasila, Cooperation and Friendship by Syafiatudina
Hestu A. Nugroho (Setu Legi)
Softcover, 80 pages, 16.5 x 24.5 cm
1st Edition, Out of print title / As New,
Published by University of Queensland Art Museum / Brisbane
$25.00 - Out of stock
7 December 2000—24 February 2001
University of Queensland Art Museum, Brisbane
Monochromes was the first major survey in Australia of artists working with a single colour. It presented artworks produced over the previous 35 years by more than 45 Australian and foreign artists who have exhibited work of this nature in Australia. The approach adopted involved selecting one work by each artist and grouping them by colour. And rather than including only artists who might be considered 'hard-core' exponents of the painted monochrome, a more expanded view of monochromatic practice was embraced, one that acknowledged critical shifts in contemporary practice since the 1960s, with numerous conceptual and post-conceptual works presented.
A substantial catalogue, with an introduction by David Pestorius, commissioned essays by Andrew McNamara (QUT) and Morgan Thomas (UQ), and comprehensive installation view photo-documentation, was produced in the immediate aftermath of the exhibition.
artists: Ian Anüll (Zurich) Peter Bonde (Copenhagen) Peter Booth (Melbourne) Ian Burn (Melbourne) A.D.S. Donaldson (Sydney) Mikala Dwyer (Sydney) Andreas Exner (Frankfurt) Dale Frank (Brisbane) Marco Fusinato (Melbourne) Gail Hastings (Sydney) Leni Hoffmann (Düsseldorf) Robert Hunter (Melbourne) Robert Jacks (Melbourne) Gerold Miller (Berlin) Ian Milliss (Sydney) Elizabeth Newman (Melbourne) John Nixon (Sydney) Rose Nolan (Melbourne) Robert Owen (Melbourne) Wendy Paramour (Sydney Ti Parks (Melbourne) Mel Ramsden (Oxfordshire) Robert Rooney (Melbourne) Chris Wilder (Los Angeles) Heimo Zobernig (Vienna), and others.
Loose-leaf collection of Y3K ephemera (folded A3 exhibition posters, plus A4 inserts), 21 x 29.7 cm
Edition of 100,
Published by Y3K / Melbourne
$25.00 - In stock -
Y3K was a two-year (2009-2011) proposition initiated by James Deutsher and Christopher L G Hill, a gallery practice as-an-extension-of an art practice and-in-support-of a wider art and design community in Melbourne and Internationally.
Over two-years Y3K exhibited World Food Books, BLESS, Christopher L.G. Hill, Emmeleine deMooij, Jota Castro, Kinga Kielczynska, Melanie Bonaj, fabrics interseason, ffiXXed, Heinz Peter Knes, James Deutsher, Matt Hinkley, Olivia Barrett, Pat Foster, Jen Berean, Rob McKenzie, SIBLING, Slow and Steady Wins the Race, Jon Campbell, LOST Projects, Alex Vivian, Daniel du Bern, Nick Selenitsch, Kain Picken, Next Wave, A Constructed World, Joshua Petherick, Helen Johnson, Bianca Hester, Misha Hollenbach, David Griggs, Sam Kiyoumarsi, Robert Langenegger, Nick Mangan, Matt Griffin, Masato Takasaka, Fiona Connor, Tahi Moore, Ida Ekblad, Art Centre Ongoing, Kit Lee, Kate Newby, Sriwhana Spong, Dylan Statham, Simon Taylor, Sophia Mitchell, Rowan Mcnaught, MM Yu. Ilia Farah Rosli, Marco Fusinato, TATE Modern, Marie Gaultier, Anna Hess, Veronica Kent, Jarrod Rawlins, Keith Al-Hasani, Ruby Lowe, Justin Clemens, Daniel Munn, Simon Denny, Dan Arps, Andrew Barber, Structural Integrity, Marco Fusinato, Rose Nolan, Dan Bell, Kate Smith, Ardi Gunawan, Nikos Pantazopoulos, Ben Tankard, Steve Kado, Virginia Overell, Mateo Tannatt, Sean Peoples, Inri Cristo, Tara Rawlins, Chateau 2F, Oscar Yanez, Hany Armanious, Ash Kilmartin, Elizabeth Gower, Lizzy Newman, Nina Sers, Maria Kozic, Ellen Pittman, Juan Davila, Janet Burchill, Jennifer McCarthy, Constanze Zikos, Hao Guo, Pow Martinez, Carissa Rodriguez, Tobias Kaspar, Piotr Łakomy, Natalie Rognsøy, Katherine Huang, Taree McKenzie, Ester Partegas, Mikala Dwyer and John Spiteri and more.
Each exhibition was accompanied by an A3 double sided unique limited edition poster designed by the artists and gallerists. These posters now form the basis for the Y3K publication.
Included in this publication, and on the occasion of it's launch to the public two years after the cessation of the Y3K gallery space, is an accompanying text from
The Y3K publication is a limited edition of 100, and is available from World Food Books.