World Food Books

Melbourne Artist Facilitated Biennial publication (Endless Lonely Planet 9)

2020, English
Softcover, 150 pages, 21 x 29.7
Ed. of 100,
Published by Endless Lonely Planet / Melbourne

$25.00 - In stock -

Melbourne Artist Facilitated Biennial publication by Melbourne artist Christopher LG Hill is both the ninth issue of his ongoing publishing imprint Endless Lonely Planet, and a major survey art book marking the end of his 12 year artist facilitated biennale project, spanning 2008-2020.

"Multiple sites and moments, artist facilitated biennials extending on structures and limitations set by Signs of life: Melbourne International Biennial 1999. Abstracting and bringing new meaning to the form of a biennial as a more casual and independent entity, the project has seen many participants and collaborators over the last 12 years. This book hopes to document some of these moments, but more so to be a catalyst for different modes and models that it may inspire." — publisher

Includes extensive photographic documentation of The (self initiated, Artist funded) second (fourth) Y2K Melbourne Biennial of Art (& Design), TCB art inc., 2008; The First & Final Y3K Second (third) Inaugural Melbourne Biennial of International Arts, Y3K, 2011 (curated by Joshua Petherick, James Deutsher, and Christopher L G Hill); Third/Fourth Melbourne Biennial, Margaret Lawrence Gallery, 2013; 4th/5th Melbourne Artist Facilitated Biennial, TarraWarra Museum of Art, 2016 (as part of TarraWarra Biennial 2016: Endless Circulation curated by Victoria Lynn and Helen Hughes/Discipline); 5th/6th final Melbourne Artist Facilitated Biennial, Dec 2018 -Dec 2020 (co-facilitated by Virginia Overell and Christopher L G Hill in their apartment/ the ex-Telecom building that was the site of the Melbourne International Biennial 1999)

Includes the work of ACW, Liz Allen, Animal Charm, Dan Arps, Sean Bailey, Liv Barrett, Matthew Brown, Ruth Buchannan, Jon Campbell, Jane Caught, Xin Cheng, Fiona Connor, Ying Lan Dann, James Deutsher, Daniel du Bern, Ida Ekblad, ffiXXed, Pat Foster & Jen Berean, Justin K Fuller, Matt Griffin, Ardi Gunawan, Hao Guo, Bianca Hester, Christopher L G Hill, Matt Hinkley, Helen Johnson, Lisa Kelly, Devin Kenny, Taree Mackenzie, Simon McGlinn, Rob Mckenzie, Nick Mangan, Scott Mitchell, Tahi Moore, Kate Newby, Geoff Newton, John Nixon, OSW, Alexander Ouchtomsky, Damon Packard, Spiros Panigriakis, Sean Peoples/ Cheese Peoples, Joshua Petherick, Kain Picken, Janneke Raaphorst, Nick Selenitsch, Christopher Schueler & Matthew Hopkins, Gregory P Sharp, Kate Smith, Sriwhana Spong, Dylan Statham, Masato Takasaka, Ben Tankard, Simon Taylor, Alex Vivian, Annie Wu, Hany Armanious, Andreas Banderas, Mikala Dwyer, Katherine Huang, Tobias Kaspar, Piotr Łakomy, Taree Mackenzie, Tahi Moore, Michael O’Connell, Ester Partegas, Natalie Rognsoy, John Spiteri, Dan Arps, Sean Bailey, Olivia Barrett, Matthew Benjamin, Jon Campbell, Trevelyan Clay, Fiona Connor and Michala Paludan, James Deutsher, DoubleFly, George Egerton-Warburton, Endless Lonely Planet, ffiXXed, Alicia Frankovich, Justin K Fuller, Marco Fusinato, Greatest Hits, Ardi Gunawan, Hao Guo, Christopher L G Hill, Matt Hinkley, David Homewood, Matthew Hopkins, Lou Hubbard, Renee Jaeger, Helen Johnson, Kenneth Biennale (curated by Kenny Pittock and Amy May Stuart: Chris Clarke, Christo Crocker, Christina Hayes, Chris L G Hill, Christine Pittock, Christopher Sciuto), Legendary Hearts (Kieran Hegarty and Andrew Cowie), S.T. Lore, Patrick Lundberg, Carrie McGrath, Rob McKenzie, Taree McKenzie, Nick Mangan, Gian Manik, Kate Meakin, Adelle Mills, Tahi Moore, Kate Newby, Elizabeth Newman, Virginia Overell, Sean Peoples, Joshua Petherick, Kain Picken, Lisa Radford and Sam George, Nick Selenitsch, Kate Smith, Studio Masatotectures, Sydney (Esther Edquist), Masato Takasaka and Madeline Kidd, Ben Tankard, Alex Vivian, Nicki Wynnychuk, y3k, Lauren Burrow, Counterfeitnessfirst, James Deutsher, Laurel Doody, George Egerton-Warburton, ELP3 Vine, Endless Lonely Planet, Lewis Fidock, Aurelia Guo, Christopher L G Hill, Lou Hubbard, Lucina Lane, Kate Meakin, Tahi Moore, Elizabeth Newman, Liam Osborne, Virginia Overell, Joshua Petherick, Lisa Radford, Zac Segbedzi, Nick Selenitsch, Nicholas Tammens, Alex Vivian, Rudi Williams, Gavin Bell, Jarrah de Kuijer and Simon McGlinn, Candida ((Gian Manik and Ricarda Bigolin) in collaboration with Agnieszka Chabros, Samuel Heatley and Jaala Jensen), Xin Cheng, Fiona Connor, Renee Cosgrave, Christo Crocker, Ying Lan Dann, Endless Lonely Planet, Richard Frater, Aurelia Guo, HB Peace, Hoggle, Lou Hubbard, Olivia Koh, Spencer Lai, Laurel Doody Library Supply, Patrick Lundberg, Kate Meakin, Olivia O’Donnell, Jason Willers, and more...

