World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
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All prices in AUD (Australian dollars)
Pick-Ups
Pick-up orders can be collected in our bookshop during opening hours after order date. Please collect any Pick-up orders within 2 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected. If you cannot make it in to the bookshop in this time-frame, please choose postage option.
Return Policy
All sales are final. We do accept returns (for refund or exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1999, English
Softcover, 128 pages, 24 x 18 cm
1st Edition, Out of print title / used / good
Published by
Creation Books / London
The Tears Corporation / London
$40.00 - In stock -
Antonin Artaud (1896-1948) remains the most inspirational, provocative and challenging figure in world-wide contemporary culture. His trajectory extends from the Surrealist movement, to the Theatre of Cruelty, to the lunatic asylums of France, and finally back to Paris and the most astonishing period of his work.
For the first time, the book gives a full and authoritative account of Artaud's film projects, and his conception of Surrealist cinema. It examines his unique series of drawings of the fragmented human body, begun in the ward of a lunatic asylum and finished in a state of furious liberation. Finally, the book captures Artaud's ultimate experiment with the screaming body in the form of his censored recording To Have Done With The Judgement Of God - an experiment which is unprecedented in the history of art, and which ultimately decimates that history.
The Screaming Body is an essential resource and inspiration for those engaged in creating the definitive culture of our time, in film, art, music and writing.
Good copy, some wear to cover otherwise VG throughout rest.
2012, English
Softcover, 144 pages, 15 x 22.5 cm
1st Edition, Out of print title / used / very good
Published by
Semiotext(e) / Los Angeles
$25.00 - In stock -
An autobiographical portrait of a gay Arab man, living between cultures, seeking an identity through love and writing.
I had to rediscover who I was. And that's why I left the apartment.... And there I was, right in the heart of the Arab world, a world that never tired of making the same mistakes over and over.... I had no more leniency when it came to the Arab world... None for the Arabs and none for myself. I suddenly saw things with merciless lucidity....
—An Arab Melancholia
Salé, near Rabat. The mid 1980s. A lower-class teenager is running until he's out of breath. He's running after his dream, his dream to become a movie director. He's running after the Egyptian movie star, Souad Hosni, who's out there somewhere, miles away from this neighborhood—which is a place the teenager both loves and hates, the home at which he is not at home, an environment that will only allow him his identity through the cultural lens of shame and silence. Running is the only way he can stand up to the violence that is his Morocco.
Irresistibly charming, angry, and wry, this autobiographical novel traces the emergence of Abdellah Taïa's identity as an openly gay Arab man living between cultures. The book spans twenty years, moving from Salé, to Paris, to Cairo. Part incantation, part polemic, and part love letter, this extraordinary novel creates a new world where the self is effaced by desire and love, and writing is always an act of discovery.
Translated by Frank Stock.
VG copy, light pressure buckle to back, otherwise new.
1997, English / Japanese
Softcover, 100 pages, 37 x 26 cm
1st Edition, Out of print title / used / fine
Published by
Sakuhinsha / Tokyo
$190.00 - In stock -
First Japanese edition of Japanese master of erotic fantasy illustration Hajime Sorayama's classic NAGA, published in 1997. The long awaited arrival of the latest collection Sorayama's erotic illustrations, NAGA, which was completed after his previous best-seller, GYNOIDS. This lavish over-sized volume is illustrated cover-to-cover with 65 of Sorayama's works gathered on the central mythological theme of NAGA — the serpent gods. A celebration of feminine beauty, presented in dramatic, glossy full-colour throughout. This edition with beautiful production, including textured, patterned Japanese paper-stocks and incredible reproductions.
Hajime Sorayama is revered for his erotic airbrushed illustrations of humanoid robots that explore ideals of femininity and beauty. Drawing on pinup pictures, Sorayama published the first book of his signature “Sexy Robot” series of chromium-plated figures in 1983. Decades later, these striking works have sold for more than $500,000. Sorayama started his career in advertising before freelancing in Hollywood, where he helped to produce visuals for sci-fi films. His illustrations gained widespread attention in 1995, when Penthouse began featuring them in a monthly column. While Sorayama has enjoyed a particular cult status for his sensual cyborgs —who appear empowered rather than objectified —he has also received mainstream commercial attention. Sony enlisted him to produce the first designs for its robotic dog AIBO, which won the grand prize for Japan’s Good Design Award in 1999. Sorayama has also worked with fashion titans such as Thierry Mugler and Dior on projects that have extended his illustrations into the realm of wearables, sculpture, and performance.
