World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
2013, English / German
Hardcover, 660 pages, 13 × 23.5 cm
Published by Edition Patrick Frey / Zürich
$165.00 - Out of stock
HR Giger worked in the Shepperton Studios near London from February to November 1978, creating the figures and sets for the film Alien (1979) directed by Ridley Scott. The film became an international success, earning Giger an Oscar. In the transcribed Alien Diaries, published here for the first time as a facsimile, HR Giger describes his work in the studios. He writes, sketches, and takes photographs with his Polaroid SX70. With brutal honesty, sarcasm and occasional despair, Giger describes what it is like working for the film industry and how he struggles against all odds — be it the stinginess of producers or the sluggishness of his staff — to see his designs become reality. The Alien Diaries (in German transcription with an English translation) show a little-known personal side of the artist HR Giger and offer an unusual, detailed glimpse into the making of a movie classic through the eyes of a Swiss artist. The book contains almost completely unpublished material, including drawings, Polaroids showing the monster coming to life, and several still shots from the plentiful film material that Giger took in Shepperton.
Softcover, 192 pages, 21 x 28 cm
Published by Edition Patrick Frey / Zürich
$88.00 - In stock -
The girls name "Susie" served as a trademark for Ashley Bickerton's work, he showed during the 1980s in New York until moving to Bali. His intriguing painterly and sculptural pieces derive from commodity aesthetics, marketing language and corporate culture. At the time they were shown in the context of the seminal group of artists – often referred to as "Neo-Geo" – consisting of Bickerton, Halley, Koons and Vaisman at Sonnabend gallery.
Ashley Bickerton – Susie is the first monographic close reading of Bickerton's influential early work. Contributions by Lauren O'Neill-Butler, Fredi Fischli, Abigail Solomon-Godeau, Bob Nickas, Niels Olsen, Thomas Lawson and John C. Welchmann offer a wide range of critical views on his practice.
Awarded: “Most Beautiful Swiss Books 2014”.
Ashley Bickerton (born 1959 in Barbados, West Indies, lives and works in Bali, Indonesia) graduated from the California Institute of the Arts in 1982 and continued his education in the Independent Studies Program at the Whitney Museum of American Art, New York. A seminal figure in the East Village scene, Bickerton was one of the original members of a group of artists known as “Neo-Geo,” and to this day, he remains an influential figure with a younger generation of artists. Over the last twenty-five years, Bickerton's work has been exhibited extensively in nearly every major museum around the world. His work can be found in numerous museum collections worldwide.
$70.00 - In stock -
Trix and Robert Haussmann are two of the most important architects, designers and theoreticians, consequential in influencing and helping to displace classical modernism in Switzerland. They have realized about 650 projects in their lifetime; in Zurich these include the Da-Capo-Bar, the new main train station, the boutique Weinberg and the Kronenhallenbar. The year 1967 marks their marriage and the establishment of their joint office Allgemeine Entwurfsanstalt. It is also the year they began working together, a collaboration which has brought forth works breaking with the dogmas of entrenched architectural practices. In addition to designing buildings and furniture, they have developed a rich theoretical œuvre that is presented for the first time in this publication. This book will form the basis for any future assessment of their work.
Trix + Robert Haussmann’s monograph opens the publication series STUDIOLO / Edition Patrick Frey, a collaboration between the publisher and the exhibition space STUDIOLO. The curators Fredi Fischli and Niels Olsen run a varied program of contemporary art productions in an atelier house in Zurich. The exhibition The Log-O-Rhythmic Slide Rule shown in spring 2012 was dedicated to the work of Trix and Robert Haussmann and is the basis for this publication, which, with illustrations, essays, texts by artists and a discussion, provides an in-depth look into the rich creative work of the Swiss architect and designer couple.
With texts by Fredi Fischli, Liam Gillick, Karl Holmqvist, Niels Olsen, Trix & Robert Haussmann and Gabrielle Schaad in German and English.
design by Teo Schifferli
This title is now out of print.
Softcover, 164 pages, 22.5 cm × 30 cm
Published by Edition Patrick Frey / Zürich
$75.00 - Out of stock
The collaboration between the family-run, specialty fashion store Weinberg and the design and architect duo of Trix and Robert Haussmann spans a quarter century. Not only did they work together on shaping the Weinberg stores along the Bahnhofstrasse in Zurich, but within the context of this working relationship, also for fashion brands, including Lanvin and Courrèges, for which they developed together atmospheric and cleverly innovative store concepts in the vein of the Haussmann’s “Critical Mannerism.” Using plans, drawings, and architectural photographs, Haussmann für Weinberg sheds light on their six collaborations that date back twenty years from the publication date of 2015. It is accompanied by a conversation between the art historian Gabrielle Schaad, Trix and Robert Haussmann, as well as the architect duo of Isa Stürm and Urs Wolf, who wrote a new chapter in the company’s history when they renovated the Weinberg Ladies’ Store in late 2014, as the book went to press. Richly illustrated with news clippings and company brochures Haussmann für Weinberg is a fashion, design, and architecture book in equal parts that precisely captures the Zeitgeist and shines a light on an ironic, illusionistic, Swiss Modernism that goes beyond strictly “good form.”