World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
SAT 12—4 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
Theory / Essay
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Curatorial
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Signed Books
World Food Books Gift Voucher
World Food Book Bag
Australian Art
Australian Photography
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Dada
'Pataphysics / Oulipo
Fluxus
Concrete Poetry
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Surrealism
Arte Povera
Arte Informale / Haute Pâte / Tachism
Nouveau Réalisme / Zero / Kinetic
Situationism / Lettrism
Collage / Mail Art / Xerox Art
Art Brut / Folk / Visionary / Fantastic
Illustration / Graphic Art / Bandes Dessinées
Furniture
Italian Radical Design / Postmodernism
Textiles
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Counterculture
Protest / Revolt
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Socialism / Communism / Capitalism
Literary Theory / Semiotics / Language
Feminism
Fetishism / BDSM
Drugs / Psychedelia
Crime / Violence
Animal Rights / Veganism
Occult / Esoterica
Ecology / Earth / Alternative Living
Whole Earth / Crafts
All prices in AUD (Australian dollars)
Pick-Ups
Please note: The bookshop is closed until February 1, 2024.
Pick-up orders can be collected in our bookshop during opening hours after this date. Please collect any Pick-up orders within 3 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected.
Return Policy
All sales are final. We do accept returns (for refund, exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2020, Japanese
Softcover (w. obi strip), 224 pages, 21 x 15 cm
1st Edition, Out of print title / as new
Published by
Disc Union Books / Tokyo
$90.00 - Out of stock
An epoch-making book, New Age Music Disc Guide, published in 2020 by the mighty Disc Union book imprint and compiled by new age music enthusiast, collector, writer and staff member of the Meditations record store in Kyoto, Tsunaki Kadowaki, is an essential and definitive overview of acoustic, ambient, electronic, and meditative sounds. The book collects and profiles over 600 international new age and ambient album recommendations, with full-colour reproductions of the cover artwork, spanning various styles and eras from the private issued 1970's underground, tracing global shifts in the music over decades all the way up to the genre’s well-deserved current revival and re-evaluation. Also takes a look back at various inspirations earlier still (pre 1974), from folk, early electronic, krautrock, prog and cosmic jazz. Spans electronic, acoustic, balearic, "kankyō ongaku” (environmental music), ambient-oriented Japanese 'anime' soundtracks, modern classical, ethereal, fourth world, minimal, fusion, drone, library .... The book also features interviews with Haruomi Hosono, Yoshio Ojima, Chee Shimizu, Dubby, Spencer Dolan of Visible Cloaks and includes an article by Koki Emura of EM Records.
Some artists includes: Iasos, Ariel Karma, Francesco Messina, Hiroshi Yoshimura, Laurie Spiegel, K. Leimer, Gigi Masin, Satoshi Ashikawa, Midori Takada, Robert Rich, Steven Halpern, John Elder, Ros Bandt, Pepe Maina, Giusto Pio, Richard Pinhas, Dorothy Carter, Emerald Web, Dominique Guiot, Suzanne Ciani, Monopoly Child Star Searchers, Dolphins Into The Future, Hype Williams, Ana Roxanne, James Ferraro, Visible Cloaks, Susumu Yokota, S.E.N.S., Hiroki Okano, Yasuaki Shimizu, Popol Vuh, Yoshio Suzuki, Yas-Kaz, Axis, Aragon, Yutaka Hirose, Robert Ashley, Pauline Anna Strom, Dom, Arica, Moondog, John Fahey, Bobby Brown, Third Ear Band, Sun Ra, Terry Riley, Klaus Schulze, Virginia Astley, Lino Capra Vaccina, Woo, Ashra, Iury Lech, Enya, Erik Wøllo, The Ghostwriters, Laraaji, Eric Tingstad, Deuter, Vidna Obmana, Constance Demby, Nik Tyndall, Eduard Artemiev, Peter Davison, Don Slepian, Mark Isham, Igor Savin, Roedelius, Jon Hassell, Michael Stearns, A.r.t. Wilson, Oneohtrix Point Never, Mark McGuire, Sean McCann, Joanna Brouk, Manuel Gottsching, Michael Hoenig, Carlos Maria Trindale / Nuno Canavarro, Steve Roach, Philippe Saisse, Roberto Donnini, Patricia Escudero, Luis Paniagua, Peter Michael Hamel, Morgan Fisher, Wally Badarou, Robert Turman, Malcolm Cecil, J.D. Emmanuel, Joel Vandroogenbroeck, Tangerine Dream, David Lanz, Brainticket ............. to name but a few!!
