World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
Thu–Fri 12–6, Sat 12–5
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
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All prices in AUD (Australian dollars)
Pick-Ups
Pick-up orders can be collected in our bookshop during opening hours after order date. Please collect any Pick-up orders within 2 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected. If you cannot make it in to the bookshop in this time-frame, please choose postage option.
Return Policy
All sales are final. We do accept returns (for refund or exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
<a href=http://wfb.public-office.info/artist/john-nixon>All titles by John Nixon
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2025, English
Hardcover, 656 pages, 22.5 x 15 cm
Published by
Zero Books / UK
$70.00 - In stock -
Eugene Thacker's three cult-classic volumes of supernatural horror come together in this new Zer0 Books omnibus, revised with updated material, offering an essential resource for thinking about the unthinkable world.
Zer0 Books presents a new, omnibus edition of a cult classic: all three volumes of Eugene Thacker's Horror of Philosophy trilogy, revised and expanded by the author. Across the three volumes of the series—In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015)—Thacker adopts a unique approach, reading works of horror as if they were philosophy, and works of philosophy as if they were horror, leading to far-reaching questions: Could it be that the more we know about the world, the less we understand it? Could it be that, while everything has been explained, nothing has meaning? At the center of Thacker's project is the idea of the 'world without us,' an increasingly unthinkable world of planetary disasters, emerging pandemics, and the looming threat of extinction. To confront this idea is to confront the limit of our ability to understand the world in which we live - not a philosophy of horror, but a horror of philosophy.
1904 / 2016, English
Hardcover (w. dust jacket), 112 pages, 23 x 15.25 cm
Published by
Mockingbird Press / US
$44.00 - In stock -
This edition is a fully illustrated reprint of the 1904 publication by Aleister Crowley and Samuel Liddell MacGregor Mathers. This edition of The Lesser Key of Solomon the King contains all of the over 150 seals, sigils, and charts of the original lesser book of Solomon. Beware of other editions that do not contain the Lesser Key of Solomon seals; they were painstakingly researched by Mathers and Crowley, and Solomon’s lesser key is enhanced by their inclusion. This edition also contains Crowley’s original comments located in over 35 annotations to help the reader understand the lesser keys of Solomon the king.
In this work, Crowley and Mathers assemble descriptions and directions for the invocation of over 72 demons or spirits. Included are: illustrations of Solomon’s Magic Circle & Triangle, Enochian translations of the Goetia book, step by step guides for invocation, as well as definitions and explanations for the ancient terms seen throughout the Lesser Key of Solomon book.
The Lesser Key of Solomon, or the Clavicula Salomonis Regis, or Lemegeton, is a compilation of materials and writings from ancient sources making up a text book of magic or “grimoire.” Portions of this book can be traced back to the mid-16th to 17th centuries, when occult researchers such as Cornelius Agrippa and Johannes Trithemisus assembled what they discovered during their investigations into their own great works.
As a modern grimoire, the Lesser Key of Solomon has seen several editions with various authors and editors taking liberty to edit and translate the ancient writings and source material. In 1898, Arthur Edward Waite published his The Book of Black Magic and of Pacts, which contained large portions of the Lemegeton. He was followed by Mathers and Crowley in 1904 who published The Goetia: The Lesser Key of Solomon. Many others have assembled their own version of this ancient material since, and it is important to realize that it is the contents rather than the book itself that make up the Lesser Key. Traditionally, the source material is divided into five books: Ars Goetia, Ars Theurgia Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. Mathers and Crowley indicate their edition is a translation only of the first book: Goetia.
In the preface to this edition, it is explained that a “Secret Chief” of the Rosicrucian Order directed the completion of the book. The original editor was a G. H. Fra. D.D.C.F. who translated ancient texts from French, Hebrew, and Latin, but was unable to complete his labors because of the martial assaults of the Four Great Princes. Crowley was then asked to step in and finish what the previous author had begun. Traditionally, S. L. MacGregor Mathers is credited as the translator of this edition, and Crowley is given the title of editor. Although impossible to verify, it is often claimed that Mathers did not want to publish this work, but Crowley did so anyway without his permission.
Aleister Crowley was an English occultist, ceremonial magician, poet, painter, novelist, and mountaineer. He founded the religion of Thelema, identifying himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early 20th century. Born to a wealthy Plymouth Brethren family in Royal Leamington Spa, Warwickshire, Crowley rejected this fundamentalist Christian faith to pursue an interest in Western esotericism. He was educated at the University of Cambridge, where he focused his attentions on mountaineering and poetry, resulting in several publications. In 1898 he joined the esoteric Hermetic Order of the Golden Dawn, where he was trained in ceremonial magic by Samuel Liddell MacGregor Mathers and Allan Bennett. Moving to Boleskine House by Loch Ness in Scotland, he went mountaineering in Mexico with Oscar Eckenstein, before studying Hindu and Buddhist practices in India. He married Rose Edith Kelly and in 1904 they honeymooned in Cairo, Egypt, where Crowley claimed to have been contacted by a supernatural entity named Aiwass, who provided him with The Book of the Law, a sacred text that served as the basis for Thelema. Announcing the start of the Æon of Horus, The Book declared that its followers should adhere to the code of "Do what thou wilt" and seek to align themselves with their Will through the practice of magick. After an unsuccessful attempt to climb Kanchenjunga and a visit to India and China, Crowley returned to Britain, where he attracted attention as a prolific author of poetry, novels, and occult literature. In 1907, he and George Cecil Jones co-founded a Thelemite order, the A∴A∴, through which they propagated the religion. After spending time in Algeria, in 1912 he was initiated into another esoteric order, the German-based Ordo Templi Orientis (O.T.O.), rising to become the leader of its British branch, which he reformulated in accordance with his Thelemite beliefs. In 1920 he established the Abbey of Thelema, a religious commune in Cefalù, Sicily where he lived with various followers. His libertine lifestyle led to denunciations in the British press, and the Italian government evicted him in 1923. He divided the following two decades between France, Germany, and England, and continued to promote Thelema until his death.
