World Food Books

Purple 5
Summer '00

2000, English
Softcover, 500 pages, 21.5 x 15.7 cm
1st Edition, Out of print title / used / very good
Published by Purple Institute / Paris

$260.00 - In stock -

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A rare early issue of the iconic Purple magazine, edited by Elein Fleiss and Olivier Zahm, this wonderful early edition features: Susan Cianciolo, Raf Simons, Jack Goldstein, Terry Richardson, Anders Edstrom, Chloe Sevigny, Wolfgang Tillmans, Martin Margiela, Rosemarie Trockel, Dominique Gonzalez-Foerster, General Idea, Mark Borthwick, Lewis Baltz, Lars Bang Larsen, Wolfgang Tillmans, Dominique Gonzalez-Foerster, Comme des Garçons, Michelle Grabner, Bless, Yohji Yamamoto, Dike Blair, Bernhard Willhelm, Gilles Deleuze, Karl Holmqvist, David Grubbs, Glenn O'Brian, Hans Ulrich Obrist, Bob Nickas, Sergio Guillen, Camille Vivier, Tan Lin, Olivier Zahm, Armin Linke, Amy Yao, Elein Fleiss, Henry Roy, Torbjorn Rodland, Chikashi Suzuki, Michael Smith, Lionel Bovier, Amy Sillman, Cerith Wyn Evans, Daniel Pflumm, Allen Rupperberg, Blake Rayne, Stephen Prina, Sture Johannesson, Franz Ackermann, Adrea Zittel, Jeremy Deller, Miu Miu, Dorothee Perret, Gaspard Yurkievich, Stanley Brouwn, Vija Celmins, Bas Jan Ader, Richard Prince, Tim Griffin, and so many more. One of the best issues!

In 1992, Elein Fleiss and Olivier Zahm started the magazine Purple Prose as a reaction against the superficial glamour of the 1980s; much as a part of the global counterculture at the time, inspired by magazines like Interview, Ray Gun, Nova, and Helmut Newton's Illustrated, but with the aesthetics of what usually is referred to as anti-fashion. Based on their personal interests and views; Purple was, and in a sense still is, made much in the same spirit of the fanzine. Started "without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that no one else supported, much less talked about."—Olivier Zahm. The magazine became associated with the "realism" of the new fashion photography of the 1990s, with names like Juergen Teller, Terry Richardson, Wolfgang Tillmans, Mark Borthwick, Corinne Day, and Mario Sorrenti. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications such as les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion, in which Zahm aimed at fusing together his two worlds, fashion and art. Now one of the most iconic and influential fashion magazines in history.

Very Good copy. Copy from the library of OMA (Office for Metropolitan Architecture)! OMA was founded in 1975 by Dutch architect Rem Koolhaas and Greek architect Elia Zenghelis, along with Madelon Vriesendorp and Zoe Zenghelis. Sticker to spine and sticker to front cover (re-movable, but let on due to noteworthiness)

File under: General Idea Mark Borthwick Lewis Baltz Wolfgang Tillmans Dominique Gonzalez-Foerster Comme des Garçons Vija Celmins Michelle Grabner Bless Yohji Yamamoto Dike Blair Bernhard Willhelm Karl Holmqvist David Grubbs Glenn O'Brian Stanley Brouwn Bas Jan Ader Richard Prince Tim Griffin Anders Edstrom Anders Edström Terry Richardson Sergio Guillen Camille Vivier Armin Linke Amy Yao Henry Roy Torbjørn Rødland Gaspard Yurkievich Chikashi Suzuki Michael Smith Amy Sillman Allen Rupperberg Cerith Wyn Evans Rosemarie Trockel Andrea Zittel Daniel Pflumm Raf Simons Jack Goldstein Stephen Prina Blake Rayne Sture Johannesson Franz Ackermann Chloë Sevigny Susan Cianciolo Maison Martin Margiela Martin Margiela Lars Bang Larsen Gilles Deleuze Hans Ulrich Obrist Bob Nickas Tan Lin Olivier Zahm Elein Fleiss Lionel Bovier Dorothee Perret Joshua Decter Purple Institute / Paris Fashion Fiction / Poetry Art Periodicals Out-of-print / Rare Photography

Broken Music

1989, English / German / French
Softcover (w. flexi-disc), 280 pages, 26 x 21 cm
1st Edition, Out of print title / used / very good
Published by Daadgalerie / Berlin Gelbe Musik / Berlin

$280.00 - In stock -

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Rare first 1989 edition of Broken Music, an essential compendium for records created by visual artists. Complete with original flexi-disc. The publication was edited by Ursula Block and Michael Glasmeier and published in 1989 by DAAD and Gelbe Musik, Berlin. Broken Music focuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.

It also includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Knizak’s “Broken Music.” The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.

Works chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples/editions/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.

Artists documented in the volume include Vito Acconci, albrecht/d., Laurie Anderson, Guillaume Apollinaire, Karel Appel, Arman, Hans Arp, Antonin Artaud, John Baldessari, Hugo Ball, Claus van Bebber, John Bender, Harry Bertoia, Jean-Pierre Bertrand, Joseph Beuys, Mel Bochner, Claus Böhmler, Christian Boltanski, KP Brehmer, William Burroughs, John Cage, Henri Chopin, Henning Christiansen, Jean Cocteau, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Marcel Duchamp, Max Ernst, Lawrence Ferlinghetti, Fischli and Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Peter Gordon, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Holger Hiller, Richard Huelsenbeck, Isidore Isou, Marcel Janco, Servie Janssen, Jasper Johns, Joe Jones, Thomas Kapielski, Allan Kaprow, Martin Kippenberger, Per Kirkeby, Cheri Knight, Milan Knizak, Richard Kriesche, Christina Kubisch, Laibach, John Lennon, Sol Lewitt, Roy Lichtenstein, Annea Lockwood, Paul McCarthy, Meredith Monk, Josef Felix Müller, Piotr Nathan, Hermann Nitsch, Albert Oehlen, Frank O’Hara, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, A.R. Penck, Tom Phillips, Robert Rauschenberg, The Red Crayola, Ursula Reuter Christiansen, Gerhard Richter, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Robert Rutman, Sarkis, Thomas Schmit, Conrad Schnitzler, Kurt Schwitters, Selten Gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Keith Sonnier, Strafe für Rebellion, Jean Tinguely, Moniek Toebosch, Tristan Tzara, Ben Vautier, Yoshi Wada, Emmett Walsh, Andy Warhol, William Wegman, and Lawrence Weiner.

