World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
SAT 12—4 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
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World Food Books Gift Voucher
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Arte Informale / Haute Pâte / Tachism
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Illustration / Graphic Art / Bandes Dessinées
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Drugs / Psychedelia
Crime / Violence
Animal Rights / Veganism
Occult / Esoterica
Ecology / Earth / Alternative Living
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All prices in AUD (Australian dollars)
Pick-Ups
Please note: The bookshop is closed until February 1, 2024.
Pick-up orders can be collected in our bookshop during opening hours after this date. Please collect any Pick-up orders within 3 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected.
Return Policy
All sales are final. We do accept returns (for refund, exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1971, Italian / English
Softcover, 116 pages, 32.5 x 24 cm
1st Edition, Out of print title / used / good
Published by
Editoriale Domus / Milan
$60.00 - In stock -
Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting generations of radical, practical, and beautiful production, both local and across the world. Amongst a seemingly endless archive of contributions and features, domus frequently covered the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more.
No. 505 Dicembre 1971
Editor : Gio Ponti
Editorial committee and contributors include : Cesare Casati, Pierre Restany, Agnoldomenico Pica, Pierre Restany, Carmela Haerdtl, Joseph Rykwert, Ettore Sottsass jr., Charles and Ray Eames, Kho Liang je, Bernard Rudofsky, George Nelson, Fausto Melotti, Tommaso Trini, Tapio Wirkkalaand, Rut Bryk, Hans Hollein, and more.
features :
architectural projects by Vittorio Gregotti, Valentino Parmini, Franco Paulis; Lorenzino Cremonini; Angelo Mangiarotti; Alberto Salvati, Ambrogio Tresoldi; Ugo de Pietra; Claudio Dini, Valerio Di Battista; Cini Boeri for Gavina; design objects bby Richard Sapper; Tom Ahlström, Hans Enrich; interiors by Arne Jacobsen; Shiro Kuramata; Gérard-Roger Ifert, Rudolf Meyer; furniture by Angelo Mangiorotti; Kho Liang Ie; Cini Boeri; Joseph Beuys; book reviews; and much more.
Beautifully printed in Italy and heavily illustrated throughout with vivid colour and black and white photography across multiple paper stocks, page crops and fold-out spreads.
Good copy with edge wear and foxing/page edge damages from age.
1984, Japanese
Softcover, 138 pages, 22 x 29.5 cm
1st Edition, Out of print title / used / very good
Published by
Kajima Institute Publishing / Tokyo
$70.00 $35.00 - In stock -
SD (Space Design) no. 234, 1984, featuring in-depth special features on German industrial designers Dieter Rams (Braun, Vitsœ, et al.) and Ferdinand Alexander Porsche. Huge illustrated features surveying the designs and philosophies of both designers, along with other extensive illustrated features on MEMPHIS Milano, László Moholy-Nagy's "Vision in Motion", and much more...
“SD” (Space Design) was founded in Japan in 1965; a comprehensive monthly magazine on architecture, urban problems and fine arts which was unique in the world and quickly became a leading, highly-esteemed journal of international modern design. In-depth articles, photo documents, plans, reports and interviews, SD is one of the finest journals dedicated to new design (architecture, furniture, interior, environmental, industrial...), becoming a much sought-after archival resource.
Good copy.
1983, Japanese
Softcover, 138 pages, 22 x 29.5 cm
1st Edition, Out of print title / used / good
Published by
Kajima Institute Publishing / Tokyo
$70.00 $35.00 - Out of stock
SD (Space Design) no. 222, 1983, featuring in-depth special feature on Italian design (furniture, architecture, textile, graphic, industrial...) including MEMPHIS Milano, Michael Graves, Nathalie du Pasquier, Ettore Sottsass, Marco Zanini, Michele De Lucchi, Andrea Branzi, Alessandro Mendini, Matteo Thun, George Sowden, Marco Zanini, Marco Zanuso, Martine Bedin, Shiro Kuramata, etc., Achille Castiglioni, Olivetti, Hans von Krier, Vittorio Gregotti, Emilio Ambasz, Aldo Rossi, Isao Hosoe, Centro DA, Pietro Salmoiraghi, and much more...
“SD” (Space Design) was founded in Japan in 1965; a comprehensive monthly magazine on architecture, urban problems and fine arts which was unique in the world and quickly became a leading, highly-esteemed journal of international modern design. In-depth articles, photo documents, plans, reports and interviews, SD is one of the finest journals dedicated to new design (architecture, furniture, interior, environmental, industrial...), becoming a much sought-after archival resource.
Good copy.