Very Good copy.
1994, Japanese / English
Slipcase (w. obi), corrugated envelope, unpaginated book, 29.7 x 21 cm
1st Edition, Out of print title / used / fine
Published by
B-Sellers / Japan
$220.00 - In stock -
First book edition of Scene of Death, a rare 1994 death photo collection, published by B-Sellers in Japan only, compiled by Noriaki Nakagawa, Hitomi Komukai, and Yoichi Shihata. An elaborate and beautiful production of the macabre. Housed in an illustrated slipcase with illustrated obi-strip and further within a stamped, labelled, corrugated envelope, housing the bound book containing 64 monochrome photographic plates reproducing images from "Atlas der Gerichtsmedizin", an absolutely fascinating collection by Weiman / Prokop, first published in 1963. Atlas der Gerichtsmedizin was originally a serious German scientific reference book for criminal investigators and those in the medical field — a photo book scrapbook of thousands of images of graphic human death scenes — suffocation and strangulation, drowning and death by water, death by burning and electrocution, crimes of passion, abuse and neglect, and more. In turn, this visual opus became a bible of reference imagery to a wave of musicians, artists and authors during the industrial avant-garde, from Throbbing Gristle to Paul Buck to Atrax Morgue. This meticulous and unique Japanese offering further influenced many Japanese artists in the 1990's.
"We believe the scenes of death is, in one sense, the most erotic of human nature. It is at the time of death that man no longer can attempt to control his inner self and therefore the real self appears vividly. Here we have opened the doors to a topic that is usually not only hidden but also shut out of the minds of man. Please share our excitement and take a glance into the world of hidden eroticism"—Scene of Death blurb.
Fine copy throughout, As New with sealed sticker never opened. Finer than pictured copy.
2007, English
Hardcover (w. dust jacket), 544 pages, 30.5 x 25.5 cm
1st Edition, Out of print title / as new
Published by
Steidl / Göttingen
Schaulager / Basel
$420.00 - Out of stock
The monumental, and very rare catalogue raisonné of American artist Robert Gober's (b. 1954) sculptures and installations, published on the occasion of the retrospective exhibition "Robert Gober. Work 1976-2007" at Schaulager, Basel by the great Steidl publishing house with Schaulager. At 544 pages, this incredible, handsomely designed hardcover book catalogues Gober's work as he developed an iconography once beautifully described as 'The Poetics of the Drain'. It charts his journey through his heart breaking reaction to the emergence of AIDs in the New York community, whilst grappling with issues around childhood, domesticity, sexuality, victimization and religion, relative to the disenfranchised and spurned, melding the human body with the drain. The book firmly places him in the forefront of his generation of artists.
Lavishly illustrated with approximately 250 works, all of which are reproduced in large format along with behind the scenes production/studio photography and comprehensive descriptions complemented by the artist's own commentary on individual works, as well as technical information on their manufacture. With an introductory essay by Elisabeth Sussman, curator at the Whitney Museum of American Art in New York, this volume remains the most exhaustive and revealing volume on Gober's oeuvre.
A highly sought after book, especially in the more collectible English edition.
As New copy, still sealed.
1992, Japanese
Softcover, 192 pages, 13 x 18 cm
1st Edition, Out of print title / used / very good
Published by
Fiction Inc. / Tokyo
$90.00 - In stock -
Issue No.42 of the great SALE2 periodical from Tokyo Japan, founded in 1984 by Makoto Orui, who later became art director for Purple magazine in France and Rockin’on magazine in Japan. SALE2 was active for about 14 years during the 1980s—1990s, published regularly as a sort-of fanzine/journal/catalogue/pocket-book by Fiction, Inc., a specialty shop and publisher of fetish and erotica in Tokyo in the 1980-90s. With Orui's distinct design SALE2 developed an exclusive curated editorial set on ‘erotisism and its spiritual philosophy’, with each issue exploring different themes and features, heavy on fetishism and erotic art.
Issue No.42, the "Transformation" issue features collected writings and images around the themes of body transformation, transsexuality, including Pierre Molinier, Mari Akasaka, Kyoko Okazaki, Toyen, Hans Bellmer and Unica Zürn, Henri Maccheroni, Robert Chouraqui, Greybuck's The Equestrians illustrations, Sophia Lamar, plus loads of other images/catalogues of bondage and fetish related arts, and much more...
Very heavily illustrated throughout with erotic photography and artwork, all texts in Japanese.
Very Good copy with tanning to pages.