Ursula Block is a curator living in Berlin, Germany. From 1981 until 2014, she ran gelbe Musik, a gallery and record shop in Berlin that featured work by artists at the crossroads between music and art. She was married to curator René Block.

Michael Glasmeier is a professor, writer, and editor living in Berlin, Germany. Since the early 1980s, he has curated dozens of shows that explore the intersection between the visual arts, music, film, and language.

Very Good copy all-round, light cover/corner wear.

File under: ×Vito Acconci albrecht/d. Laurie Anderson Karel Appel Arman Antonin Artaud John Baldessari Hugo Ball Claus van Bebber John Bender Harry Bertoia Jean-Pierre Bertrand Joseph Beuys Mel Bochner Claus Böhmler Christian Boltanski John Cage Henri Chopin Henning Christiansen Jean Cocteau William Copley Philip Corner Merce Cunningham Hanne Darboven Jim Dine Marcel Duchamp Max Ernst Lawrence Ferlinghetti Buckminster Fuller Fischli & Weiss Peter Fischli Peter Fischli & David Weiss David Weiss Allen Ginsberg Philip Glass Jack Goldstein Peter Gordon Hans Haacke Richard Hamilton Bernard Heidsieck Holger Hiller Richard Huelsenbeck Isidore Isou Marcel Janco Servie Janssen Jasper Johns Joe Jones Thomas Kapielski Allan Kaprow Martin Kippenberger Per Kirkeby Cheri Knight Milan Knizak Richard Kriesche Christina Kubisch Laibach John Lennon Sol Lewitt Roy Lichtenstein Annea Lockwood Paul McCarthy Meredith Monk Josef Felix Müller Piotr Nathan Hermann Nitsch Albert Oehlen Frank O’Hara Claes Oldenburg Yoko Ono Dennis Oppenheim Nam June Paik Charlemagne Palestine A.R. Penck Tom Phillips Robert Rauschenberg The Red Crayola Ursula Reuter Christiansen Gerhard Richter Jim Rosenquist Dieter Roth Gerhard Rühm Robert Rutman Sarkis Thomas Schmit Conrad Schnitzler Kurt Schwitters Selten Gehörte Musik Richard Serra Robert Smithson Michael Snow Keith Sonnier Strafe für Rebellion Jean Tinguely Moniek Toebosch Tristan Tzara Ben Vautier Yoshi Wada Emmett Walsh Andy Warhol William Wegman Lawrence Weiner Jean Arp (Hans Arp) K. P. Brehmer William S. Burroughs Theodor W. Adorno René Block Jean Dubuffet Milan Knizak László Moholy-Nagy Christiane Seiffert Hans Rudolf Zeller Ursula Block Michael Glasmeier Daadgalerie / Berlin Gelbe Musik / Berlin Art Conceptual Art Performance / Dance / Theater Art Brut / Folk / Visionary / Fantastic Counterculture Out-of-print / Rare Group Shows / Collections Curatorial Theory / Essay Fluxus Arte Povera Pop Art Sound / Music Dada Minimal Art Nouveau Réalisme / Zero / Kinetic Bauhaus Objects / Ephemera / A/V

Broken Music

2019, English
Softcover (w. flexi-disc), 280 pages, 26 x 21 cm
Ed. of 2500,
Published by Primary Information / New York

$65.00 - Out of stock

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Broken Music is an essential compendium for records created by visual artists. The publication was edited by Ursula Block and Michael Glasmeier and originally published in 1989 by DAAD. Broken Music focuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.

It also includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Knizak’s “Broken Music.” The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.

Works chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples/editions/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.

Artists documented in the volume include Vito Acconci, albrecht/d., Laurie Anderson, Guillaume Apollinaire, Karel Appel, Arman, Hans Arp, Antonin Artaud, John Baldessari, Hugo Ball, Claus van Bebber, John Bender, Harry Bertoia, Jean-Pierre Bertrand, Joseph Beuys, Mel Bochner, Claus Böhmler, Christian Boltanski, KP Brehmer, William Burroughs, John Cage, Henri Chopin, Henning Christiansen, Jean Cocteau, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Marcel Duchamp, Max Ernst, Lawrence Ferlinghetti, Fischli and Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Peter Gordon, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Holger Hiller, Richard Huelsenbeck, Isidore Isou, Marcel Janco, Servie Janssen, Jasper Johns, Joe Jones, Thomas Kapielski, Allan Kaprow, Martin Kippenberger, Per Kirkeby, Cheri Knight, Milan Knizak, Richard Kriesche, Christina Kubisch, Laibach, John Lennon, Sol Lewitt, Roy Lichtenstein, Annea Lockwood, Paul McCarthy, Meredith Monk, Josef Felix Müller, Piotr Nathan, Hermann Nitsch, Albert Oehlen, Frank O’Hara, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, A.R. Penck, Tom Phillips, Robert Rauschenberg, The Red Crayola, Ursula Reuter Christiansen, Gerhard Richter, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Robert Rutman, Sarkis, Thomas Schmit, Conrad Schnitzler, Kurt Schwitters, Selten Gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Keith Sonnier, Strafe für Rebellion, Jean Tinguely, Moniek Toebosch, Tristan Tzara, Ben Vautier, Yoshi Wada, Emmett Walsh, Andy Warhol, William Wegman, and Lawrence Weiner.

Ursula Block is a curator living in Berlin, Germany. From 1981 until 2014, she ran gelbe Musik, a gallery and record shop in Berlin that featured work by artists at the crossroads between music and art.

Michael Glasmeier is a professor, writer, and editor living in Berlin, Germany. Since the early 1980s, he has curated dozens of shows that explore the intersection between the visual arts, music, film, and language.

