World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
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World Food Books Gift Voucher
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All prices in AUD (Australian dollars)
Pick-Ups
Pick-up orders can be collected in our bookshop during opening hours after order date. Please collect any Pick-up orders within 2 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected. If you cannot make it in to the bookshop in this time-frame, please choose postage option.
Return Policy
All sales are final. We do accept returns (for refund or exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2001, English
Softcover, 224 pages, 27 x 20 cm
1st Edition, Out of print title / used / very good
Published by
Purple Institute / Paris
$240.00 - In stock -
A very rare copy of the eighth issue of Purple, edited by Olivier Zahm, art directed by Makoto Ohru, featuring Chiara Mastroianni on the cover. One of the best issues, featuring Mark Borthwick, Roe thridge, Richard Kern, Katja Rahlwes, Terry Richardson, Wolfgang Tillmans, Chloë Sevigny, Henry Roy, Colin de Land, Bruce Benderson, Anders Edström, Jutta Koether, Kate Moss, Maison Martin Margiela, Takashi Homma, Chloë Sevigny, Kim Gordon, Antek Walczak, Hermés, Masafumi Sanai, Dike Blair, Comme des Garçons, Balenciaga, Nakako Hayashi, Jeff Rian, Dominique Gonzales Foerster, Bless, Experimental Jetset, Bob Nickas, Ann Demeuelemeester, Claude Closky, Kyoji Takahashi, Michael Smith, Matt Sweeney, John Kelsey, Helmut Lang, Bennett Simpson, Gareth James, Miu Miu, Vanina Sorrenti, Cedrick Eymenier, Andreas Larsson, Mark Kingwell, Bernard Joisten, Laetitia Benat, Anaïd Demir, Costume National, Michel Sumpf, Alex Antitch, Giasco Bertoli, Jeremy Blake, Ola Rindal, and many more....
In 1992, Elein Fleiss and Olivier Zahm started the magazine Purple Prose as a reaction against the superficial glamour of the 1980s; much as a part of the global counterculture at the time, inspired by magazines like Interview, Ray Gun, Nova, and Helmut Newton's Illustrated, but with the aesthetics of what usually is referred to as anti-fashion. Based on their personal interests and views; Purple was, and in a sense still is, made much in the same spirit of the fanzine. Started "without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that no one else supported, much less talked about."—Olivier Zahm. The magazine became associated with the "realism" of the new fashion photography of the 1990s, with names like Juergen Teller, Terry Richardson, Wolfgang Tillmans, Mark Borthwick, Corinne Day, and Mario Sorrenti. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications such as les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion, in which Zahm aimed at fusing together his two worlds, fashion and art. Now one of the most iconic and influential fashion magazines in history.
Very Good copy.
2003, English
Softcover, 418 pages, 27.5 x 21 cm
1st Edition, Out of print title / used / very good
Published by
Purple Institute / Paris
$220.00 - In stock -
A very rare copy of the inaugural issue of Purple Fashion, edited by Olivier Zahm, featuring Richard Prince, Bruce Benderson, Gary Indiana, Paolo Roversi, Olivier Mosset, Camille Vivier, Mark Borthwick, Pierre Bailly, Elein Fleiss, Viviane Sassen, Helmut Lang, Kerry Hallihan, Antek Walczak, Marcelo Krasilcic, Michael Lonsdale, Maison Martin Margiela, Katja Rahlwes, Niels Schumm, Dike Blair, Vava Ribeiro, Monte Hellman, Comme des Garçons, Slavoj Zizek, Balenciaga, Tony Alva, Marina Faust, Wolfgang Tillmans, Terry Richardson, Dominique Gonzales Foerster, Jeff Rian, Noritoshi Hirakawa, Anuschka Blommers, François Laruelle, Yan Céh, Issey Miyake, Rick Owens, Susan Eldridge, John Galliano, Ann Demeuelemeester, Vava Ribeiro, Serge Leblon, Hiromix, Cecile Bortoletti, Vanessa Bruno, Takashi Suzuki, Miltos Manetas, Pascale Gatzen, Stéphanie Moisdon, Junya Watanabe, Ferdinand Gouzon, and many more...
