World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
$65.00 - In stock -
Edited by Katherine Pickard, Tim Saltarelli
Contributions by John Kelsey, David Lewis, Jaleh Mansoor, Javier Sánchez Martínez, Laura Owens, Sean Paul
Blake Rayne’s approach to painting stems from the duplicity of words like script, folder, application, dissolve, and screen. These operative terms situate his work between forms of linguistic description and the history of reflexive material practices in art. He begins from an orientation that considers the terms painter and painting as fictions with no stable material definition. Rather, they are shaped by always-evolving social, institutional, and physical relations.
Published in conjunction with Rayne’s first survey exhibition “Cabin of the Accused” (Blaffer Art Museum, Houston, October 22, 2016–March 18, 2017), Tense and Spaced Out spans Rayne’s work over the last decade, featuring long-form essays by Sean Paul, Jaleh Mansoor, Javier Sánchez Martínez, and John Kelsey, and shorter statements by Laura Owens and David Lewis. Not confined to the role of mere catalogue, however, the publication also includes documentation of the exhibition by a group of local high-school students and a magazine dedicated to Rayne’s 2013 book-object Almanac.
Copublished with Sequence Press and Blaffer Art Museum
Design by Geoff Kaplan
$45.00 - Out of stock
Object-Oriented Philosophy: The Noumenon's New Clothes
Published by Urbanomic
Postscript by Ray Brassier
Paperback 115x175mm, 430pp.
How does the patience and rigour of philosophical explanation fare when confronted with an irrepressible desire to commune with the object and to escape the subjective perplexities of reference, meaning and sense?Moving beyond the hype and the inflated claims made for 'Object-Oriented' thought, Peter Wolfendale considers its emergence in the light of the intertwined legacies of twentieth-century analytic and Continental traditions.
Both a remarkably clear explication of the tenets of OOP and an acute critique of the movement's ramifications for philosophy today, Object-Oriented Philosophy is a major engagement with one of the most prevalent trends in recent philosophy.
Object Oriented Ontology is the last chapter in the interminable saga of the struggle between realism and transcendentalism. It attempts to undo the transcendental turn and resuscitate the precritical notion of reality in which humans are not subjects but one among many actants. What Peter Wolfendale does in his detailed and forceful analysis is what Kant did to Swedenborg: to dispel the mist of vibrant (spiritualized) materiality. What Voltaire said about god should be repeated about this book: if it didn't exist, we would have to invent it.
The Lava That Dare Not Speak Its Name
1.2. The Fourfold
1.3. Vicarious Causation
The Withdrawal Of Arguments
2.1. Tools, Knowledge, And Distinctness
2.2. Heidegger, Husserl, And Kripke
2.3. Occasionalism, Independence, And Supplementation
3.1. Sense And Sensuality
3.2. Qualities And Qualia
3.3. What Are Relations Anyway?
3.4. What Are Objects Anyway?: On Ontological Liberalism
3.5. What is Metaphysics Anyway?
3.6. What Does It All Mean?
4.1. The Spectre Of The Past
4.2. The Sins Of The Present
4.3. The Horrors Of The Future
Postscript: Speculative Autopsy
$35.00 - Out of stock
To Live and Think Like Pigs:
The Incitement of Envy and Boredom in Market Democracies
English Translation by Robin Mackay
Foreword by Alain Badiou
Gilles Châtelet’s scathing polemical tract opens at the end of the 70s, when the liberatory dreams of ‘68 are beginning to putrefy, giving rise to conditions more favourable to a new breed of self-deluding ‘nomads’ and voguish ‘gardeners of the creative’. Gulled by a ‘realism’ that reassures them that political struggle is for anachronistic losers, their allegiances began to slide inexorably toward the ‘revolutionary’ forces of the market’s invisible hand, and they join the celebrants of a new order governed by boredom, impotence and envy….
As might be expected of Châtelet—mathematician, philosopher, militant gay activist, political polemicist, praised by contemporaries such as Deleuze and Badiou for his singularly penetrating philosophical mind—this is no mere lament for a bygone age. To Live and Think Like Pigs is the story of how the perverted legacy of liberalism, allied with statistical control and media communication, sought to knead Marx’s ‘free peasant’ into a statistical ‘average man’—pliant raw material for the cybernetic sausage-machine of postmodernity.