Highly recommended resource to the music that is usually playing in the World Food Books shop!
2009, English
Hardcover, 318 pages, 22.5 x 28.7 cm
1st Edition, Out of print title / as new
Published by
Mark Batty / US
$440.00 - In stock -
Exceptionally rare, collectible first edition hardcover volume of Notations 21, the anthology drawing inspiration from John Cage's Notations. Notations 21 features illustrated musical scores from more than 100 composers from every continent, all of whom are innovators in the art of notation. Each score is accompanied by written contributions from the artists, explaining how the music manifested visually, exploring every facet of their creative processes, from inspiration to execution. Contributors include the likes of Karlheinz Stockhausen, Earle Brown, Halim El-Dabh, Joan La Barbara, and Yuji Takahashi, as well as emerging composers whose compositions are visually astounding and important. In the spirit of honuoring the 40th anniversary of Cage's seminal book, while furthering it in a 21st century context, a portion of the sales of this book were donated to the Foundation for Contemporary Performing Arts.
Includes: Victor Adan, Beth Anderson, Kerry John Andrews, Steve Antosca, Cecilia Arditto, Robert Ashley, Kevin Austin, Trevor Bača, Dennis Báthory-Kitsz, Steve Beck, Irene Becker, Cathy Berberian, David Berezan, Carl Bergstrøm-Nielsen, Philip Blackburn, Benjamin Boretz, Sam Britton, Earle Brown, Herbert Brün, Ellen Burr, John Cage, Allison Cameron, Joe Catalano, Raven Chacon, Chris Chalfant, Jef Chippewa, Kyong Mee Choi, Henrik Colding-Jørgensen, Nick Collins, David Cope, Philip Corner, Brent Michael Davids, Tina Davidson, Mario Diaz de Leon and Jay King, Robert Denham, Halim El-Dabh, Robert Erickson, Pozzi Escot, Julio Estrada, Rajmil Fischman, Robert Fleisher, Christopher Fox, Bruce L. Friedman, Guillermo Galindo, Malcolm Goldstein, Daniel Goode, Guillermo Gregorio, Barry Guy, Barbara Heller, Brian Heller, William Hellermann, Mara Helmuth, Sven Hermann, Christoph Herndler, Alan Hilario, Robin Hoffmann, Peter Hölscher, Tsai-yun Huang, Christoph Illing, Lynn Dob, David Evan Jones, John Kannenberg, Suk-Dun Kim, Panayiotis Kokoras, Slavek Kwi, Joan La Barbara, John Lane, Mark Lanqford, Hope Lee, Cheryl E. Leonard, Charlotte Lindvang, Anestis Logothetis, Bent Lorentzen, Martin Sebastian Loyato, Michael Maierhor, Tyler Mains, Keeril Makan, Dan Marmorstein, Dimitris Maronidis, Tony Martin, Kate Maxwell, Cilia McQueen, Rajesh Mehta, Ann MiUikan, Rene Mogensen, Stephen Montague, Robert Morris, Gordon Mumma, Gaël Navard, Phill NibLock, Gary Noland, Makoto Nomura, Eoin O'Keeffe, Pauline Oliveros - Vagn E. Olsson, Paul Paccione, Marianthi Papalexandri-Alexandri, Brice Pauset, Tommaso Perego, Joe Pignato, Jonathan Pitkin, Samuel Pluta, Larry Polansky, Alwynne Pritchard, Anthony J. Ptak, Takayuki Rai, Randy Raine-Reusch, Jon Raskin, Henrik Ehland Rasmussen, Herman Rechberger, Will Redman, Wendy Reid, Steve Roden, Dirk Rodney, Keren Rosenbaum, David Rosenboom, Marina