1985, Japanese / English
Softcover, 166 pages, 20 x 29 cm
1st Edition, Out of print title / used / very good
Published by
National Museum of Modern Art / Kyoto
$150.00 - Out of stock
Very scarce, striking Japanese catalogue for a major international exhibition on Postmodern design held at the National Museum of Modern Art, Kyoto and at the National Museum of Modern Art, Tokyo, 1985. Presents 200 pieces of work by 48 designers and architects from Europe, America and Japan. Features the work of Aldo Rossi, Alessandro Mendini, Andrea Branzi, Arata Isozaki, Ettore Sottsass, Frank Gehry, Fumihiko Maki, Mario Botta, Masanori Umeda, Matteo Thun, Michael Graves, Michele De Lucchi, Nathalie Du Pasquier, Peter Shire, Richard Meier, Robert Venturi, Ron Arad, Daniel Weil, Shiro Kuramata...This book profiles many of these important designers through photographs, biographies and texts. Foreword by Michiaki Kawakita and Kenji Adachi. Introduction by Shinji Kohmoto and an essay on Italian radical and neo-radical design by Alessandro Mendini.
One of the finest and lesser-known volumes produced on postmodern design.
Very Good copy.
1978, English / Japanese
Softcover, 160 pages, 26 x 12 cm
Out of print title / used / fine
Published by
The National Museum of Art / Osaka
$180.00 - In stock -
Incredibly rare Japanese publication from 1978, printed on the occasion of a major exhibition entitled "Design and Art of Modern Chairs", August 19—October 15, at the National Museum of Art, Osaka. This wonderful landscape-formatted book is profusely illustrated throughout (in colour and black and white) with the chairs of designers and artists including Gerrit Rietveld, Isamu Kenmochi, Olivier Mourgue, Pierre Paulin, Sadamasa Motonaga, Mario Ceroli, Marcel Breuer, Studio 65, Le Corbusier, Pierre Jeanneret, Charlotte Perriand, Jan Dranger, Johan Huldt, Robert Haussman, Kwok Hoi Chan, Steen Østergaard, George Nakashima, Mies van der Rohe, Poul Kjaerholm, Eero Saarinen, Harry Bertoia, Charles Pollock, Aarne Jacobsen, Warren Platner, Roger Tallon, Verner Panton, Earo Aarnio, Bruno Mathsson, Motomi Kawakami, Marco Zanuso, Richard Sapper, Gerd Lange, Vico Magistretti, Alver Aalto, Jonathan de Pas, Paolo Lomazzi, Donato d'Urbino, Giorgio Decursu, Sori Yanagi, Reiko Tanabe-Murai, Wolfgang Mueller-Deisig, Stacy Dukes, Ettore Sottsass, Charles Eames, Hans J. Wegner, Franco Albini, Gio Ponti, Kaare Klint, Enzo Mari, Takeshi Nii, Achille Castiglioni, Achille and Piergiacomo Castiglioni, Tadashi Minohara, Gaetano Pesce, Yrjo Kukkapuro, Afra and Tobia Scarpa, Mario Bellini, Cini Boeri, Mario Marenco, Joe Colombo, Piero Gatti, Jonathan de Pas, Paolo Lomazzi, Donato d'Urbino, Ubald Klug, Gerrit Rietveld, Salvador Dali, Poltronova, Cassina, Taro Okamoto. Jiro Takamatsu, Susumu Koshimizu, Shiro Kuramata, Minoru Takeyama, Lucas Samaras, Kozo Mio, Arata Isozaki, Shigeo Fukuda, Takashi Sakaizawa, Constantin Brâncuși, Yoji Kuri, Yayoi Kusama, Vitra, Knoll, Kartell, Herman Miller, Arflex, BBB, Flexform, C&B Italia, Cassina, and many more. Each chair included is detailed with a blurb in Japanese, data/specs of year, designer/artist, manufacture and dimensions. Also includes an illustrated timeline tracing a chronological history of the chairs exhibited, along with a production index and forward texts in English and Japanese. Forms an indispensable index of important modern chair designs from the early 1930s—late 1970s.
Near Fine copy.
1982, Japanese / English
Softcover, 96 pages, 32.5 x 25.5 cm
1st Edition, Out of print title / used / good
Published by
Interior Publishing Co. Ltd. / Tokyo
$120.00 - In stock -
Japan's finest magazine for interior design, architecture and home furnishings, edited by Moriyama Kazuhiko. JAPAN INTERIOR DESIGN presented "a monthly comprehensive view of traditional, contemporary, and contemplated environmental designs and pure art forms both Japanese and foreign, through pictures and critical reviews. English captions and summaries of major articles are provided each issue." The in-depth analysis in which JAPAN INTERIOR DESIGN committed to covering new international furniture, textile, product, environmental, and interior design developments and major events from the period (1950s-1980s), places it soundly alongside its Italian comrade Domus. Lavishly illustrated throughout with beautiful photography in colour and b/w, with comprehensive plans, drawings and elevations bringing many innovative and long lost architectural and industrial designs into sharp focus. A wealth of archival reference material in each issue for any enthusiast of modern and space age design.