More info at http://www.christopherlghill.com

File under: ACW Liz Allen Animal Charm Dan Arps Sean Bailey Liv Barrett Matthew Brown Ruth Buchannan Jon Campbell Jane Caught Xin Cheng Fiona Connor Ying Lan Dann James Deutsher Daniel du Bern Ida Ekblad ffiXXed Pat Foster & Jen Berean Justin K Fuller Matt Griffin Ardi Gunawan Hao Guo Bianca Hester Christopher L G Hill Matt Hinkley Helen Johnson Lisa Kelly Devin Kenny Taree Mackenzie Simon McGlinn Rob Mckenzie Nick Mangan Scott Mitchell Tahi Moore Kate Newby Geoff Newton John Nixon OSW Alexander Ouchtomsky Damon Packard Spiros Panigriakis Sean Peoples/ Cheese Peoples Joshua Petherick Kain Picken Janneke Raaphorst Nick Selenitsch Christopher Schueler & Matthew Hopkins Gregory P Sharp Kate Smith Sriwhana Spong Dylan Statham Masato Takasaka Ben Tankard Simon Taylor Alex Vivian Annie Wu Hany Armanious Andreas Banderas Mikala Dwyer Katherine Huang Tobias Kaspar Piotr Łakomy Michael O’Connell Ester Partegas Natalie Rognsoy John Spiteri Olivia Barrett Matthew Benjamin Trevelyan Clay Fiona Connor and Michala Paludan DoubleFly George Egerton-Warburton Endless Lonely Planet Alicia Frankovich Marco Fusinato Greatest Hits David Homewood Matthew Hopkins Lou Hubbard Renee Jaeger Christo Crocker Christina Hayes Chris L G Hill Christine Pittock Christopher Sciuto) Legendary Hearts (Kieran Hegarty and Andrew Cowie) S.T. Lore Patrick Lundberg Carrie McGrath Rob McKenzie Taree McKenzie Gian Manik Kate Meakin Adelle Mills Elizabeth Newman Virginia Overell Sean Peoples Lisa Radford and Sam George Studio Masatotectures Sydney (Esther Edquist) Masato Takasaka and Madeline Kidd Nicki Wynnychuk y3k Lauren Burrow Counterfeitnessfirst Laurel Doody ELP3 Vine Lewis Fidock Aurelia Guo Lucina Lane Liam Osborne Lisa Radford Zac Segbedzi Nicholas Tammens Rudi Williams Gavin Bell Jarrah de Kuijer and Simon McGlinn Renee Cosgrave Richard Frater HB Peace Hoggle Olivia Koh Spencer Lai Laurel Doody Library Supply Olivia O’Donnell Jason Willers Amy May Stuart Kenny Pittock Madeline Kidd A Constructed World Agnieszka Chabros Ricarda Bigolin Samuel Heatley and Jaala Jensen Chris Clarke Christopher Sciuto Candida Esther Edquist S.T. Lore Endless Lonely Planet / Melbourne Art Painting Sculpture / Installation Australian Art Australian Photography Film / Video Performance / Dance / Theater Conceptual Art Curatorial Group Shows / Collections Periodicals Sound / Music Textiles

TEXTE ZUR KUNST #113
MARCH 2019 "DISKRIMINIERUNG / DISCRIMINATION"

2019, English / German
Softcover, 240 pages, 23 x 16.5 cm
Published by Texte Zur Kunst / Berlin

$32.00 $15.00 - Out of stock

(more...)

