World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
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All prices in AUD (Australian dollars)
Pick-Ups
Pick-up orders can be collected in our bookshop during opening hours after order date. Please collect any Pick-up orders within 2 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected. If you cannot make it in to the bookshop in this time-frame, please choose postage option.
Return Policy
All sales are final. We do accept returns (for refund or exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2020, English / French / Italian / Dutch
Softcover (3 volumes in slipcase), 400 pages, 24 x 16.9 cm
1st Edition, Out of print title / as new
Published by
Walther König / Köln
$300.00 - In stock -
At 400 pages, this is the definitive overview of the great and influential pioneers of Italian radical architecture, Superstudio. Immediately out-of-print and now collectible.
The avant-garde Italian architecture collective Superstudio was founded in 1966 by Adolfo Natalini (1941–2020) and Cristiano Toraldo di Francia (1941–2019), and quickly leaped to the forefront of the 1960s radical architecture movement alongside the likes of Archigram and Haus-Rucker-Co. Through their architectural projects (housing, industrial buildings, banks, interiors), design objects, photocollages, drawings, texts, installations, models, films and exhibitions, Superstudio found brilliant and highly inventive ways in which to inhabit a world transformed by capitalist forces and technological evolutions. This beautifully produced, slipcased, 400-page volume explores their oeuvre through the lens of “migrations” (migrazioni). Borrowed from Superstudio’s vocabulary, this term serves as a conceptual and poetic key to the group’s architecture and their works in all mediums.
Presented in 3 books, the first is a collection of critical essays and interviews with three prominent figures in architecture who have been in close contact with Superstudio over the past 50 years; By examining their personal and theoretical careers, these different voices show the great influence of the small group, bringing to life this “journey to the higher realms of reason.” The second book proposes a thematic journey through the work: it shows the rich iconography through a series of concepts from Superstudio’s vocabulary. They reveal the richness of the projects and images produced over the active years of the group that go beyond the narrative contained in some of the quasi-iconic photo collages. The last book presents previously unpublished letters from the archive of Adolfo Natalini. The exchanges between the members of Superstudio and the letters to prominent architects from the second half of the twentieth century form a collective autobiography in which architecture and life increasingly converge. In addition to the group’s oeuvre, the publication also presents work by 9999, Archizoom, Hiromi Fujii, Hans Hollein, Arata Isozaki, Rem Koolhaas, Ugo La Pietra, Leonardo Ricci, Aldo Rossi, Leonardo Savioli, Ettore Sottsass Jr. and Bernard Tschumi.
Edited with text by Emmanuelle Chiappone-Piriou. Text by Beatrice Lampariello, Gabriele Mastrigli, Frédéric Migayrou. Interviews with Veronique Patteeuw, Rem Koolhaas, Aurelien Vernant, Bernard Tschumi, Yûki Yosikawa, Hiromi Fujii.
As New sealed copy. Out-of-print.
1977, English
Softcover (staple-bound), 47 pages, 27.7 x 20.5 cm
1st Edition, Out of print title / used / average
Published by
Art Metropole / Toronto
$180.00 - In stock -
Exceptionally rare, excellent reference work on artists' publications issued in 1977 by Art Metropole in Toronto, the first large-scale distributor of artists' books and publications in North America. This valuable catalogue, featuring "European titles, publications, periodicals, records, special editions, videos and films", offers works by European and American artists such as Beuys, Rainer, Polke, Art & Language, Hans Haacke, Terry Riley, Lamonte Young, Marian Zazeela, Douglas Huebler, Broodthaers, Kaprow, Piper, Buren, Reich, Cage, Snow, Darboven, Matta-Clark, Dibbets, Brion Gysin, Simone Forti, General Idea, Claes Oldenburg, Jimmy De Sana, Vito Acconci, Gilbert & George, Robert Filliou, Sol Lewitt, Ehrenberg, Filliou, Fulton, Graham, Rebecca Horn, Mel Bochner, William Burroughs, Ugo La Pietra, Urs Luthi, Hansjörg Mayer, Merz, Robert Cumming, Willats, Al Hansen, Richard Long, Philip Glass, George Brecht, Image Bank, Robert Barry, Nannucci, Donald Judd, Maria Reiche, Dennis Oppenheim, Dieter Rot, Kurt Schwitters, Giorgio Ciam, Daniel Spoerri, Ed Ruscha, Ray Johnson, Philip Corner, Bob Cobbing, Lawrence Weiner, Klaus Rinke, Les Levine, Lea Vergine, Baldessari, Ant Farm, Emmett Williams, Robert Wilson, UFO Group, Vostell, etc. with each item concisely described, and for the books, essential bibliographical information is provided. Publications from Art Metropole, periodicals, records, and videos are also listed for sale, with prices. Cover artwork features Viennese actionist Rudolf Schwarzkogler's Portfolio of the 3rd Action, which is among the selections of European artists' books. Selected b/w illustrations throughout of items listed, and full-page ads for Art Metropole's "FETISH" t-shirt and General Idea's FILE magazine.