Rosenfeld, Daniel Rothman, Theresa Sauer, R. Murray Schafer, León Schidlowsky, Catherine Schieve, Daniel Schnee, Brian Schorn, Barry Schrader, Phillip Schulze, Michael J. Schumacher, Elliott Sharp, Marilyn Shrude, Stuart Saunders Smith, Juan Maria Solare, Mathias Spahlinger, Jack W. Stamps, John Stead, Norbert Stein, Hans-Christoph Steiner, Peter Sterk, Karlheinz Stockhausen, John Stump, Chiyoko Szlavnics - Yuji Takahashi, Justinian Tamusuza, John Tchicai, James Tenney, Voya Tonecitch, Laura Toxvaerd, Jeffrey Trevino, Andrea Vaile, J. Simon van der Walt, Ivan Vincze, Stephen Vitiello, Douglas C. Wadle, Jennifer Walshe, Clive Wilkinson, Michael Winter, René Wohlhauser, Ge-Suk Yeo, David Young, Katherine Young and Jonathan Zorn, Judith Lang Zaimont, Edson Zampronha, Peter Zombola, Jonathan Zorn, Richard Carlyon, Philip and Gayle Neuman, Morgan O'Hara...
As New copy.
1981, English
Hardcover (library bound), 350 pages, 28 x 24 cm
1st Edition, Out of print title / used / good
Published by
Schirmer Books / New York
$80.00 - Out of stock
Library hardbound copy of the rare Scores: An Anthology of New Music, edited by Roger Johnson and published in 1981. Wonderful, heavy 350 page collection of New Music scores from a wide cross-section of the most innovative "avant-garde" or "experimental" artists of the time, spanning various categories, schools and movements. Includes the work of Pauline Oliveros, Annea Lockwood, Alvin Lucier, Robert Ashley, Christian Wolff, Steve Reich, Harold Budd, Carole Weber, Philip Corner, Meredith Monk, Charlemagne Palestine, Michael Nyman, Joan La Barbara, Otto Luening, James Tenney, Dick Higgins, Marion Brown, Jana Haimsohn, Jon Gibson, Trevor Wishart, Alison Knowles, Daniel Lentz, Gordon Mumma, Laurie Anderson, Terry Riley, and many others. Expansive chapters of scores throughout the anthology include: "Exercises, Rituals, and Meditations"; "Music For Voices"; "Percussion Music"; "Piano Music"; Music for Instruments"; "Electronic Music"; "Music for Mixed Ensembles"; "Music/Theater/Dance Pieces"; accompanied by composer biographies, a directory of publishers, distributors and agents for New Music, Bibliography, and Index.
Nicely preserved library hardbound copy of this usually very fragile softcover book. Light associated library markings not effecting content pages, a generally very tight, clean copy.
2019, English
Softcover, 302 pages, 15 x 20 cm
Published by
Blank Forms / New York
$48.00 - Out of stock
The fourth issue of Blank Forms' journal: a kaleidoscopic view of the last fifty years of experimental art and music in the United States and beyond, mining the conceptual, technical, historical, or otherwise marginal details undergirding artists' lives, ideas, and approaches that may otherwise remain buried.
Edited by Lawrence Kumpf. Contributors and featured artists include Onyx Ashanti, Amy Cimini, Marcia Douglas, Kazuo Imai, Werner Durand, Peter Gente, Heidi Paris, Robert Ashley, “Blue” Gene Tyranny, Spencer Gerhardt, Adrian Rew, Paul Cummings, and Walter De Maria.