File under: Vito Acconci albrecht/d. Laurie Anderson Karel Appel Arman Antonin Artaud John Baldessari Hugo Ball Claus van Bebber John Bender Harry Bertoia Jean-Pierre Bertrand Joseph Beuys Mel Bochner Claus Böhmler Christian Boltanski John Cage Henri Chopin Henning Christiansen Jean Cocteau William Copley Philip Corner Merce Cunningham Hanne Darboven Jim Dine Marcel Duchamp Max Ernst Lawrence Ferlinghetti Buckminster Fuller Fischli & Weiss Peter Fischli Peter Fischli & David Weiss David Weiss Allen Ginsberg Philip Glass Jack Goldstein Peter Gordon Hans Haacke Richard Hamilton Bernard Heidsieck Holger Hiller Richard Huelsenbeck Isidore Isou Marcel Janco Servie Janssen Jasper Johns Joe Jones Thomas Kapielski Allan Kaprow Martin Kippenberger Per Kirkeby Cheri Knight Milan Knizak Richard Kriesche Christina Kubisch Laibach John Lennon Sol Lewitt Roy Lichtenstein Annea Lockwood Paul McCarthy Meredith Monk Josef Felix Müller Piotr Nathan Hermann Nitsch Albert Oehlen Frank O’Hara Claes Oldenburg Yoko Ono Dennis Oppenheim Nam June Paik Charlemagne Palestine A.R. Penck Tom Phillips Robert Rauschenberg The Red Crayola Ursula Reuter Christiansen Gerhard Richter Jim Rosenquist Dieter Roth Gerhard Rühm Robert Rutman Sarkis Thomas Schmit Conrad Schnitzler Kurt Schwitters Selten Gehörte Musik Richard Serra Robert Smithson Michael Snow Keith Sonnier Strafe für Rebellion Jean Tinguely Moniek Toebosch Tristan Tzara Ben Vautier Yoshi Wada Emmett Walsh Andy Warhol William Wegman Lawrence Weiner Jean Arp (Hans Arp) K. P. Brehmer William S. Burroughs Ursula Block Michael Glasmeier Theodor W. Adorno René Block Jean Dubuffet Milan Knizak László Moholy-Nagy Christiane Seiffert Hans Rudolf Zeller Guillaume Apollinaire William S. Burroughs Primary Information / New York Art Sound / Music Fluxus Conceptual Art Dada Arte Povera Counterculture Bauhaus Performance / Dance / Theater Minimal Art Pop Art Nouveau Réalisme / Zero / Kinetic Art Brut / Folk / Visionary / Fantastic Curatorial Group Shows / Collections Objects / Ephemera / A/V

Tacit Knowledge : Feminism / Post Studio
CalArts 1970-1977

2019, English
Softcover, 273 pages, 20.5 x 27 cm
Published by Spector Books / Leipzig

$68.00 - Out of stock

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Tacit Knowledge provides an insight into the complex artistic and educational practices that characterized the first decade of the California Institute of the Arts (CalArts). There is a special focus on the conceptual and feminist strategies developed in and from John Baldessari’s Post Studio class as well as Judy Chicago and Miriam Schapiro’s Feminist Art Program, which was initiated in 1970 and brought to the newly founded art school in 1971.

As Post Studio and feminist practices at CalArts are often characterized by the specific entanglement of cognitive and (habitual) bodily forms of knowledge, the idea of tacit knowledge, and thus learning through social and performative contexts of action, functions as an overarching principle linking all the contributions in the book.

Including short introductions on artists such as Baldessari, Alison Knowles, Barbara Bloom, Matt Mullican, James Welling, Jack Goldstein and others, texts by Paulo Friere, Peter Plagens, Michael Polanyi and Daniel Buren, in-depth case studies on individual works and a broad range of documental and photographic material, Tacit Knowledge is designed in the style of a magazine, allowing a diverse and lively approach to the ideas shaping the early years of CalArts.

Authors: Kim Albrecht, Lea Becker, Katharina Brandt, Léïla Douliba, Carla Gabriel, Jennifer Gaschler, Pauline Gründing, Verena Kittel, Friederike Krause, Vivien Lambert, Annette Jael Lehmann, Alice Rugai, Jeffrey Schnapp, Anna Sønderup

File under: Miriam Schapiro Judy Chicago John Baldessari Alison Knowles Barbara Bloom Matt Mullican James Welling Jack Goldstein Daniel Buren Kim Albrecht Lea Becker Katharina Brandt Léïla Douliba Carla Gabriel Jennifer Gaschler Pauline Gründing Verena Kittel Friederike Krause Vivien Lambert Annette Jael Lehmann Alice Rugai Jeffrey Schnapp Anna Sønderup Paulo Friere Peter Plagens Michael Polanyi Daniel Buren Spector Books / Leipzig

Before Pictures
by Douglas Crimp

2016, English
Hardcover (w. dust jacket), 288 pages, 15.2 x 24.1 cm
Published by University of Chicago Press / Chicago

$89.00 - Out of stock

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Douglas Crimp is the rare art critic whose work profoundly influenced a generation of artists. He is best known for his work with the "Pictures Generation" the very name of which Crimp coined to define the work of artists like Robert Longo and Cindy Sherman who appropriated images from mass culture to carry out a subversive critique. But while his influence is widely recognized, we know little about Crimp's own formative experiences before "Pictures."Before Pictures tells the story of Crimp's life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. Crimp participated in all of what made the city so stimulating in that vibrant decade. The details of his professional and personal life are interwoven with this the particularly rich history of New York City at that time, producing a vivid portrait of both the critic and his adopted city. The book begins with his escape from his hometown in Idaho, and we quickly find Crimp writing criticism for ArtNews while working at the Guggenheim where, as a young curatorial assistant, he was one of the few to see Daniel Buren's Peinture-Sculpture before it was removed amid cries of institutional censorship. We also travel to the Chelsea Hotel (where Crimp helped the down-on-his-luck couturier Charles James organize his papers) through to his days as a cinephile and balletomane to the founding of the art journal October, where he remained a central figure for many years. As he was developing his reputation as a critic, he was also partaking of the New York night life, from drugs and late nights alongside the Warhol crowd at the Max's Kansas City to discos, roller-skating, and casual sex with famous (and not-so-famous) men. As AIDS began to ravage the closely linked art and gay communities, Crimp eventually turned his attention to activism dedicated to rethinking AIDS. Part biography and part cultural history, Before Pictures is a courageous account of an exceptional period in both Crimp's life and the life of New York City. At the same time, it offers a deeply personal and engaging point of entry into important issues in contemporary art.

