World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
Hardcover, 76 pages, 22.5 x 22.5 cm
1st Edition, Out of print title / Used*,
Published by Christian Fayt Gallery / Belgium
$60.00 - In stock -
Hardcover monograph on the work of Les Lalanne (Claude Lalanne & Francois-Xavier Lalanne) on the occasion of a major exhibition of their work at Christian Fayt Gallery in Belgium 11.8-16.9, 1984.
Introduction by Daniel Abadie (in French) and reproductions in colour of many of their most notable, incredible sculptural objects.
Les Lalanne are a French artist duo comprising married couple François-Xavier Lalanne (1927–2008) and Claude Lalanne (born 1924).
Francois-Xavier Lalanne was born in Agen, France, and at age 18, he moved to Paris and studied sculpture, drawing and painting at Académie Julian. Francois-Xavier rented a studio in Montparnasse, next door to friend Constantin Brâncuși, who introduced Lalanne to artists such as Max Ernst, Man Ray, Marcel Duchamp, and Jean Tinguely. He met Claude Lalanne at his first gallery show in 1952. The show signified an end of painting for François-Xavier as he and Claude began their career sculpting together.
Claude Lalanne (b. 1924) was born in Paris and studied architecture at the École des Beaux-Arts and at the École des Arts Décoratifs. The couple began attracting public attention in Paris during the 1960s when Yves Saint Laurent and Pierre Bergé commissioned them - in particular, Francois-Xavier's realistic bronze cast sheep covered in skin alongside lily vanes cast by Claude were displayed in the library for their library. Francois-Xavier Lalanne became known to the larger public in France in 1976 when the singer Serge Gainsbourg selected a work by Lalanne, the man with the head of a cabbage, for the title and cover of an album in 1976. Together Les Lalanne were known to co-create on projects rather than collaborate. While Francois-Xavier favored sculpting animal themes, Claude preferred vegetation. The themes explored by the two collectively went against the current trend of Abstract art in the 1960s. The couple believed and Francois-Xavier claimed, "the supreme art is the art of living." Their first exhibition together included Francois-Xavier's famous rhinoceros desk, Rhinocrétaire, and Claude's cabbage with chicken legs sculpture. Similar themes by Les Lalanne have classified their works as an ode to Surrealism and Art Nouveau.