Samuel Liddell MacGregor Mathers was born in 1854 in London, England. He attended Bedford School and, after graduating, began work as a clerk in Dorset. His father died while he was a young boy, and his mother died while he was in his thirties. Shortly after his mother's death, he moved from Dorset to London. He was married to Monia Bergson, the sister of the philosopher Henri Bergson. Mathers was a freemason - raised as a Master Mason in 1878. In 1882 he was admitted to the Metropolitan College of the Societas Rosicruciana in Anglia (SRIA) as well as a number of fringe Masonic degrees. Working hard both for and in the SRIA, he was awarded an honorary 8th Degree in 1886. Upon the death of William Robert Woodman in 1891, Mathers assumed leadership of the Hermetic Order of the Golden Dawn. He moved with his wife to Paris on 21 May 1892. After his expulsion from the Golden Dawn in April 1900, Mathers formed a group in Paris in 1903 called Alpha et Omega (its headquarters, the Ahathoor Temple). Mathers assumed the title of "Archon Basileus". Mathers was a polyglot; among the languages he had studied were English, French, Latin, Greek, Hebrew, Gaelic and Coptic - though he had a greater command of some languages than of others. His translations of such books as The Book of Abramelin (14thC.), Christian Knorr von Rosenroth's The Kabbalah Unveiled (1684), Key of Solomon (anonymous 14thC.), The Lesser Key of Solomon (anonymous 17thC.), and the Grimoire of Armadel (17thC.), while probably justly criticized with respect to quality, were responsible for making what had been obscure and inaccessible material widely available to the non-academic English speaking world. His works have had considerable influence on the development of occult and esoteric thought since their publication, as has his consolidation of the Enochian magical system of John Dee and Edward Kelley. Mathers died in November 1918 in Paris. The manner of his death is unknown; his death certificate lists no cause of death. Violet Firth claimed his death was the result of the Spanish influenza of 1918. While this seems likely, few facts are known about Mathers's private life, verification of such claims is difficult.
2024, English
Softcover, 24 pages, 23 x 15.5 cm
Published by
Adultbrain / US
$26.00 - In stock -
"Every man and every woman is a star."
The Book of the Law is a seminal text in the philosophy of Thelema, penned by Aleister Crowley under alleged dictation from a spiritual entity in 1904. This mysterious and provocative work challenges conventional ideas of morality, spirituality, and human purpose, advocating for a new path of individual freedom through the law of Thelema: "Do what thou wilt shall be the whole of the Law." With cryptic verses, poetic language, and timeless wisdom, Crowley's magnum opus continues to captivate and inspire those who seek a deeper understanding of existence, freedom, and the self.
This Adultbrain Publishing edition brings Crowley's powerful work to a new generation of seekers, accompanied by an insightful introduction and annotations that help guide readers through the book's intricate symbolism and themes. Whether you're delving into Thelema for the first time or revisiting this powerful manifesto of personal will and spiritual evolution, this edition offers clarity and context to fully appreciate the depth of Crowley's revelation.
Back of the Book:
Unlock the Mysteries of The Book of the Law - A Guide to Personal Freedom and Spiritual Empowerment.
Written under extraordinary circumstances by Aleister Crowley in 1904, The Book of the Law has since become a cornerstone of Thelema, a spiritual philosophy that emphasizes individual freedom, self-discovery, and the pursuit of one's true will. With its often cryptic and poetic passages, this work has challenged and inspired readers for over a century.
In this newly formatted Adultbrain Publishing edition, discover the full text of Crowley's visionary work along with annotations and commentary to aid both new and returning readers in their journey through the profound and often misunderstood principles of Thelema. Whether you seek to explore the limits of human potential or to find spiritual liberation, The Book of the Law offers a path that demands courage, insight, and personal accountability.
Product Details
ISBN: 9781998614349
ISBN-10: 1998614344
Publisher: Adultbrain Publishing
Publication Date: October 18th, 2024
Pages: 26
Language: English
2025, English
Softcover, 130 pages, 20.3 x 17.8 cm
Published by
The New York Review of Books / New York
$36.00 - In stock -
Ancient Mesopotamia, the Zodiac, and the land of the dead feature in this wildly surrealistic adventure story—Leonora Carrington's revolutionary second novel, long out of print.
The Stone Door is an omen, an incantation, and an adventure story rolled into one. Built in layers like a puzzle box, it is the tale of two people, of love and the Zodiac and the Kabbalah, of Transylvania and Mesopotamia converging at the Caucasus, of a mad Hungarian King named Böles Kilary and of a woman's discovery of an initiatory code that leads to a Cyclopean obstacle, to love, self and awareness, to the great stone door of Kescke and beyond.
Written at the end of World War II but not published until 1977 and long unavailable, The Stone Door is at once a celebration of the union of the surrealist painter Leonora Carrington and her husband, the Hungarian-born photographer Chiki Weisz, and an argument for the unification of the male and the female as a means of liberating the human race.