Issued privately as a mail-out catalogue, this copy includes the AM ink stamp and Canadian postage stamp on the verso, posted in 1977 to American conceptualist photographer Les Krim, in Buffalo, New York.
Average—Good copy, some chipping to extremities, small closed tear to top-left corner of cover, generally tanned/aged newsprint.
1970, Italian / English
Softcover, 116 pages, 32.5 x 24 cm
1st Edition, Out of print title / used / good
Published by
Editoriale Domus / Milan
$65.00 - Out of stock
Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting generations of radical, practical, and beautiful production, both local and across the world. Amongst a seemingly endless archive of contributions and features, domus frequently covered the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more.
domus No. 488 Luglio 1970 (EURODOMUS 3 Issue)
Editor : Gio Ponti
This special issue is entirely dedicated to the incredible EURODOMUS 3. Introduced by Gio Ponti and featuring a who's who of European design and art in 1970, all the presentations, environments, exhibitions and products are featured here, including the work of Michelangelo Pistoletto, Piero Gilardi, Gino Marotta, Joe Colombo, Charles and Ray Eames, Mario Bellini, Cino Boeri, Ugo La Pietra, Cesare Leonardi, Rodolfo Bonetto, Giorgio De Ferrari, Marc Berthier, Vico Magistretti, Raymond Loewy, César, Pierre Cardin, Guido Crepax, Bruni Munari, Olivier Mourgue, Fabio Mauri, Marc Held, Pierre Paulin, Enzo Mari, Alberto Rosselli, Claudio Salocchi, Ettore Sottsass jr., Giuseppe Rossi, Afra and Tobia Scarpa, De Pas, D'Urbino, Lomazzi, and so many more, plus new products from Brionvega, Olivetti, Kartell, Cassina, Artemide, Gufram, Zanotta, Henry Miller, Flexform, Artifort, Stilnovo, Roche e Bobois, Sintesis, Tenco, Driade, and so many more.
Beautifully printed in Italy and heavily illustrated throughout with vivid colour and black and white photography across multiple paper stocks.
Good copy with edge wear and corner bumping from age.
1974, Japanese / English
Softcover, 96 pages, 32.5 × 25.5 cm
1st Edition, Out of print title / used / good
Published by
Interior Publishing Co. Ltd. / Tokyo
$80.00 - Out of stock
Japan's finest magazine for interior design, architecture and home furnishings, edited by Moriyama Kazuhiko. JAPAN INTERIOR DESIGN presented "a monthly comprehensive view of traditional, contemporary, and contemplated environmental designs and pure art forms both Japanese and foreign, through pictures and critical reviews. English captions and summaries of major articles are provided each issue." The in-depth analysis in which JAPAN INTERIOR DESIGN committed to covering new international furniture, textile, product, environmental, and interior design developments and major events from the period (1950s-1980s), places it soundly alongside its Italian comrade Domus. Lavishly illustrated throughout with beautiful photography in colour and b/w, with comprehensive plans, drawings and elevations bringing many innovative and long lost architectural and industrial designs into sharp focus. A wealth of archival reference material in each issue for any enthusiast of modern and space age design.
no. 183 June 1974
CONTENTS :
FEATURE OF THE MONTH : CANVAS IN FURNITURE & ENVIRONMENTAL DESIGN
1986, English
Hardcover (w. dust jacket), 239 pages, 25 x 31 cm
1st Edition, Out of print title / used / very good
Published by
Thames and Hudson / London
$80.00 $20.00 - Out of stock
Edited by Robert A.M. Stern, one of the world's leading exponents of the Post-Modern movement, "The International Design Yearbook 1985/86" was "the first volume of an important annual review of domestic design in an international context. It shows the best, the most characteristic and the most exciting recent designs in furniture, lighting, ceramics, textiles, glass and metalware. It illustrates the work not only of such leading figures as Rossi, Hollein, Venturi, Sottsass and Castiglioni, but of hundreds of other contemporary designers around the world, whose work is notable for its topicality and promise, or for its aesthetic or functional excellence."
As well as contemporary design of the mid 1980's, the annual "deals with the reproduction of classic designs by such masters as Eileen Gray, Hoffman, Mackintosh, Rietveld and Le Corbusier." The annual also functioned as a guidebook to the featured designers and the respective companies, manufacturers and retailers of their designs. Biographies for all those designers featured are included, plus texts throughout.
This large book is richly illustrated with wonderful examples of the featured designers in their many forms via 520 illustrations, 382 in colour. Many works rarely (some possibly never) seen documented in any other book.