Combining the incandescent wrath of the betrayed comrade with the acute discrimination of the mathematician-physicist, Châtelet proceeds to scrutinize the pseudoscientific alibis employed to naturalize ‘market democracy’. As he acerbically recounts, ‘chaos’, ‘emergence’, and the discourses of cybernetics and networks merely impart a futuristic sheen to Hobbesian ‘political arithmetic’ and nineteenth-century ‘social physics’—a tradition that places the individual at the center of its apolitical fairy-tales while stringently ignoring the inherently political process of individuation.
When first published in 1998, Châtelet’s book was a fierce revolt against the ‘winter years’ and a mordant theory-science-fiction of the future portended by the reign of Reagan-Thatcher-Mitterand. Today its diagnoses seem extraordinarily prescient: the ‘triple alliance’ between politics, economics and cybernetics; the contrast between the self-satisfied ‘nomadism’ of a global overclass and the cultivated herds of ‘neurolivestock’ whose brains labour dumbly in cybernetic pastures; the arrogance of the ‘knights of finance’; and the limitless complacency and petty envy of middle-class dupes haplessly in thrall to household gods and openly hostile to the pursuit of a freedom that might require patience or labour.
Mercantile empiricists and acrobat-intellectuals, fluid nomads and viscous losers, Robinsons on wheels, Turbo-Bécassines and Cyber-Gideons…Châtelet deploys a cast of grotesque ‘philosophical personae’ across a series of expertly-staged set-pieces: from Hobbes’s Leviathan to Wiener’s cybernetics; from the ecstasies of Parisian nightlife to the equilibrial dystopia of Singapore’s ‘yoghurt-maker’; from the mercantile empiricist for whom the state is a glorified watermelon-seller to the coy urbanite with a broken hairdryer; from the ‘petronomadic’ stasis of the traffic jam to the financier chasing the horizon of absolute volatility; from the demonization of cannabis to the fatuous celebration of ‘difference’.
To Live and Think Like Pigs is both an uproarious portrait of the evils of the new world order, and a technical manual for its innermost ideological workings. Châtelet’s diagnosis of the ‘neoliberal counter-reformation’ is a significant moment in French political philosophy worthy to stand alongside Deleuze’s ‘Control Society’ and Foucault’s ‘liberal governmentality’. His book is crucial reading for any future politics that wants to replace individualism with an understanding of individuation, libertarianism with liberation, liquidity with plasticity, and the statistical average with the singular exception. Its appearance in translation is an important new contribution to contemporary debate on neoliberalism, economics and capitalist subjectivation.
Gilles Châtelet (1944-1999) began his studies at the École Normale Supérieure de Fontenay-Saint-Cloud. During the late 1960s he was a member of an anti-Stalinist student faction of the French Communist Party. After 1968, a stay at UC Berkeley brought him into contact with key protagonists of the Beat Generation. He returned to France and joined the Front Homosexuel d’Action Révolutionnaire (FHAR), and befriended Roland Barthes, Daniel Guérin and Guy Hocquenghem. Meeting Michel Foucault was an important marker in the development of his political thinking; as was his friendship with Félix Guattari and Gilles Deleuze, who played a decisive role in renewing his passion for philosophy. He obtained his PhD in Pure Mathematics from the University of Paris XI in 1975, writing his thesis on differential topology. In 1979 he became Professor of Mathematics at the University of Paris VIII. Around this time he established a dialogue with René Thom that continued until his death. He was programme director at the Collège International de Philosophie from 1989 to 1995, during which period he published the important work Les Enjeux du Mobile: Mathématique, Physique, Philosophie. In 1994 he joined the Laboratoire Disciplinaire Pensée des Sciences, founded by Charles Alunni at the École Normale Supérieure in Paris. There, he had an active and influential role in the seminar, ‘Actuality, Potentiality and Virtuality’.
$43.00 - In stock -
From Decision to Heresy
Edited by Robin Mackay
Translated by Taylor Adkins, Ray Brassier, Christopher Eby and Anthony Paul Smith
The question ‘what is non-philosophy?’ must be replaced by the question about what it can and cannot do. To ask what it can do is already to acknowledge that its capacities are not unlimited. This question is partly Spinozist: no-one knows what a body can do. It is partly Kantian: circumscribe philosophy’s illusory power, the power of reason or the faculties, and do not extend its sufficiency by way of another philosophy. It is also partly Marxist: how much of philosophy can be transformed through practice, how much of it can be withdrawn from its ‘ideological’ use? And finally, it is also partly Wittgensteinian: how can one limit philosophical language through its proper use?