(...less)

For the latest issue no. 113, TEXTE ZUR KUNST investigates the structures within the arts and cultural spheres where racism and discrimination are practiced, performed, and reproduced. This special issue concentrates specifically on the context of Germany, and includes discussions and texts from artists and theorists throughout the country who have dedicated special attention to current and ongoing political and social crises; specifically the challenges these crises pose for the language and terms of art criticism. How can criticism mount an appropriate response to the discrimination and injustices that pervade all levels of society?

ISSUE NO. 113 / MARCH 2019 "DISKRIMINIERUNG/DISCRIMINATION"

TABLE OF CONTENTS
PREFACE

SABETH BUCHMANN AND ISABELLE GRAW - THE CRITIQUE OF ART CRITICISM
COMMON GROUND / Colin Lang in Conversation with Julia Grosse, Suza Husse, and Max Czollek
ÇIĞDEM INAN
NON-RECOGNITION / The Other Side of the Critique of Racism
VIOLENT MEDIATIONS / Jenny Nachtigall in Conversation with Hannah Black
NAMING RACISM / Sven Beckstette in Conversation with Veronika Fuechtner and Oliver Hardt
HELMUT DRAXLER - THE ART OF DISCRIMINATION

ROTATION
INTENTIONALE BEGEGNUNGEN / Hanna Magauer über Christian Kravagnas „Transmoderne. Eine Kunstgeschichte des Kontakts“
SITUIERTE SENSIBILITÄT! / Michaela Ott über „Sensibilität der Gegenwart“ von Burkhard Liebsch (Hg.)
LIEBE ARBEIT KINO
PARTICLE ACCELERATOR / Daniel Horn on the Biennale de l’Image en Mouvement, Geneva

REVIEWS
COURS, CAMARADE / Tom McDonough on “The Most Dangerous Game” at Haus der Kulturen der Welt, Berlin
BAUHAUS IM GLOBALEN SÜDEN / Tobi Maier über „bauhaus imaginista: Learning From“ im SESC Pompéia, São Paulo
FULLY IMMERSED / Megan R. Luke on Heidi Bucher at Parasol unit foundation for contemporary art, London
DOPPELBELASTUNG / Sophie Goltz über „Medea muckt auf. Radikale Künstlerinnen hinter dem Eisernen Vorhang“ in der Kunsthalle im Lipsiusbau, Dresden
AUDIENZ BEIM MALERFÜRSTEN / Ulrich Pfisterer über Jörg Immendorff im Haus der Kunst, München
SITUATIONAL AWARENESS / SOFTCORE INSURRECTION / Kari Rittenbach on Tobias Kaspar at the Kunsthalle Bern
THROWAWAY INVENTIVENESS / Mirjam Thomann über Cady Noland im Museum für Moderne Kunst, Frankfurt am Main
REBEL REBEL / Saim Demircan on Sarah Lucas at the New Museum, New York
AUFGELADENE FRACHT / Nadja Abt über Ulrike Müller im Kunstverein für die Rheinlande und Westfalen, Düsseldorf
EVENTUALLY, EVERYTHING BECOMES LIQUID / Luisa Lorenza Corna on Metahaven at the Institute of Contemporary Arts, London
EVENING JOE / Robert Müller über Ed Ruscha in der Secession, Wien
CIRCUMSTANCES OF SOCIAL WORK / Eric Golo Stone on Laurie Parsons at the Museum Abteiberg, Mönchengladbach
AT LAST, WARHOL COMES OUT OF THE CLOSET / Jonathan D. Katz on Andy Warhol at the Whitney Museum of American Art

OBITUARY
ROBERT MORRIS (1931−2018)
FERDINAND KRIWET (1942–2018)
LOTHAR BAUMGARTEN (1944–2018)

EDITION
ARTURO HERRERA
ALICJA KWADE

File under: Hannah Black Jörg Immendorff Heidi Bucher Tobias Kaspar Sarah Lucas Cady Noland Laurie Parsons Ed Ruscha Metahaven Andy Warhol Sabeth Buchmann Isabelle Graw Colin Lang Julia Grosse Suza Husse Max Czollek Jenny Nachtigall Hannah Black Sven Beckstette Veronika Fuechtner Helmut Draxler Oliver Hardt Tom Mcdonough Daniel Horn Tobi Maier Megan R. Luke Sophie Goltz Ulrich Pfisterer Saim Demircan Eric Golo Stone Nadja Abt Luisa Lorenza Corna Jonathan D. Katz Kari Rittenbach Texte Zur Kunst / Berlin Periodicals Art Sculpture / Installation Painting Performance / Dance / Theater Theory / Essay SALE

Dealing with - Some Texts, Images, and Thoughts Related to American Fine Arts, Co.
Valérie Knoll, Hannes Loichinger, Magnus Schäfer (Eds.)

