World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
Hardcover (cloth-bound), 272 pages, 17.5 x 24 cm
Published by Sternberg Press / Berlin
$50.00 - Out of stock
Texts by Iain Ball, Erick Beltrán, Jane Bennett, Benjamin H. Bratton, Revital Cohen & Tuur Van Balen, Erik Davis, John Durham Peters & Paul Feigelfeld, Mircea Eliade, Boris Groys, Marguerite Humeau, Timothy Morton & Emilija Skarnulyte, Boris Ondreička, The Otolith Group, Jussi Parikka, Matteo Pasquinelli, Nadim Samman, Charles Stankievech
Rare Earth is an attempt to define the spirit of an age. Exploring how today’s myths, identities, and cosmologies relate to current advances in technology—through reference to the material basis to our most developed weapons and tools; a class of seventeen rare earth elements from the periodic table—Rare Earth challenges the rhetoric of immateriality associated with our hypermodern condition.
Rare earth elements are the game-changing foundation of our most powerful innovations, are fundamental to contemporary accoutrements such as mobile phones, iPods and iPads, liquid crystal displays, LEDs, light bulbs, CDs and DVDs. Often described as conflict materials due to the limited number of easily accessible mines, they are also integral to weapon systems used for cyber-warfare, medical technologies (including MRI scanning equipment), hybrid vehicles, wind turbines, and other green energy applications. Consequently, rare earth elements play an increasing role in global affairs and power inventions that facilitate our changing self-image—giving birth to today’s emergent myths and identities.
Rare Earth grounds our strange, seemingly weightless cultural moment. While we may design our technologies, these tools and weapons shape us in turn. It may seem that we dream the contemporary into existence, but perhaps rare earth elements are dreaming through us. After the Stone Age, the Bronze Age and the Iron Age, this is the age of Rare Earth.
Copublished with Thyssen-Bornemisza Art Contemporary, Vienna on the occasion of the exhibition “Rare Earth,” February 19–May 31, 2015, with works by Iain Ball, Erick Beltrán, Julian Charriere, Revital Cohen & Tuur Van Balen, Camille Henrot, Roger Hiorns, Marguerite Humeau, Jean Katambayi Mukendi, Oliver Laric, Ursula Mayer, The Otolith Group, Katie Paterson, Charles Stankievech, Suzanne Treister, Ai Weiwei, Guan Xiao, Arseniy Zhilyaev
Design by David Rudnick and Raf Rennie
Softcover, 540 pages, 10.8 x 17.5 cm
Published by Urbanomic / Cornwall
$52.00 - In stock -
Collapse Volume VI: Geo/Philosophy (Reissued Edition)
Robin Mackay (Ed.)
Philosophical Research and Development.
Following Collapse V's inquiry into the legacy of Copernicus' deposing of Earth from its central position in the cosmos, Collapse VI: Geo/philosophy poses the question: Is there nevertheless an enduring bond between philosophical thought and its terrestrial support, or conversely, is philosophy's task to escape the planetary horizon?
Following early-modern geophilosophical experiments in utopia, geographies and cartographies real and imaginary have played a double role in philosophy, serving both as governing metaphor and as an ultimate grounding for philosophical thought.
Collapse VI: Geo/philosophy begins with the provisional premise that the Earth does not square elements of thought but rather rounds them up into a continuous spatial and geographical horizon. Geophilosophy is thus not necessarily the philosophy of the earth as a round object of thought but rather the philosophy of all that can be rounded as an (or the) earth. But in that case, what is the connection between the empirical earth, the contingent material support of human thinking, and the abstract 'world' that is the condition for a 'whole' of thought?