Includes the work of Cindy Sherman, Jack Goldstein, Daniel Buren, Charles James, Hiroshi Sugimoto, Agnes Martin, Dan Flavin, Peter Hujar, Eva Hesse, Bernardo Bertolucci, Walker Evans, Joseph Cornell, Alfred Hitchcock, Jack Tworkov, Robert Ryman, Jane Freilicher, Robert Smithson, Michael Snow, Stanley Kubrick, Cristobal Balenciaga, Christian Dior, Brice Marden, Ellsworth Kelly, Guilio Romano, Andrea Mantegna, Merce Cunningham, Joan Jonas, Yvonne Rainer, John Baldessari, Dan Graham, Vito Acconci, Alvin Baltrop, Divine, Gordon Matta-Clark, Edgar Degas, Louise Lawler, and so many others.

File under: Cindy Sherman Jack Goldstein Daniel Buren Charles James Hiroshi Sugimoto Agnes Martin Dan Flavin Peter Hujar Eva Hesse Bernardo Bertolucci Walker Evans Joseph Cornell Alfred Hitchcock Jack Tworkov Robert Ryman Jane Freilicher Robert Smithson Michael Snow Stanley Kubrick Cristobal Balenciaga Christian Dior Brice Marden Ellsworth Kelly Guilio Romano Andrea Mantegna Joan Jonas Yvonne Rainer John Baldessari Dan Graham Vito Acconci Alvin Baltrop Divine Gordon Matta-Clark Edgar Degas Louise Lawler Merce Cunningham Douglas Crimp University of Chicago Press / Chicago Art Pop Art Minimal Art Theory / Essay Painting Fashion Textiles Performance / Dance / Theater Photography Conceptual Art Film / Video Sculpture / Installation

Disappearing - California c.1970 : Bas Jan Ader, Chris Burden, Jack Goldstein
By Philipp Kaiser

2019, English
Softcover, 176 pages, 21.5 x 27 cm
Published by Prestel / Munich

$65.00 - Out of stock

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In 1971, Chris Burden disappeared for three days without a trace. This book, also entitled Disappearing, examines the theme of disappearance in the works of Burden and his contemporaries, Bas Jan Ader and Jack Goldstein, in 1970s Southern California. Loosely affiliated, these three artists shared an interest in themes of disappearance and self-effacement. In 1972, Goldstein buried himself alive during a performance, while during Ader's tragic last work, In search of the miraculous (1975), the artist vanished crossing the Atlantic. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists used "disappearing" as a response to the masculine anxiety of the 1970s. This book reveals a fascinating intersection between major figures at a critical turning point for Californian art.

File under: Bas Jan Ader Chris Burden Jack Goldstein Philipp Kaiser Prestel / Munich Art Sculpture / Installation Performance / Dance / Theater Conceptual Art Theory / Essay Sound / Music Film / Video

Just Another Asshole #6

2018, English
Softcover, 192 pages,
Edition of 2000,
Published by Primary Information / New York

$29.00 - Out of stock

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Just Another Asshole was an influential and now-legendary mixed-media publication series edited by Barbara Ess from 1978 to 1987. The submission process was open and collaborative, and each issue was produced in a different format (e.g., limited-edition zine by Ess, tabloid-sized graphic arts magazine, 4 pages in an issue of Artforum, photography book, LP record album, paperback book). Several were edited with Jane Sherry or Glenn Branca.

Issue 6 of the magazine, co-edited with Branca, was published in the form of a pulp paperback book with writings by sixty-one artists from the early-80s downtown scene. It includes short stories, performance transcripts, aphorisms, plays, monologues, screenplays, and essays that offer a window into the gritty and dynamic culture of New York City before gentrification pushed the underground out of Lower Manhattan.

Contributors include Kathy Acker, Lindsay Amos, Constance Ash, Josh Baer, Barbara Barg, Judith Barry, Nan Becker, Eric Bogosian, Glenn Branca, Brian Buczak, Mitch Corber, Peter Cummings, Margaret De Wys, Bradley Eros, Barbara Ess, Richard Fantina, Dorothea Franck, Matthew Geller, Michael Gira, Jack Goldstein, Dan Graham, Rudolph Grey, Sue Hanel, Jenny Holzer, Peggy Katz, Barbara Kruger, Beth Lapides, Joe Lewis, Amanda Linn, Carla Liss, Meredith Lund, Matthew Maguire, Aline Psyche Mare, Sam Marshall Harvey, Alan Moore, Richard Morrison, Cookie Mueller, Peter Nadin, Joseph Nechvatal, Richard Prince, Lee Ranaldo, David Rattray, Mike Roddy, David Rosenbloom, Ann Rower, Arleen Schloss, Jane Sherry, Kiki Smith, Michael Smith, Jim Sutcliffe, Fiona Templeton, Wharton Tiers, Lynne Tillman, Anne Turyn, Gail Vachon, S.Weisser, Sally A. White, Reese Williams, Martha Wilson, Stephan Wischerth, David Wojnarowicz, and Linda Yablonsky.

Barbara Ess is an artist living and working in New York City and upstate New York. She uses photography, video, and sound to make her work, which has been shown widely in the United States and Europe. She is an Associate Professor of Photography at Bard College.

Glenn Branca was a composer whose work included music for experimental rock bands, large ensemble instrumentals for electric guitars, symphonies for both electric instrumentation and acoustic orchestras, chamber ensemble pieces, an opera, a ballet, choral works, and music for film, dance, theater, and art installations. He was an early pioneer of the no wave punk scene that emerged in downtown New York in the late ’70s.