Includes the work of: Verner Panton, Nathalie du Pasquier, Charlotte Perriand, Paolo Piva, Andrée Putman, Dieter Rams, Gerrit Rietveld, Aldo Rossi, Stanley Tigerman, Brian Faucheux, Jay Stanger, Yrjo Kukkapuro, Hans Gunnarsson, Studio Alchimia, Gabrielle Regondi, John Smith, Alberto Salvati and Ambrogio Tresoldi, Paolo Deganello, Alessio Sarri, Charles Rennie Mackintosh, Matteo Thun, Pierre Jeanneret, Memphis, Giuseppe Terragni, Robert George Sowden, SITE, Afra Scarpa, Tobia Scarpa, Robert Venturi, Ugo La Pietra, Le Corbusier, Ettore Sottsass, Adolf Loos, Robert Mallet-Stevens, Richard Meier, Alessando Mendini, Fujiwo Ishimoto, Hans Hollein, Josef Hoffmann, William Morris, Frank Gehry, Robert A.M. Stern, Eileen Gray, Michael Graves, Michele De Lucchi, Joe Colombo, Achille Castiglioni, Mario Bellini, Gae Aulenti, Hans Ansems, Ron Arad, Emilio Ambasz, Alver Aalto, Daniel Weil, Marco Zanini, to name but a few!
Very Good copy with VG dust jacket, light tanning to page edge.
1974, Italian
Softcover, 198 pages, 27.5 x 13.5 cm
1st Edition, Out of print title / used / good
Published by
Casabella / Milan
$450.00 - Out of stock
The extremely collectable book of the movement, Architettura "Radicale" was published by Casabella Milan in 1974 and collects Navone's thesis with Orlandoni, forming an unsurpassed critical essay on the new avant-garde architecture and radical design of Italy (and further afield) that rose out of the 1960s. With an introduction by the great designer and editor Andrea Branzi, this volume contains over 150 black and white illustrations of projects and works by Archizoom, Superstudio, Alessandro Mendini, Gianni Pettena, UFO Group, Raimund Abraham, Lapo Binazzi, Andrea Branzi, James Gowan, Rem Koolhaas, Ugo La Pietra, Eduardo Paolozzi, Gaetano Pesce, Walter Pichler, Ettore Sottsass and many others. Includes a very important bibliography and profiles on the designers. A stunning piece of printed design history, now very rarely seen.
Good-Very Good copy with light general cover and corner wear, tanning to edges.
2019, English
Softcover, 264 pages, 27 x 19.5 cm
Published by
Nero / Rome
$65.00 - Out of stock
Global Tools 1973–1975 documents and narrates the story of the eponymous experience of Radical Design and its multidisciplinary school program “without students or teachers.” The Global Tools journey began with its foundation in 1973 by groups and figures drawn from Italian Radical Architecture, Arte Povera, and Conceptual Art, and ended in 1975 after three years of intense experimentation. This book is both a commentary and an impressive visual archive that brings together essays by international authors and reproductions of many original documents—including the Global Tools bulletins, entirely republished here for the first time. This unique and definitive book marks a fundamental stage in the rediscovery of one of the most fascinating European cultural experiences of the late twentieth century.
Edited by Valerio Borgonuovo and Silvia Franceschini.
With texts by Manola Antonioli and Alessandro Vicari, Valerio Borgonuovo and Silvia Franceschini, Alison J. Clarke, Beatriz Colomina, Maurizio Lazzarato, Franco Raggi, Simon Sadler.
Published by Nero in collaboration with SALT, Istanbul.
1972, English
Hardcover (w. dust jacket and complete 5 cut-outs), 432 pages, 20 x 25cm
1st Edition, Out of print title / used / very good
Published by
MoMA / New York
Centro Di / Florence
$180.00 - Out of stock
First edition of the stunning "Italy: The New Domestic Landscape (Achievements and Problems of Italian Design)", published by Museum of Modern Art, New York, in association with Centro Di Florence, in 1972. Includes the famous glassine dust jacket with all five (rarely present) cardboard cutout inserts. A most complete copy of this very important reference book on Italian design of the 1960s-1970s.
