World Food Books

Tom Burr
Low Slung

2000, English / German
Softcover, 63 pages, 21.5 x 27 cm
1st Edition, Out of print title / as new
Published by Kunstverein Braunschweig / Germany Lukas & Sternberg / Berlin

$40.00 - In stock -

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Edited by Tom Burr and Karola Grässlin, Kunstverein Braunschweig
Texts by Tom Burr, Carina Herring, Juliane Rebentisch

Video peepshows, porno theatres, garden pavilions – with subtle insight, Tom Burr (*\b. 1963) sheds light upon what is marginalized, or not immediately recognizable. His works, which make reference to Minimal art’s object sculptures, redefine them in current socio-economic and “queer” aspects. By acting as an intermediary between formal stringency and socio-political content, Tom Burr’s works overcome Hal Foster’s criticism that Minimal art tended to “handle the viewer as historically innocent and sexually indifferent." With comprehensive texts and illustrations, this book features an artist who belongs among those who have shaped a new form of institutionally critical art.

In her seminal text on “Tom Burr’s Minimalism”, author Juliane Rebentisch discusses how the artist “injects a new political and aesthetic engagement into certain works by Smith, Serra, Smithson, and Morris, by shifting their logic.” Detecting a melancholic aspect of Burr’s queer minimalist appropriations, she writes that “they connect in a peculiar way with what one might call the sepulchral quality which seems to predestine the anti-monumentalism of the minimalist aesthetic for the tasks of memorial art. At the same time the dialectic of mourning and desire, which can be released by the recollection of a largely destroyed sub-culture in Burr’s minimalist adaptations, is also, at least potentially, directed forward towards another future – a queer future. In so far as Burr’s works also function as allegorical gestures by means of which an image of the present crystallizes in images of the past, this opens the present up to the future.“

As New.

File under: Tom Burr Carina Herring Juliane Rebentisch Karola Grässlin Tom Burr Kunstverein Braunschweig / Germany Lukas & Sternberg / Berlin Art Sculpture / Installation Minimal Art LGBTQ+ Out-of-print / Rare

Bondage Comix (John Willie and Eric Stanton)

1992, Japanese
Softcover (w. dust jacket + obi), 190 pages, 14.5 x 10.5 cm
1st Edition, Out of print title / used / very good
Published by Fiction Inc. / Tokyo Futami Shobo / Japan

$60.00 - In stock -

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Amazing pocket art book of fetish masters John Willie and Eric Stanton. Bondage Comix was edited by Makoto Ohrui and Japanese novelist Mari Akasaka (both editors of SALE2/Fiction Inc.) and published in Tokyo Japan by Futami Shobo in 1992. Packed cover-to-cover with colour and b/w reproductions of classic artworks by Willie and Stanton, from "Sweet Gwendoline" to "From Girl to Pony" to "Beached", Fetish and Bizarre publications, John Willie's bondage photography, Stanton fashions, and much more. Perfectly compiled in the way SALE2 did so well, with elegant scrapbook style, dense with imagery, blown-up, full-bleed reproductions from many publications. Cover artwork and postcard insert by John Willie.

John Alexander Scott Coutts (1902—1962), better known by the pseudonym John Willie, was an artist, fetish photographer, editor and the publisher of the first 20 issues of the fetish magazine Bizarre, featuring his characters Sweet Gwendoline and Sir Dystic d'Arcy.

Eric Stanton (1926—1999) was an American underground cartoonist and fetish art pioneer. While Stanton began his career as a bondage fantasy artist for Irving Klaw, the majority of his later work depicted gender role reversal and proto-feminist female dominance scenarios.

Makoto Ohrui founded the publishing house Fiction Inc. (later Radical Silence Production), the magazine SALE2, the gallery THE deep in Tokyo, and the magazine THE International. Ohrui was art director for SALE2, Purple, Rockin' On, and designed many books.

Mari Akasaka (b. 1964) is a Japanese novelist. In 1999 her novel Vibrator was nominated for the Akutagawa Prize, which was adapted into a 2003 film directed by Ryūichi Hiroki. She was again nominated for the Akutagawa prize in 2000 for her novel, Muse, and won the Noma Literary Prize for New Writers for the same novel.

Very Good copy, with obi.

File under: John Willie Eric Stanton Makoto Ohrui Mari Akasaka Fiction Inc. / Tokyo Futami Shobo / Japan Fetishism / BDSM Fashion Illustration / Graphic Art / Bandes Dessinées Transgressive / Visceral / Abject Periodicals Out-of-print / Rare Ero Guro / Erotic / Grotesque Eros LGBTQ+

Runaway Horses
by Yukio Mishima

1977, English
Softcover, 396 pages, 18 x 11 cm
1st Edition, Out of print title / used / good
Published by Penguin Books / London

$28.00 - Out of stock

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Scarce first 1977 Penguin paperback edition of the first 1973 English translation. Cover design by Tsutomu Harada.

In November 1970, Yukio Mishima committed suicide, in the old Japanese way by disembowelling himself. His last years were devoted to the completion of a quartet of novels, The Sea of Fertility, of which this is the second volume.

Isao is a young, engaging patriot, and a fanatical believer in the ancient samurai ethos. He turns terrorist, organising a violent plot against the new industrialists, who he believes are threatening the integrity of Japan and usurping the Emperor’s rightful power. As the conspiracy unfolds and unravels, Mishima brilliantly chronicles the conflicts of a decade that saw the fabric of Japanese life torn apart.

Mishima's own superlative literary qualities... include a complete control of complex nárrative, the ability to convey psychological depths often far removed from the everyday, and a sense of total commitment and response to the experience of life, all of which transcend the author's personal obsessions'—New Statesman

Yukio Mishima (1925—1970), one of the most spectacularly gifted writers in modern Japan, was born into a samurai family in 1925. Yukio Mishima was a Japanese author, poet, playwright, actor, model, Shintoist, nationalist, and founder of the Tatenokai ("Shield Society"), an unarmed civilian militia. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion. Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of traditional Japanese and modern Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death", according to author Andrew Rankin. In November 1970 he and his Tatenokai forced their way into a Self-Defense Force headquarters in Tokyo, where Mishima, after reading out a proclamation, committed ritual suicide with a young follower in the commanding officer's room. On the morning of his death, the last volume of Mishima's tetralogy, The Sea of Fertility (The Spring Snow, Runaway Horses, The Temple of Dawn, The Decay of the Angel) was delivered to his publisher.