Edition of 2000

File under: David Wojnarowicz Kiki Smith Michael Smith Glenn Branca Judith Barry Richard Prince Jack Goldstein Dan Graham Barbara Kruger Jenny Holzer Kathy Acker Lindsay Amos Constance Ash Josh Baer Barbara Barg Judith Barry Nan Becker Eric Bogosian Glenn Branca Brian Buczak Mitch Corber Peter Cummings Margaret De Wys Bradley Eros Barbara Ess Richard Fantina Dorothea Franck Matthew Geller Michael Gira Jack Goldstein Dan Graham Rudolph Grey Sue Hanel Jenny Holzer Peggy Katz Barbara Kruger Beth Lapides Joe Lewis Amanda Linn Carla Liss Meredith Lund Matthew Maguire Aline Psyche Mare Sam Marshall Harvey Alan Moore Richard Morrison Cookie Mueller Peter Nadin Joseph Nechvatal Richard Prince Lee Ranaldo David Rattray Mike Roddy David Rosenbloom Ann Rower Arleen Schloss Jane Sherry Kiki Smith Michael Smith Jim Sutcliffe Fiona Templeton Wharton Tiers Lynne Tillman Anne Turyn Gail Vachon S.Weisser Sally A. White Reese Williams Martha Wilson Stephan Wischerth David Wojnarowicz Linda Yablonsky. Primary Information / New York Fiction / Poetry Art Feminism Performance / Dance / Theater Sound / Music

The Big Nothing

2004, English
Softcover, 87 pages, 18.5 x 12.7 cm
1st Edition, Out of print title / as new
Published by ICA / Pennsylvania

$45.00 - Out of stock

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Conceptions of “nothing” are one of the driving themes of twentieth-century art. One thinks of Piet Mondrian's reductivist approach to abstraction, Marcel Duchamp's contention that art resides in ideas, not objects, Mark Rothko's painterly reach for the sublime, Andy Warhol's affirmations of the vacuity of Pop culture. The Big Nothing will focus on themes of nothing, nothingness and negation in contemporary art and culture, surveying the legacy of these and other manifestations of absence made manifest in contemporary art. Artist include Gareth James, Jutta Koether, Louise Lawler, Richard Prince, Yves Klein, Bernadette Corporation, John Miller and James Welling, among others. Given its broad connotations, “nothing” provides general audiences with immediate access to looking at and thinking about the art of today.

Exhibition catalogue published in conjunction with show held May 1 - August 1, 2004. Curated and with essays by Ingrid Schaffner, Bennett Simpson, and Tanya Leighton. Additional essay by Paula Marincola. Artists include: Bas Jan Ader, Richard Artschwager, Michael Asher, Michel Auder, Jo Baer, Robert Barry, Larry Bell, Bernadette Corporation, James Lee Byars, Maurizio Cattelan, Thomas Chimes, Bruce Conner, Day Without Art, Jessica Diamond, Roe Ethridge, Lili Fleury, Rene Gabri, Jack Goldstein, Dominique Gonzalez-Foerster, Nicolas Guagnini, David Hammons, Heavy Industries, Nancy Holt, Richard Hoeck, Roni Horn, Pierre Huyghe, Gareth James, Ray Johnson, Yves Klein, Joachim Koester, Jutta Koether, Yayoi Kusama, Louise Lawler, Gordon Matta-Clark, Allan McCollum, Patrick McMullen, John Miller, Matt Mullican, Eileen Neff, Gabriel Orozco, Raphael Ortiz, Charlemagne Palestine, Philippe Parreno, William Pope.L, Doris Salcedo, Karin Schneider, Allan Sekula, Arlene Shechet, Santiago Sierra, John Smith, Robert Smithson, Paul Swenbeck, Rirkrit Tiravanija, Andy Warhol, James Welling, John Wesley, and Steve Wolfe. Includes checklist of the exhibition.

File under: Bas Jan Ader Richard Artschwager Michael Asher Michel Auder Jo Baer Robert Barry Larry Bell Bernadette Corporation James Lee Byars Maurizio Cattelan Thomas Chimes Bruce Conner Day Without Art Jessica Diamond Roe Ethridge Lili Fleury Rene Gabri Jack Goldstein Dominique Gonzalez-Foerster David Hammons Heavy Industries Nancy Holt Richard Hoeck Roni Horn Pierre Huyghe Gareth James Ray Johnson Yves Klein Joachim Koester Jutta Koether Yayoi Kusama Louise Lawler Gordon Matta-Clark Allan McCollum Patrick McMullen John Miller Matt Mullican Eileen Neff Gabriel Orozco Charlemagne Palestine Philippe Parreno William Pope.L Doris Salcedo Karin Schneider Allan Sekula Arlene Shechet Santiago Sierra John Smith Robert Smithson Paul Swenbeck Rirkrit Tiravanija Andy Warhol James Welling John Wesley Steve Wolfe Nicolás Gaugnini Raphael Montanez Ortiz Ingrid Schaffner Bennett Simpson Tanya Leighton Paula Marincola ICA / Pennsylvania Art Sculpture / Installation Painting Conceptual Art Minimal Art Pop Art Group Shows / Collections Theory / Essay Photography Performance / Dance / Theater Film / Video Curatorial Out-of-print / Rare

REAL LIFE Magazine: Selected Writings and Projects 1979-1994

2007, English
Softcover, 21 x 28 cm, 320 pages
Published by Primary Information / New York

$59.00 - In stock -

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REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine through its 15 year history, traces the influences, development and transitions of artists through the 80s.