2023, English
Softcover, 344 pages, 20.9 x 15 cm
Published by
Strange Attractor / London
$49.00 - In stock -
A revised edition of Phil Baker's critically lauded biography of artist and occultist, Austin Osman Spare.
London has harbored many curious characters, but few more curious than the artist and visionary Austin Osman Spare (1886-1956).
A controversial enfant terrible of the Edwardian art world, the young Spare was hailed as a genius and a new Aubrey Beardsley, while George Bernard Shaw reportedly said "Spare's medicine is too strong for the average man."
But Spare was never made for worldly success and he went underground, falling out of the gallery system to live in poverty and obscurity south of the river. Absorbed in occultism and sorcery, voyaging into inner dimensions, and surrounding himself with cats and familiar spirits, he continued to produce extraordinary art while developing a magical philosophy of pleasure, obsession, and the subjective nature of reality.
Today Spare is both forgotten and famous, a cult figure whose modest life has been much mythologized since his death. This groundbreaking biographical study offers wide-ranging insights into Spare's art, mind and world, reconnecting him with the art history that ignored him and exploring his parallel London; a bygone place of pub pianists, wealthy alchemists, and monstrous owls.
This richly readable and illuminating biography takes us deep into the strange inner world that this most enigmatic of artists inhabited, shedding new light while allowing just a few shadowy corners to flourish unspoiled.
Revised, updated, and with a new afterword by the author, this is the definitive edition of Phil Baker's critically lauded Austin Osman Spare: The Life and Legend of London's Lost Artist.
Industry Reviews
"Phil Baker's study is a first-rate performance, scrupulously researched, judicious and refreshingly sane... Spare comes to seem a strangely attractive figure: talented, stoical, randy, cantankerous, gentle and a magnificent English eccentric."
-The Literary Review
"[Told with] zest and insight... Ever determined to break down the barriers between reality and fantasy, Spare has finally achieved it-not by elaborate psychic exercises, but through biography."
-Matthew Sturgis, Times Literary Supplement
"I cannot recommend Austin Osman Spare too highly. Phil Baker has done a wonderful job of bringing the complexities and contradictions of Spare's life to the fore, and in making the London of Spare's time come to life vividly and richly."
-Phil Hine, enfolding.org
"Phil Baker's book is excellent; it's the one many Spare enthusiasts such as I had been waiting for."
-John Coulthart, London Society Journal
"So many of Spare's works look like sketches for a masterwork rather than the finished article. Perhaps the finished article was Spare's life itself, an extraordnary carnival of strange chacters and incidents, some of them semi-mythical. It is as good as a novel."
-Reggie Oliver, Wormwood
2006, English
Softcover, 144 pages, 21.5 x14 cm
Out of print title / used / very good
Published by
Solar Books / UK
$140.00 - In stock -
Rare first 2006 Solar Books edition.
Translated into English for the first time, this novelized biography of the 3rd-century Roman Emperor Heliogabalus is simultaneously Artaud’s most accessible and his most extreme book. Written in 1933, at the time when Artaud was preparing to stage his legendary Theatre of Cruelty, Heliogabalus is a powerful concoction of sexual excess, self-deification and terminal violence. Reflecting its author’s preoccupations with the occult, magic, Satan, and a range of esoteric religions, this account of Heliogabalus’ reign invents incidents in the Emperor’s life in order to make the print of the author’s own passionate denunciations of modern existence.
Heliogabalus is Artaud’s greatest and most revolutionary masterpiece: an incendiary work that reveals both the divine cruelty of the Roman Emperor and that of Artaud himself.–Stephen Barber
Very Good copy.
1979, Japanese
Hardcover (w. dust jacket), 236 pages, 20.4 x 20.3 cm
1st Edition, Out of print title / used / very good
Published by
Self-published / Kobe City
$90.00 - In stock -
First and only edition of this stunning privately-issued 1979 Japanese hardcover collection of erotic fantasy art, edited and written by Yoshiki Yamamoto. Upon retiring from the Sanyo Electric Railway Company in 1976, Yamamoto devoted himself to the art that he loved and to complete an intimate book study that traces an important lineage of artists of "eros fantasy", focussing on 16 key artists through profusely illustrated chapters, linking artists of the fin de siècle, symbolism, surrealism, and their descendants. A total labour of love. There is no other book like it. "Artists Who Decorate My Secret Room" features illustrated full chapters on Gustave Moreau, Félicien Rops, Gustav Klimt, Franz von Bayros, Egon Schiele, Paul Delvaux, Hans Bellmer, Felix Labisse, Pierre-Yves Trémois, Leonor Fini, Paul Wunderlich, Ernst Fuchs, Tomi Ungerer, H.R. Giger, Raymond Bertrand, Gilles Rimbault, including profiles, many artworks, portraits and texts by Yamamoto, closing with a chronology of further artists and authors through the centuries.
Good–Very Good some mild foxing to block edges/initials. Good dust jacket with the usual edge wear and tanning of this title, some chipping to spine ends of DJ. Sample images only. Preserved in mylar wrap.
1979, English
Softcover, 238 pages, 23 x 15.3 cm
Out of print title / used / good
Published by
University of Chicago Press / Chicago
$50.00 - In stock -
Scarce second 1979 edition.
Primitive man's discovery of the ability to change matter from one state to another brought about a profound change in spiritual behavior. In The Forge and the Crucible, Mircea Eliade follows the ritualistic adventures of these ancient societies, adventures rooted in the people's awareness of an awesome new power.