Scarce first 1976 Penguin paperback edition of the first 1968 English translation. Cover design by Tsutomu Harada.

Shunsuké, an ageing novelist, hits on a brilliant plan to avenge himself on womankind, who, he believes, have blighted his life. He bribes a beautiful homosexual student, Yuichi, to marry. The plan works, Yuichi's wife is made miserable. And Shunsuké gets Yuichi to compromise two of his past tormentors, the blackmailing Mrs Kaburagi and Kyoko, a dizzy socialite. But Yuichi, now the toast of Tokyo's 'gay people' and free of all moral restraint, refuses to be further manipulated. Soon the old writer sees his protégé, his creation, turn into a monster dangerously out of control.

Mishima's own superlative literary qualities... include a complete control of complex nárrative, the ability to convey psychological depths often far removed from the everyday, and a sense of total commitment and response to the experience of life, all of which transcend the author's personal obsessions'—New Statesman

Yukio Mishima (1925—1970), one of the most spectacularly gifted writers in modern Japan, was born into a samurai family in 1925. Yukio Mishima was a Japanese author, poet, playwright, actor, model, Shintoist, nationalist, and founder of the Tatenokai ("Shield Society"), an unarmed civilian militia. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion. Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of traditional Japanese and modern Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death", according to author Andrew Rankin. In November 1970 he and his Tatenokai forced their way into a Self-Defense Force headquarters in Tokyo, where Mishima, after reading out a proclamation, committed ritual suicide with a young follower in the commanding officer's room. On the morning of his death, the last volume of Mishima's tetralogy, The Sea of Fertility (The Spring Snow, Runaway Horses, The Temple of Dawn, The Decay of the Angel) was delivered to his publisher.

Good copy with general wear and age, book block cocked from storage, tanning. Sample images only.

File under: Yukio Mishima Penguin Books / London Fiction / Poetry Out-of-print / Rare LGBTQ+

The Temple of Dawn
by Yukio Mishima

1977, English
Softcover, 288 pages, 18 x 11 cm
1st Edition, Out of print title / used / good
Published by Penguin Books / London

$22.00 - In stock -

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Scarce first 1977 Penguin paperback edition of the first 1973 English translation. Cover design by Tsutomu Harada.

The third novel in Mishima's final tetralogy, The Sea of Fertility.

In Bangkok, Honda discovers Princess Ying Chan, the second reincarnation of his friend Kiyoaki. Years later she reappears in Japan where the ageing Honda commits himself to establishing the mystical link between her and her predecessors.

'Once again Mishima displays all the gifts which made him by the time of his death one of the few writers whose greatness was unquestionable. The shattering beauty is still there, the humour, eroticism, sensuousness, the fusion of passion and imagery... Mishima's greatness transcends cultural barriers'—Janice Elliott in the Sunday Telegraph

'The present translation perfectly conveys the sharpness and selectivity of the author's descriptions, his wonderfully acute sense of social and historical placing, and above all that unsparing apprehension, almost lost to Western literature, of worldly vanity'—The Times Literary Supplement

Yukio Mishima (1925—1970), one of the most spectacularly gifted writers in modern Japan, was born into a samurai family in 1925. Yukio Mishima was a Japanese author, poet, playwright, actor, model, Shintoist, nationalist, and founder of the Tatenokai ("Shield Society"), an unarmed civilian militia. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion. Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of traditional Japanese and modern Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death", according to author Andrew Rankin. In November 1970 he and his Tatenokai forced their way into a Self-Defense Force headquarters in Tokyo, where Mishima, after reading out a proclamation, committed ritual suicide with a young follower in the commanding officer's room. On the morning of his death, the last volume of Mishima's tetralogy, The Sea of Fertility (The Spring Snow, Runaway Horses, The Temple of Dawn, The Decay of the Angel) was delivered to his publisher.

Good—Very Good copy with general light cover wear and age. No spine creases.

File under: Yukio Mishima Penguin Books / London LGBTQ+ Fiction / Poetry Out-of-print / Rare

The Decay of The Angel
by Yukio Mishima

1977, English
Softcover, 206 pages, 18 x 11 cm
1st Edition, Out of print title / used / good
Published by Penguin Books / London

$24.00 - In stock -

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Scarce first 1977 Penguin paperback edition of the first 1974 English translation. Cover design by Tsutomu Harada.

With this short hovel Mishima concludes The Sea of Fertility, work he conceived as his own
literary monument: When he completed the manuscript, in November 1970, the author committed ritual suicide, thus giving a tragic climax to the themes thay shaped his life and work.

'Mishima's great novel... supremely eloquent, tragically obsessed with fantasy, magnificently written, this closing of the Honda-Mishima saga terminates a great and bitter achievement'—Ronald Blythe in the Sunday Times

'An unexpected and brilliant end... These four remarkable novels are the most complete version we have of Japan in the twentieth century'—Paul Theroux in The Times

Average—Good copy with cover wear and light back cover creasing, tanning to block.

File under: Yukio Mishima Penguin Books / London LGBTQ+ Fiction / Poetry Out-of-print / Rare

Forbidden Colours
by Yukio Mishima

1976, English
Softcover, 428 pages, 18 x 11 cm
1st Edition, Out of print title / used / very good
Published by Penguin Books / London

$48.00 - In stock -

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Scarce first 1976 Penguin paperback edition of the first 1968 English translation. Cover design by Tsutomu Harada.

Shunsuké, an ageing novelist, hits on a brilliant plan to avenge himself on womankind, who, he believes, have blighted his life. He bribes a beautiful homosexual student, Yuichi, to marry. The plan works, Yuichi's wife is made miserable. And Shunsuké gets Yuichi to compromise two of his past tormentors, the blackmailing Mrs Kaburagi and Kyoko, a dizzy socialite. But Yuichi, now the toast of Tokyo's 'gay people' and free of all moral restraint, refuses to be further manipulated. Soon the old writer sees his protégé, his creation, turn into a monster dangerously out of control.

