World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2004, English / German
Softcover (stapled), 30 pages, 14.5 x 21cm
Published by Daniel Buchholz Galerie / Köln
$15.00 - In stock -
Xeroxed artist book by Josef Strau that was published on the occasion of the exhibition "Teil I: Müllberg" at Galerie Daniel Buchholz in Cologne. The brochure contains the second part of a narrative written by the artist under the title "Dear Little Tiger". The first part "White Nights" has been published in 2003 by the Danish publisher Pork Salad Press.
$42.00 - Out of stock
Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are “brash, improvisational, full of searing color and attitude.” Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and post minimalist practices even as she engages pressing sociopolitics and economic issues of the present.
These illustrated essays address the full span of Genzken’s work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993.
Contributors: Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner.
Contents: Isa Genzken: Two Exercises (1974)
Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)
Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)
Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)
Isa Genzken: Sketches for a Feature Film (1993)
Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)
Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)
Pamela M. Lee: The Skyscraper at Ear Level (2003)
Benjamin H. D. Buchloh: All Things Being Equal (2005)
Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)
Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)
Lisa Lee: “Make Life Beautiful!” The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)
Lawrence Weiner: Isa Genzken Again (2010)
Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)
Yve-Alain Bois: The Bum and the Architect (2007)
Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)
Hal Foster: Fantastic Destruction (2014)
Softcover, 108 pages, 15 x 21 cm
Published by The Renaissance Society / Chicago
$40.00 - In stock -
The first of two books published alongside Strau's Renaissance Society exhibition, The New World, Application for Turtle Island, this imagines itself as a more personal petition for immigrant status in lieu of formal legal paperwork.
Text has often played a role in Strau’s previous sculptural and installation-based work; however, here his writings for the first time take the form of an independent book (described by him as “a kind of treasure island adventure novel”) that serves a structuring function, determining the production and selection of objects on view in the exhibition.
Softcover, 161 pages, 15 x 21 cm
Ed. of 200 copies,
Published by Pure Fiction / Frankfurt Am Main
$18.00 - In stock -
Edited by Erika Landström, Aislinn McNamara.
With contributions by Josef Strau, Olga Pedan, Ellen Yeon Kim, Simon Spieser, Aislinn McNamara, Hilda Stammarnäs, Erika Landström, Dan Graham, Mariana Lopez, Anna Zacharoff, Reece York, Dan Kwon, Dario Wokurka, Magnus Andersen, Rosa Aiello, Elif Saydam, Lena Phillip, John Miller, Buck Ellison, Luzie Meyer, Suart Middleton, Ryan Karlsson, Franziska Wildt, Mahsa Saloor, J.s. Teixeira, Thy-Han Nguyen-Chi, George Rippon, Ian Edmonds, Mikhail Wassmer, John Ryan, Julien Nguyen, Yuki Kushino, Kitsum Cheng and Leda Bourgogne.
LAZY WRITING, NOT LONGER THAN DAN’S, REAL FICTION, SELF-CRYT (BACK SEAT), EXERPTS, UNRELATABLE NARRATOR
Published by Mark von Schlegell and the Pure Fiction seminar, February 2015, in an edition of 200 copies.
$22.00 - In stock -
Noon on the Moon
Poetic Series #4
Edited by Fiona Bryson, Keren Cytter
Contributions by Luna Miguel, Dafna Maimon, Pablo Larios, Bernadette Van-Huy, Mark von Schlegell, Gerry Bibby, Natalie Häusler, Josef Strau, Judith Goldman, Andrew Kerton, Robert Dewhurst, Dena Yago, Kenneth Goldsmith, Karl Holmqvist, Alejandro Cesarco, Sophie Collins, Sarah Wang, Barry Schwabsky, Dorothea Lasky, Andreas Schlaegel, Veronica Gonzalez Peña, Óscar Garcia Sierra, Matthew Dickman, Keith J Varadi, Jacob Wren, Madeline Gins, Charles Bernstein and Nora Schultz.
The fourth issue in the “Poetic Series” is a seasonally themed special issue, a festive anthology composed of contributions from more than twenty writers and artists. Each interpreting the theme in an unconventional and abstract sense, it is an alternative omnibus of everyone's favorite and most controversial holiday.Noon on the Moon's title comes from a poem by Barry Schwabsky, featured alongside poetry by Charles Bernstein, Judith Goldman and Dorothea Lasky, prose by Veronica Gonzalez Peña, Andreas Schlaegel and Sarah Wang, amongst others. Artwork is provided in the form of a colorful collection of romance covers illustrated by Vicki Khuzami.
The “Poetic Series” brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative. Initiated by Keren Cytter and coedited with Fiona Bryson.