2005, English / German
Softcover, 270 pages, 19 x 27 cm
1st Edition, Out of print title / used / very good
Published by
Neues Museum Weserburg Bremen / Bremen
$150.00 - Out of stock
This large, detailed catalogue forms a unique and important document, which was produced to accompany an exhibition at Neues Museum Weserburg Bremen, Bremen, 21.8. - 27.11.2005 and Museu d'Art Contemporani de Barcelona, Barcelona, 16.5. - 1.10.2006 showcasing a selection of some 800 pieces from the collection of Guy Schraenen. The main of this collection comprises vinyl records and covers by artists, musicians and poets in LP, single and other formats, alongside other sound media (tapes and CDs). Posters and books are also included. The exhibition shows artists (such as Hanne Darboven, Jean Dubuffet, Dieter Roth, Joseph Beuys, Laurie Anderson, John Cage, Yoko Ono, Yves Klein, Roman Opalka, Lawrence Weiner, Mike Kelley, Öyvind Fahlström, Art & Language and Hermann Nitsch) and artistic movements of the second half of the twentieth century through this complex medium of the vinyl cover, with its dual visual and audible components. Here Guy Schraenen has edited together an extensive visual catalogue of these historical objects.
A wonderful book for anyone interested in the history of modern sound art and the artistic medium of the vinyl sleeve, especially in the fields of Avantgarde, Electro-Acoustic, Modern Classical, Musique Concrète, Sound-Poetry, Art Rock, Industrial, Power-Electronics....
Henri Chopin, A.R. Penck, Brion Gysin, George Brecht, Marcel Duchamp, Arman, Karel Appel, Öyvind Fahlström, Pierre Henry, Art & Language, Peter Brötzmann, Red Krayola, Ernst Jandl, Vito Acconci, Hanne Darboven, Jean Dubuffet, Dieter Roth, Joseph Beuys, Laurie Anderson, Yves Klein, Roman Opalka, Hermann Nitsch, Yoko Ono, Tony Conrad, Andy Warhol, John Cage, Pierre Schaeffer, Derek Bailey, Han Bennink, Jean Tinguely, Steve Reich, Meredith Monk, Terry Fox, Terry Riley, Sun Ra, Pandit Pran Nath, Albrecht/d., Robert Ashley, Bob Cobbing, Lawrence Weiner, Philip Glass, La Monte Young, Marian Zazeela, Poly Bury, Charlemagne Palestine, Carl Andre, Brian Eno, Mike Kelley, Sonic Youth, Henry Flynt, Jon Gibson, Michael Snow, Roland Topor, Michael Nyman, Harold Budd, Robert Filliou, Nam June Paik ... just the tip of the iceberg.
Very Good copy of the rare first printing from Bremen.
1982, English
Softcover, 224 pages, 21 x 30 cm
1st Edition, Out of print title / Used*,
Published by
Biennale of Sydney / Sydney
$70.00 - Out of stock
Catalogue published on the occasion of the Fourth Biennale of Sydney 1982, 7 April – 23 May 1982. Under the artistic direction of William Wright the 1982 Biennale was titled "Vision in Disbelief" and featured the work of Jörg Immendorff, Dan Graham, Brian Eno, Sue Ford, Joan Jonas, Lyndal Jones, John Baldessari, Robert Ashley, Billy Apple, Gary Hill, Fiona Hall, Philip Guston, General Idea, Bill Henson, Slave Guitars, Michael Snow, Severed Heads, Martha Rosler, Nam June Paik, Mike Parr, Tony Oursler, Davida Allen, Dale Frank, Rebecca Horn, Gareth Sansom, Lucas Samaras, Pe Kirkeby, Maria Kozik, Laughing Hands, Bertrand Lavier, Liz Magor, Anne Marsh, Markus Lupertz, William Wegman, Bill viola, Niele Toroni, Ken Unsworth, Marina Abramovic, John Ahearn, Vivienne Binns, Ian Breakwell, Georg Baselitz, Frank Auerbach, Claus Bohmler, Sydney Ball, Anti-Music, Laurie Anderson, Terry Allen, →↑→ and many more.