But these apparent philosophical proximities and family resemblances are only valid up to a point. That point is called the real – determination-in-the-last-instance, unilateral duality, etc. – which is to say, all of non-philosophy in-person. In other words, these kinds of comparisons are devoid of meaning, or at best profoundly misleading, because non-philosophy is ‘performative’, its capacities being entirely those of an immanent practice rather than a programme.
This volume provides a collection of English translations of the writings of François Laruelle, one of the most creative and subversive, yet least well-known French philosophers working today.
For the past thirty years Laruelle has been setting out a rigorous theory for philosophy that offers a universal and abstract transcendental organon capable of conceiving the various philosophical accounts indifferent to their doctrines.
Laruelle has invented a totally new conceptual framework that transforms not only philosophical practice but even thought itself: In universalizing the theoretical conditions of philosophical theorising through his unique formal inventions, Laruelle develops a new form of thinking: one that initiates a transcendental and non-decisional theory for philosophical decision in a militant and heretical way.
From Decision to Heresy opens with an introduction based upon an in-depth interview with the author that traces the abiding concerns of his prolific output, from the origins of ‘non-philosophy’ to its evolution into what he now calls ‘non-standard philosophy.' The volume closes with two Appendices: the first contains several of the author’s experimental texts, which have not previously appeared in English translation; the second is a transcript of an early intervention and discussion on Laruelle’s ‘transvaluation’ of Kant’s transcendental method.
François Laruelle, Professor Emeritus at the University of Paris X: Nanterre, is the author of more than twenty books, including Biography of the Ordinary Man, Theory of Strangers, Principles of Non-Philosophy, Future Christ, Struggle and Utopia at the End Times of Philosophy, Anti-Badiou, and Non-Standard Philosophy.
Introduction: Laruelle Undivided
A Rigorous Science of Man
Towards a Science of Philosophical Decision
Revolution within the Limits of Science Alone
The Transcendental Method
The 'Non-Philosophical' Paradigm
What is Non-Philosophy?
Philosophy and Non-Philosophy
Non-Philosophy as Heresy
A Summary of Non-Philosophy
From The First to the Second Non-Philosophy
The Degrowth of Philosophy: Towards a Generic Ecology
Experimental Texts, Fictions, Hyperspeculation
Variations on a Theme by Heidegger
Letter to Deleuze
Universe Black in the Human Foundations of Colour
What the One Sees in the One
Transvaluation of the Transcendental Method
$42.00 - In stock -
Synthetic Philosophy of Contemporary Mathematics
Translated by Zachary Luke Fraser
Synthetic Philosophy of Contemporary Mathematics is a unique and unprecedented book, and a much needed one. Fernando Zalamea (Professor of Mathematics at the Universidad Nacional de Colombia) offers a synthetic perspective on the vast spectrum of contemporary mathematics, together with an analysis of the new philosophical problems originating therein. The book makes available to the inquisitive non-specialist the conceptual transformations and intellectual orientations of modern and contemporary mathematics, and their significance for speculative philosophical thought.
The first part of the text discusses the specificity of modern (1830-1950) and contemporary (1950 to the present) mathematics, and offers an extensive review of how philosophy of mathematics addressed it (or failed to). In the second part, thirteen detailed case studies examine the greatest creators in the field, compiling a map of the central advances accomplished in mathematics over the last half-century. Drawing on these concrete examples, the third part proposes some generic outlines for synthesis.
Zalamea's book serves as a conceptual introduction to mathematical themes rarely discussed outside specialist circles, and as a critical lens by means of which today's mathematics may aid us in the configuration of new cultural perspectives.
If analytic philosophy was forged in the fires of set theory and classical logic at the beginning of the twentieth century, then today, at the dawn of the twenty-first, and around the scaffolding of category theory and the logic of sheaves, it is time for a complementary, synthetic philosophy to be built.
This is a weighty and daring book. It proposes a new philosophy of mathematics, based on a detailed knowledge of the most recent work in advanced mathematics, and constructed in explicit contrast with the traditional analytical approach…this new synthetic and open-minded approach is no doubt worthy of attention, and philosophers who dare to make an effort will surely reap the reward.