In 1992, Elein Fleiss and Olivier Zahm started the magazine Purple Prose as a reaction against the superficial glamour of the 1980s; much as a part of the global counterculture at the time, inspired by magazines like Interview, Ray Gun, Nova, and Helmut Newton's Illustrated, but with the aesthetics of what usually is referred to as anti-fashion. Based on their personal interests and views; Purple was, and in a sense still is, made much in the same spirit of the fanzine. Started "without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that no one else supported, much less talked about."—Olivier Zahm. The magazine became associated with the "realism" of the new fashion photography of the 1990s, with names like Juergen Teller, Terry Richardson, Wolfgang Tillmans, Mark Borthwick, Corinne Day, and Mario Sorrenti. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications such as les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion, in which Zahm aimed at fusing together his two worlds, fashion and art. Now one of the most iconic and influential fashion magazines in history.
Very Good copy, some light wear to spine and extremities.
2003, Japanese
Softcover, 158 pages, 29.8 x 22.6 cm
1st Edition, Out of print title / used / fine
Published by
Infas / Tokyo
$70.00 - In stock -
October 2003 of Ryuko Tsushin (volume 484), an award-winning issue under the art direction of the legendary designer Kazunari Hattori, who re-invigorated the magazine for a celebrated 25 issues. Hattori incorporated handwritten lettering and other manual work on the pages and intentionally composed them without a grid. This was his answer to his own doubts about the refined and neat design of magazines in the computer age. Hattori himself said that it was "made like an indie magazine". This special issue features large designer photo feature profiles on Martin Margiela, Balenciaga, Rick Owens, Bernhard Willhelm, and Bless. Also, Purple founder Elein Fleiss' diary and photography, Happy Victims by Kyoichi Tsuzuki, photography by Shigekazu Onuma, Kazuhiro Fujita, Shigekazu Onuma, Hiroya Kitai, and much more...
Fine copy.
2022, English
Softcover, 376 pages, 30.1 x 23 cm
Ed. of 500,
1st Edition, Out of print title / used / fine
Published by
IDEA / London
$200.00 - Out of stock
Expanded 2022 edition of IDEA London's Self Service 1994-2022, The Ads, the quickly out-of-print heavy visual compendium of more than 300 fashion ads from 25 years of Self Service magazine, featuring iconic contemporary advertising imagery from brands such as Raf Simons, Comme des Garçons, A.P.C., Alexander McQueen, Hussein Chalayan, Prada, Miu Miu, Issey Miyake, Chloé, Balenciaga, Yohji Yamamoto, Jacquemus, Hermès, Celine, Eckhaus Latta, Jil Sander, Calvin Klein, Viktor & Rolf, Yves Saint Laurent, Susan Cianciolo, Marc Jacobs, BLESS, Fendi, Koji Tatsuno, Gucci, Botetega Veneta, Zucca, Helmut Lang, to name a few, all packed into one exceptional reference volume.
Edition of 500 copies.
"This book is a gathering of more than two and a half decades* of fashion advertising campaigns as they have appeared on our printed pages, providing a fascinating testament to and a subjective barometer of fashion's evolving aesthetic and cultural norms."—Ezra Petronio, art director and founder of Self Service
*28 years, 112 seasons, 56 issues, 18,431 pages, 3,397 advertising pages, 314 brands.
Near Fine copy with light wear and light spine crease.