2012, English
Softcover, 80 pages (18 b/w ill.), 21.5 x 28 cm
Published by Sternberg Press / Berlin

$25.00 - Out of stock

(more...)

(...less)

With contributions by Andrea Fraser, Manfred Hermes, Karl Holmqvist and Tobias Kaspar, Isla Leaver-Yap, Jackie McAllister, James Meyer and Christian Philipp Müller, Magnus Schäfer, Axel John Wieder, Phillip Zach; a conversation between Colin de Land, Josef Strau, and Stephan Dillemuth; and an introduction by Hannes Loichinger and Magnus Schäfer

The New York gallery American Fine Arts, Co.—whose name today is largely synonymous with that of its gallerist, Colin de Land (1955–2003)—represents a gallery practice in which a decided deviation from conventional models overlaps with successful activities within the framework of the art market. Today, American Fine Arts, Co. and de Land figure as uncontested projection screens for the desire for independence from or bohemian resistance against the dictate of the market. Particularly in retrospect, a consistent image of the gallery is not discernible. Faced with the obvious risk of romanticization, it appears all the more important to pursue an understanding of how American Fine Arts, Co. functioned as a gallery.

This book was published on the occasion of the exhibition “Dealing with—Some Books, Visuals, and Works Related to American Fine Arts, Co.” at Halle für Kunst Lüneburg and Kunstraum of Leuphana University of Lüneburg (May 28–July 7, 2011), which was developed by Valérie Knoll, Hannes Loichinger, Julia Moritz, and Magnus Schäfer.

Design by HIT

File under: Andrea Fraser Josef Strau Karl Holmqvist Stephan Dillemuth Tobias Kaspar Hannes Loichinger Isla Leaver-Yap Jackie McAllister Josef Strau Magnus Schäfer Manfred Hermes Phillip Zach Valérie Knoll Axel Wieder Sternberg Press / Berlin Art Group Shows / Collections Curatorial Theory / Essay

MAY #18

2017, English / French
Softcover, 220 pages, 240 x 175 mm
Published by May Revue / Paris

$26.00 $10.00 - In stock -

(more...)

(...less)

The Exhibitionary Complex. Exhibition, Apparatus, and Media from Kulturhuset to the Centre Pompidou, 1963–1977
Kim West 1977
Yann Chateigné

London, London London, London Richard Parry
 An Image that Can Be Inhabited. On the film Enquête sur le/notre dehors by Alejandra Riera Lotte Arndt

Visual Insert : The Hiking Trail Around the Airport by Peter Fischli

On Thinking of readymades belong to everyone® at Greene Naftali, New York
By Liam Considine

On Show Me Your Archive and I will Tell You Who is in Power at KIOSK, Ghent
By Giovanna Zapperi

On Tobias Kaspar at kim? Contemporary Art Centre, Riga
By Oleg Frolov

On Till Megerle at Christian Andersen, Copenhagen
By Anke Dyes

On Juliana Huxtable at Reena Spaulings, New York
By Christian Haye

On Charges (The Supplicants) by Elfriede Jelinek
By Camilla Wills

Clifton Clifton
By Jeanne Graff

Limited Editions
By Merlin Carpenter

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

File under: Juliana Huxtable Peter Fischli Philippe Thomas Tobias Kaspar Till Megerle Elfriede Jelinek May Revue / Paris Art Periodicals Sculpture / Installation Conceptual Art Feminism Theory / Essay SALE

MAY #15

2016, English / French
Softcover, 168 pages, 240 x 175 mm
Published by May Revue / Paris

$29.00 $10.00 - Out of stock

(more...)

(...less)

MAY #15
"FASHION"

contents include:

Preface — MAY

Crisis Fashion — DANIEL HORN

DIS and That — MIKAEL BRKIC & DIS

Vetements – Fall / Winter 2016. Panel Discussion — LOU STOPPARD & SAHIL BABBAR, AUDE FELLAY, AYA NOEL, PRIYESH PATEL, VILDE SORUM

The Modern Naked King — TAQUE HIRAKAWA

Interview with Women’s History Museum — ADA O’HIGGINS

Maison Artists Space. Interview with Stefan Kalmár — MAY

Roundtable — BLESS & ANJA ARONOWSKY CRONBERG, HEINZ PETER KNES

THE STREET — TOBIAS KASPAR & TOBI MAIER

Jesus as Readymade. Interview with Kaspar Müller — PETER FISCHLI

REVIEWS

La mode retrouvée. On the Wardrobe of the Countess Greffulhe at Palais Galliera, Paris — HANNAH ADKINS

