World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
Softcover, 72 pages, 11 x 19 cm
Published by Sternberg Press / Berlin
$22.00 - In stock -
Edited by Donatien Grau
Afterword by Paul McCarthy
One day I went to interview Dan Graham about the legendary John Daniels Gallery in New York, which he ran from 1964 to ’65. Right after I arrived, Dan started talking to me about Michel Butor and his fascination with the writer’s work back in the 1960s. I merely asked: “And did you ever meet him?” Dan answered: “No. Some people wanted to introduce us, but it never happened.” I asked: “And would you like to meet him?” And he said, with his very own smile: “Of course I would.”
—From the editor’s preface
In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.
Michel Butor is a writer. He redefined the genre of the novel, notably with Second Thoughts (1957), further developing new forms with Mobile (1962) and other fundamental works.
Dan Graham is an artist. A major retrospective of his work was held in 2009 at the Museum of Contemporary Art, Los Angeles; Whitney Museum, New York; and Walker Art Center, Minneapolis.
Design by Thomas Bizzarri & Alain Rodriguez
2016, English / Albanian
12“ vinyl LP and catalogue in gatefold cover, 24 pages, 31 x 31 cm
Published by Sternberg Press / Berlin
$30.00 - In stock -
I Have Left You the Mountain
Edited by Simon Battisti, Leah Whitman-Salkin, Åbäke
With contributions by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, Finn Williams; the singers of Fier, Vlorë, Himarë, and Tirana
“I Have Left You the Mountain,” published on the occasion of the Albanian Pavilion at the 15th International Architecture Exhibition of La Biennale di Venezia, presents ten new texts written by contemporary writers and thinkers on the architecture of displacement. These texts have been set to music and sung by some of the last remaining groups of Albanian iso-polyphonic singers, an art form now protected as “intangible cultural heritage” by UNESCO.
A living art form in step with the generations of migration and transition, “singing migration” has been a core part of processing departure, longing, and return. The Albanian Pavilion is a space of collective listening; of “individuals in company.”
“I Have Left You The Mountain” initiates a conversation about the urbanism of displacement, projecting the Albanian case onto an international stage, with the express intention to transmit that dialogue and its speculations back into Albania.
The singers of Fier: Petrit Canaj, Llazar Dumi, Kastriot Halihoxha, Nesim Meno, Muharrem Mezani, Guri Rrokaj, Fatmir Tahiraj, Shaban Zeneli; the singers of Vlorë: Adriatik Cenko, Viktor Gjoka, Sinan Gjoleka, Vendim Kapaj, Piro Latifaj, Dejrim Mustafaraj, Trifon Malaj; the singers of Himarë: Luljeta Çipa, Valentina Gerdhuqi, Violeta Gerdhuqi, Zaharulla Koka, Polite Merkuri, Eglanda Prifti, Vojsava Zenelaj; the singers of Tirana: Dhurim Ballo, Sotir Ballo, Nazo Celaj, Trifon Golemi, Hyso Xhaferraj
Published on the occasion of the Albanian Pavilion at the15th International Architecture Exhibition of La Biennale di Venezia.
Design by Åbäke