Mishima's own superlative literary qualities... include a complete control of complex nárrative, the ability to convey psychological depths often far removed from the everyday, and a sense of total commitment and response to the experience of life, all of which transcend the author's personal obsessions'—New Statesman

Yukio Mishima (1925—1970), one of the most spectacularly gifted writers in modern Japan, was born into a samurai family in 1925. Yukio Mishima was a Japanese author, poet, playwright, actor, model, Shintoist, nationalist, and founder of the Tatenokai ("Shield Society"), an unarmed civilian militia. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion. Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of traditional Japanese and modern Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death", according to author Andrew Rankin. In November 1970 he and his Tatenokai forced their way into a Self-Defense Force headquarters in Tokyo, where Mishima, after reading out a proclamation, committed ritual suicide with a young follower in the commanding officer's room. On the morning of his death, the last volume of Mishima's tetralogy, The Sea of Fertility (The Spring Snow, Runaway Horses, The Temple of Dawn, The Decay of the Angel) was delivered to his publisher.

Good—Very Good copy with general light cover wear and age. No spine creases.

File under: Yukio Mishima Penguin Books / London Fiction / Poetry LGBTQ+ Out-of-print / Rare

Paul Wunderlich
Homo Sum: 34 Zeichnungen

1978, German
Hardcover (w. hard slipcase), 22 pages + 34 plates, 35 x 29 cm
1st Edition, Out of print title / used / average
Published by Edition Volker Huber / Offenbach am Main

$35.00 - Out of stock

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First German 1978 edition of Paul Wunderlich's erotic portfolio "Homo Sum", published by Edition Volker Huber, Offenbach am Main. An lovely over-sized, hardcover edition of 34 full-page drawings housed in hard slipcase with illustrated plate by German painter, sculptor and graphic artist, Paul Wunderlich (1927—2010). Homo Sum is Wunderlich's more explicit works including many same gender male and female scenarios rendered in his iconic airbrush style.

Paul Wunderlich (1927—2010) is known for his erotic, Surrealist-inspired paintings, prints, and sculptures featuring mythological imagery. A pioneer of Magic Realism, Wunderlich received the Japan Cultural Forum Award and the Kunstpreis des Landes Schleswig-Holstein among other accolades. Despite his iconic works being held in some of the world’s most prominent museums, such as the Museum of Modern Art, the British Museum, and the Victoria and Albert Museum, Wunderlich remains an “artist’s artist.” He studied graphic arts at the University of Fine Arts in Hamburg; he later learned printmaking techniques from Oskar Kokoschka and Emil Nolde. His early paintings displayed an abstract, Tachist style, although he embraced figuration in the late 1950s and he developed his characteristic style. He portrayed dismembered figures and sexually provocative imagery reminiscent of the Surrealists, but also influenced art movements such as Art Deco and Art Nouveau. His work was critically received as so scandalous that, in 1960, his lithograph series Qui s’explique (1959) was seized by authorities in Hamburg, and he often had trouble with raids that destroyed his works. Paul Wunderlich was married to photographer Karin Székessy in 1971, and the couple pursued art projects together.

Average copy due to significant foxing (spotting) to pages throughout, light wear, tanning to box edges.

File under: Paul Wunderlich Edition Volker Huber / Offenbach am Main Eros Drawing Painting Out-of-print / Rare Surrealism LGBTQ+

Richardson Issue A12
The California Issue

2025, English
Softcover, 160 pages, 30.5 x 22.6 cm
Published by Richardson / New York

$77.00 - In stock -

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New "California" themed issue of of Richardson magazine, the cult magazine that navigates the murky boundaries between art and obscenity, edited by Andrew Richardson (of Richardson label, fashion stylist w. Supreme, CK, Valentino, etc.) and art direction by Laura Genninger of STUDIO 191 (designer of AnOther Magazine, etc.). Featuring Sky Bri, Photographed by Harley Weir. With additional work by Frances Stark, Mario Ayala, Andy Capper, Bruce Wagner, Ed Ruscha, Bruce LaBruce, Chivas Clem, Alex Kekesi, Delicious Tacos, Jack Mason, Kazumi, Karley Sciortino, Noah Kumin, Taylor Lorenz, Weirdo Dave / Fuck This Life, William E. Jones, Scarlett Kapella, Stewart Home, Rosie Marks, A. Kircher, Anna Khachiyan, and Dasha Nekrasova.

File under: Dasha Nekrasova Harley Weir Frances Stark Sky Bri Ed Ruscha Bruce LaBruce Weirdo Dave (Fuck This Life) William E. Jones Anna Khachiyan Dasha Nekrasova Bruce Wagner William E. Jones Delicious Tacos Karley Sciortino Noah Kumin Stewart Home Rosie Marks Richardson / New York Eros LGBTQ+ Pop Art Art Painting Film / Video Fetishism / BDSM Photography Periodicals Transgressive / Visceral / Abject

Richardson Issue A4
The Female Gaze Issue

2010, English
Softcover, 128 pages, 30.5 x 22.5 cm
1st Edition, Out of print title / used / very good
Published by Richardson / New York

$220.00 - In stock -

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Incredible fourth issue ("The Female Gaze Issue") of Richardson magazine, the cult magazine that navigates the murky boundaries between art and obscenity, edited by Andrew Richardson (of Richardson label, fashion stylist w. Supreme, CK, Valentino, etc.) and art direction by Laura Genninger of STUDIO 191 (designer of AnOther Magazine, etc.). This fourth issue (The Female Gaze Issue) features the Sasha Grey cover photographed by Glen Luchford (w. continued photo feature inside), and featuring work by Carolee Schneemann, Valie Export, Genesis P-Orridge, GB Jones, Alex Needham, Amy Kellner, Kira Jolliffe, Bunny Yeager, Tristan Taormino, Michelle Maccarone, Mila Djordjevic, Gunter Rambow, V. Vale/ Re/Search, Simon Ford, Clara Herve & Eugene Krafft, Carol Bove, Sue Williams, Tracy Emin, Carolin Kunst & Sunje Todt, Kotaro Iizawa, and much more. Riddled with bans and confiscations due to explicit un-censored imagery by Japanese censorship standards.