Edited by Emilio Ambasz while he was the curator of design at Museum of Modern Art, this is the first book to comprehensively survey the important design developments of 1960s Italy, published to coincide with the landmark exhibition at MoMA, May 26 - September 11, 1972. The museum commissioned 12 environments especially for the exhibition, covering two modes of contemporary living; Permanent Home and the Mobile Home, using 180 objects produced in Italy during the decade by more than 100 designers, including the finest examples of product design, furniture, lighting, appliances, flatware, glass, ceramic, putting new (radical) Italian design on the international map. Profusely illustrated throughout with over 500 illustrations across over 400 pages, alongside essays by Paolo Portoghesi, Maurizio Fagiolo Dell'Arco, Leonardo Benevolo, Vittorio Gregotti, Germano Celant, Manfredo Tafuri, Filiberto Menna and others. Includes the work of Archizoom, Joe Colombo, Gae Aulenti, Sergio Asti, Tobia and Afra Scarpa, Mario Bellini, Jonathan De Pas, Andrea Branzi, Cesare Casati, Rodolfo Bonetto, Cini Boeri, Achille Castiglioni, Piergiacomo Castiglioni, Piero Gilardi, Anna Castelli Ferrieri, Gruppo Strum, Ugo La Pietra, Paolo Lomazzi, Vico Magistretti, Superstudio, Angelo Mangiarotti, Enzo Mari, Bruno Munari, Adolfo Natalini, Gaetano Pesce, Ettore Sottsass Jr., Massimo Vignelli, Nanda Vigo, Marco Zanuso, Arflex, Arredoluce, Arteluce, Artemide, Brionvega, Cassina, C & B Italia, Danese, Driade, Flexform, Flos, Gufram, Kartell, Olivetti, Poltronova, Stilnovo, Zanotta, and so many more...
Very Good copy with tanning to edges and the usual yellowing to glassine dust jacket. Otherwise well-preserved with the rarely preserved 5 cut-out inserts present.
1978, English
Hardcover (w. dust jacket), 120 pages, 22 x 29 cm
1st UK Edition, Out of print title / used / average
Published by
Studio Vista / London
The Whitney Library of Design / New York
$140.00 $60.00 - Out of stock
First English hardcover edition of Living Spaces, originally published in 1977 by Milan's Gorlich Editore as “L'Arredamento Oggi”, the translated edition of this lavish interior design book was published in 1978 by the great Studio Vista and the Whitney Library of Design, New York.
"Living Spaces" walks you through a collection of modern international furnished interiors, capturing 150 of the finest examples of interior architecture and decoration of the late 1970's. Showcased across saturated full-colour pages are the designs and productions of Alvar Aalto, Ugo La Pietra, Pierre Jeanneret, Le Corbusier, Charlotte Perriand, Gaetano Pesce, Ettore Sottsass, Duggie Fields, Charles and Ray Eames, Joe Colombo, Gufram, Studio 65, Piero Gilardi, Eero Aarnio, Knoll, Verner Panton, Marcel Breuer, Mies van der Rohe, Robert Stern, Mario Ceroli, plus so many more.
First English edition in dust jacket.
Good copy in Good dust jacket preserved under mylar wrap. Discounted due to one missing page (pg 11/12), otherwise a beautifully preserved copy throughout.
2002, English
Hardcover (dust jacket), 140 pages, 31 x 22 cm
1st Edition, Out of print title / used / fine
Published by
Umberto Allemandi / Milan
$280.00 - In stock -
Rare first English hardcover edition of this outstanding survey, exhibition catalogue and invaluable reference to the fascinating light objects produced in Italy between 1967 and 1972 — a period generally known as "gli anni d´oro" (The Golden Years). Published in 2002 by Milan's legendary Allemandi publishing house and compiled by light designer and writer Fulvio Ferrari and author behind all the best books on Carlo Mollino, Napoleone Ferrari. Lavishly illustrated in colour and b/w on gloss stock, this large volume offers and outstanding survey of Italian light-design with more than 150 objects illustrated and detailed entries on each and every one, including materials and exhibition histories. Includes the work of designers, artists and manufacturers Livio Castiglioni & Gianfranco Frattini, Archizoom, Cini Boeri, Ettore Sottsass, Nanda Vigo, Ugo La Pietra, Achille Castiglioni, Lapo Binazzi, UFO, Angelo Lelli, Ingrid Hsalmarson, Gino Sarfatti, Rinaldo Cutini, Gae Aulenti, Superstudio, Gaetano Pesce, Angelo Mangiarotti, Joe Colombo, Gianfranco Fini, Mario Bellini, Memphis, Fabrizio Cocchia, Alchimia, Sergio Asti, Tomoko Tsuboi Ponzio, Gianni Gamberini & Studio ARDITI, Fulvio Ferrari, Gino Marotta, Studio Uno, Cesare Casati, Theodore Waddell, George Sowden, Arteluce, Zanotta, Stilnovo, Valenti, Kartell, Poltronova, Arredoluce, Flos, Lumenform, Zanotta, and many more. Also includes introductory essays and a full index of designers and manufacturers.
Very Good-Fine copy in VG-Fine dust jacket.
1968, Italian / English
Softcover, 98 pages, 32.5 x 24 cm
1st Edition, Out of print title / used / good
Published by
Editoriale Domus / Milan
$65.00 - Out of stock
Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting generations of radical, practical, and beautiful production, both local and across the world. Amongst a seemingly endless archive of contributions and features, domus frequently covered the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more.