1986, Japanese
Softcover, 160 pages, 13 x 18 cm
1st Edition, Out of print title / used / very good
Published by
Fiction Inc. / Tokyo
$90.00 - In stock -
Issue No.28 of the great SALE2 periodical from Tokyo Japan, founded in 1984 by Makoto Orui, who later became art director for Purple magazine in France, published regularly as a sort-of fanzine/journal/catalogue/pocket-book by Fiction, Inc., a specialty bookshop and publisher of fetish and erotica in Tokyo in the 1980—90s. Each issue covers different themes and features, heavy on fetishism.
Issue No.28, the "Fetishism" issue features collected writings and images around the theme of fetish by John Willie, Bizarre Magazine, Pierre Molinier, Irina Ionesco, Bernard Faucon (his incredible Summer Camp series), Irwing Klaw, Centurians Publishing Inc. bondage catalogues, Andy Warhol and much more... What's more, this issue comes complete with a green synthetic feather to kickstart your own sensual adventures.
Very heavily illustrated throughout with erotic photography and artwork, all texts in Japanese.
1995, Japanese
Softcover (w. dust jacket + obi), 130 pages, 20 x 15 cm
1st Edition, Out of print title / used / fine
Published by
Photo Musée / Tokyo
$110.00 - In stock -
First, long-out-of-print, 1995 revised edition of Daido Moriyama's classic first photo book, Nippon Gekijo Shashincho (Japan, A Photo Theater), originally published in 1968, the year which also saw the launch of the influential Provoke magazine. This wonderful first book already demonstrates Moriyama’s trademark visual style, synonymous with Provoke, and features many of his most iconic early photographs. On invitation of legendary Japanese avant-garde theatre director and writer Shūji Terayama (1935—1983), Moriyama began photographing members of his experimental theatre troupe Tenjō Sajiki, a major phenomenon on the Japanese Angura ("underground") theater scene of the 1960s and 70s, adding shots of dwarf show dancers, strip clubs, street performers, fetuses in formaldehyde containers and other motifs and characters of late 1960's Japan captured in Daido's signature grain.
NF copy in NF dust jacket w/ NF obi.
2009, English
Hardcover, 550 pages, 22 x 28 cm
1st Edition, Out of print title / used / very good
Published by
The MIT Press / Massachusetts
$440.00 - In stock -
First edition of the scarce, highly sought after, and most comprehensive book ever published on American artist Paul Thek, published in 2009 by MIT Press. Edited by Harald Falckenberg and Peter Weibel, this enormous 550 page monograph contains more than 300 works by this groundbreaking artist, documenting his journey from legendary outsider to central figure in many contemporary art movements.
Paul Thek occupied a place between high art and low art, between the epic and the everyday. During his brief life (1933-1988), he went against the grain of art world trends, humanizing the institutional spaces of art with the force of his humor, spirituality, and character. Twenty years after Thek's death from AIDS, we can now recognize his influence on contemporary artists ranging from Vito Acconci and Bruce Nauman to Matthew Barney, Mike Kelley, and Paul McCarthy, as well as Kai Althoff, Jonathan Meese, and Thomas Hirschhorn. This book brings together more than 300 of Thek's works—many of which are published here for the first time—to offer the most comprehensive display of his work yet seen. The book, which accompanies an exhibition at ZKM ? Museum of Contemporary Art presenting Thek's work in dialogue with contemporary art by young artists, includes painting, sculpture, drawing, and installation work, as well as photographs documenting the room-size environments into which Thek incorporated elements from art, literature, theater, and religion. These works chart Thek's journey from legendary outsider to foundational figure in contemporary art. In their antiheroic diversity, Thek's works embody the art revolution of the 1960s; indeed, Susan Sontag dedicated her classic Against Interpretation to him. Thek's treatment of the body in such works as “Technological Reliquaries,” with their castings and replicas of human body parts, tissue, and bones, both evoke the aura of Christian relics and anticipate the work of Damien Hirst. The book, with more than 500 images (300 in colour) and nineteen essays by art historians, curators, collectors, and artists, investigates Thek's work on its own terms, and as a starting point for understanding the work of the many younger artists Thek has influenced.
Essays by Jean-Christophe Ammann, Margrit Brehm, Bazon Brock, Suzanne Delehanty, Harald Falckenberg, Marietta Franke, Stefan Germer, Kim Gordon, Roland Groenenboom, Axel Heil, Gregor Jansen, Mike Kelley, John Miller, Susanne Neubauer, Kenny Schachter, Harald Szeemann, Annette Tietenberg, Peter Weibel, Ann Wilson.