Very Good copy.

File under: Sasha Grey Glen Luchford Carolee Schneemann Valie Export Genesis P-Orridge GB Jones Alex Needham Amy Kellner Kira Jolliffe Bunny Yeager Tristan Taormino Michelle Maccarone Mila Djordjevic Gunter Rambow V. Vale/ Re/Search Simon Ford Clara Herve Eugene Krafft Carol Bove Sue Williams Tracy Emin Carolin Kunst Sunje Todt Kotaro Iizawa V. Vale Richardson / New York Periodicals Out-of-print / Rare Eros Japanese Photography Photography Conceptual Art Feminism Art Sound / Music Film / Video Fetishism / BDSM LGBTQ+ Transgressive / Visceral / Abject

Richardson Issue A1
December 1998

1998, English / Japanese
Softcover, 128 pages, 30.5 x 22.5 cm
1st Edition, Out of print title / used / very good
Published by Little More / Tokyo Richardson / New York

$250.00 - Out of stock

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Controversial inaugural (December 1998) issue of Richardson magazine, the cult 1990's art/sex magazine published by Little More in Japan, edited by Andrew Richardson (of Richardson label, fashion stylist w. Supreme, CK, Valentino, etc.) and art direction by Laura Genninger of STUDIO 191 (designer of AnOther Magazine, etc.). Navigating the murky boundaries between art and obscenity, an honourable pursuit in Japan, this first issue features the double-cover (censored and non-censored) of adult film star Jenna Jameson shot by Glen Luchford, along with J.J. photo feature and interview, Richard Prince’s “Spiritual America” text and photography/artworks inc. the infamous 11-year-old Brooke Shields piece, "Be Broken" erotic artwork gallery by Harmony Korine, "Love Letter to Amerika" from Takashi Homma, Terry Richardson photography, "Cunt" fiction by Stewart Home, photos by French cinematographer (Gummo, Ulysse, Boy Meets Girl, etc.) Jean-Yves Escoffier, Japanese V-Cinema and pink star Nao Saejima, Stewart Home on Cosey Fanni Tutti, many works of photography and text by American photojournalist and writer Erika Langley, erotic photography by skater Ed Templeton of photographer and wife Deanna Templeton, vintage erotica collection by photographer Bela Borsodi, poetry and more! Riddled with bans and confiscations due to explicit un-censored imagery by Japanese censorship standards.

Texts in both English and Japanese.

Very Good copy.

File under: Glen Luchford Jenna Jameson Erika Langley Richard Prince Harmony Korine Terry Richardson Stewart Home Cosey Fanni Tutti Nao Saejima Ed Templeton Deanna Templeton Bela Borsodi Andrew Richardson Laura Genninger Takashi Homma Erika Langley Richard Prince Stewart Home Little More / Tokyo Richardson / New York Periodicals Out-of-print / Rare Art Collage / Mail Art / Xerox Art Film / Video Photography Japanese Photography Eros Counterculture LGBTQ+ Transgressive / Visceral / Abject

Oriette Wood
Comic Trials

2025, English
Softcover (staple-bound), 12 pages, 13.4 x 13.6 cm
Limited Edition,
Published by Oriette Wood / Naarm

$40.00 - In stock -

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"Comic Trials" is a new small edition hand silk-screen and assembled graphic zine from Oriette Wood.

"A homage to the golden age of comics, this screen printed publication is an exercise of drawing and half-toning in colour, formatted like a comic panel. Like a lot of my work these pages are scenes of love, kink, femininity, and something other."—Oriette Wood

Silkscreened in very limited edition

File under: Oriette Wood Oriette Wood / Naarm Illustration / Graphic Art / Bandes Dessinées Eros Fetishism / BDSM Transgressive / Visceral / Abject LGBTQ+ Australian Art

Oriette Wood
Insect Smut

2025, English
Softcover, 16 silk-screened pages, 14 x 16 cm
Edition of 30,
Published by Oriette Wood / Naarm

$70.00 - In stock -

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"'Insect Smut' is a small edition graphic zine made up of 14 collages. These are made by abstracting references from my personal archive of smut, kink, and comics. It's a homage to the vibrant scene of French graphic zines in the 1980's to 90's. Printed and bound at Troppo Print Studio over a three week period."—Oriette Wood

Silkscreened edition of 30

File under: Oriette Wood Oriette Wood / Naarm Australian Art Illustration / Graphic Art / Bandes Dessinées Fetishism / BDSM Eros LGBTQ+

Claude Cahun
Cancelled Confessions

2024, English
Softcover (w. dust jacket), 256 pages, 22 x 17 cm
Published by Thin Man Press / London

$74.00 - In stock -

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Cancelled Confessions reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time.

"The re-appearance of this glittering and dissenting semi-lost epic is a gift… Cahun’s writing is stylish, playful and prescient, peopled with angel slang, flowering disavowals, God’s lipstick and an infinite layering of masks."—Daisy Lafarge, author.

In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as Cancelled Confessions and available in English for the first time in twenty years. Susan de Muth’s revised translation of Cancelled Confessions has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse.

"It’s a surrealist, trans, queer, autofiction, (anti)memoir, and also none of those things. It’s a text, and a life, felt as connection and at the same time completely singular."—McKenzie Wark, author.

'The kaleidoscopic text is pieced together from diverse fragments… there are philosophical and subversive theological musings, aphorisms and fables, letters and dialogues, dreams and hymns, nightmares and jokes,' writes Groom. The book’s nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content. Upon publication, Aveux non Avenus simply baffled all but a few of Cahun’s friends and admirers, leading Cahun to describe herself as, ‘An unwanted Cassandra’. Now, however, is the time of the remarkably prescient Cahun and Moore.

"Cahun was a pioneer of gender-bending role-playing…eerily ahead of her time she has attracted an almost cult-like following."—The late David Bowie

Cahun and Moore’s appeal is wide and universal. They were adventurers in life as in art. Cahun famously terrified Andre Breton in the 1920s when she appeared in a Paris café with her head shaved and painted gold. Having moved to Jersey in 1938, Cahun and Moore waged a mischievous two-person resistance campaign against the occupying Nazi forces from 1940. Finally caught and imprisoned in 1944, they were sentenced to death in 1945, saved at the very last moment by the armistice.