American Mathematical Society’s MathSciNet
Zalamea is clearly on the cutting edge of theorizing potential intersections between networks, math, and philosophy. Few thinkers are able to bring together insights from as diverse fields in such as exciting manner as Zalamea.
Assistant Professor, Media Studies, Pratt Institute, NY
With high professional competence in mathematics and philosophy and written in masterful prose, Zalamea opens up a breathtaking insight into advanced contemporary mathematics by enlightening its magical power with the powerful paradigm of gestural dynamics as developed by Valéry, Merleau-Ponty and Châtelet.
Professor of Mathematical Music Theory and Creativity, School of Music, University of Minnesota
Introduction: Traditional Options for the Philosophy of Mathematics and Prospectus for this Essay
Part One: The General Environment of Contemporary Mathematics
Specificity of Modern and Contemporary Mathematics
Advanced Mathematics in Treatises on Mathematical Philosophy: A Bibliographical Report
Towards a Synthetic Philosophy of Contemporary Mathematics
Part Two: Case Studies
Grothendieck: Forms of High Mathematical Creativity
Eidal Mathematics: Serres, Langlands, Lawvere, Shelah
Quiddital Mathematics: Atiyah, Lax, Connes, Kontsevich
Archeal Mathematics: Freyd, Simpson, Zilber, Gromov
Part Three: Sketches of Synthesis
Fragments of a Transitory Ontology
Comparative Epistemology and Sheaving
Phenomenology of Mathematical Creativity
Mathematics and Cultural Circulation
$40.00 - In stock -
“Thus, modernity triumphed and we did not know it.”
A meticulous literary study, a detective story à la Edgar Allan Poe, a treasure hunt worthy of an adventure novel – such are the registers in which will be deciphered the hidden secrets of a poem like no other. Quentin Meillassoux continues his innovative philosophical interrogation of the concepts of chance, contingency, infinity and eternity through a concentrated study of Stéphane Mallarmé’s poem Un Coup de Dés jamais n’abolira le Hasard, patiently deciphering its enigmatic meaning on the basis of a dazzlingly simple and lucid insight with regard to ‘the unique Number that cannot be another’.
The Coup de dés constitutes perhaps the most radical break in the history of modern poetry: the fractured lines spanning the double page; the typographical play borrowed from the poster form; the multiple interpolations disrupting reading. But the intrigue of this poem is still stranger and has always resisted full elucidation. We encounter a shipwreck, and a Master, himself almost submerged, who clasps in his hand the dice that, confronted by the furious waves, he hesitates to throw. The hero expects this throw, if it takes place, to be extraordinarily important: a Number said to be ‘unique’ and which ‘cannot be any other’.
The decisive point of the investigation proposed by Meillassoux comes with a discovery, unsettling and yet as simple as a child’s game: All the dimensions of the Number, understood progressively, articulate between them but a sole condition – that this Number should ultimately be delivered to us by a secret code, hidden in the Coup de dés, like a key that finally unlocks every one of its poetic devices. Thus is also unveiled the meaning of the siren that emerges for a lightning flash among the debris of the shipwreck: as the living heart of a drama that is still unfolding.
With this bold new interpretation of Mallarmé’s work, The Number and the Siren offers provocative insights into modernity, poetics, secularism and religion, and opens a new chapter in Meillassoux’s philosophy of radical contingency.
Translated by Robin Mackay
Quentin Meillassoux teaches philosophy at the École Normale Supérieur in Paris. He is the author of After Finitude: An Essay on the Necessity of Contingency.
What to say about this book? But then, what was there or is there still to say about Mallarmé’s Coup de dés? Such a famously “undecipherable book” is here deciphered by a philosopher who writes on finitude, contingency, and chance – and the throw of the dice is surely also about chance, so the fit is fine. You may or may not be convinced of the secret code Quentin Meillassoux claims to have discovered in the poem, but be assured that this is a brave new interpretation of that throw and that chance.