Very Good copy.
1969, English / Dutch
Illustrated 10-page fold-out (w. loose leaf inserts), 27 × 83 cm
1st Edition, Out of print title / used / very good
Published by
Stedelijk Museum / Amsterdam
$240.00 - In stock -
Extremely rare early Paul Thek Stedelijk Museum Amsterdam catalogue, published in 1969. Designed by Wim Crouwel (Total Design) in the form of a 10-page illustrated leporello fold-out of Thek's installations and sculptures and published with SM no. 460. One of the hardest of all Stedelijk Museum catalogues to find, this copy comes complete with the often missing SM biographical/interview/text insert, and also the loose strip inlay with text advertising ‘a document made by Paul Thek and Edwin Klein’ (published that same year), making it a most complete copy available.
Very Good-Fine with all included, preserved in plastic sleeve.
An American sculptor, painter, and installation artist, Paul Thek (1933-1988) is primarily known for hyper-realistic works of human body parts executed in fleshlike beeswax and for his strongly symbolic, room-size installations constructed from transitory materials. A major figure on the 1960s New York art scene, Thek also spent time in Europe, where he paved the way for artists adopting collaborative strategies. Although he gained a large following and was featured in more than one hundred solo and group exhibitions, the anti-establishment "artist's artist" was practically forgotten at the time of his death from AIDS related illness in New York City in 1988, aged 54.
1989, English
Softcover, 214 pages, 21.5 x 13.5 cm
1st Edition, Out of print title / used / very good
Published by
Marion Boyars / London
$55.00 - Out of stock
Scarce 1989 softcover edition of the English edition of Roberte Ce Soir and The Revocation of the Edict of Nantes, published by Marion Boyars, London/New York. Together these two novels comprise the most fascinating, obsessive, and erotic works of contemporary French fiction. Like the works of Georges Bataille, and those of the Marquis de Sade before him, Klossowski's fiction explores the connections between the mind and the body through a lens of sexuality. Both of these novels feature Octave, an elderly cleric; his striking young wife Roberte; and their nephew, Antoine in a series of sexual situations. But Klossowski's books are about theology as well, and this merging of the sexual with the religious makes this book one of the most painstakingly baroque and intellectual novels of our time.
Pierre Klossowski (1905, Paris—2001, Paris) was a French writer, translator and artist. He was the eldest son of the artists Erich Klossowski and Baladine Klossowska, and his younger brother was the painter Balthus. As a writer, Pierre Klossowski wrote full length volumes on the Marquis de Sade and Friedrich Nietzsche, a number of essays on literary and philosophical figures, and five novels. Roberte Ce Soir (Roberte in the Evening) provoked controversy due to its graphic depiction of sexuality. He translated several important texts (by Virgil, Ludwig Wittgenstein, Martin Heidegger, Friedrich Hölderlin, Franz Kafka, Nietzsche, and Walter Benjamin) into French, worked on films and was also an artist, illustrating many of the scenes from his novels. Klossowski participated in most issues of George Bataille's review, Acéphale, in the late 1930s. His 1969 book, Nietzsche and the Vicious Circle, greatly influenced French philosophers such as Michel Foucault, Gilles Deleuze, and Jean-François Lyotard.
Very Good copy, sun discolouration to cover boards and spine.
1991, Japanese
Hardcover (w. dust jacket and slipcase), 168 pages, 26 x 29.5 cm
1st Edition, Out of print title / used / very good
Published by
Libro Port Publishing Co. Ltd. / Tokyo
$180.00 - In stock -
The incredible and rarely seen 1991 Japanese slipcased, hardcover edition of Jacques Henric's monographic volume on the great Pierre Klossowski. One of the most comprehensive books ever published on the artist, with beautiful large reproductions of artworks in colour and b/w heavily featured throughout, alongside Henric's text (here translated into Japanese from the original French) with a full catalogue of works and bibliography. First printing in original dust jacket, illustrated slipcase, beautifully printed in Italy and bound in Japan.
Jacques Henric (b. 1938) is a French literary critic, essayist and novelist.
Pierre Klossowski (1905-2001) was a significant and influential philosopher, writer, translator and artist who befriended Georges Bataille and formulated an original stance on many theological issues, as well as the philosophy of the Marquis de Sade. His first novel, Roberte, ce soir, appeared in 1954 as a limited edition containing six of his own erotic illustrations, after he rejected drawings by his younger brother, the painter Balthus. Following the encouragement of Robert Lebel, Andre Masson and Alberto Giacometti, Klossowski held his first exhibition in Paris in 1956, and subsequently produced numerous life-size drawings of erotic scenes imbued with mythological, allegorical and philosophical connotations. By the 1970s, he had won the acclaim of such eminent thinkers as Maurice Blanchot, Michel Butor, Gilles Deleuze, Michel Foucault and Felix Guattari. Of Klossowski, Gilles Deleuze once said, "That bodies speak has been known for a long time."