The anthology features writings by and about Dara Birnbaum, Eric Bogosian, Rhys Chatham, Mark Dion, Jack Goldstein, Felix Gonzalez-Torres, Kim Gordon, Dan Graham, Thomas Lawson, Louise Lawler, Sherrie Levine, Allan McCollum, John Miller, Dave Muller, Matt Mullican, Adrian Piper, Richard Prince, David Robbins, Ed Ruscha, Cindy Sherman, Laurie Simmons, Michael Smith, John Stezaker, Bernard Tschumi, Jeff Wall, Lawrence Weiner, and James Welling among others.
Table of Contents:
Thomas Lawson and Susan Morgan: Various Histories of REAL LIFE Magazine
Matthew Higgs: REAL LIFE

Susan Morgan: an interview with Robert Moskowitz, 1979
Valentin Tatransky: Collage And The Problem Of Representation: Sherrie Levine's new work, 1979
Grahame Shane: Crime as Function, 1979
Susan Morgan: an interview with Steve Gianakos, 1979
Barbara Kruger: Game Show, 1979
James Welling: Untitled, 1979
Thomas Lawson: Every Picture Tells A Story Don't It? 1979
Thomas Lawson: Fashion Moda, 1980
Richard Prince: Primary Transfers, 1980
Dan Graham: The Destroyed Room of Jeff Wall, 1980
Kim Gordon: Trash Drugs And Male Bonding, 1980
Thomas Lawson: Going Places, 1980
Susan Morgan: Michael Hurson, 1980
Barbara Kruger: Devils With Red Dresses On, 1980
Thomas Lawson: Long Distance Information, 1980
Joseph Bishop: Desperate Character, 1980
Richard Prince: Menthol Pictures, 1980
Laurie Simmons: Sam and Dottie Dance, 1980
Jim Bradley: Radical Genitalia, 1980
Allan McCollum: Matt Mullican's World, 1980
Michael Smith: Mike In... What Should I Do About The Car? 1980
Sherrie Levine: Two Photographs After Walker Evans, 1980
Kim Gordon: Honeymoon Habit, 1980
Post-Modernism: a symposium, 1981
Dan Graham: BOWWOWWOW (the Age of Piracy), 1981
Howard Singerman: The Artist as Adolescent, 1981
Elsa Bulgari: Your Everyday Critic, 1981
Thomas Lawson: Too Good to be True, 1981
Jenny Bolande: Elk Grazed as if Nothing Had Happened, 1981
David Robbins: Notes toward film, 1981
Eric Bogosian: Fascination, 1981
Fulton Ryder: Pissing on Ice, 1981
Joan Wallace and Geralyn Donohue: Edit deAk, 1982
Rex Reason: Democratism, 1982
The Holy Ghost Writers: Condensation and Dish-Placement, 1982-3
Howard Singerman: Paragraphs toward an essay entitled 'Restoration Comedies', 1982-3
John Roberts: Ruins in the Realm of Thought, 1983
Paul McMahon: From The Permanent Collection, 1983
Jo Baer and Bruce Robbins: Beyond the Pale, 1983
Kathi Norklun: Courage, 1983
Tim Rollins: Particles, 1980-1983, 1983-4
Doug Ashford: Kiss of Death, 1983-4
Thomas Lawson: Komar & Melamid, 1983-4
Robin Winters: The Secret Agent: an interview with Jacki Ochs , 1983-4
Robert C. Morgan: a conversation with Lawrence Weiner , 1983-4
Judith Kirshner: A Blinding Light , 1983-4
Rex Reason: Brie Popcorn: an interview with the directors of Nature Morte Gallery, 1983-4
John Miller: Morality and the Poetic, 1984
Susan Morgan: Portraits of the Artists/Composite Drawings, 1984
B.P. Gutfreund: Four Photographs, 1984
Susan Morgan: Each and Every One of You, 1985
Mark Dion: Tales From The Dark Side, 1985
Jeff Wall: Dan Graham's Kammerspiel Parts I and II, 1985
Jana Sterbak: Premeditated: an interview with Ed Ruscha, 1985
Walter Robinson: The Quest For Failure, 1985-6
Derek Boshier: John Dugger, 1985-6
John A.Walker: Unholy Alliance: Chairman Mao, Andy Warhol, and the Saatchis, 1985-6
Kellie Jones: David Hammons, 1986
John Miller: Swiss Family Robbins, 1986
Adrian Piper: An Open Letter to Donald Kuspit, 1987-8
Susan Morgan: when X does not equal Y , 1987-8
Thomas Lawson: Critical Art Ensemble, 1988-9
Christine N. Lea: Beyond Belief, 1988-9
Felix Gonzalez-Torres: Untitled 1988: Detail of a Sculpture (Endless Copies), 1988-9
Thomas Lawson: No Bull, 1990
Allan McCollum: Photo from TV (with Paintings), 1990
Dara Birnbaum: The Wondering Of Context, 1990
James Welling: Corridors, 1989, 1990
Michael Smith and R. Sikoryak: Mike, 1990
Felix Gonzalez-Torres: Untitled, 1990
Judith Barry: Drive-In or Walk-In Museum, 1990
Group Material: AIDS Timeline, 1990
David Robbins: Three Cancelled TV Families, 1990
Louise Lawler: Untitled 1988, 1990
Susan Morgan: Carlos Gutierrez-Solana, 1994
Josef Strau and Stephan Dillemuth: Friesenwall 120, 1994
David A. Muller: Three Day Weekend, 1994
Spencer Finch: Amnesia And Saying Nothing, 1994

File under: Adrian Piper Allan McCollum Andy Warhol Barbara Kruger Critical Art Ensemble Dan Graham Dara Birnbaum David Hammons Ed Ruscha Felix Gonzalez-Torres Group Material Jack Goldstein James Welling Jeff Wall Jo Baer John Miller Josef Strau Judith Barry Kim Gordon Lawrence Weiner Louise Lawler Matt Mullican Rhys Chatham Richard Prince Robin Winters Sherrie Levine Stephan Dillemuth Matthew Higgs Miriam Katzeff Susan Morgan Thomas Lawson Primary Information / New York Art Fiction / Poetry Photography Sculpture / Installation Theory / Essay Group Shows / Collections Painting Periodicals

Ordinary Pictures

2016, English
Softcover (spiral-bound w. flexidisc), 208 pages, 20 x 31 cm
Published by Walker Art Centre / Minneapolis

$85.00 $45.00 - Out of stock

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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to our generic image culture through the conceptual image-based work of some 40 artists, including John Baldessari, Steven Baldi, Sarah Charlesworth, Anne Collier, Liz Deschenes, John Divola, Aleksandra Domanovi c, Hans-Peter Feldmann, Morgan Fisher, Hollis Frampton, Jack Goldstein, Rachel Harrison, Robert Heinecken, Leslie Hewitt, Elad Lassry, Louise Lawler, Sherrie Levine, Steve McQueen, Jack Pierson, Peter Piller, Seth Price, Amanda Rossotto, Ed Ruscha, Steven Shore, Sturtevant, Mungo Thomson, Wolfgang Tillmans, Tseng Kwong Chi, Julia Wachtel and Christopher Williams. Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution. Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction. Featuring a unique, coil-bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art's own complicit function as an expanding industrial image economy.

