World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
$45.00 - Out of stock
#Accelerate: The Accelerationist Reader
Robin Mackay & Armen Avanessian (eds.)
Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies.
The term was coined to designate a certain nihilistic alignment of theory with the excess and abandon of capitalist culture, and the associated performative aesthetic of texts that seek to become immanent to the very process of alienation. Developing at the dawn of contemporary neoliberal consensus, the uneasy status of this impulse, between subversion and acquiescence, between theoretical purchase and aesthetic enjoyment, constitutes the core problematic of accelerationism.
Since the 2013 publication of Williams's and Srnicek's #Accelerate: Manifesto for an Accelerationist Politics, the term has been adopted to name a set of new theoretical enterprises that aim to conceptualise non-capitalist futures outside of traditional marxist critiques and regressive, decelerative or restorative solutions.
#Accelerate presents a genealogy of accelerationism, tracking the impulse through 90s UK darkside cyberculture and the theory-fictions of Nick Land, Sadie Plant, Iain Grant, and anonymous units like CCRU and SWITCH, across the cultural underground of the 80s (rave, acid house, Terminator and Bladerunner) and back to its sources in delirious post-68 ferment, in texts whose searing nihilistic jouissance would later be disavowed by their authors and the marxist and academic establishment alike.
On either side of this largely unexplored central sequence, the book includes texts by Marx that call attention to his own 'Prometheanism' and key works from recent years document the recent extraordinary emergence of new accelerationisms steeled against the onslaughts of neoliberal capitalist realism, and retooled for the twenty-first century.
At the forefront of the energetic contemporary debate around this disputed, problematic term, #ACCELERATE activates a historical conversation about futurality, technology, politics, enjoyment and Kapital. This is a legacy shot through with contradictions, yet urgently galvanized today by the poverty of 'reasonable' contemporary political alternatives.
Karl Marx - Fragment on Machines
Samuel Butler - The Book of The Machines
Nikolai Fyodorov - The Common Task
Thorstein Veblen - The Machine Process and the Natural Decay of the Business Enterprise
Shulamith Firestone - On the Two Modes of Cultural History
Jacques Camatte - Decline of the Capitalist Mode of Production or Decline of Humanity?
Gilles Deleuze + Félix Guattari - The Civilized Capitalist Machine
Jean-François Lyotard - Energumen Capitalism
Gilles Lipovetsky - Power of Repetition
JG Ballard - Fictions of All Kinds
Nick Land - Circuitries
Nick Land + Sadie Plant - Cyberpositive
Iain Hamilton Grant - LA 2019: Demopathy and Xenogenesis
CCRU - Cybernetic Culture
CCRU - Swarmachines
Mark Fisher - Terminator vs Avatar
Nick Srnicek and Alex Williams - #Accelerate: Manifesto for an Accelerationist Politics
Antonio Negri - Reflections on the Manifesto
Tiziana Terranova - Red Stack Attack!
Luciana Parisi - Automated Architecture
Patricia Reed - Seven Prescriptions for Accelerationism
Reza Negarestani - The Labour of the Inhuman (Extended Mix)
Benedict Singleton - Maximum Jailbreak (Extended Mix)
Ray Brassier - Prometheanism and its Critics
Nick Land - Teloplexy: Notes on Acceleration
Diann Bauer - 4xAccelerationisms
$43.00 - Out of stock
Fanged Noumena assembles for the first time the writings of Nick Land, variously described as ‘rabid nihilism’, ‘mad black Deleuzianism’, ‘accelerationism’, and ‘cybergothic’.Wielding weaponized, machinically-recombined versions of Deleuze and Guattari, Reich and Freud, in the company of fellow ‘werewolves’ such as Nietzsche, Bataille, Artaud, Trakl and Cioran, to a cutup soundtrack of Bladerunner, Terminator and Apocalypse Now, Land plotted a rigorously schizophrenic escape route out of academic philosophy, and declared all-out war on the Human Security System. Despite his ‘disappearance’, Land’s output has been a crucial underground influence both on recent Speculative Realist thought, and on artists, writers, musicians and filmmakers invigorated by his uncompromising and abrasive philosophical vision.Long the subject of rumor and vague legend, Land’s turbulent post-genre theory-fictions of cybercapitalist meltdown smear cyberpunk, philosophy, arithmetic, poetics, cryptography, anthropology, grammatology and the occult into unrecognizable and gripping hybrids. Beginning with Land’s radical rereadings of Heidegger, Nietzsche and Kant, Fanged Noumena terminates in Professor Barker’s cosmic theory of geo-trauma and neo-qabbalistic attempts to formulate a numerical anti-language.Fanged Noumena is a dizzying trip through land’s rigorous, incisive and provocative work, establishing it as an indispensable resource for radically inhuman thought in the twenty-first century.
Edited and with an Introduction by Ray Brassier and Robin Mackay
Contents: Editors' Introduction / Kant, Capital and the Prohibition of Incest / Narcissism and Dispersion in Heidegger's 1953 Trakl Interpretation / Delighted to Death / Art as Insurrection / Spirit and Teeth / After the Law / Making it with Death / Shamanic Nietzsche / Circuitries / Machinic Desire / Cybergothic / Cyberrevolution / Hypervirus / No Future / Cyberspace Anarchitecture as Jungle-War / Meat (or How to Kill Oedipus in Cyberspace) / Meltdown / A ZiiGothic X-Coda (Cooking Lobsters with Jake and Dinos) / KatasoniX / Barker Speaks / Mechanomics / Cryptolith / Non-Standard Numeracies: Nomad Cultures / Occultures / Origins of the Cthulhu Club / Introduction to Qwernomics / Tic-Talk / Qabbala 101 / Critique of Transcendental Miserablism----
Land had the most brilliantly seductive and meteoric mind, endlessly imaginative and capable of adopting, inhabiting and discarding any philosophical position. With him - and rightly so - philosophy infected every area of life, and sheer vitality of life reverberated in his thinking.