Urgent contemporary concerns introduce new dimensions to this problem: The complicity of Capitalism and Science concomitant with the nomadic remobilization of global Capital has caused mutations in the field of the territorial, shifting and scrambling the determinations that subtended modern conceptions of the nation-state and territorial formations. And scientific predictions presents us with the possibility of a planet contemplating itself without humans, or of an abyssal cosmos that abides without Earth - these are the vectors of relative and absolute deterritorialization which nourish the twenty-first century apocalyptic imagination. Obviously, no geophilosophy can remain oblivious to the unilateral nature of such un-earthing processes. Furthermore, the rise of so-called rogue states which sabotage their own territorial formation in order to militantly withstand the proliferation of global capitalism calls for an extensive renegotiation of geophilosophical concepts in regard to territorializing forces and the State. Can traditions of geophilosophical thought provide an analysis that escapes the often flawed, sentimental or cryptoreligious fashions in which popular discourse casts these catastrophic developments?
Collapse VI brings together philosophers, theorists, eco-critics, leading scientific experts in climate change, and artists whose work interrogates the link between philosophical thought, geography and cartography, in order to create a portrait of the present state of 'planetary thought'.
ROBIN MACKAY - Editorial Introduction
NICOLA MASCIANDARO - Becoming Spice: Commentary as Geophilosophy
IAIN HAMILTON GRANT - Introduction to Schelling's On the World Soul
F. W. J. SCHELLING - On the World Soul (Extract)
GREG MCINERNY, DREW PURVES, RICH WILLIAMS, STEPHEN EMMOTT - New Ecologies (Interview)
TIMOTHY MORTON - Thinking Ecology: The Mesh, the Strange Stranger and the Beautiful Soul
F I E L D C L U B - How Many Slugs Maketh the Man?
OWEN HATHERLEY - Fossils of Time Future: Bunkers and Buildings from the Atlantic Wall to the South Bank
EYAL WEIZMAN - Political Plastic (Interview)
ANGELA DETANICO AND RAFAEL LAIN - A Given Time / A Given Place
MANABRATA GUHA - Introduction to SIMADology: Polemos in the 21st Century
REZA NEGARESTANI - Undercover Softness: An Introduction to the Architecture and Politics of Decay
ROBIN MACKAY - Philosophers' Islands
CHARLES AVERY - The Islanders: Epilogue
GILLES GRELET - Theory is Waiting
RENEÉ GREEN - Endless Dreams and Water Between
Softcover, perfect bound, 176 pages (colour ills), 30 x 23 cm
Edition of 1000,
Published by Discipline / Melbourne
$25.00 - Out of stock
Second issue of Melbourne's Discipline!
Nicholas Croggon & Helen Hughes Editorial
Emanuele Coccia (trans. by Connal Parsley) End of Love
Amelia Barikin Time Shrines: Melancholia and Mourning in the Work of Ash Keating
Francis Plagne Matt Hinkley and the Embedded Mark
Helen Hughes Aestheticising Architecture / Architecturalising Aesthetics: Callum Morton and Bianca Hester
Timothy Morton Yukultji Napangati: Occupying Dreaming
Helen Johnson A Moment An Immeasurable Whole (on Mira Gojak)
David Homewood RR / SK: Public Exhibition
Steve Salisbury Kimberley Dinosaur Tracks
Kate Warren Unstable Realities in Omer Fast’s Five Thousand Feet Is The Best
Adrian Martin Price Tag
Vivian Ziherl Recommended Reading: LIP Magazine (1976-1984)
Sarinah Masukor All The News That’s Fit To Sing: Vernon Ah Kee’s Tall Man
Tim Alves The Telling Moment Revisited: Vernon Ah Kee’s Tall Man
Nikos Papastergiadis Can There Be a History of Contemporary Art?
James Parker Retromania and the Atemporality of Contemporary Pop
GUEST EDITED SECTION - MARIA FUSCO (EDITOR)
Maria Fusco Editorial: The Human Word is Midway Between the Muteness of Animals and the Silence of God
Nikolaus Gansterer & Moira Roth The Hand & The Creature
John Berger Why Look At Animals?
Yve Lomax A Philosopher, A Cat, A Monkey and Nudity
John Bevis Mnemonics for Bird Songs and Calls
Nikolaus Gansterer & Moira Roth The Hand, The Creatures & The Singing Garden
A Constructed World
Christopher LG Hill
Editors: Nick Croggon and Helen Hughes
Guest Editor: Maria Fusco
Design: Annie Wu and Ziga Testen