File under: Claude Cahun Claude Cahun Marcel Moore Susan de Muth Amelia Groom Thin Man Press / London Eros Performance / Dance / Theater Australian Photography Surrealism LGBTQ+

Greer Lankton
Could It Be Love

2025, English
Hardcover, 128 pages, 24.2 x 17.2 cm
Published by Magic Hour Press / New York

$90.00 - Out of stock

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Edited by Francis Schichtel, Jordan Weitzman, Nan Goldin.
Text by Hilton Als.

Lankton's iconic and startling doll sculptures as we have never seen them before: through her own eyes
This is the first monograph on the trans visionary artist Greer Lankton (1958–96), whose lifelike doll sculptures shocked 1980s New York. Lankton's dolls, which she began making as a child and produced obsessively until her death at age 38, were a means to explore her fraught relationship with the human body. In the book's 100 photographs, all shot by Lankton herself, these figures take on a life of their own, kvetching at a party, strolling along a beach, or lounging on a stoop in the East Village. Among this extraordinary cast of oddballs—usually femme, often freakish, always radiating a glamorous confidence—we find characters of Lankton's own invention alongside well-known icons such as Divine, Coco Chanel, Andy Warhol and even Lankton herself.

Born in 1958 to a Presbyterian minister in Michigan, Greer Lankton moved to New York in 1978 and became a rising star of the downtown scene. There, her deviant elegance was immortalized in photographs by Peter Hujar, David Armstrong and Lankton's close friend Nan Goldin, who described her as "one of the luminaries of the East Village renaissance: beautiful, glamorous, wild and hysterically funny." Lankton's work was a neighborhood fixture, in exhibitions at the gallery Civilian Warfare and in regular window displays at Einstein's Boutique, and was also celebrated farther afield, in era-defining group shows at PS1 and the Venice Biennale. Her final work, an immersive installation created for the Mattress Factory in 1996, remains on permanent view.

“Now I’m completely bowled over. Greer Lankton has got to be a genius…these are her dolls at her best... One scene is a birthday party for a ninety year old woman of culture and taste. I can’t describe anything that is going on in this scenario because I could actually write a complete novel about the party and the party people…. What a celebration! Hallelujah!!! —Cookie Mueller

“Greer Lankton’s dolls are entire biographies on legs, whole movies, three-dimensional Alice Neels. And they’re all self-projections, all of her contradictory impulses--abjection and eminence, dissipation and what comes after, gender fixed or fluid--examined lovingly and pitilessly. She could locate variously aged and battered versions of herself on the street, in a movie, at a party, alone on a park bench--with her eye she could see herself from outer space, sub speciae aeternitatis. And her taste and her skills were impeccably suited to her unique medium. Why did we have to lose her?”—Lucy Sante

“I found my first encounters with Greer Lankton’s grotesque dolls shocking. My cohort of 80’s artists challenged authorship and valued detachment and did not warm to raw displays of intimacy (and god forbid craft) that were the core of Greer’s prescient, messy battle with beauty and pain. Current culture is hungry for exactly what Greer’s art serves up - the exploration of gender, imperfection, self-expression and authenticity.”—Laurie Simmons

“Lankton’s creatures live in a psychic interline where genitals and gender identity are scrambled in the play of appearances, and reveal an exacerbated, possibly mutilated sexuality as the trigger of personality. Like Theodora Skiptare’s housewife automata that vomit and menstruate, Lankton’s ambisexual dolls wear faces of crumbling self-assurance, or even moronic friendliness and self-contentment, while breathing pain in and out through their pores."—Gary Indiana, Art in America, 1984

“Of course, to say that a doll by Greer Lankton is “just a doll” is absurd. Lankton’s dolls are like no other dolls, and no Lankton doll is like any of her dolls. For that matter many Lankton dolls weren’t even like themselves from one moment to the next. Lankton constantly reworked them ‘changing their gender, identities, sizes and clothes.’ But some…change by being photographed from different angles, using different lighting and backgrounds. Simple as the photographs are, they manage to bring the dolls to life, give them a story.”—Douglas Crimp

“She has become, to this young community what Rimbaud must have been to Paris in the 1920's. She has been compared to Hans Bellmar and to Frida Kahlo, for both have created highly self referential imagery affected heavily by events which have changed the course of their lives.”—Dean Savard, co-founder of Civilian Warfare

File under: Nan Goldin Divine Greer Lankton Francis Schichtel Jordan Weitzman Hilton Als Magic Hour Press / New York Sculpture / Installation Art LGBTQ+ Art Brut / Folk / Visionary / Fantastic

Paul Cadmus
49 Drawings

2025, English
Hardcover (w. slipcase), 192 pages, 31.6 x 26.6 cm
Published by Monacelli Press / New York

$140.00 - Out of stock

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A lavish portfolio of never-before-seen erotic drawings by celebrated twentieth-century American artist and gay icon, Paul Cadmus.

Paul Cadmus entered the art scene in the 1930s with paintings of dream-like urban demi-mondes: roiling tableaux of beatniks, sailors, and prostitutes. Undergirding his work has always been the artist’s masterful draftsmanship, seen in hundreds of drawings of nude male models, chief among them his long-time lover and muse, Jon Anderson. Paul Cadmus: 49 Drawings collects these never-before-seen drawings for the first time, presenting a singular body of work that exemplifies Cadmus’s classical proficiency, channeled into an obsessive emphasis of his model’s erotic zones.

Packaged in a stamped portfolio envelope, this is a landmark collection of queer art by a twentieth-century master, its images complemented by an introduction by Graham Steele that details the significance of Paul Cadmus to his career in the art world, plus an essay by leading queer-art scholar Richard Meyer, as well as a momentous discussion with painters Nash Glynn, Doron Langberg, and Oscar yi Hou, moderated by curator and critic Jarrett Earnest.