Mary Ann Caws
Distinguished Professor of English, French, and Comparative Literature
Graduate Center, City University of New York
Part One: Encrypting the Number
The Poem; The Unique Number; The Aporia of Igitur; The Incomparable
Meter; The Vortex of the Code; 707; In Sum; Cosmopolis; Provisional
Part Two: Fixing the Infinite
An Idle Chance?; Presentation, Representation, Diffusion; Message in a
Bottle; To Be Chance; A Quavering Number?; Clues; The Veiled Letter;
The Siren; At a Stroke; Final Remarks
Appendix 1: The Poems
A Throw of Dice; Toast/Salvation; ‘Beneath the Oppressive Cloud Stilled...’;
Sonnet in -x
Appendix 2: The Count
$35.00 - Out of stock
If philosophy has always understood itself and its World according to the model of the photograph, then how can there be a "philosophy of photography" that is not viciously self-reflexive? By thinking the photograph "non-philosophically", Laruelle discovers an essence of photography that precedes its historical, technological and aesthetic conditions. Challenging the customary assumptions made by any "theory of photography" that leaves its own "onto-photo-logical" conditions uninterrogated, and utilizing the concept of a "generalized fractality" to interrogate artistic creation, The Concept of Non-Photography exposes a rigorous new thinking of the photograph in its relation to philosophy, science and art.
Bilingual (English/French) edition. Translation by Robin Mackay.
François Laruelle, Professor Emeritus at the University of Paris West Nanterre La Défence, is the founder of ‘non-philosophy’ and the author of around twenty works, including Une biographie de l’homme ordinaire, Principes de la non-philosophie, Le Christ futur: Une leçon d’hérésie, and Philosophie non-standard.
What is Seen in a Photo?
The Philosopher as Self-Portrait of the Photographer; Towards an Abstract or Non-Figurative Theory of Photography; The Photographic Stance and Vision-force; Universal Photographic Fiction
A Science of Photography
The Continent of Flat Thoughts; A Science of Photography; What Can a Photo Do?; The Identity-Photo; The Spontaneous Philosophy of Photography; The Photographic Mode of Existence; The Being-Photo of the Photo; Photographic Realism; Problems of Method: Art and Art Theory. Invention and Discovery; On the Photo as Visual Algorithm; On Photography as Generalised Fractality; On the Spontaneous Philosophy of Artists and its Theoretical Use; The Photographic Stance and its Technological Conditions of Insertion into the World; Being-in-photo and the Automaticity of Thought: the Essence of Photographic Manifestation; The Power-of-Semblance and the Effect of Resemblance; A Priori Photographic Intuition
A Philosophy of Creation
The Grain of the Walls; Ethic of the American Creator as Fractal Artist; The Fractal Self and its Signature: A New Alchemical Synthesis;The Concept of 'Irregularity-force'; The Fractal Play of the World. Synthesis of Modern and Postmodern; Towards a Non-Philosophical Aesthetics
$43.00 - Out of stock
Fanged Noumena assembles for the first time the writings of Nick Land, variously described as ‘rabid nihilism’, ‘mad black Deleuzianism’, ‘accelerationism’, and ‘cybergothic’.Wielding weaponized, machinically-recombined versions of Deleuze and Guattari, Reich and Freud, in the company of fellow ‘werewolves’ such as Nietzsche, Bataille, Artaud, Trakl and Cioran, to a cutup soundtrack of Bladerunner, Terminator and Apocalypse Now, Land plotted a rigorously schizophrenic escape route out of academic philosophy, and declared all-out war on the Human Security System. Despite his ‘disappearance’, Land’s output has been a crucial underground influence both on recent Speculative Realist thought, and on artists, writers, musicians and filmmakers invigorated by his uncompromising and abrasive philosophical vision.Long the subject of rumor and vague legend, Land’s turbulent post-genre theory-fictions of cybercapitalist meltdown smear cyberpunk, philosophy, arithmetic, poetics, cryptography, anthropology, grammatology and the occult into unrecognizable and gripping hybrids. Beginning with Land’s radical rereadings of Heidegger, Nietzsche and Kant, Fanged Noumena terminates in Professor Barker’s cosmic theory of geo-trauma and neo-qabbalistic attempts to formulate a numerical anti-language.Fanged Noumena is a dizzying trip through land’s rigorous, incisive and provocative work, establishing it as an indispensable resource for radically inhuman thought in the twenty-first century.