No. 466 Settembre 1968
Editor : Gio Ponti
Editorial committee and contributors include : Cesare Casati, Pierre Restany, Agnoldomenico Pica, Pierre Restany, Carmela Haerdtl, Joseph Rykwert, Ettore Sottsass jr., Charles and Ray Eames,
Kho Liang je, Bernard Rudofsky, George Nelson, Fausto Melotti, Tommaso Trini, Tapio Wirkkalaand, Rut Bryk, Hans Hollein, and more.
features :
Archizoom; Lucio Fontana; "Tatlin" by Agnoldomenico Pica; "Apartment Building in Ramat Gan Tel Aviv" by architects Alfred Neumann, Zvi Hecker, Eldar Sharon, "The 18th Aspen Design Conference" by Hans Hollein; Olivetti store in Buenos Aires by architect Gae Aulenti; XIV Triennial of Milan "Il Grande Numero" (Arata Isozaki); "Venice Biennale 1968: A Failure in Attempted Suicide" by Pierre Restany; "For a New Biennale" by Tommaso Trini; Book reviews; and much more.
Beautifully printed in Italy and heavily illustrated throughout with vivid colour and black and white photography across multiple paper stocks, page crops and fold-out spreads.
2020, English / Italian
Hardcover, 544 pages, 24 x 17 cm
Published by
A+m Bookstore / Viaindustriae
$109.00 - In stock -
Densely filled with reproductions of newspapers, magazines, mimeographs, news-sheets, pamphlets, and other ephemera, this book investigates the Italian scene during the turbulent years between 1966 and 1977. These revolutionary printing activities were linked to the political, ideological, and countercultural struggle of a period of protest and occupation of public spaces as areas of freedom and social creativity for a disillusioned generation. A selection of over 600 publications are catalogued in this book, output from the subversive newsrooms of the radical artistic and libertarian movements, and “ultra-political” groups, autonomists, and other collectives seeking change.
Texts by Pablo Echaurren, Ugo La Pietra, Gianni-Emilio Simonetti
2020, English
Hardcover, 224 pages, 24.1 x 30.5 cm
Published by
Yale University Press / New Haven
$95.00 - Out of stock
An essential new look at the design philosophy that interrogated modern living against the turbulent political landscape of 1960s Italy.
In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as "Radical design," this movement probed possibilities for visually transforming the urban environment. Radical design's proponents also applied it to items such as furniture and lighting, utilizing alternative materials and an innovative formal vocabulary. Radical: Italian Design 1965-1985 surveys the work of these pioneering designers through nearly 70 objects and architectural models-including rare prototypes and limited-production pieces by architects, designers, and collectives such as Archizoom Associati, Lapo Binazzi, Ugo La Pietra, Studio 65, Alessandro Mendini, Gianni Pettena, Ettore Sottsass, Studio Alchimia, Piero Gilardi, Andrea Branzi, and Superstudio. Cindi Strauss insightfully explores the aesthetic inspiration and changing cultural mores that informed the movement, and her research is complemented by an essay from Germano Celant, the acclaimed author and curator who coined the term "Radical design." Importantly, the book includes seven interviews with Radical designers and architects, offering fresh insights into the individuals who were at the vanguard of this groundbreaking movement.
1986, English / Italian
2 hardcover volumes (in illustrated hardcover box), 600 pages, 24 x 34 cm
1st Edition, Out of print title / used / very good
Published by
Coneditor / Rome
$180.00 - Out of stock
First edition of the most elaborate, visually-dazzling, analytical monograph ever produced on the work of Michelangelo Antonioni. Published in this lavish 2-volume boxset edition in 1986 in Rome, Architetture della Visione was conceived and edited by film critics Michele Mancini and Giuseppe Perrella, only 5 years after their ground-breaking Pier Paolo Pasolini: Corpi e Luoghi (1981). Like Corpi e Luoghi (Bodies and Places), Architetture della Visione is an indispensable reference on the films of Michelangelo Antonioni, one of the leading protagonists of post-war Italian cinema. Profusely illustrated with countless colour and b/w frames extracted from Antonioni's films (L'Avventura (1960), La Notte (1961), L'Eclisse (1962), The Red Desert (1964), Blowup (1966), The Passenger (1975), etc.), alongside illustrations, diagrams and artworks by leading Italian artists such as Luigi Serafini, Ugo La Pietra, Bruno Munari, Giuseppe Perrone, Alessandro Mendini, and many more, Architetture della Visione is not just an illustrated book-set but a unique model of film research and critique. Using a gridded, archeological "filing system" it comprehensively documents the creative process and iconographic imagery of Antonioni through the sequences and the specific themes of his work: the architecture of uneasiness, metropolitan deserts, metaphysical cities, eclipses, phantoms, the dissolved set, natural landscapes, passages, telephones, attire, the weather... with many never-before-published archival materials contributed by Antonioni himself. Includes an exhaustive filmography, chronology, bibliography, credits, technical information and much more. Heavy in every sense of the word.