This new (1979) edition of The Forge and the Crucible contains an updated appendix, in which Eliade lists works on Chinese alchemy published in the past few years. He also discusses the importance of alchemy in Newton's scientific evolution.
Mircea Eliade (1907-1986) was the Sewell L. Avery Distinguished Service Professor at the Divinity School and professor in the Committee on Social Thought at the University of Chicago. He was one of the most influential scholars of religion of the 20th century and one of the world's foremost interpreters of religious symbolism and myth. Eliade was the author of many works of scholarship and fiction, including A History of Religious Ideas and ten novels.
Good copy with some general light wear to extremities.
2026, English
Softcover (staplebound), 40 pages, 29.7 x 21 cm
Published by
Chris Mikul / Sydney
$8.00 - In stock -
Bizarrism is Australia’s longest-running zine, first published in 1986 when Chris Mikul begin collating information and writing about a grand parade of eccentrics, visionaries, crackpots, cult leaders, artists, theorists and outsiders of every stripe — “beacons of shining if erratic brilliance in a world of sensible conformity”. In writing their stories, Mikul does not judge, but instead celebrates these characters for their fabulous weirdness. The world would be a poorer place without them.
"If strangeness be a standard for unfavorable judgment, I damn at a swipe most of this book. But damnation is nothing to me. I offer the data. Suit yourself."–Charles Fort. Lo!
Bizarrism No. 19: “Eternity” Goes On: The Remarkable Peter Freuchen; Larrimah Latest; A Lamb and his Guinea Pigs; The Strange Death of Thelma Todd; The Story of Chang Woo Gow; Relics of Corder; Books; Notes and Sources; and more....
Chris Mikul has been clipping weird stories out of newspapers for as long as he can remember. He’s been writing and publishing Bizarrism, Australia’s longest-running zine, since 1986, and also produces Biblio-Curiosa, a zine devoted to strange fiction. His other books include The Cult Files, Tales of the Macabre and Ordinary, The Eccentropedia and Bizarrism Vols 1 and 2. He lives in the Sydney suburb of Newtown, home of many an eccentric, with his partner Cath.
202?, English
Softcover (staple-bound), 40 pages, 29.7 x 21 cm
Published by
Chris Mikul / Sydney
$8.00 - Out of stock
Bizarrism is Australia’s longest-running zine, first published in 1986 when Chris Mikul begin collating information and writing about a grand parade of eccentrics, visionaries, crackpots, cult leaders, artists, theorists and outsiders of every stripe — “beacons of shining if erratic brilliance in a world of sensible conformity”. In writing their stories, Mikul does not judge, but instead celebrates these characters for their fabulous weirdness. The world would be a poorer place without them.
Bizarrism No. 18: Welcome to Larrimah; Kings Cross Wax Works; The Unfathomable Mystery of Kaspar Hauser; An Inspiration for Bacon; Somerton Man Identified; A Scandal in Academia; Thomas Griffiths Wainewright; The Odyssey of Maria Rasputin; and more....
Chris Mikul has been clipping weird stories out of newspapers for as long as he can remember. He’s been writing and publishing Bizarrism, Australia’s longest-running zine, since 1986, and also produces Biblio-Curiosa, a zine devoted to strange fiction. His other books include The Cult Files, Tales of the Macabre and Ordinary, The Eccentropedia and Bizarrism Vols 1 and 2. He lives in the Sydney suburb of Newtown, home of many an eccentric, with his partner Cath.
202?, English
Softcover (staple-bound), 40 pages, 29.7 x 21 cm
Published by
Chris Mikul / Sydney
$8.00 - Out of stock
Bizarrism is Australia’s longest-running zine, first published in 1986 when Chris Mikul begin collating information and writing about a grand parade of eccentrics, visionaries, crackpots, cult leaders, artists, theorists and outsiders of every stripe — “beacons of shining if erratic brilliance in a world of sensible conformity”. In writing their stories, Mikul does not judge, but instead celebrates these characters for their fabulous weirdness. The world would be a poorer place without them.
Bizarrism No. 17: Paying a Visit to Somerton Man; A Glamour Model Among the Headhunters; A Brief History of Embalmed Dictators; The Entrepreneur and His Nemesis: The Story of G.J.. de Garis; The Ghost of Harry Price; The Resurrection of Connie Converse and more....
Chris Mikul has been clipping weird stories out of newspapers for as long as he can remember. He’s been writing and publishing Bizarrism, Australia’s longest-running zine, since 1986, and also produces Biblio-Curiosa, a zine devoted to strange fiction. His other books include The Cult Files, Tales of the Macabre and Ordinary, The Eccentropedia and Bizarrism Vols 1 and 2. He lives in the Sydney suburb of Newtown, home of many an eccentric, with his partner Cath.
202?, English
Softcover (staple-bound), 40 pages, 29.7 x 21 cm
Published by
Chris Mikul / Sydney
$8.00 - Out of stock
Bizarrism is Australia’s longest-running zine, first published in 1986 when Chris Mikul begin collating information and writing about a grand parade of eccentrics, visionaries, crackpots, cult leaders, artists, theorists and outsiders of every stripe — “beacons of shining if erratic brilliance in a world of sensible conformity”. In writing their stories, Mikul does not judge, but instead celebrates these characters for their fabulous weirdness. The world would be a poorer place without them.