This catalogue includes colour and black and white examples of the work of all participating artists alongside texts and biographies.
2013, English
Softcover, 302 pages, 15 x 21 cm
Published by
JRP Ringier / Zürich
$38.00 - Out of stock
Following the success of "A Brief History of Curating" (now available in five different languages, in its fifth reprint, and as an e-book), this publication gathers together interviews with pioneering musicians of the 1950s to the 1980s. The book thus brings together avant-garde composers such as Elliott Carter, Pierre Boulez, and Karlheinz Stockhausen; originators of electro-acoustic music such as François Bayle, Pauline Oliveros, Iannis Xenakis, Robert Ashley, and Peter Zinovieff; Minimalist and Fluxus-inspired artists such as Tony Conrad, Phill Niblock, Yoko Ono, Steve Reich, and Terry Riley; as well figures such as Brian Eno, Kraftwerk, Arto Lindsay, and Caetano Veloso. Their contributions map the evolution of the musical field, from early experiments in concrete and abstract music, to the electronic development and the hybridization between Pop and avant-garde culture.
Hans Ulrich Obrist (*May 1968) joined the Serpentine Gallery (London) as Co-Director of International Exhibitions and Programmes and Director of International Projects in 2006.
The book is part of the Documents series, co-published with Les presses du réel and dedicated to critical writings.
"What a generous and incredible documentation of modern composers' minds and spirits!! It reveals their different characters, moods, methods, and more—proper fertile!!!" —Björk
2013, English
Softcover, 222 pages, 19 x 12 cm
Published by
De Appel / Amsterdam
$20.00 - Out of stock
The eleventh edition of this reader about contemporary art practice is comparative, by way of sharing and splitting, with the goal of understanding the rhetoric that surrounds how we describe ourselves in both a fictional and professional sense. Included are a range of essays, poetry, analyses, diagrams and conversations that illustrate various perspectives on self-perception. With contributions by Abra Ancliffe, Robert Ashley, Ricardo Basbaum, Michael Gazzaniga, Ken Jacobs, Shane Krepakevich, John Latham, Ezra Pound, Kendra Sullivan, Sergei Tret'iakov, Marina Vishmidt, Rebecca Wilcox and Sarah Rose, and several more.
2013, English
Softcover, 240 pages (colour & b/w ill.), 19.1 x 12 cm
Published by
De Appel / Amsterdam
$18.00 - Out of stock
The tenth issue of F.R.DAVID is "…for single mothers." It presents a heterosexual man who takes the liberty to representing some universal views of humanity, typically expressed by women and homosexuals.
"If the critical suggestion I am making in this book is that people tell their stories (which they do not know or cannot speak) through others’ stories, then the very force of insight of this critical suggestion was at once born out and actively enacted, put in motion, by the process of my writing, which was driven, in effect, by the ways in which I was precisely missing my own implication in the texts before me." Shoshana Felman, "What Does A Woman Want?"
With contributions by:
Jean-Philippe Antoine, Robert Ashley, Cornelius Cardew, Thomas A. Clark, Emily Critchley, Elizabeth Crocker, e.e.cummings, Helen DeWitt, Julia Feyrer & Tamara Henderson, Kenneth Goldsmith & Beth Anderson, Ian Hamilton Finlay, Sharon Hayes, Carolyn Heilbrun, Chris Kraus, Léa Lagasse, Clarice Lispector, Rita McBride, Nour Mobarak, Alice Notley, Christian Oldham, Adam Pendleton, Charlotte Prodger, John Russell and Amy Sillman and more.