Fine As New copy of book and dj, preserved in Good slipcase with some wear and bumps.
1998, French
Softcover, 140 pages, 21 x 13.5 cm
1st Edition, Out of print title / used / good
Published by
Marval / Paris
$55.00 - Out of stock
"Looking at a painting by Klossowski is to turn oneself into its victim."
First edition 1998 French paperback study of Pierre Klossowski by French writer, poet, art critic and collector, Bernard Lamarche-Vadel (1949—2000). Heavily illustrated throughout with many fine examples of Klossowski's artworks in colour and b/w, plus biography, portraits, history of exhibitions, and more.
"The great master of heresy desires first and places the observer of his works at the center of their mechanisms. This device lends itself to the description of the great and redoubtable logic of the images that place us on the threshold of the secret of Roberte. Scandalous and classic Klossowski's work is one of the most enigmatic of the twentieth century because it is primarily a process the enigma of which is the subject."
Bernard Lamarche-Vadel (1949—2000) was a French writer, poet, art critic and collector. The son of a veterinarian, self-taught, his tastes for art and literature earned him a paternal anathema. A graduate from the École pratique des hautes études in art sociology (1970), he subsequently taught at the Paris-I Panthéon-Sorbonne University and then at ICART in 1979. A poet and short stories writer, Bernard Lamarche-Vadel bega writing art criticism in the 1970s and founded the magazine Artistes. He became a prolific writer on the arts, publishing many books and organising exhibitions. He appareared in L'Argent (1983) by Robert Bresson. In 2000, at age 50, he committed suicide in his castle of La Rongère. His photographic collection is archived at Musée Nicéphore-Niépce in Chalon-sur-Saône. An exhibition devoted to his work as an art critic was presented in 2009 by the Musée d'Art Moderne de la Ville de Paris.
Very Good copy with some laminate peeling to the covers, tanned edges.
2006, English
Softcover, 366 pages,
1st UK Edition, Out of print title / used / good
Published by
Snowbooks / London
$35.00 - In stock -
'History follows a trail of sputtering desire, often calling upon the delusions of lovers to generate the sparks. If it weren't for us, the world would suffer from a dismal lack of stories.'
In this brutally candid memoir, writer, translator and journalist Bruce Benderson recounts his unrequited love for an impoverished Romanian whom he meets while on a journalism assignment in Eastern Europe. Rather than retreat, Benderson absorbs everything he can about Romania, its culture and its history and discovers a mirror in it for his own turmoil: the wild affairs of its last king, Carol II. Free of bitterness, nastiness, or any desire to protect himself, he is sustained throughout by little white codeine pills, a poetic self-awareness, a sense of humor, and an unwavering belief in the perfect romance, even as wild dogs chase him down Romanian streets.
"Bruce Benderson's harrowingly autobiographical The Romanian (Snowbooks) is one of the most devastating and unsparing accounts of amour fou I have ever read, providing at the same time an extraordinary glimpse into Romania's past and present. [...] More than just a memoir, The Romanian is also a fascinating travelogue of a country dense with mystical traces and decay...A grand, if disturbing adventure."—Joy Press, The Village Voice
Good copy, light edge wear, some foxing to block edges.
1991, English
Softcover, 155 pages, 21.5 x 13.5 cm
1st Edition, Out of print title / used / very good
Published by
Marion Boyars / London
$65.00 - Out of stock
First 1991 English edition.
Set against the backdrop of Europe's slide into Fascism, Blue of Noon is one of Bataille's most overtly political works, exploring the ambiguity of sex as a subversive force and synthesizing the fetishes of violence, power and death that mesmerized an age. In this classic of twentieth century eroticism, the reader is taken on a dark journey through the psyche of the prewar French intel- ligentsia, torn between identification with the victims of history and the glamour of its victors.