Bizarrism No. 16: Last Days of the Olympia Milk Bar; Oneida: the Free Love Cult; The Human Bomb; High Jinks on the High Seas; Sydney Suicides of 1935, "Who do you think you are? Lady Docker?", Bokassa; A Visit to Whitby and more....
Chris Mikul has been clipping weird stories out of newspapers for as long as he can remember. He’s been writing and publishing Bizarrism, Australia’s longest-running zine, since 1986, and also produces Biblio-Curiosa, a zine devoted to strange fiction. His other books include The Cult Files, Tales of the Macabre and Ordinary, The Eccentropedia and Bizarrism Vols 1 and 2. He lives in the Sydney suburb of Newtown, home of many an eccentric, with his partner Cath.
2020, English
Softcover (staple-bound), 44 pages, 21 x 15 cm
Published by
Chris Mikul / Sydney
$5.00 - In stock -
Biblio-Curiosa, a zine about unusual authors and strange books, written and published by Chris Mikul of Bizarrism, Australia’s longest-running zine (est. 1986) devoted to the eccentrics, visionaries, crackpots, the “beacons of shining if erratic brilliance in a world of sensible conformity”. Biblio-Curiosa takes this very logic and applies it to the wonderous outer realms of the published page and to the library of the bibliomaniac. Each issue packed with book excerpts, Chris' marvellous articles, interviews, and colour illustrations.
Biblio-Curiosa No. 9 (The Autobiographies and Memoirs Issue) — Some Bods Move On by E.W. Martell; From the Earth to a Star by Seamus Burke; A Genius for Provocation: The Autobiographical Writings of Mary MacLane; Will by G. Gordon Liddy; Crook Frightfulness by A Victim; Décadence Mandchoue by Sir Edmund Backhouse, and more.
Chris Mikul has been clipping weird stories out of newspapers for as long as he can remember. He’s been writing and publishing Bizarrism, Australia’s longest-running zine, since 1986, and also produces Biblio-Curiosa, a zine devoted to strange fiction. His other books include The Cult Files, Tales of the Macabre and Ordinary, The Eccentropedia and Bizarrism Vols 1 and 2. He lives in the Sydney suburb of Newtown, home of many an eccentric, with his partner Cath.
2018, English
Softcover (staple-bound), 44 pages, 21 x 15 cm
Published by
Chris Mikul / NSW
$5.00 - In stock -
Biblio-Curiosa, a zine about unusual authors and strange books, published by Chris Mikul of Bizarrism, Australia’s longest-running zine (est. 1986) devoted to the eccentrics, visionaries, crackpots, the “beacons of shining if erratic brilliance in a world of sensible conformity”. Biblio-Curiosa takes this very logic and applies it to the wonderous outer realms of the published page and to the library of the bibliomaniac. Each issue packed with book excerpts, Chris' marvellous articles, interviews, and colour illustrations.
Biblio-Curiosa No. 7 — The Queue by Jonathan Barrow; Spawn: A Novel of Degeneration by Nat Ferber; The Weird Fiction of Violet Van der Elst; Tod Robbins Update; F.C. Meyer: Poet of the Antipodes; The Great Boo-Boo by Henry S. Wilcox; Der Orchideengarten; and more.
Chris Mikul has been clipping weird stories out of newspapers for as long as he can remember. He’s been writing and publishing Bizarrism, Australia’s longest-running zine, since 1986, and also produces Biblio-Curiosa, a zine devoted to strange fiction. His other books include The Cult Files, Tales of the Macabre and Ordinary, The Eccentropedia and Bizarrism Vols 1 and 2. He lives in the Sydney suburb of Newtown, home of many an eccentric, with his partner Cath.
1982, English
Softcover, 240 pages, 30.5 x 23 cm
1st Edition, Out of print title / used / good
Published by
John Wiley and Sons / London
$45.00 - Out of stock
Scarce first 1982 Wiley edition.
A cultural history of madness and art in the western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed as depicted in manuscripts, woodcuts, engravings, drawings, paintings, sculptures, lithographs and photographs, from the middle ages to the end of the nineteenth century.
"Seeing the Insane is a visual history of the stereotypes that have shaped the perception of the mentally ill from medieval through modern times. The result is nearly as heart-breaking as a visual history of the Holocaust. In picture after picture, the book portrays centuries of intolerance for deviance, mindless cruelty, unthinking prejudice, and self-righteous abuse of the weak and ill."–American Journal of Psychiatry
"As extraordinary in concept as it is in its execution.... This remarkable book helps laymen as well as specialists to see the insane, but it does far more. When we study the past, we understand the present. When we see the conventional stereotype images of insanity, we find they still color our concepts of madness. Through these pictures of the insane, we see all humanity. We look, not through a glass darkly, but through a multiplicity of media, brightly."–Antiquarian Bookman
Seeing the Insane is a richly detailed cultural history of madness and art in the Western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed.
Sander L. Gilman is Henry R. Luce Professor of the Liberal Arts in Human Biology at the University of Chicago. The late Eric T. Carlson, m.D., was a clinical professor of psychiatry at New York Hospital-Cornell Medical Center.
Good copy with light creasing to cover, wear to edges with minor losses.
1996, English
Softcover, 252 pages, 30.5 x 23 cm
Out of print title / used / average
Published by
University of Nebraska Press / Lincoln
$35.00 - In stock -
1996 Bison edition with Van Gogh cover. First published in 1982.
A cultural history of madness and art in the western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed as depicted in manuscripts, woodcuts, engravings, drawings, paintings, sculptures, lithographs and photographs, from the middle ages to the end of the nineteenth century.