Very rare, this issue includes a special feature on the furniture of Italy's Memphis design group. Fantastic full-colour spreads of photo documentation highlighting some of Memphis' most iconic and wild pieces by Ettore Sottsass, Matteo Thun, Michele de Lucchi, Andrea Branzi, Shiro Kuramata, etc. together with texts by Katsuhiro Yamaguchi and Barbara Radice.
Also includes the design work of Takashi Sakaizawa, Lacquer furniture of Kawakami Motomi, furniture of Abe Hiroshisan, New lighting fixtures by Asahara Shigeaki, Awatsuji Expo: Indigo textile statement by Hiroyuki Shindo, Residential Design of Helsinki: Timo Pentira, Ikedayama housing design: Edward Suzuki Architects, and much more.
Good copy, general light magazine wear. A mark to cover.
1970, Japanese / English
Softcover, 96 pages, 32.5 × 25.5 cm
1st Edition, Out of print title / used / good
Published by
Interior Publishing Co. Ltd. / Tokyo
$140.00 - Out of stock
Japan's finest magazine for interior design, architecture and home furnishings, edited by Moriyama Kazuhiko. JAPAN INTERIOR DESIGN presented "a monthly comprehensive view of traditional, contemporary, and contemplated environmental designs and pure art forms both Japanese and foreign, through pictures and critical reviews. English captions and summaries of major articles are provided each issue." The in-depth analysis in which JAPAN INTERIOR DESIGN committed to covering new international furniture, textile, product, environmental, and interior design developments and major events from the period (1950s-1980s), places it soundly alongside its Italian comrade Domus. Lavishly illustrated throughout with beautiful photography in colour and b/w, with comprehensive plans, drawings and elevations bringing many innovative and long lost architectural and industrial designs into sharp focus. A wealth of archival reference material in each issue for any enthusiast of modern and space age design.
JAPAN INTERIOR DESIGN
No.138, September 1970
Very rare, this issue includes a huge cover feature on SUPERSTUDIO "DESIGNERS WHO PHILOSOPHIZE" which includes profiles on a series of Italian Bookstore, Night Club and Boutique designs by SUPERSTUDIO, "Enclosure of Serenity", Lighting Fixtures, Fumiturel "Luxor Series" from the Antique Furniture Fair, The Florence Architectural Exhibition "Trigon ’69", "The Continuous Monument" - A Project for Italian Pavilion at Expo’70, fold-out pages, interviews and much more.
Also includes "Easy Chair" by Tobia Scarpa; Furniture Design by l; Furniture Manufacturer of the World "Knoll International" U. S. A.; Bar―Wagon by Tadao Ando; Men’s Wear Shop "MARKET ONE EDWARD’S" interior design: Kuramata Design Associates; Two Floor-Lamp Designs by Nanda Vigo; Camera Attachments Designed by Joe C. Colombo; "Space Jack" Living Capsule for Leisure design & production: Team JEMCO; Theatrical Design for a Kabuki Play design: Kaoru Kanamori & Associates and much more.
1981, Italian
Softcover, 67 pages, 29.5 × 21 cm
1st Edition, Out of print title / used / very good
Published by
Electa / Milan
$290.00 - Out of stock
Here it is - the very rare FIRST ever Memphis book, published by Electa in Italy in 1981!
First edition. Wrapped in a fold-out front and back cover design by Marco Zanini, this very early document of Memphis is almost entirely a visual folio of reproductions of the original drawings by Martine Bedin, Andrea Branzi, Aldo Cibic, Michele De Lucchi, Nathalie du Pasquier, Michael Graves, Hans Hollein, Arata Isozaki, Shiro Kuramata, Alessandro Mendini, Paola Navone, Peter Shire, Ettore Sottsass, George Sowden, Matteo Thun, Masanori Umeda and Marco Zanini. Along with an early essay by Barbara Radice (in both Italian and English), this catalogue tells the very beginning of the Memphis story through the original drawings of furniture, objects, lighting and patterns compiled from international architects, artists and designers. The story goes that Ettore Sottsass and his core group encouraged international architects and designers to send their concepts and drawings for new designs for domestic furnishings. In viewing their results through this selection of the drawings, it is clear there was a global design revolution happening and Memphis was about to produce prototypes of these designs that would shock and change the world forever.
A rare opportunity to own this important publication of design history.
Note: This book was briefly re-issued in 2009 in a limited edition - this is however the first printing from 1981.
Very Good copy.