Post-Hummannerism. On “Inhuman” at Fridericianum Museum, Kassel — JAKOB SCHILLINGER

Magma — ERIC BELL

Finely Crafted Stool. On Mathieu Malouf at Jenny’s, Los Angeles — GEORGE EGERTON-WABURTON

Wolfpack. On the film “The Wolfpack” by Crystal Moselle — JULIA MORITZ

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

File under: Bless DIS Eric Bell George Egerton-Warburton Heinz Peter Knes Kaspar Müller Mathieu Malouf Peter Fischli Tobias Kaspar Women’s History Museum May Revue / Paris Art Fashion Periodicals Theory / Essay SALE

Art in the Periphery of the Center
Christoph Behnke, Cornelia Kastelan, Valérie Knoll, Ulf Wuggenig (Eds.)

2015, English
Softcover, 629 pages, 19.5 x 25.5 cm
Published by Leuphana University of Lüneburg / Germany Sternberg Press / Berlin

$42.00 - Out of stock

(more...)

(...less)

Contributions by Marie-Luise Angerer, Christoph Behnke, Ana Bogdanović, Larissa Buchholz, Sabeth Buchmann, Kathrin Busch, Bettina von Dziembowski, Daniel Falb, Paul Feigelfeld, Ulrike Gerhardt, Monica Greco, Erich Hörl, Cornelia Kastelan, Stefanie Kleefeld, Valérie Knoll, Roman Kräussl, Susanne Leeb, Hannes Loichinger, Sven Lütticken, Julia Moritz, Volker Pekron, Pierre Pénet, Dieter Roelstraete, Bettina Roggmann, Stefan Römer, Steffen Rudolph, Michael Sanchez, Magnus Schaefer, Stefanie Sembill, Christophe Spaenjers, Paul Stenner, Jeannine Tang, Olav Velthuis, Ulf Wuggenig

Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, the periphery often finds itself excluded both on a structural and actor-related level, no matter if the center-periphery model is defined in terms of space or along relations of power. However, beyond static perspectives of such struggles, in a dynamic and globalized artistic field increasingly transformed by the digital revolution, temporary mobility attractors deserve our attention.

This publication attempts to shift practices of thought toward both critical realism and new materialism. It is neither committed to today’s wishful thinking regarding horizontalized networks and deterritorialized structures, nor does it fix itself to determinist approaches. In contrast to twentieth-century constructivist approaches and their epistemic fallacies, materialized verticalities and matter-based, infrastructural spaces are brought to the fore.

This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today’s power law–based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows—which also included the works of winners of the Daniel Frese Prize—at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.

Works by Art Club 2000, Patterson Beckwith, J. St. Bernard, Angela Bulloch, Daniel Buren, Merlin Carpenter, Gordon Castellane, Diego Castro, Nicolas Ceccaldi, Jeremiah Day, Stephan Dillemuth, John Dogg, Maria Eichhorn, Jana Euler, Loretta Fahrenholz, Renée Green, Karl Holmqvist, Gilta Jansen, Monika Jarecka, Tobias Kaspar, Carola Keitel, Jackie McAllister, Josephine Meckseper, Dirk Meinzer, James Meyer, Shana Moulton, nOffice, Christodoulos Panayiotou, Fabian Reimann, Carissa Rodriguez, Megan Francis Sullivan, Katja Staats, Simon Starling, Buffy Summers, Jan Timme, Daniela Töbelmann, Niko Wolf, Amelie von Wulffen, Phillip Zach

Copublished with Leuphana University of Lüneburg
Design and infographics by Sina Hurnik and Kerstin Warncke