This elegant book, sumptuously produced to reflect the eminence of this newly revealed body of work, and the intimacy of its subject matter, represents a rare exposé of a significant body of unknown work from a major twentieth-century artist, and a substantial contribution to the study and legacy of queer art.

Graham Steele is founder of Graham Steele, Inc., a Los Angeles-based private art dealership.
Richard Meyer is the Robert and Ruth Halperin Professor in Art History at Stanford University.
Jarrett Earnest is a critic and curator whose books includeWhat it Means to Write About Art: Interviews with Art Critics andThe Young and Evil: Queer Modernism in New York, 1930-1955.

File under: Paul Cadmus Graham Steele Richard Meyer Jarrett Earnest Monacelli Press / New York Art Drawing Eros LGBTQ+ Photography Painting

Inversion: Gay Life After the Homosexual
Edited by Pierre d'Alancaisez and Amir Naaman

2025, English
Softcover, 460 pages,‎ 17.8 x 11 cm
Published by Verdurin / London

$48.00 - In stock -

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"Be a bad gay. Be a very bad gay! Read Inversion! This pugnacious book seeks to undermine the new identitarian hegemony of 'queer,' with its alphabet soup nomenclature. The essayists in Inversion survey a culture-war-torn, dystopian landscape wrecked by mindless conformity, rampant atomization, politically correct cancel culture gone mad, sexual puritanism (I never thought I'd see the day!), circular firing squads, victim Olympics, micro-aggression regression, anti-class-consciousness, and yes, even the (arguably) inherent misogyny of drag!" If you're a faggot who is mad as hell and not going to take it anymore, this is the book for you! Guaranteed to trigger, or your money back!"—Bruce LaBruce, director of The Raspberry Reich

With contributions by Blake Smith, Roger Lancaster, David Moulton, Stephen Adubato, Amir Naaman, Ran Heilbrunn, Pierre d'Alancaisez, Travis Jeppesen, Oliver Davis, Yotam Feldman, and Marcas Lancaster.

Today’s world of PrEP, Pride parades, and gay marriage eclipses the wildest dreams of the sexual revolution. While it was formerly deviant to promote gay lifestyles, it is now ‘problematic’ to suggest that not all departures from the norm are in the homosexual’s best interest. Amidst this excess, a new wave of discontent rises among the once-keenest proponents of sexual progress: gay men.

What happened in the transition from inversion to homosexuality, gayness, and queerness? Why do some gay men lament the freedoms afforded to them by sexual and social acceptance? Bold and daring, the essays in Inversion reflect on the vicious cycle of debasement, acceptance, sacrifice, and liberation that homosexuality has been stuck in for longer than it wishes to acknowledge.

As gay culture fails to confront its history, it adopts hollow narratives of struggle. Some gay men fear losing their freedoms, some advocate for sexual restraint, while others, lost in the ever-expanding LGBTQIA+ ‘community,’ continue to make maximalist ideological demands of those outside. These responses mark a fracture in gay life. If there is some essence to homosexual desire, how is it being served by today’s gay culture and queer politics? Has the gay man — homosexual, queer, or inverted — rendered himself obsolete?

Bringing together contributions by eleven leading thinkers, theorists, and critics who examine the consequences of pink-washing history, denial of sexual realities, and the memetic nature of desire, Inversion reclaims homosexuality’s lost depth in an era of profound discontent.

Fearless in its critique and challenging in its proposals, Inversion considers the cultural and political aspects of gay life after homosexuality as it battles with queerness and the allure of a reactionary return, pharmacologically fueled sexual degeneration, and existential dread.

File under: Pierre d'Alancaisez Amir Naaman Blake Smith Roger Lancaster David Moulton Stephen Adubato Ran Heilbrunn Travis Jeppesen Oliver Davis Yotam Feldman Marcas Lancaster Verdurin / London Sociology / Politics Theory / Essay LGBTQ+ Eros

The Sluts
by Dennis Cooper

2005, English
Softcover, 304 pages, 15 x 21.1 cm
Published by Grove Press / New York

$40.00 - Out of stock

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Set largely on the pages of a website where gay male escorts are reviewed by their clients, and told through the postings, emails, and conversations of several dozen unreliable narrators, The Sluts chronicles the evolution of one young escort's date with a satisfied client into a metafiction of pornography, lies, half-truths, and myth. Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

Dennis Cooper (born 1953) is an American novelist, poet, critic, editor and performance artist who grew up in the Southern California. In 1976, he founded Little Caesar Magazine and Press, which he ran until 1982. In 1985, he moved to Amsterdam for two and a half years, where he began his ten year long project, The George Miles Cycle, an interconnected sequence of five novels that includes Closer, Frisk, Try, Guide, and Period. His post-George Miles Cycle novels include My Loose Thread, The Sluts and God, Jr. Other works include the short-story collections Wrong and Ugly Man, poetry collections The Dream Police and The Weaklings, as well as the recent Smothered in Hugs: Essays, Interviews, Feedback, and Obituaries.
Dennis Cooper currently spends his time between Los Angeles and Paris.

"Dennis Cooper, God help him, is a born writer"—William Burroughs

"Cooper’s language is at first intense, nearly minimal, then suddenly, it ascends into vision"—Kathy Acker

File under: Dennis Cooper Grove Press / New York Eros Fiction / Poetry LGBTQ+

Closer
by Dennis Cooper

1994, English
Softcover, 144 pages , 14 x 21 cm
Published by Grove Press / New York

$34.00 - Out of stock

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First published in 1994.

Physically beautiful and strangely passive, George Miles attracts his fellow students with a mysterious promise, like a wallet lying on the street. One after another, his teenage friends rifle through George, ransacking him for love or anything else they could trust in the mindlessness of middle America. What they find is a vision of nightmare intensity, in a novel that assaults the senses as it engages the mind.

Closer follows the links of desire and value that drag George into the arms of men like John, an artist who drains his portraits of humanity in order to find what lies beneath; Alex, fascinated by splatter films and pornography; and Steve, an underground entrepreneur who turns his parents’ garage into a nightclub. These and others pass George from hand to hand, hoping to feel even one emotion clear and uncorrupted by society, but George remains a blurry ghost until he is picked up by two men in their forties. Tom and Philippe think they can find reality in the sharp outlines of bones and the bright red of blood; obsessed with the beauty of death, they find in George the perfect object for their passion.