1989, English / Japanese
Softcover (w. dust jacket), 88 pages, 30 x 23 cm
1st Edition, Out of print title / used / fine
Published by
Rikuyo-Sha / Tokyo
$80.00 - Out of stock
First edition of The Air : Interior Designer, the 1989 monographic survey on the work of acclaimed Japanese interior designers Kenji Oki and Hisako Watanabe, including all their incredible boutiques, parlours and guest-houses for Cassina, J.C. de Castelbajac, etc., alongside their iconic work in furniture, objects and lighting, spanning the years 1979—1988. Lavishly illustrated throughout in colour and black and white architectural photography by Hiroyuki Hirai, as well as drawings and floor-plans. Bi-lingual essays in English and Japanese by Hajime Yatsuka, Shiro Kuramata, Riichi Miyake, Shigeru Uchida, and others. Edited by Masaya Yamamoto.
Fine copy in original dust jacket.
1988, English / Japanese
Softcover, 100 pages, 26 x 21 cm
1st Edition, Out of print title / used / good
Published by
PARCO / Tokyo
$80.00 - Out of stock
Rare Japanese light catalogue published in 1988 to accompany the exhibition In-Spiration, organised by legendary Japanese designer Shiro Kuramata for PARCO Vision Contmeporary. With an emphasis on the newest experimental designers in the field of lighting, Kuramata presents a group of young international designers including Rob Eckhardt (Amsterdam), Davis Palterer (Florence), Simo Heikkila (Helsinki), Ron Arad, Zaha Hadid, Daniel + Gerard Taylor (London), Morphosis (Los Angeles), Denis Santachiara, Fumio Shimizu + Shuji Hisada, Matteo Thun, Marco Zanini (Milan), François Bodin, Sylvain Dubuisson, Amik Hemery (Paris), Vincent Becheau + Marie-Laure Bourgeois (Perigueux), The AIR, Yutaka Hikosaka, Yasuo Kondo, Kenjiro Okazaki (Tokyo), COOP HIMMELBLAU (Vienna), plus work by co-ordinating artist Shiro Kuramata. Profusely illustrated throughout in colour with amazing examples of all designers sculptural lighting objects, followed by profiles of each that include many further archival works (expanding from lighting into furniture, architecture, ceramics) by each, profile on Kuramata and fold-out timeline of radical development in lighting. Texts in English and Japanese by Shiro Kuramata, Riichi Miyake, and Yvonne Brunhammer. An amazing and scarce postmodern lighting design reference.
Good copy, with ageing to glue binding and light corner bumping to covers,
1992, Japanese / English
Softcover, 112 pages, 30 x 21 cm
1st Edition, Out of print title / used / very good
Published by
Japan Industrial Design Promotion Organization / Tokyo
$35.00 $10.00 - Out of stock
Issue 217 of Japan's leading magazine for Industrial Design, published in 1992. A vital mouth piece of the post-modern design industry in Japan and internationally, this issue of Design News features articles on car design, new experiments in Corporate design, IDEO design group, "Design After Pluralism", the design of personal fax machines, plus loads of industry news, reports, new product reviews, exhibitions, books, etc. Mostly in Japanese with some English.
Very Good copy
1981, Italian
Softcover (staple-bound), 12 pages, 30 x 22 cm
1st Edition, Out of print title / used / very good
Published by
Memphis Milano / Milan
$650.00 - Out of stock
The first sales catalog from the Memphis design collective. Heavily illustrated in black and white with descriptions of the products in italian. Features many landmark pieces from the Memphis group, including Masanori Umeda's Tawaraya (Boxing Ring), Ettore Sottsass' Carlton sideboard, Michele De Lucchi's Oceanic lamp, amongst many others. A stunning collection from the first year of the group s formation. In very good or better condition, the staple binding is in tact and strong, thick newsprint pages crisp and only very mild toning to the covers. Blind stamped "From the Library of Jim Walrod" to the upper right corner of the first page. Memphis s.r.l., 1981. Soft cover. Condition: Very Good. 1st Edition.
Very rare, first sales catalogue from Memphis Milano, printed in 1981, the first year of their formation. Beautifully preserved copy of this heavily illustrated trade catalogue designed by Sottsass Associati presenting groundbreaking furniture pieces, lamps, ceramics, glassware, metalware, and textiles produced for the debut collection from this remarkable cast of international designers : Martine Bedin, Andrea Branzi Aldo Cibic, Michele De Lucchi, Nathalie Du Pasquier, Michael Graves, Hans Hollein, Arata Isozaki, Terry Jones, Shiro Kuramata, Javier Mariscal, Alessandro Mendini, Paola Navone, Luigi Serafini, Peter Shire, Ettore Sottsass, George James Sowden, Studio Alchymia, Bruno Gregori, Matteo Thun, Masanori Umeda, Marco Zanini.
A wonderful collector's item.
Very Good copy, some light rust to staples and tanning to edges.