File under: Amelie von Wulffen Angela Bulloch Art Club 2000 Buffy Summers Carissa Rodriguez Carola Keitel Christodoulos Panayiotou Daniel Buren Daniela Töbelmann Diego Castro Dirk Meinzer Fabian Reimann Gilta Jansen Gordon Castellane J. St. Bernard Jackie McAllister James Meyer Jan Timme Jana Euler Jeremiah Day John Dogg Josephine Meckseper Karl Holmqvist Katja Staats Loretta Fahrenholz Maria Eichhorn Megan Francis Sullivan Merlin Carpenter Monika Jarecka Nicolas Ceccaldi Niko Wolf Patterson Beckwith Phillip Zach Renée Green Shana Moulton Simon Starling Stephan Dillemuth Tobias Kaspar Ana Bogdanović Bettina Roggmann Bettina von Dziembowski Christoph Behnke Christophe Spaenjers Cornelia Kastelan Daniel Falb Dieter Roelstraete Erich Hörl Hannes Loichinger Jeannine Tang Julia Moritz Kathrin Busch Larissa Buchholz Magnus Schaefer Marie-Luise Angerer Michael Sanchez Monica Greco Olav Velthuis Paul Feigelfeld Paul Stenner Pierre Pénet Roman Kräussl Sabeth Buchmann Stefan Römer Stefanie Kleefeld Stefanie Sembill Steffen Rudolph Susanne Leeb Sven Lütticken Ulf Wuggenig Ulrike Gerhardt Valérie Knoll Volker Pekron Leuphana University of Lüneburg / Germany Sternberg Press / Berlin Art Theory / Essay

MAY #11

2013, English / French
Softcover, 257 pages, 240 x 175 mm
Published by May Revue / Paris

$27.00 - In stock -

(more...)

(...less)

Newest issue of Paris' MAY Revue, and already out of print.

May #11 features:

An Introduction to a Juridical Legal Analysis of Contemporary Art — Judith Ickowicz

The Reappearances of Cady Noland and the Theatre of Law — Judith Ickowicz, Elvan Zabunyan, David Perreau

A Revolution “First-Hand”: Seth Siegelaub’s Journey to Portugal in May 1975 — Sara Martinetti

Zero Dark Thirty: The Aesthetics of Narcissism — Maija Timonen

Friend of the Devil. On Michael Krebber, “The ridiculized snails” at CAPC, Bordeaux — Mark von Schlegell

Reviews

On Martin Kippenberger, “Sehr Gut | Very Good” at Hamburger Bahnhof, Berlin — Jay Chung

Life, like networking, is a group show. On Tanja Widmann, “eine von euch” at Grazer Kunstverein, Graz, Badischer Kunstverein, Karlsruhe, Saprophyt, Vienne, tranzitdisplay, Prague — Tonio Kröner

Another image, a different song. On Mathias Poledna at Secession, Vienna — Benjamin Hirte

Get Rid of Capitalism. On Bernadette Corporation, “2000 Wasted Years” at ICA, London — Josefine Wikström

Participation, Penetration, and Phoniness. On Tobias Kaspar, “Life and Lies” at Galerie Marcelle Alix, Paris — Andrea Legiehn

On “The Issues of Our Time” at Castillo/Corrales, Paris — Seyoung Yoon

“Living in Your Head”. On “When Attitudes Become Form: Bern 1969/Venice 2013” at Prada Foundation, Venice — Elvan Zabunyan

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

File under: Bernadette Corporation Cady Noland Jay Chung Martin Kippenberger Mathias Poledna Michael Krebber Tanja Widmann Tobias Kaspar Andrea Legiehn Benjamin Hirte David Perreau Elvan Zabunyan Jay Chung Josefine Wikström Judith Ickowicz Maija Timonen Mark Von Schlegell Sara Martinetti Seyoung Yoon Tonio Kröner May Revue / Paris Art Periodicals Theory / Essay

Y3K Publication

2013, English
Loose-leaf collection of Y3K ephemera (folded A3 exhibition posters, plus A4 inserts), 21 x 29.7 cm
Edition of 100,
Published by Y3K / Melbourne

$25.00 - Out of stock

(more...)

(...less)