Edited by Eric Crosby, texts by Lane Relyea and Thomas Beard.

File under: Amanda Rossotto Anne Collier Christopher Williams Ed Ruscha Elad Lassry Hans-Peter Feldmann Hollis Frampton Jack Goldstein Jack Pierson John Baldessari John Divola Julia Wachtel Leslie Hewitt Liz Deschenes Louise Lawler Morgan Fisher Mungo Thomson Peter Piller Rachel Harrison Robert Heinecken Sarah Charlesworth Seth Price Sherrie Levine Steve McQueen Steven Baldi Steven Shore Sturtevant Tseng Kwong Chi Wolfgang Tillmans Aleksandra Domanović Eric Crosby Lane Relyea Thomas Beard Walker Art Centre / Minneapolis Art Photography Film / Video Group Shows / Collections Curatorial SALE

The Whole Earth - California and the Disappearance of the Outside
Diedrich Diederichsen, Anselm Franke (Eds.)

2013, English
Softcover, 208 pages (350 color and b/w ills.), 26 x 35 cm
Published by Sternberg Press / Berlin

$39.00 - Out of stock

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With contributions by Sabeth Buchmann, Mercedes Bunz, Diedrich Diederichsen, Kodwo Eshun, Anselm Franke, Erich Hörl, Norman M. Klein, Maurizio Lazzarato, Flora Lysen, Eva Meyer, John Palmesino, Laurence Rickels, Bernd M. Scherer, Fred Turner

In the year 1966, a young man named Stewart Brand handed out buttons in San Francisco reading: “Why haven’t we seen a photograph of the whole Earth yet?” Two years later, the NASA photograph of the “blue planet” appeared on the cover of the Whole Earth Catalog. In creating the catalogue, frequently described as the analogue forerunner of Google, Brand had founded one of the most influential publications of recent decades. It mediated between cyberneticists and hippies, nature romantics and technology geeks, psychedelia and computer culture, and thus triggered defining impulses for the environmentalist movement and the rise of the digital network culture.

The photo of the blue planet developed a sphere of influence like almost no other image: it stands not only for ecological awareness and crisis but also for a new sense of unity and globalization. The universal picture of “One Earth” hence anticipated an image of the end of the Cold War, whose expansion into space it accompanied, and overwrote or neutralized political lines of conflict by transferring classical politics and criticism of it to other categories, such as cybernetic management or ecology.

The exhibition “The Whole Earth” is an essay composed of cultural-historical materials and artistic positions that critically address the rise of the image of “One Earth” and the ecological paradigm associated with it. The accompanying publication includes image-rich visual essays that explore key themes: “Universalism,” “Whole Systems,” “Boundless Interior,” and “Apocalypse, Babylon, Simulation,” among others. These are surrounded by critical essays that shed light onto 1960s California and the networked culture that emerged from it.

Artists: Nabil Ahmed, Ant Farm, Eleanor Antin, Martin Beck, Jordan Belson, Ashley Bickerton, Dara Birnbaum, Erik Bulatov, Angela Bulloch, Bruce Conner, Öyvind Fahlström, Robert Frank, Jack Goldstein, Nancy Holt and Robert Smithson, Lawrence Jordan, Silvia Kolbowski, Philipp Lachenmann, David Lamelas, Sharon Lockhart, Piero Manzoni, Raymond Pettibon, Adrian Piper, Robert Rauschenberg, Ira Schneider, Richard Serra, Alex Slade, Jack Smith, Josef Strau, The Center for Land Use Interpretation, The Otolith Group, Suzanne Treister, Andy Warhol, Bruce Yonemoto, et al.

Copublished with Haus der Kulturen der Welt
Design by Studio Matthias Görlich

File under: Adrian Piper Alex Slade Andy Warhol Angela Bulloch Ant Farm Ashley Bickerton Bruce Conner Bruce Yonemoto Dara Birnbaum David Lamelas Eleanor Antin Erik Bulatov Ira Schneider Jack Goldstein Jack Smith Jordan Belson Josef Strau Lawrence Jordan Martin Beck Nabil Ahmed Nancy Holt Philipp Lachenmann Piero Manzoni Raymond Pettibon Richard Serra Robert Frank Robert Rauschenberg Robert Smithson Sharon Lockhart Silvia Kolbowski Suzanne Treister The Center for Land Use Interpretation The Otolith Group Öyvind Fahlström Anselm Franke Bernd M. Scherer Diedrich Diederichsen Erich Hörl Eva Meyer Flora Lysen Fred Turner John Palmesino Kodwo Eshun Laurence Rickels Maurizio Lazzarato Mercedes Bunz Norman M. Klein Sabeth Buchmann Sternberg Press / Berlin Architecture / Interior Art Theory / Essay Pop Art Group Shows / Collections Feminism Ecology Sculpture / Installation

This Will Have Been
Art, Love, and Politics in the 1980s

2012, English
Softcover, 544 pages (225 colour ill.), 18 x 23 cm
Published by Yale University Press / New Haven

$55.00 - Out of stock

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Helen Molesworth; With essays by Johanna Burton, William Horrigan, Elisabeth Lebovici, Kobena Mercer, Sarah Schulman, and Frazer Ward.