1991, Italian / English
Hardcover, 50 pages, 30 x 22 cm
Edition of 1250 numbered copies,
1st Edition, Out of print title / used / very good
Published by
Alessi / Italy
$190.00 - Out of stock
First (limited, numbered) edition book by Andrea Branzi "Il Dolce Stil Novo (della Casa)", published in 1991 on the occasion of a very special exhibition featuring works by Lapo Binazzi, Denis Santachiara, Shiro Kuramata, Andrea Branzi, Ettore Sottsass Jr., Massimo Iosa Ghini, Remo Buti, George Sowden, and Borek Sipek. The book collects the reflections of this group of architects of different ages, cultures and backgrounds who were called upon to realize a group of domestic landscapes in the large empty rooms of Palazzo Strozzi Firenze. "Auto-biographical, poetic or theoretical reflections take the viewer and reader to the central point of the project in question: a person's home. That is, our survival within the artistic universe that surrounds us, within the violence and the vulgarity of our times, in the expropriation and eradication of intrusive streams of information. Building a house for man means building a place and objects within it which make it possible to establish relationships not only of use and functionality, but also of a psychological, symbolic, and poetic nature. Holderlin said, "Man lives poetically," which means the relationship that binds man to his nest is of a nature, literary, partly obscure, and symbolic." — translated roughly from the Italian introduction by Andrea Branzi, 1990.
This handsome hardcover book (faux leather with de-bossed Branzi illustrated plate) compiled by Branzi himself feels more like an artist's book than an exhibition catalogue, beautifully reproducing intimate drawings, texts, conversations, photographs by the contributors, and printed in an edition of 1250 numbered copies. This copy is number stamped no. 830.
Very Good copy.
1985, English
Hardcover (w. dust-jacket), 208 pages, 21 x 30 cm
1st Edition, Out of print title / used / very good
Published by
Rizzoli / New York
$180.00 - Out of stock
First 1985 printing of the hardcover edition of "MEMPHIS: Research, Experiences, Results, Failures and Successes of New Design", by Barbara Radice - arguably the greatest reference book on the work of the Italian Design group Memphis.
Written by Radice, a founding member of the Memphis group (and author of "Ettore Sottsass: A Critical Biography"), and documenting in stunning photography and reproduction the vast array of design work that this group produced across furniture, lighting, interiors, architecture, textiles, glassware, etc., this really feels like THE official Memphis book, embodying their spirit and design aesthetic in book form.
Founded in 1981, the international group of architects and designers, Memphis, shook the design world to its foundations. Based in Italy and led by Ettore Sottsass, it overturned and re-shaped the pre-suppositions on which the production of so-called Modern Design is based. It became the almost mythical symbol of the New Design. Laughing out loud at our culture and at itself, Memphis pulled out all stops when it came to colour, pattern, decoration and ornamentation. It sets out to contribute to the continuing dialogue on pop culture, the avant-garde and design.
This book features the work of Ettore Sottsass, George Sowden, Masanori Umeda, Shiro Kuramata, Nathalie Du Pasquier, Peter Shire, Michele de Lucchi, Matteo Thun, Alessandro Mendini, Andrea Branzi, Gerard Taylor, Michael Graves, Aldo Cibic, George James Sowden, Arquitectonica, Hans Hollein, Marco Zanini, Javier Mariscal, Thomas Bley, Martine Bedin, etc.
Contents are: Introduction; Memphis; Plastic Laminate; Materials; Decoration; Color; The Memphis Idea; The Design; Memphis and Fashion.
Highly recommended.
Very Good preserved in original dust jacket. Very Good-Fine throughout.
1974, Japanese
Softcover, 104 pages, 29.4 x 21.9 cm
1st Edition, Out of print title / used / good
Published by
PARCO / Tokyo
$50.00 - Out of stock
First edition of this slice of Japanese commercial design history documenting the art of Parco, Tokyo's department-store "Commercial Space" during these seminal years and the birth of the Parco girl of the 1970s. "...dedicated to those independent women who live and exist in the city and the men who lovingly watch over their way of living." With introductory text by author and curator Kazuko Koike, also responsible for the mighty Issey Miyake - East Meets West (1978), this book includes a series of illustrated short stories inspired by the graphics of Parco, conversations with two of the women behind the iconic visual language of Parco in the 1960s-1970s, airbrush artist Harumi Yamaguchi and legendary art director Eiko Ishioka, interviewed by photographer Shinpei Asai and iconic designer Shiro Kuramata, respectively. Includes a comprehensive, vividly illustrated chronicle of the art of Parco between '69 -'74, including all the iconic posters, campaigns, TV commercials, exhibitions, even shopping bags, featuring the work of many of Japan's leading graphic artists of the period. File beside Viva and Biba. Cover by Harumi Yamaguchi.
A modern department store dedicated to cutting edge fashion, Parco were also instrumental in exhibiting, publishing and promoting Japanese and international graphic artists and new pop culture throughout the 1960s-1990s.
Good copy with some shelf wear to covers. Otherwise Very Good throughout.
