World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
THURS 11-5 PM
FRI 11-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1996, Japanese / English
Softcover (w. inserted exhibition ephemera), 198 pages, 22 x 27 cm
1st Edition, Out of print title / used / very good
Published by Museum of Contemporary Art / Tokyo
$45.00 - Out of stock
Book published for the exhibition "1964: A Turning Point in Japanese Art" in 1996 at Museum of Contemporary Art, Tokyo. The work was divided into seven categories: 'Japanese-style Paintings', 'Oil Paintings', 'Prints', 'Sculptures', 'Anti-art Trend', '#32 The Venice Biennale' and 'Reportage on the Time', all illustrated in full-colour. A chronology from 1963 to 1965, a detailed bibliography as well as checklist of the exhibition and a group of essays (in English and Japanese) are included in this publication. This copy also includes inserted ephemera from the exhibition - ticketstub, adverts, pamphlets, guides, etc.
Includes work by Natsuyuki Nakanishi, Tadanori Yokoo, Ay-o, Nobuaki Kojima, Genpei Akasegawa, Tomio Miki, Kikuko Morimoto, Koichi Tateishi, Toshinobu Onosato, Yoshishige Saito, Taro Okamoto, Sadamasa Motonaga, Yuki Katsyra, Jiro Yoshihara, Saburo Aso, Kumi Sagai, Kazuo Shiraga, Masaaki Yamada, Tadaaki Kuwayama, Atsuko Tanaka, Minami Tada, Yoshikuni Iida, Bukichi Inoue, Shu Eguchi, Katsuhiro Yamaguchi, Matsuzawa Yutaka, Shinjiro Okamoto, Shusaku Arakawa, Yukihisa Isobe, Akira Shimizu, Jiro Takamatsu, and many more.
'This exhibition spotlights the year of the Tokyo Olympics, 1964, bringing back the art scene of that year in the museum galleries. Many previous exhibitions have shown how important the decade of the sixties was for the development of postwar art. [...] We have chosen to focus on 1964 as a significant dividing line between the first and second half of this fruitful decade. While there are few precedents fro an exhibition concentrating on a single year, we felt that an objective examination of a limited period could give a more precise picture of the art of that time and the ways in which it was related to social changes. There were not many art events directly related to the Tokyo Olympics, especially when compared to the international exposition held in Osaka in 1970. However, the many art movements and ideas which emerged that year had an extremely important effect on things to come. In this exhibition, we show how the year of the Tokyo Olympics, that great landmark of postwar history, was also a turning point in the art history of this country and we present a comprehensive view of the art produced that year. [...]' (Foreword by Kamon Yasuo)
Softcover, 170 pages, 22 x 30.5 cm
Published by Suiseisha / Tokyo
$70.00 - In stock -
This book documents the Dada movement in Japan from 1920s to 1970s through a collection of photos, artists' statements and recollections. It is a revised 2005 edition of a book first published in Japan in 1988 (following on from a publication 'Dada in Japan: Japanische Avantgarde, 1920-1970: Eine Fotodokumentation' from a large exhibition held at Kunstmuseum Duesseldorf in Germany in 1983). It covers the rarely seen photographic documentation of the avant-garde movements of Mavo, Gutai and more, featuring imagery and ephemera from installations, happenings, theatre performances, rallies, and protests including the work of artists Genpei Akasegawa, Atsuko Tanaka, Kazuo Shiraga, Nakanishi Natsuyuki, Shozo Shimamoto, Tomoyoshi Murayama, Yoshimura Masanobu, Tetsumi Kudo, and many others.
Hardcover (w/ pulped dust jacket), 163 pages, 22 x 30.5 cm
1st Edition, Out of print title / Used*,
Published by Hatsubaimoto Hakuba Shobo / Japan
$110.00 - In stock -
This first edition hard-cover book (in fine pulped, recycled paper dust jacket) documents the Dada movement in Japan from 1920s to 1970s through a collection of photos, artists' statements and recollections, published in Japan in 1988 (following on from a publication 'Dada in Japan: Japanische Avantgarde, 1920-1970: Eine Fotodokumentation' from a large exhibition held at Kunstmuseum Duesseldorf in Germany in 1983). It covers the rarely seen photographic documentation of the avant-garde movements of Mavo, Gutai and more, featuring imagery and ephemera from installations, happenings, theatre performances, rallies, and protests including the work of artists Genpei Akasegawa, Atsuko Tanaka, Kazuo Shiraga, Nakanishi Natsuyuki, Shozo Shimamoto, Tomoyoshi Murayama, Yoshimura Masanobu, Tetsumi Kudo, and many others.
*Condition: Very good-Fine – All care is taken to provide accurate condition details of used books, photos available on request.
Hardcover, 366 pages, 22.5 x 31 cm
1st German edition, Out of print title / used / very good,
Published by Hatje Cantz / Berlin
$70.00 - Out of stock
The long out-of-print heavyweight "Out of Actions" book (First German hardcover edition) that was published to accompany the spectacular 1998 Paul Schimmel-curated travelling exhibition. "Out of Actions" surveyed the broad international history and influence of post-war Performance Art, and the objects that exist today as its documentation. It features significant texts by Schimmel, Kristine Stiles, Guy Brett, Hubert Klocker, Shinichiro Osaki, Leslie King-Hammond and Lowery Stokes Sims, and Keiko Okamura.
This important and heavily researched document is lavishly illustrated throughout in colour and black and white, capturing the work and actions of the artists featured in the exhibition and essays: Marina Abramovic, Marina Abramovic and Ulay, Vito Acconci, Genpei Akasegawa, Laurie Anderson, Eleanor Antin, Rasheed Arseen, Mowry Baden, Artur Barrio, Joseph Beuys, Mark Boyle and Joan Hills, George Brecht, Stuart Brisley, Robert Delford Brown, Gunter Brus, Chris Burden, James Lee Byars, John Cage, Marc Camille Chaimowicz, Lygia Clark, Pinchas Cohen Gan, Collective Action Group, Houston Conwill, Paul Cotton, COUM Transmissions, Guy de Cointet, Jim Dine, John Duncan, Felipe Ehrenberg, Roberto Evangelista, Valie Export, Robert Filliou, Rose Finn-Kelcey, Sherman Fleming, Lucio Fontana, Terry Fox, Howard Fried, Gideon Gechtman, Gilbert & George, Alberto Greco, Ion Grigorescu, Victor Grippo, Red Grooms, Guerrilla Art Action Group, David Hammons, Al Hansen, Maren Hassinger, Lynn Hershman, Dick Higgins, Tatsumi