Art of the 1980s oscillated between radical and conservative, capricious and political, socially engaged and art historically aware. Published in association with the Museum of Contemporary Art, Chicago, this fascinating book chronicles canonical as well as nearly forgotten works of the 1980s, arguing that what has often been dismissed as cynical or ironic should be viewed as a struggle on the part of artists to articulate their needs and desires in an increasingly commodified world. The major developments of the decade—the rise of the commercial art market, the politicization of the AIDS crisis, the increased visibility of women and gay artists and artists of color, and the ascension of new media—are illuminated in works by Sophie Calle, Nan Goldin, Jeff Koons, Lorna Simpson, Leigh Bowery, Jimmy De Sana, Carroll Dunham, Jimmie Durham, Alex Garry, Robert Gober, Nan Goldin, Mike Kelley, Paul McCarthy, Annette Messager, Cady Noland, Albert Oehlen, Richard Prince, Cindy Sherman, Julian Schnabel, Rosemarie Trockel, Jeff Wall, Charlie Ahearn, Gretchen Bender, Black Audio Film Collective, Jennifer Bolande, Gregg Bordowitz, Eugenio Dittborn, Gran Fury, Group Material, Guerrilla Girls, Hans Haacke, David Hammons, Jenny Holzer, Alfredo Jaar, Barbara Kruger, Louise Lawler, Donald Moffett, Lorraine O’Grady, Paper Tiger Television, Adrian Piper, Lari Pittman, Tim Rollins and K.O.S., Christy Rupp, Doris Salcedo, Juan Sánchez, Tseng Kwong Chi and Keith Haring, Carrie Mae Weems, Christopher Williams, Krzystof Wodiczko, Judith Barry, Ashley Bickerton, Deborah Bright, Marlene Dumas, Felix Gonzales-Torres, Peter Hujar, G. B. Jones, Isaac Julian, Rotimi Fani Kayode, Mary Kelly, Silvia Kolbowski, Louise Lawler, Sherrie Levine, Jack Leirner, Robert Mapplethorpe, Richard Prince, Marlon Riggs, David Robbins, Laurie Simmons, Haim Steinbach, David Wojnarowicz, Dotty Attie, Robert Colescott, General Idea, Robert Gober, Jack Goldstein, Pater Halley, Mary Heilmann, Candy Jernigan, Mike Kelley, Martin Kippenberger, Louise Lawler, Sherrie Levine, Christian Marclay, Allan McCollum, Peter Nagy, Raymond Pettibon, Stephen Prina, Martin Puryear, Gerhard Richter, David Salle, Doug + Mike Starn, Tony Tasset, James Welling, and Christopher Wool, among others. Essays by leading scholars provide unique perspectives on the decade's competing factions and seemingly contradictory elements, from counterculture to the mainstream, radicalism to democracy and historical awareness, conservatism to feminist politics.

Complete with critical texts on each work, This Will Have Been brings into focus the full impact of the art, artists, and political and cultural ruptures of this paradigm-shifting decade. More than 200 full-color reproductions of works in a range of media, including drawing, painting, photography, and sculpture, illustrate this ambitious guide to a period of artistic transformation.

File under: Adrian Piper Albert Oehlen Alex Garry Alfredo Jaar Allan McCollum Annette Messager Ashley Bickerton Barbara Kruger Black Audio Film Collective Cady Noland Candy Jernigan Carrie Mae Weems Carroll Dunham Charlie Ahearn Christian Marclay Christopher Williams Christopher Wool Christy Rupp Cindy Sherman David Hammons David Robbins David Salle David Wojnarowicz Deborah Bright Donald Moffett Doris Salcedo Dotty Attie Doug + Mike Starn Eugenio Dittborn General Idea Gerhard Richter Gran Fury Gregg Bordowitz Gretchen Bender Group Material Haim Steinbach Hans Haacke Isaac Julian Jack Goldstein Jack Leirner James Welling Jeff Koons Jeff Wall Jennifer Bolande Jenny Holzer Jimmie Durham Jimmy De Sana Juan Sánchez Judith Barry Julian Schnabel Krzysztof Wodiczko Lari Pittman Laurie Simmons Leigh Bowery Lorna Simpson Lorraine O'Grady Louise Lawler Marlene Dumas Marlon Riggs Martin Kippenberger Martin Puryear Mary Heilmann Mary Kelly Mike Kelley Nan Goldin Paper Tiger Television Paul McCarthy Peter Hujar Peter Nagy Raymond Pettibon Richard Prince Robert Colescott Robert Gober Robert Mapplethorpe Rosemarie Trockel Rotimi Fani Kayode Sherrie Levine Silvia Kolbowski Sophie Calle Stephen Prina Tim Rollins & K.O.S. Tony Tasset Felix Gonzalez-Torres Guerrilla Girls Peter Halley G.B. Jones Elisabeth Lebovici Frazer Ward Helen Molesworth Johanna Burton Kobena Mercer Sarah Schulman William Horrigan Yale University Press / New Haven Art Sculpture / Installation Group Shows / Collections Theory / Essay Painting Conceptual Art Performance / Dance / Theater

Jack Goldstein
"Films, Records, Performances and Aphorisms 1971 - 1984"

2003, English/German
Softcover, 93 pages (fully illustrated), 25 x 19 cm
Published by Walther König / Köln

$34.00 - Out of stock

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Book on the artist Jack Goldstein with an essay by John Miller, an interview by Morgan Fisher and aphorisms by Jack Goldstein in English and German. The book also includes a comprehensive list of works from within the time period 1971 - 1984 and a complete and commented list of Jack Goldstein's films.

File under: Jack Goldstein Christopher Müller Walther König / Köln Art

Sandwich 5

2009, English
Softcover, 12 over-sized pages (colour ill.), offset, 300 x 420 mm
Edition of 500,
Published by Sandwich Artists Management LLC / New York

$10.00 $5.00 - In stock -

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Sandwich is a new tabloid-sized critical art journal founded by Rob Mckenzie and designed by Joshua Petherick, as an extension of Rob's former SLAVE publishing.

Issue no. 1 includes interviews with/discussions on/contributions by Ester Partegas, David Pestorius, Willy Wonka Inc., Joint Hassles, Gambia Castle, Bless, Lukas Duwenhogger, Hany Armonious, Jack Goldstein, Gwyn Porter, Isabella Bortolozzi, Mladen Stilinovic, Janet Burchill and Jennifer McCamley, Julian Goethe, Luis Macias, The Suburban, Eva Svenning, Oreet Ashery, Texte Zur Kunst, Jacques Lacan, Michael Snachez, Lizzy Newman, and more... !!

File under: Elizabeth Newman Hany Armanious Jack Goldstein Janet Burchill & Jennifer McCamley Joshua Petherick Julian Göthe Mladen Stilinovic Rob McKenzie Robert McKenzie Sandwich Artists Management LLC / New York Art Periodicals Theory / Essay Australian Art SALE