"The writing is superlative... daringly imaginative, intended only for those awake and aware of the possibilities of excess in literature and life. Along with Céline and Breton, Bataille writes as if he were dropping a bomb; in a fore-flash he creates a world of demented funereal sexuality."—Detroit Free Press
"Bataille is one of the most important writers of this century. He broke with traditional narrative to tell us what has never been told before."—Michel Foucault
"Bataille denudes himself, exposes himself, his exhibitionism aims at destroying all literature. He has a holocaust of words. Bataille speaks about man's condition, not his nature. His tone recalls the scornful aggressiveness of the surrealist. Bataille has survived the death of God. In him reality is conflict."—Jean-Paul Sartre
Very Good copy with light wear, light bumping to card covers.
1972, English
Hardcover (w. dust jacket), 138 pages, 20.5 x 13.5 cm
1st Edition, Out of print title / used / very good
Published by
Jonathan Cape / London
$120.00 - Out of stock
Rare 1972 hardcover first edition of Georges Bataille's My Mother, published by Jonathan Cape, London, translated to English from the French by Austryn Wainhouse. Ma Mère was the first of Bataille's novels to appear in Britain. My Mother is a frank and intense depiction of a young man's sexual initiation and corruption by his mother, where the profane becomes sacred, and intense experience is shown as the only way to transcend the boundaries of society and morality. Georges Bataille was obsessed by the paradox contained in passion, the presence of joy in terror, pleasure in suffering and compulsion in repulsion. His dark and anguished study is a minor erotic masterpiece.
Georges Bataille (1897—1962) was a French philosopher, essayist and novelist, often called the "metaphysician of evil." Born in Billom, France, he converted to Catholicism, then later to Marxism. Bataille was involved on the fringes of Surrealism, f1972ounding the Surrealist magazine Documents in 1929, and editing the literary review Critique from 1946 until his death. Leading a simple life as the curator of a municipal library, Bataille wrote some of France's most famous forbidden books, and has become known as a forefather the "literature of transgression". Interested in sex, death, degradation, mysticism and the power and potential of the obscene, he rejected traditional literature and considered that the ultimate aim of all intellectual, artistic, or religious activity should be the annihilation of the rational individual in a violent, transcendental act of communion. Fascinated by human sacrifice, he founded a secret society, Acéphale, alongside André Masson, Pierre Klossowski, Roger Caillois, and others. Roland Barthes, Julia Kristeva, and Philippe Sollers have all written enthusiastically about Bataille's work.
Very Good copy in VG dust jacket with minor wear and tear.
1969, English
Softcover, 206 pages, 21.5 x 13.5 cm
Out of print title / used / good
Published by
Dover / New York
$28.00 - Out of stock
Full, unabridged Dover 1969 English paperback edition of Huysmans' famous "A Rebours" from 1884, with Huysmans' original 1903 preface and introduction by Havelock Ellis.
"Because of his extreme sensitivity to the absurd and grotesque in human affairs, the protagonist of this masterpiece of decadence has estranged himself from society and savors the most bizarre aspects of human existence in his quest for novelty. This landmark novel is filled with weird images and biting wit."
Infamous as the inspiration for the novel which slowly corrupts Oscar Wilde's "Dorian Gray", Joris-Karl Huysmans' A Rebours ("Against The Grain" or "Against Nature") is the original handbook of decadence. A wildly original fin-de-siecle novel, Against Nature contains only one character. Des Esseintes is a decadent, ailing aristocrat who retreats to an isolated villa where he indulges his taste for luxury and excess. Veering between nervous excitability and debilitating ennui, he gluts his aesthetic appetites with classical literature and art, exotic jewels (with which he fatally encrusts the shell of his tortoise), rich perfumes and a kaleidoscope of sensual experiences. Against Nature, in the words of the author, exploded 'like a grenade' and has enjoyed a cult following to this day.
Joris-Karl Huysmans (1848-1907) is now recognized as one of the most challenging and innovative figures in European literature and an acknowledged principal architect of the fin-de-siecle imagination. He was a career civil servant who wrote ten novels, most notably "A Rebours and La-Bas". Huysmans died in 1907.
Good copy, light wear.
1993, Japanese / English
Hardcover (w. dust jacket), 144 pages, 23 x 31 cm
1st Edition, Out of print title / used / very good
Published by
Libro Port Publishing Co. Ltd. / Tokyo
$220.00 - In stock -
Never to be missed, the first 1993 over-sized hardcover edition of Araki's incredible Erotos photo book, our favourite of his books. In this provocative work, controversial and legendary Japanese photographer Nobuyoshi Araki makes a radical departure from his usual portraits and cityscapes, zooming his lens in on his evocative subjects. An exquisitely printed collection of arrestingly primal close-ups of parts of the human body, as well as pipes, fruit, wet sidewalks, flowers, snails—Erotos delves deep into the erotic subconscious. Reproduced in gorgeous glossy duotone full-page bleed, bound in heavy gloss red, foiled hardcovers. A stunning book! Araki at his most surrealist. Highest recommendation.