Edited and with an Introduction by Ray Brassier and Robin Mackay
Contents: Editors' Introduction / Kant, Capital and the Prohibition of Incest / Narcissism and Dispersion in Heidegger's 1953 Trakl Interpretation / Delighted to Death / Art as Insurrection / Spirit and Teeth / After the Law / Making it with Death / Shamanic Nietzsche / Circuitries / Machinic Desire / Cybergothic / Cyberrevolution / Hypervirus / No Future / Cyberspace Anarchitecture as Jungle-War / Meat (or How to Kill Oedipus in Cyberspace) / Meltdown / A ZiiGothic X-Coda (Cooking Lobsters with Jake and Dinos) / KatasoniX / Barker Speaks / Mechanomics / Cryptolith / Non-Standard Numeracies: Nomad Cultures / Occultures / Origins of the Cthulhu Club / Introduction to Qwernomics / Tic-Talk / Qabbala 101 / Critique of Transcendental Miserablism----
Land had the most brilliantly seductive and meteoric mind, endlessly imaginative and capable of adopting, inhabiting and discarding any philosophical position. With him - and rightly so - philosophy infected every area of life, and sheer vitality of life reverberated in his thinking.
I see Fanged Noumena as a kind of righteous revenge. Nick was dismissed by professional philosophers because they simply didn't want to think and preferred their turgid academic complacency. I always admired him for his unwavering desire to take thought to its absolute limit and then see how much harder one could push. - Simon Critchley
These extraordinary texts, superheated compounds of severe abstraction and scabrous wit, testify to a uniquely penetrating intelligence, fusing transcendental philosophy, number theory, geophysics, biology, cryptography and occultism into startlingly cohesive but increasingly delirious theory-fictions. - Ray Brassier
This is theory as cyberpunk fiction: Deleuze-Guattari's concept of capitalism as the virtual unnameable Thing that haunts all previous formations pulp-welded to the timebending of the Terminator films. Land's machinic theory-poetry parallelled the digital intensities of 90s jungle, techno and doomcore, anticipating 'impending human extinction becoming accessible as a dance-floor'. - Mark Fisher (K-Punk)
In the last half of the twentieth century, academics talked endlessly about the outside, but no-one went there. Land, by exemplary contrast, made experiments in the unknown unavoidable for a philosophy caught in the abstractive howl of post-political cybernetics. Fanged Noumena demonstrates how Land ruined a generation of intellectuals for merely academic philosophy, by opening a speculative singularity where the future used to be. - Iain Hamilton Grant
$31.00 - Out of stock
Sam Lewitt investigates the complex systems of linguistics and semiotics. The notion of collection and the parallax of language between production and exchange are guiding ideas for his work. In this title the artist extends his analysis of the physical and linguistic conjoining of materials and signs, which organize everyday life. It includes a thirty-nine page frontispiece dealing with the ossified remnants and a shifting lexicon of the identically titled Fluid Employment - a work that takes the form of a disposable, self-contained and unsustainable evaporation system for a magnetic fluid used in a myriad of manufacturing applications, cheap fans and industrial magnets.
Art historian Alex Kitnick and philosopher Nathan Brown reflect on Lewitt's complication of conventions of informational display, the materiality of literacy and the politics of contradiction in this richly illustrated book.
Designed by Joseph Logan & Sam Lewitt, assisted by Rachel Hudson
2013, English / French / German
Hardcover boxed set of 61 color cards and 3 booklets, 21 x 16.5 x 2.5 cm
Ed. of 880 numbered copies,
Published by Museum Abteiberg / Mönchengladbach Sequence Press / New York
$69.00 - Out of stock
ך , Chapter 24 illustrates 61paintings from the exhibition of the same name at the Museum Abteiberg in Mönchengladbach, Germany, June 3 - November 4, 2012. This latest chapter employs a variety of images directly related to Museum Abteiberg and Mönchengladbach. Many of the paintings are made from the museum’s image archive, and photographs taken by the artist of works in the permanent collection. These images are presented alongside several small portraits of their custodian, chief curator Hannelore Kersting. In addition, Quaytman utilized in the gesso ground compositions and various paper patterns for shirt collars and cuffs provided by the Van Laack headquarters in Mönchengladbach. The title ך is the Hebrew letter Dalet or D. It also symbolizes the number 4, which in turn is the number of the square, the chosen ratio for the works in this chapter.
The boxed set of 61 cards depicts each painting accompanied by corresponding notes written by the artist about each image. Additionally, the box includes an essay on Chapter 24 by Mark Godfrey, a facsimile of Yve-Alain Bois’ early essay The Tree and the Square, plus the original 1977 version L’arbre et le carré, and a new German translation. The box format is a direct reference to the famous catalogues published by the Museum in Mönchengladbach under the direction of Johannes Cladders.