World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
Hardcover, 50 pages, 30 x 22 cm
1st edition of 1250 copies, Out of print title / used*,
$180.00 - In stock -
Andrea Branzi "Il Dolce Stil Novo (della Casa)" was published in 1991 on the occasion of a very special exhibition featuring works by Lapo Binazzi, Denis Santachiara, Shiro Kuramata, Andrea Branzi, Ettore Sottsass Jr., Massimo Iosa Ghini, Remo Buti, George Sowden, and Borek Sipek. The book collects the reflections of this group of architects of different ages, cultures and backgrounds who were called upon to realize a group of domestic landscapes in the large empty rooms of Palazzo Strozzi Firenze. "Auto-biographical, poetic or theoretical reflections take the viewer and reader to the central point of the project in question: a person's home. That is, our survival within the artistic universe that surrounds us, within the violence and the vulgarity of our times, in the expropriation and eradication of intrusive streams of information. Building a house for man means building a place and objects within it which make is possible to establish relationships not only of use and functionality, but also of a psychological, symbolic, and poetic nature. Holderlin said, "Man lives poetically," which means the relationship that binds man to his nest is of a nature, literary, partly obscure, and symbolic." - translated roughly from the Italian introduction by Andrea Branzi, 1990.
This very handsome book compiled by Branzi himself feels more like an artist's book than an exhibition catalogue, beautifully reproducing intimate drawings, texts, conversations, photographs by the contributors, and printed in an edition of 1250 numbered copies. This copy is number stamped no. 830.
1989, English / Japanese
Softcover, 152 pages, 23 x 30 cm
1st Edition, Out of print title / Used*,
Published by Rikuyo-Sha / Tokyo
$60.00 - Out of stock
"KAGU-Tokyo Designer's Week '88", November 1988, presented various phases of design, reflecting environmental changes. The exhibition featured the works of leading designers. A rare exhibition of furniture design. It was like a "Tokyo Collection"of furniture design. The drastic change in furniture and interior design these past year could clearly be observed through the exhibits. - Hiroshi Kashiwagi, Design Critic, 1989
This heavy catalogue to this very unique and crucial furniture exhibit in Tokyo in 1988 highlights the many incredible designs of Japan's leading and young furniture designers of the late 1980's. It also features commissioned texts by Shigeru Uchida, Hiroshi Kashiwagi, Andrea Branzi and Vincenzo Iavicoli.
With the furniture pieces all documented in full-colour and black and white, with profiles on their designers and exhibition views, this book is a must for anybody interested in Japanese furniture and post-modern design in general.
Features the furniture work of Shiro Kuramata, Masanori Umeda, Hiroshi Awatsuji, Takashi Sugimoto, Kozo Abe, Teruaki Ohashi , Toshiyuki Kita, Takenobu Igarashi, Hidenori Seguchi, Aijiro Wakita, Kunihiro Matsuyama, Setsuo Kitaoka, Toyo Ito, Katsuhiko Togashi, amongst many many more designers.
1978, English / Japanese
Softcover, 160 pages, 26 x 12 cm
1st edition, Out of print title / used*,
Published by The National Museum of Art / Osaka
$190.00 - In stock -
Incredibly rare Japanese publication from 1978, printed on the occasion of a major exhibition entitled "Design and Art of Modern Chairs", August 19-October 15, at the National Museum of Art, Osaka. This wonderful landscape-formatted book is profusely illustrated throughout (in colour and black and white) with the chairs of designers and artists including Gerrit Rietveld, Isamu Kenmochi, Olivier Mourgue, Pierre Paulin, Sadamasa Motonaga, Mario Ceroli, Marcel Breuer, Studio 65, Le Corbusier, Pierre Jeanneret, Charlotte Perriand, Jan Dranger, Johan Huldt, Robert Haussman, Kwok Hoi Chan, Steen Østergaard, George Nakashima, Mies van der Rohe, Poul Kjaerholm, Eero Saarinen, Harry Bertoia, Charles Pollock, Aarne Jacobsen, Warren Platner, Roger Tallon, Verner Panton, Earo Aarnio, Bruno Mathsson, Motomi Kawakami, Marco Zanuso, Richard Sapper, Gerd Lange, Vico Magistretti, Alver Aalto, Jonathan de Pas, Paolo Lomazzi, Donato d'Urbino, Giorgio Decursu, Sori Yanagi, Reiko Tanabe-Murai, Wolfgang Mueller-Deisig, Stacy Dukes, Ettore Sottsass, Charles Eames, Hans J. Wegner, Franco Albini, Gio Ponti, Kaare Klint, Enzo Mari, Takeshi Nii, Achille Castiglioni, Achille and Piergiacomo Castiglioni, Tadashi Minohara, Gaetano Pesce, Yrjo Kukkapuro, Afra and Tobia Scarpa, Mario Bellini, Cini Boeri, Mario Marenco, Joe Colombo, Piero Gatti, Jonathan de Pas, Paolo Lomazzi, Donato d'Urbino, Ubald Klug, Gerrit Rietveld, Salvador Dali, Poltronova, Cassina, Taro Okamoto. Jiro Takamatsu, Susumu Koshimizu, Shiro Kuramata, Minoru Takeyama, Lucas Samaras, Kozo Mio, Arata Isozaki, Shigeo Fukuda, Takashi Sakaizawa, Constantin Brâncuși, Yoji Kuri, Yayoi Kusama, Vitra, Knoll, Kartell, Herman Miller, Arflex, BBB, Flexform, C&B Italia, Cassina, and many more.
