World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Book shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
Hardcover (cloth bound), 96 pages (colour ill/), 16x23 cm
Published by Mousse Publishing / Milan
$32.00 - In stock -
Jason Dodge’s practice attempts to give new life to objects, exploring their potential and provoking the viewer’s cognitive ability to imagine a corresponding narrative. Focusing on specific aspects of two works, A permanently open window and Changing the lights – From rose light to white light, from white light to rose light, by hand, over and over, Jason Dodge’s artist book is not merely a documentation of his works but, in the artist’s words, “a record of light changing over a day, in one case naturally and in one case manually”. The publication was conceived and designed to accompany Jason Dodge's permanent installation realized for the Maramotti Collection, in Reggio Emilia – a permanently open window located in what was once the tower of a factory’s electrical power plant, an abandoned industrial space, now transformed into a commercial outlet – and contains selected images from both projects, as well as a text.
Softcover, 2 volumes 45 pages ea. (colour & monotone ill.),16.8 x 23 cm
Published by Fivehundred Places / Berlin
$44.00 - In stock -
Published on the occasion on the exhibition “Jason Dodge: What we have done.” at the Henry Art Gallery, University of Washington, Seattle, on view October 19, 2013 – January 26, 2014.
Set of two books, titled “What we have done.” and “What have we done.”, respectively.
With texts by Jason Dodge, Matthew Dickman, Luis Croquer, Sylvia Wolf.
2005, English / French
Softcover, 64 pages, 21.5 x 19 cm
Published by Revolver Verlag / Berlin
$30.00 - Sold
Through objects, images, and texts, Jason Dodge skillfully combines the fictive and the real, inviting us into a world of interrupted and elusive narratives. In each of his carefully executed installations, a distant locale or notable event is evoked along with characters both real and imagined. Each work seems to suggest a larger enigmatic story, leading ultimately to a narrative of our invention, sparked by Dodge's compelling objects.
Villa Arson, Nizza (6 Nov. 2004 - 6 Feb. 2005), Orange County Museum of Art, Newport Beach, CA (4 June - 25 Sept. 2005); with an essay by Irene Hofmann and an interview with Jason Dodge by Kristin Chambers
Softcover, 46 pages (color & b/w ill.), 19 x 30 cm (envelope), 27.5 x 14.5 cm (notebook)
Published by Yvon Lambert / Paris
$19.00 - Sold
Entirely conceived by the artist, this publication, between artist's book and exhibition catalogue, consists of a notebook of 48 fastened pages, in a bound envelope. It contains several texts on the artist's work, accompanied with numerous illustrations, as well as a series of questions collected with his friends and close relations, artists, gallerists, collectors, family members... A poem is inserted between pages.
Born in 1969 in Newton, Pennsylvania, Jason Dodge lives and works in Berlin.
Texts by Friederike Schönhuth, Catrin Lorch, Ronald Jones, Robert Meijer, Dan Chiasson.
Softcover, 40 pages (colour ill. bound in french folds), 240 x 160 mm
Published by Contemporary Art Centre Vilnius (CAC) / Lithuania
$16.00 - Sold
Catalogue produced for Jason Dodge's 2011 exhibition at Contemporary Art Centre, Vilnius curated by Gerda Paliušytė and Inesa Pavlovskaitė
Softcover, 49 pages, 11 x 17 cm
Published by Mousse / Milan
$18.00 - Sold
BACK IN STOCK!
Author: Manuela Ribadeneira, Vincent Honoré (Eds.)
Made of words and exchanges, with no images, Drawing Room Confessions is open to diverse practices and voices. It is named after a game played at the end of the nineteenth century in England and France, which consisted of a fixed questionnaire answered by players to reveal their tastes, aspirations and personalities. For every issue of the journal, we invite one artist to play the serious and playful game of conversation. Each section follows a set of rules, only the players change, as interviewers from a wide range of fields contribute to a portrait of the artist at a certain time.
Both softcover, 255 (vol.I) and 180 pages w. 45 colour ill. (vol. II), both 13 x 21 cm
Rare / Out-of-Print,
Published by Sternberg Press / Berlin
$60.00 - Sold
Set of both long out-of-print volumes!
Edited by Michael Hirsch, Vanessa Joan Müller, Nicolaus Schafhausen
Texts by Norbert Bolz, Peter Bürger, Alex Demirovic, Diedrich Diederichsen, Alexander García Düttmann, Michael Hirsch, Christoph Menke, Willem van Reijen, Martin Seel
The first volume of Adorno. The Possibility of the Impossible comprises theoretical essays which investigate the relevance of Adorno’s critical theory for the present. The tight connection between individual observations in aesthetics and cultural criticism, on the one hand, and the large speculations of social theory and the history of philosophy, on the other, that is found in Adorno’s own work is taken as a point of departure in many passages. The difference – disparity, even – in the varied attitudes toward the content of Adorno’s theory is evident. Seen from the perspective of the present, this multiple rereading is directed at fragments of a thought that has preserved its radicality even when abstracted from its immediate historical context. Both publications – Adorno. The Impossibility of the Impossible Vol. I and Vol. II – accompany an exhibition at the Frankfurter Kunstverein on the occasion of the 100th birthday of Theodor W. Adorno.
Design by Surface, Berlin/Frankfurt am Main
Edited by Michael Hirsch, Vanessa Joan Müller, Nicolaus Schafhausen
Texts by Isabelle Graw and Georg Schöllhammer
Volume II documents the exhibition which looks at the connection between contemporary art and Adorno’s writings, with the visual arts becoming a central platform for comparison to Adorno’s main subjects. The publication illustrates the works exhibited and discusses the relationship between autonomy and sovereignty. Artists included are Carl Andre, Samuel Beckett, Martin Boyce, André Cadere, Martin Creed, Thomas Demand, Jason Dodge, Maria Eichhorn, Peter Friedl, Isa Genzken, Liam Gillick, Henrik Plenge Jacobsen, Euan McDonald, John Massey, Jonathan Monk, Sarah Morris, Bruce Nauman, Mathias Poledna, Stephen Prina, Florian Pumhösl, Ad Reinhardt, Gerhard Richter, Markus Schinwald, Andreas Slominski, Lawrence Weiner, Christopher Williams, Cerith Wyn Evans.
Design by Surface, Berlin/Frankfurt am Main