Y3K was a two-year (2009-2011) proposition initiated by James Deutsher and Christopher L G Hill, a gallery practice as-an-extension-of an art practice and-in-support-of a wider art and design community in Melbourne and Internationally.
Over two-years Y3K exhibited World Food Books, BLESS, Christopher L.G. Hill, Emmeleine deMooij, Jota Castro, Kinga Kielczynska, Melanie Bonaj, fabrics interseason, ffiXXed, Heinz Peter Knes, James Deutsher, Matt Hinkley, Olivia Barrett, Pat Foster, Jen Berean, Rob McKenzie, SIBLING, Slow and Steady Wins the Race, Jon Campbell, LOST Projects, Alex Vivian, Daniel du Bern, Nick Selenitsch, Kain Picken, Next Wave, A Constructed World, Joshua Petherick, Helen Johnson, Bianca Hester, Misha Hollenbach, David Griggs, Sam Kiyoumarsi, Robert Langenegger, Nick Mangan, Matt Griffin, Masato Takasaka, Fiona Connor, Tahi Moore, Ida Ekblad, Art Centre Ongoing, Kit Lee, Kate Newby, Sriwhana Spong, Dylan Statham, Simon Taylor, Sophia Mitchell, Rowan Mcnaught, MM Yu. Ilia Farah Rosli, Marco Fusinato, TATE Modern, Marie Gaultier, Anna Hess, Veronica Kent, Jarrod Rawlins, Keith Al-Hasani, Ruby Lowe, Justin Clemens, Daniel Munn, Simon Denny, Dan Arps, Andrew Barber, Structural Integrity, Marco Fusinato, Rose Nolan, Dan Bell, Kate Smith, Ardi Gunawan, Nikos Pantazopoulos, Ben Tankard, Steve Kado, Virginia Overell, Mateo Tannatt, Sean Peoples, Inri Cristo, Tara Rawlins, Chateau 2F, Oscar Yanez, Hany Armanious, Ash Kilmartin, Elizabeth Gower, Lizzy Newman, Nina Sers, Maria Kozic, Ellen Pittman, Juan Davila, Janet Burchill, Jennifer McCarthy, Constanze Zikos, Hao Guo, Pow Martinez, Carissa Rodriguez, Tobias Kaspar, Piotr Łakomy, Natalie Rognsøy, Katherine Huang, Taree McKenzie, Ester Partegas, Mikala Dwyer and John Spiteri and more.

Each exhibition was accompanied by an A3 double sided unique limited edition poster designed by the artists and gallerists. These posters now form the basis for the Y3K publication.

Included in this publication, and on the occasion of it's launch to the public two years after the cessation of the Y3K gallery space, is an accompanying text from
Fayen D’Evie.

The Y3K publication is a limited edition of 100, and is available from World Food Books.

File under: A Constructed World Andrew Barber Anna Hess Ardi Gunawan Ash Kilmartin Ben Tankard Bianca Hester Bless Carissa Rodriguez Christopher LG Hill Constanze Zikos Dan Arps Dan Bell Daniel du Bern David Griggs Dylan Statham Elizabeth Gower Elizabeth Newman Ellen Pittman Emmeleine deMooij Ester Partegas Fabrics Interseason ffiXXed Fiona Connor Hany Armanious Hao Guo Heinz Peter Knes Helen Johnson Ida Ekblad Inri Cristo James Deutsher Janet Burchill Jen Berean John Spiteri Jon Campbell Joshua Petherick Jota Castro Juan Davila Kain Picken Kate Newby Kate Smith Katherine Huang Keith Al-Hasani Kinga Kielczynska Kit Lee Marco Fusinato Maria Kozic Marie Gaultier Masato Takasaka Mateo Tannatt Matt Hinkley Matthew Griffin Melanie Bonaj Mikala Dwyer Misha Hollenbach Natalie Rognsøy Nicholas Mangan Nick Selenitsch Nikos Pantazopoulos Nina Sers Oscar Yanez Pat Foster Piotr Łakomy Pow Martinez Rob McKenzie Robert Langenegger Rose Nolan Rowan Mcnaught Ruby Lowe Sam Kiyoumarsi Sean Peoples Simon Denny Simon Taylor Sophia Mitchell Sriwhana Spong Tahi Moore Taree McKenzie Tobias Kaspar Virginia Overell Fayen d'Evie Jarrod Rawlins Justin Clemens Olivia Barrett S.T. Lore Robert McKenzie Y3K / Melbourne Art Objects / Ephemera / A/V Out-of-print / Rare Group Shows / Collections Fashion Australian Art Sculpture / Installation Painting

Provence Issue E
Autumn / Winter, 2012 / 2013

2012, English
Softcover, 86 pages, 31 x 23 cm
Published by Provence / Nice

$25.00 - In stock -

(more...)

(...less)

With contributions by Nadja Abt / Ann-Leonie Auer / Michele d’Aurizio / Juliette Blightman / Mikaël D. Brkic / Eli Broad with photos by Jay Chung and Q Takeki Maeda / Merlin Carpenter / Gürsoy Dogtas / Martin Ebner / Genoveva Filipovic / Edgars Gluhovs / Mauricio Guillén / Julian Göthe / Alexander Hempel / HIT / Tom Holert / Karl Holmqvist / Morag Keil / Nina Könnemann / Adriana Lara / Andrea Legiehn with an illustration by Siw Umsonst / Amy Lien and Enzo Camacho / Erik Lavesson with Milena Büsch, Kelly Akashi and Anna Zacharoff / Adam Linder and Shahryar Nashat / Fred Lonidier with Egija Inzule / Fiona McGovern and Magnus Schäfer / Luise Pilz / François Piron / Bonny Poon / Gottfried Schnödl / Silberkuppe / Mathew Sova / Maraike Steding / Megan Francis Sullivan / Sergei Tcherepnin / Benjamin Thorel / Danh Vo / Colin Whitaker / Amy Yao a.o., including A document made by Paul Thek and Edwin Klein / Textiles: Open Letters by Rike Frank and Grant Watson / A reportage on Andreas Dorau / Lars Eidinger on Rainer Werner Fassbinder / A retrospective account of a 1990 artwork by Silvia Kolbowski / Fernando Mesta on Joseph Strau’s jewelry / A Drive by Robert Walser with an introduction by Susan Bernofsky