1989, English / Japanese
Softcover, 152 pages, 23 x 30 cm
1st Edition, Out of print title / used / good
Published by
Rikuyo-Sha / Tokyo
$90.00 - Out of stock
First edition of this great Japanese catalogue, published to accompany this very unique and crucial furniture exhibit in Tokyo in 1988, highlighting the new wave of Japanese furniture design. With the furniture pieces all documented in full-colour and black and white, alongside profiles on the designers and exhibition views, and commissioned texts (in English and Japanese) by Shigeru Uchida, Hiroshi Kashiwagi, Andrea Branzi and Vincenzo Iavicoli, this book is a must for anybody interested in Japanese furniture and post-modern design in general.
Features the furniture work of Shiro Kuramata, Masanori Umeda, Hiroshi Awatsuji, Takashi Sugimoto, Kozo Abe, Teruaki Ohashi , Toshiyuki Kita, Takenobu Igarashi, Hidenori Seguchi, Aijiro Wakita, Kunihiro Matsuyama, Setsuo Kitaoka, Toyo Ito, Katsuhiko Togashi, amongst many many more designers.
"KAGU-Tokyo Designer's Week '88", November 1988, presented various phases of design, reflecting environmental changes. The exhibition featured the works of leading designers. A rare exhibition of furniture design. It was like a "Tokyo Collection"of furniture design. The drastic change in furniture and interior design these past year could clearly be observed through the exhibits. - Hiroshi Kashiwagi, Design Critic, 1989
Good copy with water wrinkling to front cover corner/dj, but rest of the book immaculate, Very Good copy.
1970, Japanese / English
Softcover, 96 pages, 32.5 × 25.5 cm
1st Edition, Out of print title / used / very good
Published by
Interior Publishing Co. Ltd. / Tokyo
$70.00 - Out of stock
One of Japan's finest magazines for interior design and home furnishings, edited by Moriyama Kazuhiko.
JAPAN INTERIOR DESIGN presented a monthly comprehensive view of traditional, contemporary, and contemplated environmental designs and pure art forms both Japanese and foreign, through pictures and critical reviews. English captions and summaries of major articles are provided each issue.
SPECIAL FEATURE of this issue is "NEW SPATIAL EXPERIMENTS AT EXPO '70"
Also,
1970, Japanese / English
Softcover, 96 pages, 32.5 × 25.5 cm
1st Edition, Out of print title / used / very good
Published by
Interior Publishing Co. Ltd. / Tokyo
$70.00 - Out of stock
One of Japan's finest magazines for interior design and home furnishings, edited by Moriyama Kazuhiko.
JAPAN INTERIOR DESIGN presented a monthly comprehensive view of traditional, contemporary, and contemplated environmental designs and pure art forms both Japanese and foreign, through pictures and critical reviews. English captions and summaries of major articles are provided each issue.
CONTENTS :
SPECIAL FEATURE - NEW SPATIAL EXPERIMENTS FOR INTERIOR DESIGN
Plus,
1996, English / Japanese
Softcover (w. clear plastic dust-jacket and original exhibition floor-map insert), 214 pages, 29.5 x 22.5 cm
1st Edition, Out of print title / used / very good
Published by
Hara Museum of Contemporary Art / Tokyo
$120.00 - Out of stock
The great Japanese monograph/catalogue on Shiro Kuramata, one of Japan's most important designers of the 20th century, published to accompany the major survey exhibition held at Hara Museum of Contemporary Art Tokyo in 1996. Kuramata translated workaday industrial materials -wire steel mesh, corrugated aluminium, lucite-into poetic objects and interiors. In original plastic wrap sleeve and embossed covers, this lavishly illustrated book presents stunning photographic documentation of his furniture, glassware, interiors, lighting, and architecture (including his incredible boutique interiors for fashion designer Issey Miyake, and his work as a key member of Italian design group Memphis, which he joined at its founding in 1981). This book is certainly one of the finest volumes ever published on Kuramata. Features complete history of works plus text by Japanese architect, Arata Isozaki. This copy includes the exhibition guide/map illustrated by Kuramata himself, along with other printed ephemera.
Very Good - Fine copy.
1991, English / Japanese
Hardcover (w. dusjacket), 200 pages, 26 x 26 cm
1st Edition, Out of print title / used / very good
Published by
G.C. Press / Tokyo
$90.00 - Out of stock
The wonderful "Playoffice" Japanese book published in 1991 that expands on famed Japanese designer Isao Hosoe's "Design and the Trickster" concept. Through a postmodern lens, this profusely illustrated hardcover book spans international ancient and contemporary examples of radical, innovative, and humane design for working, discussing office culture, domesticity, and the sensorial qualities of living design through chapters such as "Nomadic Domesticity", "Erotism" and Office Tabu, "The House as the Antagonist of the Office?", "The Concept of "MA" : Space/Time Quality", "Theatricality in the Office", "The Designer as Trickster" and much more. As well as incredible examples of the environmental work of Isao Hosoe, Ann Mannelli, and Renata Sias, included are many diverse examples from Japanese and African traditional dwellings, Ancient Roma and Egypt, the Maenge people, to the furniture of Andrea Branzi, Gaetano Pesce, Yashiru Asano, Angelo Mangiarotti, Mario Bellini, Ettore Sottsass, Toshiyuki Kita, Shigeru Uchida, Shiro Kuramata, Bruno Munari, Paolo Deganello, Memphis Group, and much more.