Nobuyoshi Araki is a prolific Japanese photographer who has produced thousands of photographs over the course of his career. He became famous for “Un Voyage Sentimental” (1971), a series of photos depicting both banal and deeply intimate scenes of his wife and lifelong muse, essayist Aoki Yoko (whom the artist credits for making him a photographer), during their honeymoon. To date the 75 year old has produced 450 photo books and counting. With a repertoire that knows no boundaries, Araki's diaristic style of photography has captured the world around him (his cat Chiro, the people and landscapes of Japan and his travels, flowers, family), though it is Araki’s intensely sexual imagery that has elicited particular controversy and fascination throughout his career. Similarly to Helmut Newton, Araki has often addressed subversive themes — such as bondage in the Japanese style Kinbaku — in his provocative depictions of female nudes. He typically works in black-and-white photography, and his hallmark style is deliberately casual. “Rather than shooting something that looks like a professional photograph, I want my work to feel intimate, like someone in the subject’s inner circle shot them,” he says. Pushing against the world of commercialised photography, he is celebrated for his history of self-publishing and distributing his work, beginning with his Xerox Photo Albums of 1970. Amongst many others, Araki has collaborated with American photographer Nan Goldin and Icelandic musician Björk.
Very Good copy in Very Good dust jacket with small amount of wear and tear.
1994, English
Softcover, 192 pages, 21.5 x 14 cm
1st Edition, Out of print title / used / good
Published by
Permeable Press / San Fransisco
$18.00 - In stock -
"Lance Olsen's Tonguing The Zeitgeist is pure dope - some of the wildest, darkest and hippest head candy you could ever imagine tasting! His addictive prose style is like taking a hit of ecstasy and entering a futureworld that rivals Gibson's Neuromancer. I dare you to read it!"—Mark Amerika, author of The Kafka Chronicles
"Lance Olsen writes as if he were Lucifer taking the long plummet to Hell. His prose lights the sky with mocking laughter and burning conviction."—Lewis Shiner, author of Slam and Deserted Cities of the Heart
"Avant-Pop Prof Lance Olsen's Tonguing The Zeitgeist is one of the new breed of savvy, post-cyberpunk SF novels that should alert all those grunge-weary members of the underground that there's weird, wired, and wild quality stuff coming from the Pacific Northwest these days other than remastered Hendrix or Nirvana's latest. Two thumbs up!"—Larry MaCaffery, editor of Storming The Reality Studio: A Cyberpunk Casebook
"So you want to be a rock 'n' roll star? In a future that isn't distant enough, you'll have to sell your soul to MTV just to pick up a guitar. And then they start carving you up, making you over in the mega-media image of glitter and bone.
Poor Ben Tendo, he just wanted to play music and make love to Jessika. . . Tonguing the Zeitgeist, finalist for the 1995 Philip K. Dick Award for best science fiction novel, is a social satire in the tradition of Anthony Burgess's A Clockwork Orange about the music industry and the commercialisation of the arts."
LANCE OLSEN's many books include the novel Live From Earth, the short story collections My Dates With Franz and Scherzi, I Believe, and the first full-length study of the godfather of cyberpunk, William Gibson. His prose and poetry have appeared in about two hundred magazines and anthologies, among them Fiction International, Mondo 2000, and VZS. Born in New Jersey and raised in Venezuela, he has sampled Wisconsin, Iowa, Virginia, Kentucky, London, and Oxford, but now lives on a farm in northern Idaho with his wife, Andi Olsen, and their modem.
Very Good copy, some light wear/marking to block edges.
1990, English
Hardcover (w. dust jacket), 150 pages, 24 x 16 cm
1st UK Edition, Out of print title / used / very good
Published by
Faber & Faber / London
$25.00 - In stock -
1990 English hardcover edition of "In Praise of the Stepmother', an erotic novel by Peruvian writer Mario Vargas Llosa, winner of the Nobel Prize in Literature in 2010, about a sexually open couple whose fantasies lead them to the edge of morality. The book is dedicated to Spanish film director Luis García Berlanga. Mario Vargas Llosa, the internationally acclaimed author of The Storyteller, adds his own finely-tuned poetic polish to this erotic exploration of carnality in one family. He turns the proverbial romantic triangle on its ear to create this New York Times bestselling erotic novel. Illustrated in colour with six full-colour pages of classical artworks. Cover artwork by Andrzej Klimowski.