Graphic Design: Pascal Storz

File under: Danh Vo Fred Lonidier Jay Chung & Q Takeki Maeda Julian Göthe Juliette Blightman Karl Holmqvist Nina Könnemann Sergei Tcherepnin Shahryar Nashat Tobias Kaspar François Piron Tom Holert Provence / Nice Art Periodicals

Tobias Kaspar
Bodies in the Backdrop

2012, English
Softcover, 64 pages, 21.5 x 28 cm
Published by Walther König / Köln

$28.00 - Out of stock

(more...)

(...less)

This book of the artist Tobias Kaspar has been published on the occasion of the exhibition‚ "Bodies in the Backdrop"‚ at Halle für Kunst Lüneburg. Kaspar's first institutional solo exhibiton.

A boy and a girl in summer clothes at the Palazzo Venier di Leoni in Venice are the main protagonists of a series of photographs on view in the exhibition “Bodies in the Backdrop”. In addition to the two adolescents, the photos depict details of the space and other visitors, captured between fragmentarily photographed artworks and interior views of the Peggy Guggenheim Collection. On the passe–partouts are excerpts from “Confessions of an Art Addict” (1946), the memoirs of the gallerist, collector and patron, Peggy Guggenheim. The citations, that don’t mention any dates, names or locations, turn into contingent fragments of sentences through the decontextualization, with the surprisingly contemporary everyday language easily bridging the distance between the decades.

The framed photographs are contrasted by a second and equal part of the exhibition, which – like the sentence fragments – defines the photographs and at the same time dialogically opens up a wide range of narratives and allusions: a kind of eccentric and simultaneously minimalist display composed of Perspex constructions, a red carpet and a temporary exhibition wall.

The title of the exhibition, “Bodies in the Backdrop”, is drawn from the eponymous text by Elisabeth Lebovici on the “agent d´art”, Ghislain Mollet-Viéville, a French collector, whose lifestyle, self-presentation and practice of marketing his collection of Minimal and Conceptual art Tobias Kaspar has dealt with for a period of time. As in his examinations in earlier projects, the reference to a person in the “body of work” at Halle für Kunst is not intended to be biographic or hagiographic. The specific reference is utilized as an abstract model, as material, in order to address the social, affective and economic relationships of tension between collectors and other actors in the field of art.

An interest in forms of desire, economies of visibility, practices of representation and marketing, is combined with considerations on the opposition between autonomy, not least secured by the judgement of peers, and heteronomy, for example market dominance and popularity. However, with this interest in relationship networks in the art field, Kaspar focuses less on institutional framework conditions, but instead casts a view vacillating between intimacy and cool reserve to the actors themselves.

The book is designed by H I T, and features essays by Hannes Loichinger & Valérie Knoll and Elisabeth Lebovici.

Published by Verlag der Buchandlung Walter König

File under: Tobias Kaspar Elisabeth Lebovici Valérie Knoll Walther König / Köln Art Fashion Photography

Provence issue P

Spring/Summer 2009, English
Softcover magazine, 96 pages, 31 x 23 cm
Published by Provence / Nice

$18.00 - Out of stock

(more...)

(...less)

Provence is one of our favourite publications.
"An Eight Issue Magazine Dedicated to Hobbies", edited by Daiga Grantina, Tobias Kaspar, and Hannes Loichinger. From Nice, France.

Issue P : FOOD, Ben Kinmont, Merlin Carpenter, business cards, Edgars Gluhovs, Folkways Records, Kaspar Müller, Living as Exhibition, "How to Cook a Wolf", painted leaves, Cerith Wyn Evans, Free Class Frankfurt, Richard Prince, American Gigolo 1980, Hinrich Sachs, I Can't Feel My Face, scans, re-prints, etc.

Highly recommended!

File under: Cerith Wyn Evans Kaspar Müller Merlin Carpenter Tobias Kaspar Daiga Grantina Hannes Loichinger Hinrich Sachs Kaspar Müller Merlin Carpenter Tobias Kaspar Provence / Nice Art Graphic Design / Typography Fashion Fiction / Poetry Periodicals Theory / Essay