First edition of the scarce bilingual Italian-English version!
Very Good. Gorgeously preserved throughout.
2017, English
Hardcover, 256 pages, 235 x 287 cm
Published by
Monacelli Press / New York
$80.00 - Out of stock
SuperDesign charts the Italian Radicals' bold experimentation in modern design from its birth through its continued influence on design today. Radical Design was launched by art, architecture, and design students in Italy in the mid-1960s. What started as a youthful rally against the establishment and a rejection of design norms became a movement that brought together some of the most dynamic and avant-garde thinkers and makers across the country. Through enigmatic, confrontational, and clever furniture and objects--such as the iconic lip-shaped Bocca sofa, or the Cactus coat-rack in green foam--as well as more public innovations including discotheque interiors and subversive performances, the Radicals projected design's new era as equal parts Pop Art, play, Surrealism, and futurism. Told through exclusive interviews, unreleased photographs, original drawings and artwork unearthed from personal archives, and newly commissioned photography of rarely seen works, SuperDesign explores this fervent period of design that played out against the era's social and political turmoil. Featured designers include Archizoom Associati, Lapo Binazzi (UFO), Pietro Derossi (Gruppo Strum), Piero Gilardi, Ugo La Pietra, Gaetano Pesce, Gianni Pettena, Studio65, and Superstudio. The culmination of a decade of collecting and researching original examples of some of the most important and iconic works of the period, SuperDesign offers a unique new introduction to the legacy of the Italian Radicals.
1984, Japanese / English
Softcover, 96 pages, 32.5 × 25.5 cm
1st Edition, Out of print title / Used*,
Published by
Interior Publishing Co. Ltd. / Tokyo
$70.00 - Out of stock
JAPAN INTERIOR DESIGN
No. 304, July 1984
One of Japan’s finest magazines for interior design and home furnishings, edited by Moriyama Kazuhiko.
JAPAN INTERIOR DESIGN presents a monthly comprehensive view of traditional, contemporary, and contemplated environmental designs and pure art forms both Japanese and foreign, through pictures and critical reviews. English captions and summaries of major articles are provided.
Very rare, this issue includes a huge feature THE TSUKUBA CENTER BUILDING by architect: Arata Isozaki & Associates with essays by Alessandro Mendini, Adolfo Natalini, Ugo La Pietra, Arata Isozaki.
Also includes " NEW Hair Creation" designs by Shinya Okayama; "A&E DESIGN STUDIO"; Tables Designed by Kenjiro Azuma; New Furniture from Pallucco, design: Pallucco Co., Ltd.; New Furniture from Rockstone design: Eiri Iwakura; Interior Objects Designed by Elizabeth Browning Jackson; Glass Works by James Carpenter essay: Toshiko Mori; "PHARAOH" architect: Shin Takamatsu; architect: Shu Design Kobo; Product Design of the Month = Hair Tools "SALTY-SERIES" design: Masayuki Kurokawa; Book Review essay: Osamu Ishiyama, and much more.
English
Softcover, 80 pages, 24.5 x 34.5 cm
Published by
James Fitzsimmons / Lugano
$45.00 - In stock -
Art International, Vol. XIV/7 September 20, 1970
Published and Edited by James Fitzsimmons
Features: Concrete Poetry feature article, Richard Paul Lohse, Larry Poons, Edwin Ruda, William Pettet, Ernest Trova, Mario Merz, Ugo La Pietra, Paul Klee, Robert Delaunay, Johannes Itten, Josef Albers, Adolf Hölzel, Barnett Newman, Kenneth Noland, Jasper Johns, Mary Vieira, László Moholy-Nagy, Max Bill, Bruno Munari, William Harnett, H. C. Westermann, John McCracken, Dante Leonelli, Frances Picabia, and many more.
Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.
1977, Italian
Hardcover (w. dust jacket), 120 pages, 22 x 29 cm
1st edition, Out of print title / used*,
Published by
Gorlich Editore / Milan
$100.00 - Out of stock
Another lavish interior design volume from Milan's Gorlich Editore.
“L'Arredamento Oggi”, published in 1977, walks you through a collection of modern international furnished interiors, capturing 150 of the finest examples of interior architecture and decoration of the late 1970's. Showcased across saturated full-colour pages are the designs and productions of Alvar Aalto, Ugo La Pietra, Pierre Jeanneret, Le Corbusier, Charlotte Perriand, Gaetano Pesce, Ettore Sottsass, Duggie Fields, Charles and Ray Eames, Joe Colombo, Gufram, Studio 65, Piero Gilardi, Eero Aarnio, Knoll, Verner Panton, Marcel Breuer, Mies van der Rohe, Robert Stern, Mario Ceroli, plus so many more.
