World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1995, English / Japanese
Softcover (w. card slipcase and printed sticker), 159 pages (140 ill.), 26 x 18 cm
1st Japanese Edition, Out of print title / Used*,
Published by Sezon Museum of Art / Tokyo
$110.00 - In stock -
Published in conjunction with the 1995 touring Japanese Museum retrospective of work by the pioneering late artist/ceramicist Peter Voulkos, this is the beautifully designed and printed first-edition Japanese catalogue from the Sezon Museum of Art, Tokyo (Jan 2 - Feb 20, 1995) and The National Museum of Modern Art, Kyoto. (Feb 28 - April 2, 1995), which comes housed in an elegant printed cardboard slipcase. A very rare volume, and in our opinion the most stunning of books on the work of Peter Voulkos.
Profusely illustrated with wonderful colour photo documentation of his many works, accompanied by an essay by Rose Slivka.
In 1954, Voulkos founded the Ceramic Center at Otis Art Institute in Los Angeles, which gave birth to the West Coast Abstract Expressionist ceramics movement. He later became a highly influential educator at UC Berkeley while continuing a vital career that included work in bronze sculpture and wood-fired stoneware.
Softcover, 80 pages, 24.5 x 34.5 cm
1st edition, Out of print title / used*,
Published by James Fitzsimmons / Lugano
$65.00 - In stock -
Art International, Vol. XI/4 April 20, 1967
Published and Edited by James Fitzsimmons
Advisory Editors: Umbro Apollonio, Jorge Romero Brest, Lucy R. Lippard, James Mellow.
Features: Jacques Kaplan, Clement Greenberg, Anne Truitt, Anthony Caro, Carl Andre, Ronald Bladen, Robert Smithson, Lucy R. Lippard, Larry Poons, Colin Self, Eli Bornstein, Bridget Riley, Maurice de Sansmarez, Nanda Vigo, Victor Vasarely, Marcel Broodthaers, Arman, Roberto Crippa, Richard Smith, Howard Hodgkin, Avinash Chandra, Mary Preminger, Dan Flavin, Steve Kaltenbach, DeWain Valentine, Leonard Esbensen, Craig Kauffman, Kenneth Snelson, Morris Louis, Franz Kline, Aubrey Beardsley, Sam Francis, Richard Tuttle, Paul Klee, Gary Kuehn, Tony Smith, John Wesley, Jack Beal, Antonin Artuad, Nicholas Krushenick, Colin Self, Lucio del Pezzo, Peter Voulkos, Leonard da Vinci, Kenneth Noland, Jules Olitski, Ludwig Sander, Yves Klein, Edward Kienholz, Adolph Gottlieb, and many more.
Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.
$55.00 - Out of stock
Drawn from the collection of the Los Angeles County Museum of Art, Color & Fire: Defining Moments in Studio Ceramics, 1950-2000 accompanies a major touring exhibition on the history of ceramic art in the second half of the twentieth century. Illustrated with more than 250 color photographs, Color & Fire explores the roles of key artists and the major stylistic movements they developed during the decades of pioneering innovation.
Based on the premise that the history of studio ceramics can be regarded as a series of breakthroughs or milestones, Color & Fire highlights the moments when talented artists came together to produce work in clay that challenged traditions and promoted aesthetic freedom. In the early years of the twentieth century, pottery was primarily mass-produced in factories, where specialists in wheel throwing, glazing, and kiln firing worked under a system of divided labor. In the 1930s and 1940s, ceramists such as the renowned team of Gertrud and Otto Natzler began to perform all of these exacting functions-from mixing clay to firing kilns-in their own studios, creating one-of-a-kind pots, breathtaking in design and construction. Since that time, ceramic art has followed a metaphorical journey from the earth to the air, as concerns with utility, materials, and techniques have given way to abstract conceptual considerations.
In Los Angeles in the 1950s, Peter Voulkos and his students upset the traditional values of craft pottery and the Bauhaus- inspired "form follows function" doctrine by creating nonfunctional, oversized, off-kilter vessels with cracks and holes, along with massive Abstract Expressionist monuments. In the 1960s in northern California, Robert Arneson and his students shattered taboos against clay as a sculptural medium in the oversized, off-kilter vessels with cracks and holes, along with massive Abstract Expressionist monuments. In the 1960s in northern California, Robert Arneson and his students shattered taboos against clay as a sculptural medium in the hands of potters with their radical, irreverent, and satirical "Funk" pieces. Today, no longer confined to the decorative arts or other craft categories, ceramic artists around the world explore an unlimited range of influences, styles, and ideas, engaging in a graceful and inventive dialogue with centuries of ceramic tradition.
A celebration as well as a valuable art-historical survey, Color & Fire: Defining Moments in Studio Ceramics, 1950-2000 showcases the finest works form the unparalleled collection of the Los Angeles County Museum of Art. Accessible to the novice as well as to the enthusiast, the book includes essays by Grechen Adkins, Garth Clark, Jo Lauria, Rebecca Niederlander, Susan Peterson, and Peter Selz.
Softcover, 47 pages
1st Edition, Out of print title / Used*,
Published by Everson Museum of Art / Syracuse
$50.00 - In stock -
Very scarce catalogue published to accompany an exhibition curated by Margie Hughto at the Everson Museum of Art, Syracuse, New York, September 29 - December 3, 1979; Arts and Crafts Center of Pittsburgh, February 24 - March 18, 1979.
Features the work of Robert Arneson, Karen Breschi, Stephen de Staebler, David Gilhooly, Marilyn Levine, David Middlebrook, Kenneth Price, Richard Shaw, and Peter Voulkos.
