World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
THURS 11-5 PM
FRI 11-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
Softcover, 388 pages, 10.5 x 18 cm
Published by Spector Books / Leipzig
$50.00 - Out of stock
Edited by Anselm Franke, Stephanie Hankey, Marek Tuszynski
Beyond contemporary disclosures about mass surveillance by intelligence services, the promises inherent in “big data” determine discourses about future innovations and systems of classification in government and industry, which aim to increasingly transform political and systemic questions into those of technological management. The promises of participation and “digital democracy” stand in contrast to new forms of cybernetic control and modulation of social behaviour on an unprecedented scale. The countless sensors of ubiquitous digital and technological infrastructures have united the state, industry, body and technology into ever more complex “nervous systems.” This nervousness is revealed in particular where relationships of power and participation come to the fore, namely in the “social question.” The publication, which appears in conjunction with the exhibition Nervous Systems (Haus der Kulturen der Walt, Berlin, February-April 2016), assembles a combination of contemporary art – complemented by contributions by experts, theorists and researchers, presenting contextualized historical documents, artefacts and further objects.
Worldwide Tactical Tech has supported thousands of activists to creatively employ information and communication in their work towards social and political change.
Contributions and works by Vito Acconci, Timo Arnall, Mari Bastashevski, Grégoire Chamayou, Emma Charles, Mike Crane, Arthur Eisenson, Harun Farocki, Charles Gaines, Melanie Gilligan, Goldin+Senneby, Avery F. Gordon, Laurent Grasso, Orit Halpern, Lawrence Abu Hamdan, Ben Hayes, Douglas Huebler, Tung-Hui Hu, On Kawara, Korpys/Löffler, Lawrence Liang, Noortje Marres, !Mediengruppe Bitnik, Henrik Olesen, Matteo Pasquinelli, Julien Prévieux, Jon Rafman, Miljohn Ruperto, RYBN.ORG, Dierk Schmidt, Nishant Shah, Eyal Sivan & Audrey Maurion, Deborah Stratman, Alex Verhaest, Gwenola Wagon & Stéphane Degoutin, Stephen Willats, Mushon Zer-Aviv, Jacob Appelbaum & Ai Weiwei, Aram Bartholl, Tega Brain & Surya Mattu, James Bridle, Julian Oliver & Danja Vasiliev, Veridiana Zurita, Open Data City, Peng! Collective, Privacy International, Share Lab, Malte Spitz, and others.
Softcover, 376 pages, 11.5 x 18.5 cm
Published by Archive Books / Berlin
$35.00 - Out of stock
The Psychopathologies of Cognitive Capitalism: Part Two is the second volume in a series which maps out the complex terrain of cognitive capitalism as an ontogeny in which its earlier phase has transitioned into a later phase that we are now beginning to experience. This volume collects together papers from a conference of the same name held at the Institute of Cultural Inquiry, Berlin, in the spring of 2013. The first part of the book delineates the recent emergence of characteristic psychopathologies of cognitive capitalism, which have resulted from the unique concatenation of social-political-psychological-economic relations that have produced distinct stresses and forms of derangement upon the factory of the brain. This leads to the second stream, referred to as “the cognitive turn”in cognitive capitalism. For example, as a result of the necessity for an efficient brain-mind to labor in the advanced and constantly accelerating conditions of the knowledge economy highly sophisticated and nuanced forms of attention have become compulsory well beyond what was considered essential in the older regimes of the modern. As such new dispositifs of normalization and governmentalization have arisen to, on the one hand, diffuse the attention necessary for multi-tasking, and on the other, to enhance the production of a hyper-attention. It is upon these and other similar conditions that this book concentrates. It calls for the identification of the causative factors of these psychopathologies as well as attempting to invent the counter conditions with which to thwart their emergence.
About the series
A series that attempts to broaden the definition of cognitive capitalism in terms of the scope of its material relations especially as it relates to the conditions of mind and brain in our new world of advanced telecommunication, data mining and social relations. It is our hope to first improve awareness of its most repressive characteristics and secondly to produce an arsenal of discursive practices with which to combat it. Published in connection with the cycle of conferences “The Psychopathologies of Cognitive Capitalism”.
Edited by Warren Neidich
Texts by Ina Blom, Arne De Boever, Pascal Gielen, Sanford Kwinter, Maurizio Lazzarato, Karl Lydén, Yann Moulier Boutang, Warren Neidich, Matteo Pasquinelli, Alexei Penzin, Patricia Reed, John Roberts, Liss C. Werner, Charles T. Wolfe
Hardcover (cloth-bound), 272 pages, 17.5 x 24 cm
Published by Sternberg Press / Berlin
$50.00 - Out of stock
Texts by Iain Ball, Erick Beltrán, Jane Bennett, Benjamin H. Bratton, Revital Cohen & Tuur Van Balen, Erik Davis, John Durham Peters & Paul Feigelfeld, Mircea Eliade, Boris Groys, Marguerite Humeau, Timothy Morton & Emilija Skarnulyte, Boris Ondreička, The Otolith Group, Jussi Parikka, Matteo Pasquinelli, Nadim Samman, Charles Stankievech
Rare Earth is an attempt to define the spirit of an age. Exploring how today’s myths, identities, and cosmologies relate to current advances in technology—through reference to the material basis to our most developed weapons and tools; a class of seventeen rare earth elements from the periodic table—Rare Earth challenges the rhetoric of immateriality associated with our hypermodern condition.
Rare earth elements are the game-changing foundation of our most powerful innovations, are fundamental to contemporary accoutrements such as mobile phones, iPods and iPads, liquid crystal displays, LEDs, light bulbs, CDs and DVDs. Often described as conflict materials due to the limited number of easily accessible mines, they are also integral to weapon systems used for cyber-warfare, medical technologies (including MRI scanning equipment), hybrid vehicles, wind turbines, and other green energy applications. Consequently, rare earth elements play an increasing role in global affairs and power inventions that facilitate our changing self-image—giving birth to today’s emergent myths and identities.
Rare Earth grounds our strange, seemingly weightless cultural moment. While we may design our technologies, these tools and weapons shape us in turn. It may seem that we dream the contemporary into existence, but perhaps rare earth elements are dreaming through us. After the Stone Age, the Bronze Age and the Iron Age, this is the age of Rare Earth.
Copublished with Thyssen-Bornemisza Art Contemporary, Vienna on the occasion of the exhibition “Rare Earth,” February 19–May 31, 2015, with works by Iain Ball, Erick Beltrán, Julian Charriere, Revital Cohen & Tuur Van Balen, Camille Henrot, Roger Hiorns, Marguerite Humeau, Jean Katambayi Mukendi, Oliver Laric, Ursula Mayer, The Otolith Group, Katie Paterson, Charles Stankievech, Suzanne Treister, Ai Weiwei, Guan Xiao, Arseniy Zhilyaev
Design by David Rudnick and Raf Rennie
Hardcover, 256 pages (30 b/w ills.), 16.9 x 23.9 cm
Published by Sternberg Press / Berlin
$32.00 - Out of stock