Each chair included is detailed with a blurb in Japanese, data/specs of year, designer/artist, manufacture and dimensions. Also includes an illustrated timeline tracing a chronological history of the chairs exhibited, along with a production index and forward texts in English and Japanese. Forms an incredible index of important modern chair designs from the early 1930s - late 1970s.
Softcover, 67 pages, 29.5 × 21 cm
1st edition, Out of print title / used*,
Published by Electa / Milan
$400.00 - In stock -
Here it is - the incredibly rare FIRST ever Memphis book, published by Electa in Italy in 1981!
First edition. Wrapped in a fold-out front and back cover design by Marco Zanini, this very early document of Memphis is almost entirely a visual folio of reproductions of the original drawings by Martine Bedin, Andrea Branzi, Aldo Cibic, Michele De Lucchi, Nathalie du Pasquier, Michael Graves, Hans Hollein, Arata Isozaki, Shiro Kuramata, Alessandro Mendini, Paola Navone, Peter Shire, Ettore Sottsass, George Sowden, Matteo Thun, Masanori Umeda and Marco Zanini. Along with an early essay by Barbara Radice (in both Italian and English), this catalogue tells the very beginning of the Memphis story through the original drawings of furniture, objects, lighting and patterns compiled from international architects, artists and designers. The story goes that Ettore Sottsass and his core group encouraged international architects and designers to send their concepts and drawings for new designs for domestic furnishings. In viewing their results through this selection of the drawings, it is clear there was a global design revolution happening and Memphis was about to produce prototypes of these designs that would shock and change the world forever.
A rare opportunity to own this important publication of design history.
Note: This book was briefly re-issued in 2009 in a limited edition - this is however the first printing from 1981.
1990, English / Japanese
Hardcover (w. dust-jacket), 96 pages, 24.5 x 31 cm
1st Edition, Out of print title / Used*,
Published by Yamagiwa Art Foundation / Japan
$120.00 - Out of stock
Scarce, beautifully designed hardcover book from 1990, published by the Yamagiwa Art Foundation in Japan to accompany the exhibition "Ettore Sottsass: Lighting Is Architecture".
More than a simple catalogue of the exhibition, this book highlights a selection of Italian designer Ettore Sottsass' recent works from around this time (1986-1990), including furniture, glassware and lighting, much of which we've never seen documented before. All the objects are gloriously photographed in full-colour by Santi Caleca, alongside reproductions of Sottsass' product sketches and thoughtfully commissioned writings by Hyogo Konagaya, Riichi Miyake, Shiro Kuramata, Arata Isozaki, Martin Filler, and three texts by Sottsass himself.
This is a copy of the first printing and is in near new condition!
Italian designer Ettore Sottsass is celebrated intemationally for his contribution to architecture, industrial and furniture design, ceramics, jewellery, crafts, graphic design, and photography. In 1981 he founded the Memphis group, and through its startling, eclectic and irreverent aesthetic he dominated furniture and interior style for over a decade. Almost every area of modern design displays his influence.
