World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2016, English / Italian
Softcover (newspaper), 334 pages, 25 x 36 cm
Published by Mousse Publishing / Milan
$20.00 - Sold
MOUSSE #54, Summer 2016
Character Studies of Primeval Life Form
by Jacquelyn Ross
EXTEND, EXCEED, ENHANCE: PROSTHETICS AND SCULPTURE
by Lisa Le Feuvre
by Hans Ulrich Obrist
RAYMOND BOISJOLY, TANYA LUKIN LINKLATER, WALTER SCOTT
Native North America
by Andrew Berardini, Richard William Hill and Candice Hopkins
INSIDE TO OUTSIDE TO INSIDE
by Jens Hoffmann
by Melanie Bühler
by Maurizio Cattelan,
What You See Is What You See
by Krist Gruijthuijsen
I Can Give You Anything But Love
by Andrew Durbin
by Lauren Cornell
An Idiosyncratic Abecedary
by Filipa Ramos
Projecting an Island from Another
by Mark Beasley
The impossible is the only (no-)thing that ever happens
by Pia Bolognesi
by Dieter Roelstraete
by Anselm Franke
NOBODY IS SLEEPING IN THE SKY
by Geoffrey Farmer and Dora García
NOW, I AM AFRAID...
by Chus Martínez
CECILIA BENGOLEA AND FRANÇOIS CHAIGNAUD
by Kathy Noble
MORAG KEIL AND GEORGIE NETTELL
by Fredi Fischli and Niels Olsen
AN ESSAY ON DRESS-UP AND OTHER THINGS
by Sabrina Tarasoff
Softcover, 464 pages, 15.5 x 21 cm
1st edition, Out of print title / used*,
Published by Purple Institute / Paris
$110.00 - Sold
PURPLE magazine ("Fashion, Prose, Special, Fiction, Interior") Number 2, Winter 1998-1999.
A rare copy of this early edition of Purple, edited by Elein Fleiss and Olivier Zahm, this wonderful early issue features work by: Mark Borthwick, Alex Bag, Tobjorn Rodland, Antek Walzcak, Andrea Zittel, Martin Margiela, Bernadette Corporation, Laetitia Benat, Susan Cianciolo, Doug Aitken, Maurizio Cattelan, Karl Holmqvist, Arto Lindsay, Dora Garcia, Phillipe Parreno, Takashi Noguchi, Viktor & Rolf, Bernadette Van-Huy, Richard Prince, Banu Cennetoglu, Comme des Garcons, Rita Ackermann, Katja Rahlwes, Terry Richardson, Nathaniel Goldberg, Annette Messager, Helmut Lang, Colin De Land, Dan Graham, Marcelo Krasilcic, Takashi Homma, and many many more.
In 1992 Olivier Zahm and his partner Elein Fleiss printed the first issue of Purple Prose, a Parisian literary art zine that over the years has evolved into Purple Fashion Magazine. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications like les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion. Zahm aimed at fusing together his two worlds, fashion and art, in creating Purple Fashion.
$30.00 - Sold
Chantal Pontbriand (Ed.) Per/Form
How to Do Things with[out] Words
Contributions by Jean-Pierre Cometti, Amelia Jones, Antonio Negri, Chantal Pontbriand, José Antonio Sanchez; visual essays by Mathieu Abonnenc, Jennifer Allora & Guillermo Calzadilla, Brad Butler & Karen Mirza, Geneviève Cadieux, Adrian Dan, Angela Detanico & Rafael Lain, Carole Douillard, Cevdet Erek, Köken Ergun, Esther Ferrer, Chiara Fumai, Simon Fujiwara, Ryan Gander, Dora García, Camille Henrot, Sandra Johnston, Latifa Laâbisi, La Ribot, Ines Lechleitner, Franck Leibovici, Cristina Lucas, Haroon Mirza, Roman Ondak, Falke Pisano, Chloé Quenum, Pedro Reyes, Julião Sarmento, Ulla von Brandenburg, Carey Young, Héctor Zamora
Performativity explores the in-between space when bodies or objects are left to perform. The fact that we are living more and more in an “immaterial” world, dominated by mediatization (which some call spectacle), the impact of globalization, the increasing tendency to think of politics as biopolitics—these different factors enhance performance over materiality, or object making. Per/Form investigates the process of this enhancement—how to work through form, and how to let form speak for itself.
The meaning of performance and performativity today are examined here through different modes of “display”: a book, an exhibition, and its three “Intensity Days” of performative situations. This book compliments these events and the sixteen installations of the exhibition curated by Chantal Pontbriand, “PER/FORM_How to Do Things with[out] Words” (CA2M Centro de Arte Dos de Mayo in Madrid, March 22–September 21, 2014), with theoretical texts and visual essays by thirty participating artists, including musical scores, drawings, documents, and photographs, which all work together to generate various perspectives on the subject through different theoretical premises (politics, experience, immateriality, action, realization, manifestation) and also through the artists’ many diverging perspectives.
Copublished with CA2M Centro de Arte Dos de Mayo, Madrid
Design by Agnès Dahan Studio Paris
2012, English / Italian
Softcover Newspaper, 270 pages (clour and b&w ill.), 26.5 x 37.5 cm
Published by Mousse / Milan
$15.00 - Sold
Softcover, 136 pages, (b&w ill.), 110 x 180 mm Edition of 15000
Published by Paraguay Press / Paris
$21.00 - In stock -
A tribute to Abbie Hoffmann’s pamphlet of the same name, Steal this Book documents eleven recent performative projects by Spanish artist Dora García. Edited by François Piron, the book presents the private correspondence of the artist with the various interpreters of the situations she sets up in the public space. It proposes a documentation of a body of work without an overview, nor an official line, since it takes neither the artist point of view nor the critic’s. Instead, it discloses questions, misunderstandings and arguments, making this book part suspense story, part user’s manual, part script for a stand-up comedy. Steal this Book is presented in exhibitions as a Dora Garcia sculpture meant to be stolen, but can also be found in selected bookstores worldwide.
Coproduced with CGAC, Santiago de Compostela, Spain ; 10e Biennale de Lyon
Design by Alex Gifreu, Barcelona.