"Perhaps the first question that comes to mind is why the name "PLAYOFFICE"? How can these two words possibly have anything in common? Most people would agree that the office environment is one for "work", and that "work" is the contrary to "play" ...Or they might say that "play" connotes a
waste of time, and office efficiency is calculated on the correct use of time... Some might say too, that only children play, or at least those adults who are not serious!...We have another point of view on the subject."
Texts in English and Japanese by Isao Hosoe, Ann Mannelli, Renata Sias; introduction by Masao Yamaguchi. Cover design by Masayoshi Yamamoto
Very Good copy with VG dust jacket and obi strip. Protected in mylar wrap.
Born in Tokyo, Hosoe studied there at Nihon University where he graduated in 1965 with a major in aerospace engineering with a thesis on a human-powered aircraft, followed by a Master in Sciences in 1967. From the same year he moved to Milan where he still lived until his death, mainly collaborating with Alberto Rosselli and Gio Ponti of the Studio Ponti-Fornaroli-Rosselli from 1967 to 1974. In 1985 he founded his own studio Isao Hosoe Design.
1989, English
Softcover (french-folds), 34 x 25 cm
1st Edition, Out of print title / used / good
Published by
Terrazzo / Milan
$100.00 - Out of stock
TERRAZZO was a very special biannual publication on architecture and design, edited and published between 1988–1995 by Barbara Radice, a prominent Italian author, design critic and member of the Memphis Milano design group. In conjunction with Ettore Sottsass, Christoph Radl, Anna Wagner and Santi Caleca, Radice created a unique and thoughtful periodical that focused on contemporary works of design and architecture, within Italy and abroad, touching on a vast array of disciplines in each issue, including photography, literature, poetry, history, science, philosophy, art and anthropology.
TERRAZZO 3
Fall 1989
DAN FLAVIN
ETIENNE LOUIS BOULLEE
Homage to Etienne Louis Boullée
by Aldo Rossi
A Newton by Etienne Louis Boullée
ALDO ROSSI
Excerpts from A Scientific Autobiography
by Aldo Rossi
The face of architecture by Ettore Sottsass
photogaphs by Santi Caleca
SHIRO KURAMATA
Purple shadows
by Andrea Branzi
photographs by Kishin Shinoyama
ROBERTO BALDAZZINI LORENA CANOSSA
interiors
TRAVEL NOTES
Ettore Sottsass
on walls
photographs by Ettore Sottsass
INTERACTIVE DESIGN
by Francesco Carla
on the design of video games
BEAUTY
by Herbert Muschamp
PLANS (No. 3)
Renaissance, Palladio essay by Marco Frascari
1987, German
Hardcover, 236 pages, 21.5 x 27.5 cm
1st Edition, Out of print title / used / very good
Published by
Wolf und Sohn / Münich
$80.00 - Out of stock
"Möbel als Kunstobjekt" ("Furniture as Art Object") was published in 1987 to accompany an exhibition of the same name held in Munich in 1987-1988.
First hardcover edition.
This heavily researched book profiles an amazing selection of fine artists, designers, and architects that have challenged the field of furniture design and experimented with furniture design forms in their practice. It traces a long history of furniture as a field of endless provocative artistic forms and publishes here alongside essays and timelines, profiles and illustrated examples of work from no less than: Peter Josef Abels, Volker Albus, Sandra Antal, Ron Arad, Richard Artschwager, Elvira Bach, Joachim Bandau, Joseph Beuys, Bernhard Johannes Blume, Rudolf Bott, Heinrich Brummack, Marcel Breuer, Carlo Bugatti, Scott Burton, Tony Cragg, Miles Davies, Otto Dressler, Andre Dubreuil, Charles Eames, Egon Eiermann, Hildegard Erhard, Suzan Etkin, Rainer Fettin, Uwe Fischer/Klaus Achim Heine, Peter Fischli/David Weiss, Wolfgang Flatz, Rupprecht Geiger, Frank Gehry, Jochen Gerz, Walter Gropius, Al Hansen, Christian Hasucha, Wolfgang Hausler, Anne Jud, Donald Judd, Bruno K., Margaret Kelley, Martin Kippenberger, Jurgen Klauke, Imi Knoebel, Lawrence Compton Kolawole, Huub Kortekaas, Shiro Kuramata, Heinz Landes, Wolfgang Laubersheimer, El Lissitzky, Adolf Loos, Inge Mahn, Wasa Marjanov, Peter Monnig, George Nelson, Meret Oppenheim, Aribert von Ostrowski, Bruno Paul, Sarah Pelikan, Gaetano Pesce, Pino Poggi, Gerrit Rietveld, Thomas Ruff, Reiner Ruthenbeck, Denis Santachiara, Berthold Schepers, Karl Friedrich Schinkel, Klaus Schmitt, Ettore Sottsass, Daniel Spoerri, Patricia Maria Staudenhochtl, Stiletto, Axel Stumpf, Gunther Uecker , Timm Ulrichs, Karl Valentin, Hermann Waldenburg, Rupert Walser, Helmut Weber, Herbert Jakob Weinand, Stefan Wewerka, Georg Wirsching, Carl Emanuel Wolff, Bernd Zimmer, Stefan Zwicky... and so many more.