I see Fanged Noumena as a kind of righteous revenge. Nick was dismissed by professional philosophers because they simply didn't want to think and preferred their turgid academic complacency. I always admired him for his unwavering desire to take thought to its absolute limit and then see how much harder one could push. - Simon Critchley
These extraordinary texts, superheated compounds of severe abstraction and scabrous wit, testify to a uniquely penetrating intelligence, fusing transcendental philosophy, number theory, geophysics, biology, cryptography and occultism into startlingly cohesive but increasingly delirious theory-fictions. - Ray Brassier
This is theory as cyberpunk fiction: Deleuze-Guattari's concept of capitalism as the virtual unnameable Thing that haunts all previous formations pulp-welded to the timebending of the Terminator films. Land's machinic theory-poetry parallelled the digital intensities of 90s jungle, techno and doomcore, anticipating 'impending human extinction becoming accessible as a dance-floor'. - Mark Fisher (K-Punk)
In the last half of the twentieth century, academics talked endlessly about the outside, but no-one went there. Land, by exemplary contrast, made experiments in the unknown unavoidable for a philosophy caught in the abstractive howl of post-political cybernetics. Fanged Noumena demonstrates how Land ruined a generation of intellectuals for merely academic philosophy, by opening a speculative singularity where the future used to be. - Iain Hamilton Grant
Softcover, 1013 pages, 11.5 x 17.5 cm
Edition of 1500 numbered copies,
Published by Urbanomic / Cornwall
$62.00 - In stock -
Collapse Volume VIII: Casino Real
Robin Mackay (Ed.)
Philosophical Research and Development.
The wager is situated on the dividing line between pure lived action and autonomous speculation: at once an impetus toward the future, recognition of a radical novelty, risk; and, on the other hand, an attempt at domination through the imposition of order, the establishment of symmetries. Its essence, the unification of these two constitutive themes, is far from being clear.
ROBIN MACKAY - EDITORIAL INTRODUCTION
JEAN-LUC MOULÈNE - UNTITLED
AMANDA BEECH - The Church The Bank The Art Gallery
JEAN CAVAILLÈS - From Collective to Wager
STEVE FORTE - The Ultimate Cooler (Interview)
UNKNOWN ARTIST - Angel Deck with Linework
NATASHA DOW SCHÜLL - Engineering Chance
JASPAR JOSEPH-LESTER - A Guide to the Casino Architecture of Wedding
DAVID WALSH - From BlackJack to Monanism (Interview)
ANDERS KRISTIAN MUNK - Dice-Like and Distributed: Time Machines, Space Engines and the Enactment of Risk Markets
NICK LAND - Transcendental Risk
MILAN ĆIRKOVIĆ - The Greatest Gamble in History
JOHN COATES, MARK GURNELL, ZOLTAN SARNYAI - From Molecule to Market
NICK SRNICEK AND ALEX WILLIAMS - On Cunning Automata: Financial Acceleration at the Limits of the Dromological
SAM LEWITT - Notes from New Jersey
ELIE AYACHE - The Writing of the Market (Interview)
JON ROFFE - From a Restricted to a General Pricing Surface
SUHAIL MALIK - The Ontology of Finance: Price, Power, and the Arkhé-Derivative
QUENTIN MEILLASSOUX - Mallarmé's Materialist Divinization of the Hypothesis
SEAN ASHTON / NIGEL COOKE - Mr Heggarty Goes Down
GEGENSICHKOLLEKTIV - CAUTION
FERNANDO ZALAMEA - Peirce's Tychism: Absolute Contingency for our Transmodern World
MICHEL BITBOL - Quantum Mechanics as Generalised Theory of Probabilities
ELIE AYACHE - A Formal Deduction of the Market
Softcover, 288 pages, 10.7 x 17. 5 cm
Published by Urbanomic / Cornwall
$40.00 - In stock -
Collapse Volume I: Numerical Materialism (Reissued Edition)
Robin Mackay (Ed.)
Associate Editors: Ray Brassier, Michael Carr
Philosophical Research and Development.
Collapse I is an unprecedented collection of work by leading practitioners in diverse fields of enquiry. Conceived as a meticulously compiled and compendious miscellany, a grimoire or instruction manual without referent, as a delirious carnival of sobriety, Collapse operates its war against good sense not through romantic flight but through the formal insanity secreted in the depths of the rational ("the rational is not reasonable").
Collapse aims to force unforeseen conjunctions, singular correspondences, and unnatural cross-fertilisations; to diagram abstract regions as yet unnamed.
The first volume of Collapse investigates the nature and philosophical uses of number through interviews with philosophers scientists and mathematicians, essays on the mathematics of intensity, terrorism, the occult and information theory, and graphical works of multiplicity.
ROBIN MACKAY - Editorial Introduction
ALAIN BADIOU - Philosophy, Sciences, Mathematics (Interview)
GREGORY CHAITIN - Epistemology as Information Theory
REZA NEGARESTANI - The Militarization of Peace
MATTHEW WATKINS - Prime Evolution (Interview)
"INCOGNITUM" - Introduction to ABJAD
NICK BOSTROM - Existential Risk (Interview)
THOMAS DUZER - On the Mathematics of Intensity
KEITH TILFORD - Crowds
NICK LAND - Qabbala 101
Notes on Contributors