In brutally frank prose that exposes euphemism, cliché, and evasion, Dennis Cooper stares unflinchingly at the horror of a society without values, and his vision makes its enormity all too real. It is a world in which pain is an undeniable reality, the inevitable companion of truth, and a test of our commitment to life. Dennis Cooper explores the limits of experience, and while he sharpens our understanding of the life around us, he leaves no escape from what he finds.

“Closer translates the moments and feelings for which we don’t really have a vocabulary. Cooper taps the ineffable, the murky underside of sexual and human relations.” –Lynne Tillman

“An incredibly beautiful and daring book. Cooper’s language is at first intense, nearly minimal, then suddenly, it ascends into vision.” –Kathy Acker

Dennis Cooper (born 1953) is an American novelist, poet, critic, editor and performance artist who grew up in the Southern California. In 1976, he founded Little Caesar Magazine and Press, which he ran until 1982. In 1985, he moved to Amsterdam for two and a half years, where he began his ten year long project, The George Miles Cycle, an interconnected sequence of five novels that includes Closer, Frisk, Try, Guide, and Period. His post-George Miles Cycle novels include My Loose Thread, The Sluts and God, Jr. Other works include the short-story collections Wrong and Ugly Man, poetry collections The Dream Police and The Weaklings, as well as the recent Smothered in Hugs: Essays, Interviews, Feedback, and Obituaries. Dennis Cooper currently spends his time between Los Angeles and Paris.

"Dennis Cooper, God help him, is a born writer" - William Burroughs

File under: Dennis Cooper Grove Press / New York Eros Fiction / Poetry LGBTQ+

Try
by Dennis Cooper

1995, English
Softcover, 199 pages, 14 x 21 cm
Published by Grove Press / New York

$34.00 - In stock -

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“Written in Mr. Cooper’s taut, chillingly ironic prose. . . Try is about a world under severe emotional repression–a fascistic world of pure sadistic power. . . . As improbable as it may seem, Dennis Cooper has written a love story, all the more poignant because it is so brutally crushed.” –The New York Times Book Review

Simultaneously deadpan and queasily raw, Try is the story of Ziggy, the adopted teenaged son of two sexually abusive fathers whose failed experiment at nuclear-family domesticity has left him stranded with one and increasingly present in the fantasies of the other. He turns from both of these men to his uncle, who sells pornographic videos on the black market, and to his best friend, a junkie whose own vulnerability inspires in Ziggy a fierce and awkward devotion.

Terminally insecure and yet inured to sexual brutality, Ziggy questions his two fathers, his uncle, his drug dealer, his friends, and himself in an attempt to isolate and define the vagaries and boundaries of sexuality, attraction, and abuse, compiling their responses into a magazine that he calls I Apologize.

In prose that is taut, rhythmic, charged, chillingly precise, and beautifully controlled, Cooper examines his characters’ motivations not as the product of cultural coercion but as the emanations of something hungry and amoral and essentially human. Try explores “that buried need to go all the way and really possess someone,” that place where desire disintegrates into the irrational. He illuminates with utter clarity the need to claim the desirable, to possess wholly something that will fulfill the profound emptiness of the human soul.

With Try, Cooper has produced a novel even more complex than his previous books, dangerously innovative and with the startling familiarity of truth in its examination of love, obsession, devotion, and the depths of human need.

Dennis Cooper (born 1953) is an American novelist, poet, critic, editor and performance artist who grew up in the Southern California. In 1976, he founded Little Caesar Magazine and Press, which he ran until 1982. In 1985, he moved to Amsterdam for two and a half years, where he began his ten year long project, The George Miles Cycle, an interconnected sequence of five novels that includes Closer, Frisk, Try, Guide, and Period. His post-George Miles Cycle novels include My Loose Thread, The Sluts and God, Jr. Other works include the short-story collections Wrong and Ugly Man, poetry collections The Dream Police and The Weaklings, as well as the recent Smothered in Hugs: Essays, Interviews, Feedback, and Obituaries.
Dennis Cooper currently spends his time between Los Angeles and Paris.

"Dennis Cooper, God help him, is a born writer" - William Burroughs

"Cooper’s language is at first intense, nearly minimal, then suddenly, it ascends into vision" - Kathy Acker

File under: Dennis Cooper Grove Press / New York Eros Fiction / Poetry LGBTQ+

Period
by Dennis Cooper

2001, English
Softcover, 128 pages, 14 x 20.9 cm
Published by Grove Press / New York

$34.00 - In stock -

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The stunning conclusion to Dennis Cooper's five-book cycle, Period earned its author the accolade "a disquieting genius" by Vanity Fair and praise for his "elegant prose and literary lawlessness" by The New York Times.

The culmination of Cooper's explorations into sex and death, youth culture, and the search for the ineffable object of desire, Period is a breathtaking, mesmerizing final statement to the five-book cycle it completes. Cooper has taken his familiar themes - strangely irresistible and interchangeable young men, passion that crosses into murder, the lure of drugs, the culpabilities of authorship, and the inexact, haunting communication of feeling - and melded them into a novel of flawless form and immense power. Set in a spare, smoke-and-mirror-filled world of secret Web sites, Goth bands, Satanism, pornography, and outsider art, Period is a literary disappearing act as mysterious as it is logical. Obsessive, beautiful, and darkly comic, Period is a stunning achievement from one of America's finest writers.

Dennis Cooper (born 1953) is an American novelist, poet, critic, editor and performance artist who grew up in the Southern California. In 1976, he founded Little Caesar Magazine and Press, which he ran until 1982. In 1985, he moved to Amsterdam for two and a half years, where he began his ten year long project, The George Miles Cycle, an interconnected sequence of five novels that includes Closer, Frisk, Try, Guide, and Period. His post-George Miles Cycle novels include My Loose Thread, The Sluts and God, Jr. Other works include the short-story collections Wrong and Ugly Man, poetry collections The Dream Police and The Weaklings, as well as the recent Smothered in Hugs: Essays, Interviews, Feedback, and Obituaries.
Dennis Cooper currently spends his time between Los Angeles and Paris.