Text by Judy S. Schwartz. Acknowledgments & Foreword by Margie Hughto, Adjunct Curator of Ceramics. Each artist with a one page write-up profile with images, notes and biographies.
1979, English / Dutch
Softcover (stapled), 44 pages (colour & b/w ill.), 21 x 27.5 cm
1st edition, Out of print title / used*,
Published by Stedelijk Museum / Amsterdam
$50.00 - Out of stock
Catalogue for "West Coast Ceramics", the 1979 exhibition held at the Stedelijk Museum, Amsterdam. Artists include; Ken Price, Robert Arneson, David Gilhooly, Richard Shaw, Ron Nagle and Peter Voulkos.
Catalogue design: Wim Crouwel, Arlette Brouwers, Total Design
Softcover, 54 pages, 21.5 x 24 cm
1st edition of 1000, Out of print title / used*,
Published by University of California Irvine / US
$170.00 - Out of stock
This is the exhibition catalogue in which curator and editor John Coplans first coined the term "Abstract Expressionist Ceramics".
A very rare piece of West Coast ceramics history, this handsome catalogue, designed by James Turrell and printed in a once-only edition of 1000 copies, was published in conjunction with the seminal 1966 University of California, Irvine survey exhibition ("Abstract Expressionist Ceramics") of West Coast artists affiliated with Peter Voulkos and his pioneering work at the Ceramic Center at Otis Art Institute and the University of California, Berkeley.
Curated by John Coplans, the pivotal figure here is Peter Voulkos, but the catalogue also features incredible and rare photo documentation of the amazing early works of Billy Al Bengston, Michael Frimkess, John Mason, Malcolm McClain, James Melchert, Ron Nagle, Manuel Neri, Kenneth Price, and Henry Takemoto, presented in large colour and black and white photography alongside Coplans' exhibition essay.
A very special, and super scarce item in the history of West Coast ceramic art.
Hardcover, 135 pages, 29.5 x 23.7 cm
1st edition, Out of print title / used*,
Published by The Kruithuis Museum Collection / Netherlands
$62.00 - Out of stock
Published by the Kruithuis Museum Collection in The Netherlands in 1999, this large hard-cover volume profiles the important ad diverse ceramic work of American artists Robert Arneson, Ronald Baron, Christina Bertoni, Kathy Butterly, William Daley, Richard Devore, Robert Forman, Viola Frey, David Gilhooly, Andrea Gill, Wayne Higby, Graham Marks, James Melchert, Ron Nagle, George Ohr, Ken Price, Adrian Saxe, Rudolf Staffel, Robert Turner, Peter Voulkos, Betty Woodman, Rhonda Zwillinger. The work of this incredible grouping of artists is photographed in glorious detail and reproduced very large across the numerous page-spreads that profile each and every artist.
A very visual book!
Includes essays by Arthur C. Danto and Janet Koplos, and photographic portraits of all the artists alongside in-depth bibliographies. An incredible resource.
$40.00 - Out of stock
GRAPEVINE~ documents an exhibition curated by artist Ricky Swallow at David Kordansky Gallery during the summer of 2013. It focuses on the work of five California-based artists who redefined the use of clay in contemporary art, and includes images of works created over a period of more than 50 years. Ceramic sculptures by Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, and Peter Shire exemplify the ways in which the medium underwent dramatic changes after World War II. Also included are select works by other artists influential in this dialogue, such as Ken Price and Peter Voulkos. An essay by Swallow explores the movement's idiosyncrasies and cross-currents, as well as its influence on subsequent generations of artists.
Text: Ricky Swallow
Editors: Alexis Kerin & Stuart Krimko
Photography: Fredrik Nilsen
Design: Sinisa Mackovic & Robert Milne
Typeface: Jubilee GRAPEVINE~ by Fabian Harb
$38.00 - Out of stock
Out of print catalogue from the exhibition "Ceramic Sculpture: Six Artists", Whitney Museum of American, 9 Dec 1981 - 7 Feb, 1982; SF MOMA, 8 Apr - 27 Jun 1982.
Features the great ceramic work of Peter Voulkos, John Mason, Kenneth Price, Robert Arneson, David Gilhooly and Richard Shaw.
Included the texts: "Ceramic Sculpture in California: An Overview" by Suzanne Foley and "Ceramic Sculpture: Six Artists" by Richard Marshall.
Softcover, 64 pages (colour ill. throughout), 280 x 220 mm
Out of print title / Used*,
Published by Seattle Art Museum / Seattle
$10.00 - Out of stock
Published by Seattle Art Museum, this catalogue accompanied the exhibition "Clay Revisions: Plate, Cup, Vase", held at Renwick Gallery in 1988. The show was organized by the Seattle Art Museum and curated by Vicki Halper, the author of this catalogue. It documents work by many of the world's leading ceramists, including Ken Price, Peter Shire, Mary Heilmann, Peter Voulkos, Ron Nagle, Richard Shaw, Robert Arneson, and many more.
Softcover, 240 pages, 305 x 230 mm
Out of print title/Used*,
Published by Los Angeles County Museum of Art / Los Angeles
$30.00 - Out of stock
A catalogue of the Howard and Gwen Laurie Smits Collection at the Los Angeles County Museum of Art. This publication showcases the collection, one of the most outstanding selections of contemporary vessel ceramics in the world. The goal of this collection, begun in the 1970s, was to gather works by living artists, that showed their diversity, energy, and intellectual concerns. It is composed principally of works from 1979 to 1988, with a core representative of southern California potters. For background on the interwoven histories of English and American studio potters in the development of the clay movement, work of European and especially English artists are represented, including works that illustrate a technique or "moment" to show a specific genre. The catalogue profiles 64 ceramists through biographies, photographs, and discussions of the artist's work.