"Seeing the Insane is a visual history of the stereotypes that have shaped the perception of the mentally ill from medieval through modern times. The result is nearly as heart-breaking as a visual history of the Holocaust. In picture after picture, the book portrays centuries of intolerance for deviance, mindless cruelty, unthinking prejudice, and self-righteous abuse of the weak and ill."–American Journal of Psychiatry
"As extraordinary in concept as it is in its execution.... This remarkable book helps laymen as well as specialists to see the insane, but it does far more. When we study the past, we understand the present. When we see the conventional stereotype images of insanity, we find they still color our concepts of madness. Through these pictures of the insane, we see all humanity. We look, not through a glass darkly, but through a multiplicity of media, brightly."–Antiquarian Bookman
Seeing the Insane is a richly detailed cultural history of madness and art in the Western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed.
Sander L. Gilman is Henry R. Luce Professor of the Liberal Arts in Human Biology at the University of Chicago. The late Eric T. Carlson, m.D., was a clinical professor of psychiatry at New York Hospital-Cornell Medical Center.
Average–Good copy with cover creases and rippling to laminate.
2025, English
Hardcover (w. dust jacket), 364 pages, 23 x 15.2 cm
Published by
Star Regulus Press / Finland
$65.00 - In stock -
“Reads like a novel—but it’s true.”—Prof. Massimo Introvigne (Center for Studies on New Religions; author of Satanism: A Social History)
In 1937, a British-Belgian occultist arrived in Berlin to brief Heinrich Himmler on a secret society called the Green Dragon. Tracing his unbelievable claims, Chasing the Green Dragon dives into the interwar Parisian occult underground, where intelligence operators and esotericists mingled in the temple of the Polaires, Masonic lodges, and Maria de Naglowska’s Luciferian salons, sometimes with fatal results.
A highly intellectual but eccentric scholar, Gaston de Mengel worked with René Guénon, the Cambodian Prince Iukanthor, and possibly with the French secret service – without realising it.
Based on a wealth of obscure sources, including new archival finds, the stranger-than-fiction story of Gaston de Mengel is a unique account of little-known cultural currents that gave birth to numerous post-war conspiracy theories and Nazi Mysteries – and Umberto Eco’s Foucault’s Pendulum.
“Fascinating… a valuable piece of research”—Prof. Richard Spence, author of Secret Agent 666: Aleister Crowley, British Intelligence and the Occult
“Admirably researched and illustrated… Vil must be commended for his efforts”—Fortean Times
“Chasing the Green Dragon compares with few other books in its depth of research and ability to make connections in little known strata of occult history. The figure of Gaston de Mengel, hitherto little more than a name to researchers, focuses a vast imaginal complex of “unknown superiors” running the world, and all the paranoia and pretension that goes with it. Truly an alternative history of the first half of the twentieth century!”—Prof. Joscelyn Godwin, author of Arktos, Music and the Occult, The Theosophical Enlightenment, Athanasius Kircher’s Theatre of the World, The Golden Thread, Upstate Cauldron, and others.
Ike Vil (MA) is a writer, translator, musician – hence the dodgy moniker – and a private scholar, who has spent his life studying secret, wondrous things. He will probably tell more if you buy him a beer.
2025, English
Hardcover (w. dust jacket), 198 pages, 23 x 15.2 cm
Published by
Star Regulus Press / Finland
$55.00 - Out of stock
Unknown classic of Nazi Occultism, finally in English!
Translated and annotated by Ike Vil
“An amusing and entertaining tale… very well illustrated and put together” Fortean Times (5/5)
In 1935, Yrjö von Grönhagen, a 24-year old Finnish student at Sorbonne, Paris, decided to walk across Europe back to his native country. By a strange twist of fate, the following summer he would lead an ethnological expedition to Karelian woods in search of the lost magic of Aryans.
Appointed as the head of Finnish department of Ahnenerbe, a scholarly institution that was destined to become the greatest in the world, von Grönhagen witnessed “intuitive” mystics clash with classical archaeologists; lodging with the eccentric SS-Gruppenführer Karl-Maria “Weisthor” Wiligut, dubbed “Himmler’s Lord of the Runes” and “The Secret King of Germany,” he saw shady occultists come and go; and with Professor Höhne, he found the skull of Heinrich the Fowler, believed by Himmler to be his former incarnation.
Originally published in Finnish in 1948, Himmler’s Secret Society provides a unique first-hand account so-called Nazi Occultism as experienced by contemporaries who witnessed it first hand.
With dozens of original photographs, biographies, and notes
Yrjö von Grönhagen (born 1911 in St Petersburg, Russia, died 2003 in Helsinki, Finland) was a Finnish author, journalist, and folklorist. He was active in Ordo Sancti Constanti Magni, a Christian chivalric organisation.
2025, English
Softcover, 640 pages, 24 x 16.99 cm
Published by
Intellect Ltd / US
$110.00 - Out of stock
Industrial music has long been recognized for its sonic innovations, but the radical visual culture that accompanied this underground movement has remained largely unexplored. Shock Factory: The Visual Culture of Industrial Music presents the first comprehensive examination of how industrial artists created a coherent aesthetic language across multiple media—from xerox art and mail art to installation and performance—fundamentally challenging modernist utopias while prophetically anticipating contemporary discourse about media manipulation and technological control.