"Dennis Cooper, God help him, is a born writer" - William Burroughs

"Cooper’s language is at first intense, nearly minimal, then suddenly, it ascends into vision" - Kathy Acker

File under: Dennis Cooper Grove Press / New York Eros Fiction / Poetry LGBTQ+

Guide
by Dennis Cooper

1998, English
Softcover, 176 pages, 14.6 x 21 cm
Published by Avalon Travel Publishing / Chicago

$34.00 - Out of stock

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This title explores the psyches of four young gay men who are trying to alter their existence with drugs, violent erotic experiences, and love.

Dennis Cooper (born 1953) is an American novelist, poet, critic, editor and performance artist who grew up in the Southern California. In 1976, he founded Little Caesar Magazine and Press, which he ran until 1982. In 1985, he moved to Amsterdam for two and a half years, where he began his ten year long project, The George Miles Cycle, an interconnected sequence of five novels that includes Closer, Frisk, Try, Guide, and Period. His post-George Miles Cycle novels include My Loose Thread, The Sluts and God, Jr. Other works include the short-story collections Wrong and Ugly Man, poetry collections The Dream Police and The Weaklings, as well as the recent Smothered in Hugs: Essays, Interviews, Feedback, and Obituaries.
Dennis Cooper currently spends his time between Los Angeles and Paris.

File under: Dennis Cooper Avalon Travel Publishing / Chicago LGBTQ+ Eros Fiction / Poetry

Sick Burn Cut (At Last the Reappearance of Our Lady of the Ugly Ones in Spokane, Washington)
by Deran Ludd

1992, English
Softcover, 190 pages, 18 x 11.5 cm
1st Edition, Out of print title / used / good
Published by Semiotext(e) / Los Angeles

$25.00 - Out of stock

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First 1992 Semiotext(e) Foreign Agents edition of "Sick Burn Cut (At Last the Reappearance of Our Lady of the Ugly Ones in Spokane, Washington)" by Deran Ludd.

"Mary is a 31-year-old man with a revolver in a cheap cotton dress."

Good copy with age/light wear to block edge/cover edges.

File under: Deran Ludd Semiotext(e) / Los Angeles LGBTQ+ Out-of-print / Rare Fiction / Poetry Transgressive / Visceral / Abject

G.I. Joe Collector Vol. 1

1997, Japanese
Softcover, 32 pages, 25.5 x 18.2 cm
1st Edition, Out of print title / used / very good
Published by G.I. Joe Collectors Club of Japan / Tokyo

$30.00 - In stock -

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First issue of G.I. Joe Collector, the official fanzine of the G.I. Joe Collectors Club of Japan, a glossy newsletter published in 1997 for club members. All things devoted to the classic American action figure created by Hasbro in 1964, G.I. Joe Collector was the primary source of reference for collectors in Japan, with this issue launching the club, featuring a Joe convention report, illustrated articles on the history of many specific figures including G.I. Nurse and G.I. Jane, lots of uniform research, tripwire figures, G.I. Joe customs, and much more. Very heavily illustrated throughout in colour and b/w with texts in Japanese.

Very Good—Near Fine copy, light wear to edges, tightly bound and preserved.

File under: Hasbro G.I. Joe Collectors Club of Japan / Tokyo Out-of-print / Rare Sculpture / Installation Counterculture LGBTQ+

Beautiful Boy: Angels of European Cinema
Björn Andrésen, Didier Haudepin, et al.

1991, Japanese
Softcover (w. dust jacket), 130 pages, 25.5 x 18 cm
1st Edition, Out of print title / used / very good
Published by Haga Bookstore / Japan

$90.00 - In stock -

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First edition published only in Japan in 19... 'Beautiful Boy: Angels of European Cinema', is centred around young Swedish actor Björn Andrésen (1955—2025) whose role as the "most beautiful boy", the fourteen-year-old Tadzio in Luchino Visconti's 1970 film adaptation of the 1912 Thomas Mann novella Death in Venice, led to his poster boy status in the Japanese "Bishōnen" (beautiful boy) aesthetic. Bishōnen is a Japanese term for a "beautiful boy" or "pretty boy," describing an androgynous aesthetic of a young man whose beauty transcends traditional gender boundaries. This deluxe "Cine Album" edited by Ikuko Ishihara, author of 'The Trans Sexual Movies,' is absolutely packed with full colour and b/w photographs and film stills of the "Angels of European Cinema", male child and adolescent actors, including Andrésen, Didier Haudepin (Delannoy's "This Special Friendship"...), John Moulder-Brown ("First Love"...), Mark Lester ("Oliver!"...), Leonard Whiting (Zeffirelli's "Romeo and Juliet"...), Bertil Guve (Bergman's "Fanny and Alexander"...), Mathieu Lacaille ("Bastien, Bastienne"), Adam Tønsberg, Edmund Moeschke (Rossellini's "Germany Year Zero"), Nikolai Burlyayev ( Tarkovsky's "Ivan's Childhood"...), Mathieu Carrière ("Young Törless"...), Dominic Guard ("The Go-Between..."), Stefano Colagrande ("Misunderstood"), Matthew Barry (Bertolucci's "Luna"), David Eberts ("Burning Secret"), Gaël Seguin ("Jeux d'artifices"), and many more. Includes illustrated essays on Truffaut, etc., plus portrait profiles and filmographies on all young actors featured.

Very Good copy.

Born: 26 January 1955, Stockholm, Sweden
Died: 25 October 2025
Edited by Ikuko Ishihara

Deluxe Color Cine Album 47

Beauty/Boy/Year

Angels of European Cinema Centered Around Bjorn Andresen

Editor-in-chief: Ikuko Ishihara

File under: Luchino Visconti John Moulder-Brown Roberto Rossellini Pier Paolo Pasolini Ingmar Bergman François Truffaut Francois Truffaut Björn Andrésen Edmund Moeschke Didier Haudepin Andrei Tarkovsky Dominic Guard Bertil Guve Franco Zeffirelli Ikuko Ishihara Haga Bookstore / Japan Film / Video Out-of-print / Rare Photography LGBTQ+