1987, German
Softcover, 236 pages, 21.5 x 27.5 cm
1st Edition, Out of print title / used / very good
Published by
Wolf und Sohn / Münich
$60.00 - Out of stock
"Möbel als Kunstobjekt" ("Furniture as Art Object") was published in 1987 to accompany an exhibition of the same name held in Munich in 1987-1988.
This heavily researched book profiles an amazing selection of fine artists, designers, and architects that have challenged the field of furniture design and experimented with furniture design forms in their practice. It traces a long history of furniture as a field of endless provocative artistic forms and publishes here alongside essays and timelines, profiles and illustrated examples of work from no less than: Peter Josef Abels, Volker Albus, Sandra Antal, Ron Arad, Richard Artschwager, Elvira Bach, Joachim Bandau, Joseph Beuys, Bernhard Johannes Blume, Rudolf Bott, Heinrich Brummack, Marcel Breuer, Carlo Bugatti, Scott Burton, Tony Cragg, Miles Davies, Otto Dressler, Andre Dubreuil, Charles Eames, Egon Eiermann, Hildegard Erhard, Suzan Etkin, Rainer Fettin, Uwe Fischer/Klaus Achim Heine, Peter Fischli/David Weiss, Wolfgang Flatz, Rupprecht Geiger, Frank Gehry, Jochen Gerz, Walter Gropius, Al Hansen, Christian Hasucha, Wolfgang Hausler, Anne Jud, Donald Judd, Bruno K., Margaret Kelley, Martin Kippenberger, Jurgen Klauke, Imi Knoebel, Lawrence Compton Kolawole, Huub Kortekaas, Shiro Kuramata, Heinz Landes, Wolfgang Laubersheimer, El Lissitzky, Adolf Loos, Inge Mahn, Wasa Marjanov, Peter Monnig, George Nelson, Meret Oppenheim, Aribert von Ostrowski, Bruno Paul, Sarah Pelikan, Gaetano Pesce, Pino Poggi, Gerrit Rietveld, Thomas Ruff, Reiner Ruthenbeck, Denis Santachiara, Berthold Schepers, Karl Friedrich Schinkel, Klaus Schmitt, Ettore Sottsass, Daniel Spoerri, Patricia Maria Staudenhochtl, Stiletto, Axel Stumpf, Gunther Uecker , Timm Ulrichs, Karl Valentin, Hermann Waldenburg, Rupert Walser, Helmut Weber, Herbert Jakob Weinand, Stefan Wewerka, Georg Wirsching, Carl Emanuel Wolff, Bernd Zimmer, Stefan Zwicky... and so many more.
1972, Japanese
Hardcover (w. dust jacket), 190 pages, 30 x 23 cm
1st Edition, Out of print title / used / very good
Published by
Kajima Institute / Tokyo
$90.00 - Out of stock
Special hardcover architectural almanac published in 1972 in Tokyo. This gorgeous, scarce volume surveys an incredible selection of residential projects from 1972, many rarely or never before seen in print, and all analysed comprehensively through spreads of beautiful colour and black and white photography and extensive fold-out plans, models and drawings. Includes homes by Shiro Kuramata, Mario Botta, Shin Takasuga, Kazumasa Yamashita, Takamitsu Azuma, Mayumi Miyawaki, Toshio Mitsufugi, Kunio Ohta, Stanley and Laurie Maurer, Leonard Feldman, Nobuyuki Furuya, JS Wood, Koichi Ogawa, Stout and Litchfield, Mashahiro Rokkaku, Takeo Hatae, and more, alongside many texts (all in Japanese), and features on wooden children's toys (Naef, etc.), modern Japanese furniture, and the radical clothing of H. Frank.
Very Good copy in Very Good dust jacket, preserved under mylar wrap.