Emerging in mid-1970s Britain from the post-punk underground before expanding globally throughout the 1980s, artists like Throbbing Gristle, Cabaret Voltaire, SPK, Test Dept, Laibach, Einstürzende Neubauten, Nurse With Wound, Current 93, Coil, Psychic TV, Boyd Rice, Whitehouse, Merzbow, Hijokaidan, Hunting Lodge, Controlled Bleeding, Hafler Trio, Z'EV, Nocturnal Emissions, 23 Skidoo, Clock DVA, Master/Slave Relationship, and Monte Cazazza developed sophisticated visual strategies that matched their abrasive soundscapes with equally confrontational imagery.
At 640 pages, this award-winning monograph reveals how industrial artists systematically appropriated reprographic techniques—particularly xerox art and photocollage—to create disturbing visual narratives investigating mind control, criminality, occultism, pornography, psychiatry, and totalitarianism. Through détournement strategies borrowed from Situationist theory, they exposed the coercive mechanisms of mass media and technological society, creating a visual vocabulary that challenged viewers to confront uncomfortable truths about modern power structures. What emerges is a movement that perceptively anticipated contemporary concerns about surveillance, media manipulation, and collective psychological control. Industrial artists' exploration of these themes through deliberately provocative imagery served not as mere provocation but as sophisticated critique of the very media systems they inhabited. Their radical aesthetic choices—degraded reproduction quality, found imagery manipulation, shock tactics—created hybrid forms that defied traditional categorization while establishing independent networks that bypassed conventional art world structures.
Shock Factory positions industrial music's visual culture within broader art historical narratives, revealing connections to Dada, Surrealism, and conceptual art while demonstrating the movement's unique contributions to contemporary visual culture. The book arrives at a moment when questions about technology, media manipulation, and social control have never been more urgent, demonstrating how these artists' radical visual strategies continue to offer valuable insights for our digital age.
For scholars of contemporary art, music history, and media studies, this book provides essential documentation of an overlooked movement that significantly influenced subsequent artistic developments. For readers interested in underground culture and avant-garde aesthetics, Shock Factory reveals the sophisticated visual thinking that accompanied one of the most innovative musical movements of the past half-century.
"A history of industrial music needed to be written. Nicolas Ballet has accomplished this. Thoroughly. This is the book's greatest strength. It explores the significance of noise as a reflection of a world in decay and screaming as a need. And doing it so it reveals a significant connection between industrial music and contemporary art. This is also what makes it an essential book: its contribution to dismantling categories and rethinking history from mixed creative territories."—David G. Torres
Nicolas Ballet is an art historian and assistant curator at the Centre Pompidou in the New Media Department. He is the author of books and articles exploring the visual and sonic contributions of countercultures and experimental artistic practices.
2021, English
Hardcover, 320 pages, 23 x 16 cm
Published by
Blum & Poe / Los Angeles
$95.00 - In stock -
Released on the 50th anniversary of the publication of Penny Slinger's iconic artists’ book 50% The Visible Woman, this 2021 edition presents Slinger’s series of surrealist photomontage works and poetry unabridged for the first time, following the hand-constructed snakeskin-bound book from 1969, and the out-of-print abridged edition from 1971. With a new conversation transcribed between Slinger and fellow artist and friend Linder.
2007, English
Hardcover (w. dust jacket), 350 pages, 23.5 x 16 cm
1st Edition, Out of print title / used / fine
Published by
Science History Publications / USA
$160.00 - In stock -
Very rare first edition hardcover copy of Bruce T. Moran's 'Andreas Libavius and the Transformation of Alchemy: Separating Chemical Cultures with Polemical Fires'.
What lots of people called chymia in the early seventeenth century was a subject that the physician, alchemist, and schoolteacher Andreas Libavius believed needed sorting out. He called it "an art without an art." To establish what sort of thing chymia was would require rebuilding its definitions from the theoretical and practical ground up while cutting back the forest of obscure language and private meaning in which it existed.
Libavius took on the job, and in thousands of pages of toughly worded criticism ranging over alchemical, moral, medical, philosophical, and religious topics wielded a polemical blade to huge effect.
Libavius is one of the best remaining examples in the history of early modern chymistry of a figure forced to fit into descriptive historical spaces that were manifestly not his own. Beyond the book for which he is best known, the Alchemia (1597), many others (until now largely unknown and mostly ignored) provide a rich picture of the intellectual and cultural spaces within which he lived, quarrelled, and wrote. In these texts Libavius created moral arguments in defense of his own alchemically based version of chymia, used printed correspondence to collect and define the precise meanings of chemical terms and procedures, attacked and guarded views related to Scripture, clashed with physicians concerning alchemy and the preparation of chemical medicines, denounced the doctrines of Paracelsus, upheld the art of transmutation, and argued for the existence of powerful spirits and occult qualities in nature.
While philosophers must begin to understand the language and manual operations of craftsmen, artisans, Libavius proclaimed, needed to understand the causes and principles of natural philosophy.
When reason and practice combined, artisans and philosophers alike could then share a common physical and intellectual space where both played parts in making useful artefacts. The rational art involved in making things (joining philosophy with artisinal know-how) was, he declared, just as important in the labor of creating chemical compositions as in the work of controlling the health of the body (both personal and civic) and in the day to day exercise of cultivating moral virtue.
Bruce T. Moran is Professor of History at the University of Nevada, Reno where he teaches the history of early science and medicine. He is also the author of Distilling Knowledge: alchemy, chemistry, and the scientific revolution (Cambridge Mass.; London: Harvard University Press, 2005.