Softcover, 72 pages,
1st edition, Out of print title / used*,
Published by Kruithuis / 'S-Hertogenbosch
$140.00 - In stock -
First edition. Very rarely seen 1984 Memphis museum catalog published on the occasion of one the first major museum displays of the work of Memphis Milano during the height of the design collective's power and influence, staged in the Netherlands. Profusely illustrated in black and white and colour with their designs across furniture, lighting, ceramic, glass, etc. with a historical essay tracing the background, inspiration and context of Memphis and radical Italian design by Peter van Kester and Ghislain Kieft (text in Dutch).
Cover design by Nathalie du Pasquier.
1996, English / Japanese
Softcover (w. clear plastic dust-jacket and original exhibition floor-map insert), 214 pages (colour & b/w ill.), 295 x 225 mm
Out of print title / used*,
Published by Hara Museum of Contemporary Art / Tokyo
$120.00 - In stock -
Handsome, and very scarce, Japanese monograph/catalogue published to accompany the major survey exhibition held at Hara Museum of Contemporary Art Tokyo in 1996 of Shiro Kuramata, one of Japan's most important designers of the 20th century. Kuramata translated workaday industrial materials -wire steel mesh, corrugated aluminium, lucite-
into poetic objects and interiors.
Lavishly illustrated with stunning photographic documentation of his furniture, glassware, interiors, lighting, and architecture (including his incredible boutique interiors for fashion designer Issey Miyake, and his work as a key member of Italian design group Memphis, which he joined at its founding in 1981), this book is certainly one of the finest volumes on Kuramata.
Features complete history of works plus text by Japanese architect, Arata Isozaki.
Hardcover (w. dust-jacket), 208 pages, 21 x 30 cm
1st UK Edition, Out of print title / Used*,
Published by Thames and Hudson / London
$180.00 - Out of stock
First 1984 printing of the US hardcover edition of "MEMPHIS: Research, Experiences, Results, Failures and Successes of New Design", by Barbara Radice - arguably the greatest reference book on the work of the Italian Design group MEMPHIS. In original dust-jacket.
Written by Radice, a founding member of the Memphis group (and author of "Ettore Sottsass: A Critical Biography"), and documenting in stunning photography and reproduction the vast array of design work that this group produced across furniture, lighting, interiors, architecture, textiles, glassware, etc., this really feels like THE official Memphis book, embodying their spirit and design aesthetic in book form.
Founded in 1981, the international group of architects and designers, Memphis, shook the design world to its foundations. Based in Italy and led by Ettore Sottsass, it overturned and re-shaped the pre-suppositions on which the production of so-called Modern Design is based. It became the almost mythical symbol of the New Design. Laughing out loud at our culture and at itself, Memphis pulled out all stops when it came to colour, pattern, decoration and ornamentation. It sets out to contribute to the continuing dialogue on pop culture, the avant-garde and design.
This book features the work of Ettore Sottsass, George Sowden, Masanori Umeda, Shiro Kuramata, Nathalie Du Pasquier, Peter Shire, Michele de Lucchi, Matteo Thun, Alessandro Mendini, Andrea Branzi, Gerard Taylor, Michael Graves, Aldo Cibic, George James Sowden, Arquitectonica, Hans Hollein, Marco Zanini, Javier Mariscal, Thomas Bley, Martine Bedin, etc.
Contents are: Introduction; Memphis; Plastic Laminate; Materials; Decoration; Color; The Memphis Idea; The Design; Memphis and Fashion.
1986, English / Italian
Softcover (leporello-folded poster), 14 pages, 34 x 89 cm (full-spread)
1st edition, Out of print title / used*,
Published by Memphis Milano / Milan
$80.00 - In stock -
Original Memphis Milano leporello fold-out poster/catalogue from around 1986, showcasing all the iconic chairs, tables, lamps, lights, shelves, ceramic and porcelain wares, glass ware, tapestries, and much more by Ettore Sottsass, Michele de Lucchi, Nathalie du Pasquier, Andrea Branzi, Marco Zanini, Aldo Cibic, George J. Sowden, Martine Bedin, Peter Shire, Matteo Thun, Gerard Taylor, Shiro Kuramata, Michael Graves, Javier Mariscal, Maria Sanchez, Arquitectonica, Masanori Umeda and more. All listed across 14 pages with colour photography and titles/specs for each piece - all texts in English and Italian. Works spanning all of the 1980s for Memphis.