First edition in dust jacket.
1984, English / German
Softcover, 160 pages, 19 x 27 cm
1st Edition, Out of print title / Used*,
Published by
Galerie Wolkfgang Ketterer / Munich
$70.00 - Out of stock
Fantastic and very informative, fully-illustrated auction catalogue from Galerie Wolkfgang Ketterer, 1984, for a major auction of "Italian Design Pieces from the Period 1951-1973". Design editions, one-off prototypes, lamps, furniture by Archizoom, Gae Aulenti, Sergio Asti, Osvaldo Borsani, Giorgio Ceretti, Studio 65, Joe Colombo, Guido Drocco, Piero Gilardi, Paolo Lomazzi, Raymond Hains, Ugo La Pietra, Enzo Mari, Mario Mare, Luigi Massoni, Sergio Mazza, Ettore Sottsass, Franco Mello, Gaetano Pesce, Gio Ponti, Giuseppe Raimondi, G. Reggiani, Rudy Righi, Superstudio, Vinicio Vianello, Marco Zanuso, and many more for Arflex, Gufram, Artemide, Fontana Arte, Artluce, B.B.B., C&B, Flos, Habitat, Galleria Il Sestante, Kartell, Poltronova, Tecno, Totem, and many more. Well-known and long lost, very obscure works in this valuable catalogue, all items photographed (in black and white and colour), with production details and a blurb on each piece in both English and German.
2016, English
Softcover, 448 pages, 24 x 29.7 cm
Published by
Walker Art Centre / Minneapolis
$95.00 - Out of stock
Published by Walker Art Center
Edited with text by Andrew Blauvelt. Text by Greg Castillo, Esther Choi, Alison Clarke, Hugh Dubberly, Ross Elfline, Craig Peariso, Tina Rivers Ryan, Catharine Rossi, Simon Sadler, Felicity Scott, Lorraine Wild with David Karwan. Interviews by Adam Gildar, Susan Snodgrass, Elizabeth Glass.
"Hippie Modernism" examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as "Oz" and "The Whole Earth Catalog"; books by Marshall McLuhan and Buckminster Fuller; and much more. While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including: Gerd Stern of USCO; Ken Isaacs; Gunther Zamp Kelp of Haus-Rucker-Co; Ron Williams and Woody Rainey of ONYX; Franco Raggi of Global Tools; Tony Martin; Clark Richert and Richard Kallweit of Drop City; as well as new scholarly writings, this book explores the conjunction of the countercultural ethos and the modernist desire to fuse art and life.
Huge, generous and vividly illustrated volume!
1982, Italian
Harcover, 79 pages, 17 x 24 cm
1st Edition, Out of print title / Used*,
Published by
Ricerche Design Editore / Milan
$65.00 - Out of stock
Lovely hardcover catalogue published by Ricerche Design Editore in Milan for an exhibition on radical Italian art and design held at Centro Comunicazioni Visive, sala Comunale delle Esposizioni, April - May 1982.
Features the work of Cinzia Ruggeri, Alessandro Mendini, Andrea Branzi, Riccardo Dalisi, Ugo La Pietra, Superstudio, Occhiomagico, Studio Alchimia, Franco Raggi, Adolfo Natalini, Ettore Sottsass, amongst others.
1984, Japanese / English
Softcover, 96 pages, 32.5 × 25.5 cm
1st Edition, Out of print title / Used,
Published by
Interior Publishing Co. Ltd. / Tokyo
$85.00 - Out of stock
JAPAN INTERIOR DESIGN
No.298, January 1984
One of Japan’s finest magazines for interior design and home furnishings, edited by Moriyama Kazuhiko.
JAPAN INTERIOR DESIGN presents a monthly comprehensive view of traditional, contemporary, and contemplated environmental designs and pure art forms both Japanese and foreign, through pictures and critical reviews. English captions and summaries of major articles are provided.
Very rare, this issue includes a huge feature on UGO LA PIETRA = THE EXHIBITION "LA CASA TELEMATICA" with essay by Gianfranco Bettetini, Aldo Grasso, Ugo La Pietra collaboration & essay: Kazuko Sato.
Also includes "Fiber Art Exhibition by Ten Foreign Artists" essay: Shinichi Asai; Beauty House "ACHE" design: the air. Kenji Oki, Hisako Watanabe; Boutique "KENZO SAPPORO" design: Setsuo Kitaoka; ’83 THE 10TH TOKYO INTERNATIONAL LIGHTING DESIGN COMPETITION > & < LIGHTING DESIGN BY INVITED DESIGNERS EXHIBITION (including Shiro Kuramata, Issey Miyake and many more), essay: Katsuhiro Yamaguchi; Object Made of New Material "COLOR CORE"; Furniture "TAKAGU" Designed by Tsutomu Imazaki; New Furniture Designed by Gerd Lange; "A Atelier" architect: Ikuyo Mitsuhashi; Product Design of the Month = Ball-Pen & Razor design: Pentagram, and much more.