Fine copy in Fine dust jacket.
1928, English
Hardcover, 264 pages
1st Edition, Out of print title / used / very good
Published by
J.M. Dent & Sons / London
E P Dutton / New York
$720.00 - In stock -
Exceptionally rare copy of the first 1928 hardcover English edition of The Works of Geber compiled by E. J. Holmyard, a comprehensive collection of the writings of the renowned Islamic alchemist, Abu Musa Jabir ibn Hayyan (died c. 806−816), also known as Geber. Published by J.M. Dent & Sons Ltd./E. P. Dutton & Co. Inc., London and Toronto/New York, 1928, this book contains a translation of Geber's most important works, including his famous treatise on alchemy, The Book of the Composition of Alchemy. This important antiquarian reference also includes a detailed introduction by the translator, which provides historical context and background information on Geber tracing back to original Jabirian writings and details his outstanding contributions to the field of alchemy and Islamic philosophy. This work is an essential resource for anyone interested in the history of alchemy, Islamic science, magic and the development of modern chemistry, shedding light on the mysterious life of one of the most fascinating thinkers in the Arab world. True to the original texts, the writings are accompanied by beautiful reproductions of some of the most historical etchings from the development of alchemical practice, including frontispiece "Title-Page of Berne Edition, 1545", with sixteen alchemical engravings throughout. Richard Russell's 1678 English translation remains the authoritative source of these historical texts in the Western world.
E. J. Holmyard (Eric John Holmyard, 1891–1959) was a prominent 20th-century British historian of science, renowned for his scholarly work on the history of chemistry and, specifically, alchemy. He played a pivotal role in changing the perception of alchemy from mere "occult pseudoscience" to a crucial precursor of modern chemistry.
Very Good—Near Fine copy of the first 1928 edition in debossed black hardcovers, cloth-sewn, with only light wear to extremities/spine tips. Lacks dust jacket. Previous owner's name to title page, neatly dated 1940. Interior handsomely preserved.
1983, English
Hardcover (w. dust jacket), 380 pages (approx), 36 x 24 cm
1st Edition, Out of print title / used / very good
Published by
Abbeville Press / New York
$650.00 - In stock -
Very rare copy of the first 1983 Abbeville English hardcover edition of the ever mysterious Codex Seraphinianus by Italian artist and designer Luigi Serafini (1949—), a book like no-other. Ever since the Codex Seraphinianus was first published in Italy in limited edition by Franco Maria Ricci in 1981, the book has been recognized as one of the strangest and most beautiful art books ever made. This phantasmagorical visual encyclopedia of an unknown world written in an unknown language has fueled much debate over its meaning. Written for the information age and addressing the import of coding and decoding in genetics, literary criticism, and computer science, the Codex confused, fascinated, and enchanted a generation, including Roland Barthes and Italo Calvino. While its message may be unclear, its appeal is obvious: it is a most exquisite artifact. Blurring the distinction between art book and art object.
Very Good book in Very Good dust jacket with a couple of straches to edges and light wear, preserved in mylar wrap. Light wear to block edge on a few pages.
1986, English
Softcover (staple-bound), 52 pages, 28 x 21.5 cm
1st Edition, Out of print title / used / very good
Published by
International Synergy Institute / Los Angeles
$150.00 - In stock -
"A thrice yearly exploration of ambiguous borders and dynamic (intellectual/artistic) frontiers."
Exceptionally rare, issue #1 (after the inaugural #0) of the trail-blazing subscription-only journal published by the International Synergy Institute, a intermedia think-tank active in Hollywood between 1986—1987. IS was founded by American actress and philanthropist Andra Akers (Charlie's Angels, Dallas, Dukes of Hazzard...), edited by experimental composer, researcher and Harry Partch Ensemble member David Dunn, with a cast of contributors for this issue including early media artist visionaries Kit Galloway and Sherrie Rabinowitz (Mobile Image, the Electronic Café...), media theorist Gene Youngblood (Expanded Cinema...), Science Fiction theorist, philosopher and writer for Marvel comics Allyn B. Brodsky, aeronautical engineer and astronaut Russell Schweickart, cultural historian William Irwin Thompson, systems theorist Will McWhinney, actress Debra Clinger (The Love Boat, The Krofft Supershow, Midnight Madness, The Brady Bunch Variety Hour...), VFX pioneer Mimi Gramatky (LOST, Miami Vice, Star Trek, Tron, Damnation Alley...), and more.
"INTERNATIONAL SYNERGY consists of a global network of vanguard artists, scientists, and meta-physicians who are united by a deep sense of commitment to crossing the boundaries of their individual disciplines. Integral to this awareness is a reconciliation between advanced technological resources and a sense of the planet's sanctity. INTERNATIONAL SYNERGY is dedicated to the premise that such an understanding can form the basis of a creative matrix for responsible action in the information age."
"At this hinge of history, it seems appropriate that we should publish a journal where the passion of the individual scientist/artist can meet in sovereign association with global concerns — spinning the wheel of knowledge so that each of us can create our own theoretical magic." [...] "I am deeply moved by the creative commonwealth in this community, filled with explorers of topology, morphology, chaos dynamics, cognition, mind video, the revisioning of nature and art, telecommunications, sonics, cybernetics, cultural history, fractal politics, and what it now means to be deeply human. The provocative interaction of these ideas cannot help but to create a new and uniquely meaningful story. Come with us."—Andra Akers
Very Good copy, light wear/age.