Jorge Mario Pedro Vargas Llosa, 1st Marquess of Vargas Llosa (b. 1936), more commonly known as Mario Vargas Llosa, is a Peruvian novelist, journalist, essayist and former politician. Vargas Llosa is one of the Spanish language and Latin America's most significant novelists and essayists and one of the leading writers of his generation. Some critics consider him to have had a larger international impact and worldwide audience than any other writer of the Latin American Boom. In 2010, he won the Nobel Prize in Literature, "for his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat." Many of Vargas Llosa's works are influenced by the writer's perception of Peruvian society and his own experiences as a native Peruvian. Increasingly, he has expanded his range, and tackled themes that arise from other parts of the world. In his essays, Vargas Llosa has made many criticisms of nationalism in different parts of the world.
VG in G dust jacket with wear to extremities.
1971, English
Hardcover (w. dust jacket), 122 pages
Numbered Ed. of 700,
Out of print title / used / very good
Published by
Piscean Press / London
$55.00 - Out of stock
Lovely facsimile hardcover edition of Bibliotheca Arcana, published in 1971 in limited (hand-numbered) edition of 700 copies, originally published in 1885 by George Redway, London. This bibliography lists 630 titles, primarily of classic English and French erotica of the 18th and 19th centuries, with brief descriptions and notes, making it an important early resource heavily referenced throughout the history of esoteric antiquarian book-selling.
Very Good copy in Very Good dust jacket. Hand-numbered.
2008, Japanese
Softcover (in illustrated slipcase), 22 x 14.5 cm
1st Edition, Out of print title / used / fine
Published by
BNN / Tokyo
Film Art Company / Tokyo
$110.00 - Out of stock
First 2008 edition of one of the finest collections of staged photographs by the prolific Japanese avant-garde writer, film maker, poet, photographer, and anarchist, Shuji Terayama (1935-1983), embodying the irreverent spirit of Terayama and his experimental theatre troupe, Tenjō Sajiki. Edited by Tanaka Michi, the 100-odd photos here, many shot in Europe and all presented beautifully in landscape format reflecting the compositions, feature Terayama's theatrical cast of mimes and models, the masked and the made-up, in images that have the air of stills from a Japanese-inflected Fellini-esque film, full of bizarre, surrealist, imagery and sexuality. Terayama’s works range from radio drama, experimental television, underground (Angura) theatre, countercultural essays, to Japanese New Wave and "expanded" cinema. Led by Terayama and active between 1967—1983, Tenjō Sajiki's members included Kohei Ando, Kujō Kyōko, Yutaka Higashi, Tadanori Yokoo, and Fumiko Takagi.
Out-of-print title in all editions. A re-print appeared in 2011.
Fine copy.
1984, French
Softcover (french-folds), 84 pages, 30.5 x 23.5 cm
1st Edition, Out of print title / used / very good
Published by
Pink Star Éditions / Paris
$400.00 - In stock -
Rare, first edition of the extraordinary "Exhibition in Paris" photo book, published in 1984 by Pink Star Éditions, Paris. One woman's nude exhibitionist walk, swim and motorcycle, train, bicycle, ferry and helicopter ride through Paris, enjoying the Cimetière du Père Lachaise, the Tour Eiffel, the Seine, and the attention of many passers-by, all candidly captured by Patrick Magaud. A wonderfully liberated and cheeky collection of nudist photography like no other, printed in lush saturated colours, alongside a small interview with Elle, the star of the book. A sight-seers delight and a photobook like no other. Now very collectible.
Very Good copy.
1981, English / French
Hardcover (w. dust jacket), 160 pages, 33 x 27.5 cm
1st Edition, Out of print title / used / very good
Published by
Love Me Tender / Paris
$190.00 - In stock -
First and only printing 1981 hardcover edition of the very sought after cult photo book "Seven In New York", published by Love Me Tender, Paris. This over-sized photographic volume illustrates the work of seven professional photographers, Sacha, Uli Rose, Denis Piel, Pierre Houles, Arthur Elgort, Alex Chatelain, and Patrick Demarchelier, who were transferred from Paris to New York to explore new horizons in fashion photography. Produced in collaboration with Kodak Pathé France, the results, which include shoots with models Gia Carangi and Patti Hansen, amongst others, coupled with Love Me Tender's bold 80s graphic design, encapsulate all that makes this period of fashion photography so fantastic. A very special book.
A very good copy in good dust jacket with foxing to reverse of jacket, block edges, and first and last book pages only. Otherwise VG throughout.