1988, English / Japanese
Hardcover (w. dust jacket), 341 pages, 24 x 31 cm
1st Japanese cover edition, Out of print title / Used*,
Published by
Books Nippan / Tokyo
$120.00 - Out of stock
One of the most incredible books on Italian design of the last century, this epic, long-out-of-print volume, published in Japan in 1988, is as visually encompassing in it's design and visual content as it is invaluable as a resource of essays and profiles on the many artists and designers working in Italy from (roughly) the 1930's to the late 1980's.
With texts by none other than Mario Bellini, Andrea Branzi, and Bruno Munari, this heavy volume, co-ordinated by Fumio Shimizu and Studio Matteo Thun, is broken into "The First Generation" (Carlo Alessi, Bruno Munari, Gio Ponti, Carlo Scarpa, and many others); "The Second Generation" (Mario Bellini, Aldo Rossi, Alessandro Mendini, Enzo Mari, Ettore Sottsass, and many others); "The Third Generation" (Andrea Branzi, George J. Sowden, Ugo La Pietra, Paolo Deganello, and many others); "The Fourth Generation" (Alchimia, Aldo Cibic, Michele De Lucchi, Nathalie Du Pasquier, Matteo Thun, Alessio Sarri, and many others) - all with illustrated examples of their furniture, architecture, fashion, product design, interiors, etc. and profiles on each and every featured artist and designer. The names above are only the tip of the iceberg of the many amazing practices highlighted in this book, many of which are not easily found in any other publications on the subject.
Highly recommended and very scarce.
All texts are in both English and Japanese.
"Engaging Italian industry and culture in a single-minded and spontaneous project of national image building, Italy's designers have produced a complete variety of forms--fashion, graphic arts and product and set design--with a unique international resonance. This volume explores Italian design of the last half-century, featuring the classic lines of the Vespa, Bruno Munari's deconstruction of the common fork, the nostalgic appeal of Italo Marchioni's ice cream cone and the sleek Minimalism of Alberto Meda's 1987 "Light Light Chair," among many other masterpieces. Paola Antonelli's lively introduction provides an overview of Italy's design culture; an essay by Giampiero Bosoni illuminates the design objects that are superbly reproduced in the volume's plate section."
1990, Japanese
Hardcover (w. dust jacket), 191 pages, 22.5 x 26 cm
1st edition, Out of print title / used*,
Published by
Gendaikikakushitsu / Tokyo
$80.00 - Out of stock
First Japanese edition (printed in 1990) of this great design book published originally in Europe in 1987/88. Different cover variation for the Japanese edition.
An international selection of over 400 objects (over 500 illustrations) such as tableware, furniture, jewellery, glassware and light fixtures designed by more than 50 leading architects. The book provides a cross-section of original ideas to be found in the best of modern design and aims to show the powerful influence that architects continue to have on industrial and furniture design. Furniture and lighting by Norman Foster, tableware by Sottsass, Robert Stern and Venturi, jewellery by Arata Isogaki and Stern, furniture by Ambasz, Mario Botta, Michael Graves and Richard Meier are some of the artefacts included in this study. The architects, Juli Capella and Quim Larreo are editors of the magazine "De Diseno" and are on the board of the architectural magazine "El Croquis" published in Madrid.
Includes an introduction by Alessandro Mendini, "This Book is This Painting".
Features the work of: Emilio Ambasz, Ron Arad, Gae Aulenti, Mario Bellini, Cini Boeri, Pep Bonet, Mario Botta, Andrea Branzi, Santiago Calatrava, Anna Castelli, Achille Castiglioni, Cristian Cirici, Antonio Citterio, Lluis Clotet, Paolo Deganello, Michele de Lucchi, Jonathan de Pas, Donato d'Urbino, Paolo Lomazzi, Norman Foster, Frank Gehry, Michael Graves, Vittorio Gregotti, Pierluigi Cerri, Hans Hollein, Arata Isozaki, Charles Jencks, Ugo la Pietra, Vico Magistretti, Angelo Mangiarotti, Richard Meier, Alessandro Mendini, Pedro MMiralles, Rafael Moneo, Nemo, Oscar Niemeyer, Peolo Portoghesi, Aldo Rossi, Afra and Tobia Scarpa, Alvaro Siza Vieira, Ettore Sottsass Jr., Robert A.M. Stern, Giotto Stoppino, Kazuide Takahama, Matteo Thun, Elias Torres Tur, José Antonio, Martinez Lapeña, Oscar Tusquets, Robert Venturi, Daniel Weil, Stefan Wewerka, Marco Zanuso.