Copublished with A.P.E (Art Projects Era)
Design by Keren Cytter
Softcover, 273 colour (69 b&w ill.), 25.6 cm x 19.2 cm
Published by Walther König / Köln
$88.00 - In stock -
This is the first monograph on the work of Bernadette Corporation, the New York-based collective founded in the early '90s.
The book extends from their retrospective exhibition Bernadette Corporation: 2000 Wasted Years held at Artists Space, New York (2012) and ICA, London (2013), constituting a further site to reframe BC's activities and identity of the past 20 years.
Since the 1990s the New York-based collective has fashioned itself as publisher, filmmaker, designer, novelist, artist, political radical, among other identities. The book extends from their retrospective Bernadette Corporation: 2000 Wasted Years at Artists Space in 2012, constituting yet another site to reframe the activities of BC spanning the past 20 years.
Bernadette Corporation: 2000 Wasted Years is structured chronologically, loosely following the year-by-year timeline of the group’s history. The publication gathers a vast array of visual and textual material spanning the rich image grammar and styling of BC’s operations within the realm of so called style-culture, including a fashion line; their interventions into the publishing culture of the ‘90s, including BC’s own short-lived magazine Made in USA; the fragmented output of Pedestrian Cinema developed during the group’s time in Berlin; up to the fusion of poetics, branding and meta-commentary that characterized Bernadette Corporation’s gallery shows of the 2000s.
Edited by Bernadette Corporation, Jim Fletcher, Richard Birkett, Stefan Kalmár
With text contributions by Caroline Busta, Jim Fletcher, Tom Holert and Josef Strau
With photos by Alex Antitch, Mark Borthwick, Dietmar Busse, Anders Edstrom, Jamil GS, Benjamin Alexander Huseby, JMN, Marcelo Krasilcic, Cris Moor, Eline Mugaas, Marlene McCarty and Donald Moffett, Wolfgang Tillmans, Inez van Lamsweerde and Vinoodh Matadin, David Vasiljevic, and Wah
Designed by Bill Hayden and Eric Wrenn
$45.00 - In stock -
This artist book by Henrik Olesen is about his body of work Mr. Knife and Mrs. Fork and is published on the occassion of the Wolfgang-Hahn-Prize 2012 awarded to him.
Featuring an essay by Josef Strau and an introduction by Carla Cugini this book provides a literary, artistic and scientific insight into Olesen's work.
Published with the Gesellschaft für Moderne Kunst, who supports the Museum Ludwig with the Wolfgang-Hahn-Prize on an annual basis.
$22.00 - In stock -
Edited by Fiona Bryson, Keren Cytter, Roger Van Voorhees
Contributions by Matthew Dickman, Roman Baembaev, Josef Strau; drawings by John Kelsey
The Atlantis Search Engine, the first edition in the Poetic Series, features a selection of poetry and prose by Matthew Dickman, Roman Baembaev, Josef Strau, and drawings produced specifically by John Kelsey based on the film The Canyons.
The Poetic Series brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative.
Initiated by Keren Cytter and co-edited by Fiona Bryson and Roger van Voorhees, the quarterly publication focuses on three experimental writers or poets per issue—image content is supplied by one artist.
Copublished with A.P.E (Art Projects Era)
Design by Keren Cytter
2011, English / Italian
Softcover, 112 pages (colour ill. throughout), 19 x 27 cm
Edition of 1000,
Published by Nero / Italy
$38.00 - In stock -
The catalogue is published in conjunction with the exhibition by Nora Schultz avere luogo, October 12 - December 31, 2010 at Fondazione Giuliani per l’arte contemporanea.
The final section of the catalogue is a special project carried out by the artist in collaboration with NERO. The 32 pages are part of a selection of over 2,000 70 x 100 cm test sheets originating from the Marchesi printing houses, used for the print machines’ start-up. The layouts of the books to be produced are printed on these sheets, one on top of another. This gives rise to a series of palimpsests, characterized by a stratification of levels which, randomly overlapped, create abstract images of an almost sculptural physicality. Given that this special project is composed of recycled material, each one of these catalogues, in a limited edition of 1,000 copies, is unique and original.
The catalogue includes includes a special project by Nora Schultz too.
Includes texts by Barbara Buchmaier, Adrienne Drake, Nora Schultz, Josef Strau
$90.00 - Out of stock
The Serpentine Gallery presents Wolfgang Tillmans' first major exhibition in London since 2003. Conceived by the artist for the Serpentine Gallery, the exhibition will present figurative and abstract work from the last ten years.
This selection of works, presented here in full colour, often on doublepage spreads, includes many new pieces. The theoretical and historical context of Tillmans art are tackled in detailed essays by Michael Bracewell and Josef Strau and an interview with the artist by Julia Peyton-Jones and Hans Ulrich Obrist provides a fascinating insight into his life and work.
Softcover, 80 pages (18 b/w ill.), 21.5 x 28 cm
Published by Sternberg Press / Berlin
$25.00 - In stock -
With contributions by Andrea Fraser, Manfred Hermes, Karl Holmqvist and Tobias Kaspar, Isla Leaver-Yap, Jackie McAllister, James Meyer and Christian Philipp Müller, Magnus Schäfer, Axel John Wieder, Phillip Zach; a conversation between Colin de Land, Josef Strau, and Stephan Dillemuth; and an introduction by Hannes Loichinger and Magnus Schäfer
The New York gallery American Fine Arts, Co.—whose name today is largely synonymous with that of its gallerist, Colin de Land (1955–2003)—represents a gallery practice in which a decided deviation from conventional models overlaps with successful activities within the framework of the art market. Today, American Fine Arts, Co. and de Land figure as uncontested projection screens for the desire for independence from or bohemian resistance against the dictate of the market. Particularly in retrospect, a consistent image of the gallery is not discernible. Faced with the obvious risk of romanticization, it appears all the more important to pursue an understanding of how American Fine Arts, Co. functioned as a gallery.
This book was published on the occasion of the exhibition “Dealing with—Some Books, Visuals, and Works Related to American Fine Arts, Co.” at Halle für Kunst Lüneburg and Kunstraum of Leuphana University of Lüneburg (May 28–July 7, 2011), which was developed by Valérie Knoll, Hannes Loichinger, Julia Moritz, and Magnus Schäfer.
Design by HIT
June 2010, English/French
Softcover, 210 pages,175 x 240 mm
Published by May Revue / Paris
$18.00 - Out of stock
May Revue is a wonderful quarterly arts journal from Paris, edited by Catherine Chevalier and Eva Svennung.
Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quarterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.
May #4 features "Entrée en matière" - Fulvia Carnevale; Sexual Difference: A Theory of Social Symbolic Practice (Chapter One) - The Milan Women’s Bookstore Collective; Nudity - La Nudité - Antonella Nappi; Autonomy and the Need for Love, Carla Lonzi, Vai Pure; Autonomie et besoin d’ amour : Carla Lonzi, Tu peux y aller, Lea Melandri; "The Ongoing Practice" - La pratique amorcée : le « groupe analyse » et le « groupe de l’inconscient » Lea Melandri; "Let’s Spit on Hegel" (Nous crachons sur Hegel) - Carla Lonzi; Sturtevant, “The Razzle Dazzle of Thinking” - David Lewis; "Why working together with an inner Voice" - Josef Strau; "Improvisation, Power, Cultural History-bending" - Tony Conrad; "In Fashion. On Josephine Pryde" - Alex Kitnick; Conversation avec Mathieu K.Abonnenc - Thomas Boutoux, François Piron et Benjamin Thorel; « Nothing rings a bell? », Brice Dellsperger, Body Double 22 - Clara Schulmann; D5 and the Gesture of Withdrawal - Jay Chung; "the spherical space of James Benning" - Leonor Antunes; and more!
Softcover, 176 pages, 175 x 240 mm
Published by May Revue / Paris
$18.00 - Out of stock
May Revue is a wonderful arts journal from Paris, edited by Catherine Chevalier and Eva Svennung.
Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.May #1 features texts and contributions by/on artists and critics, including Michael Krebber, Fulvia Carnevale, Catherine Chevalier, Jay Chung, Josef Strau, Grand Openings, Stefan Germer, Karl Holmqvist, Anne Marquez, René Magritte, Jean Pierre Rehm, Clément Rodzielski, Vincent Romagny, Benjamin Thorel, Oscar Tuazon, Antek Walczak, Haacke, Broodthaers, Beuys, and more!!!
2001, English / German
Softcover, 72 pages, 220 x 270 mm
Published by Kunstverein Braunschweig / Germany
$35.00 - Out of stock
Published on the occasion of Josephine Pryde's exhibition, Serena, in 2001 at Kunstverein Braunschweig, Germany.
Texts by Josef Strau, Pamela M. Lee and Pauline van Mourik Broekman.
2003, English / German
Softcover, 64 pages, 220 x 270 mm
Published by Walther König / Köln
$35.00 - Out of stock
Catalogue/exhibition book from Sergej jensen, Stefan Muller, 2003 exhibition at Kunstverein Braunschweig, Germany.
Texts by Josef Strau, Karola Grässlin, Suzanne Prinz and Stefanie Kleefeld.