2003, English / Dutch
Hardcover, 228 pages, 26 x 20 cm
1st Edition, Out of print title / used / average
Published by
MoMu / Antwerp
Ludion / Brussels
Ludion / Ghent
$150.00 - Out of stock
Seldom seen first limited edition copy of the hardcover catalogue, Patronen / Patterns, published in 2003 on the occasion of the unique exhibition on pattern-making curated by Kaat Debo at MoMu - ModeMuseum Antwerp, 24.04.2003—10.08.2003 — almost immediately out-of-print. Showcasing the work of Haider Ackermann, Azzedine Alaïa, Balenciaga, Véronique Branquinho, Pierre Cardin, Hussein Chalayan, Courrèges, Ann Demeulemeester, Dior Haute Couture, Sevin Doering, Angelo Figus, Jean-Paul Gaultier, Romeo Gigli, Hubert de Givenchy, Christian Lacroix, Martin Margiela, Issey Miyake, Josephus Thimister, Walter Van Beirendonck, Dirk Van Saene, A.F. Vandevorst, Patrick Van Ommeslaeghe, Madeleine Vionnet, Vivienne Westwood, Yohji Yamamoto, and Yves Saint Laurent, along with the photographic work of artist Nicole Tran Ba Vang, this lavishly illustrated and well-researched volume gives rare insight into this fundamental, largely un-documented aspect of contemporary fashion design, illuminating the new avant-garde alongside the history of dress-making, most importantly reproducing the actual pattern designs of many of the featured designers.
"The pattern is traditionally seen as a technical drawing and therefore, in a museum context, only interesting for research or study. With regard to both purchasing and exhibition policies, fashion museums focus mainly on the end product – the garment – and in so doing rarely exhibit the pattern, let alone acquire or purchase it. "Patterns" aims to explore both the technical and the artistic and cultural philosophy aspects of a clothing pattern."
Includes bi-lingual texts in English/Dutch by Kaat Debo, Dirk Lauwaert, Linda Loppa, Frieda Sorber, Christoph De Boeck, Neeltje ten Westenend, Karin De Coster, and more.
Average—Good copy. Cloth covers well-worn with marks, general age/tanning to book extremities, some (erasable) pencil underlining to text by previous owner. No dust jacket (as issued).
1999, English
Softcover, 448 pages, 15.5 x 21 cm
1st Edition, Out of print title / used / very good
Published by
Purple Institute / Paris
$190.00 - Out of stock
PURPLE magazine ("Fashion, Prose, Special, Fiction, Interior") Number 3, Summer 1999.
A rare copy of one of the best early editions of Purple, with Susan Cianciolo's Summer 99, Run 7 264 Canal St. shot by Anders Edstrom for the cover. Edited by Elein Fleiss, this wonderful early issue features work and words by: Maison Martin Margiela, Mark Borthwick, Juergen Teller, Jutta Koether, Lee Ranaldo, Susan Cianciolo, Anders Edstrom, Balenciaga, Kim Gordon, Jeff Rian, Rainer Ganahl, Dike Blair, John McCracken, Richard Hell, Alex Bag, Rita Ackerman, Tobjorn Rodland, Comme des Garcons, Tim Griffin, Richard Prince, Terry Richardson, Junya Watanabe, Hermés, Jil Sander, Banu Cennetoğlu, Helmut Lang, Antek Walzcak, and many many more....
In 1992 Olivier Zahm and his partner Elein Fleiss printed the first issue of Purple Prose, a Parisian literary art zine that over the years has evolved into Purple Fashion Magazine. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications like les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion. Zahm aimed at fusing together his two worlds, fashion and art, in creating Purple Fashion.
Very Good copy, only very light wear.
2017, English
Softcover, 672 pages, 20 x 27.5 cm
1st Edition, Out of print title / as new
Published by
Many of Them / Spain
$80.00 - Out of stock
Sealed copy, out-of-print, limited to 1000 copies.
Fashion : Cosmic Wonder, Balenciaga, Loewe, Dries Van Noten, Chanel, Comme Des Garçons, Sacai, Issey Miyake, Yohji Yamamoto, Junya Watanabe, Paco, Rabanne, Off-White, Dior Homme, Olivier Theyskens, Jacquemus, Lutz Huelle, Vejas, Simone Rocha, Louis Vuitton, Courrèges, Undercover, Celine, Miu Miu, Hermès, Bernhard Willhelm, Sies Marjan, Prada, Raf Simons, John Alexander, Skelton, Olympia Le-Tan, Wendy & Jim, Koché, JW Anderson, Ligia Dias, Lemaire, Cherevichkiotvichki, Eatable Of Many Orders, Daniela Gregis, Hood By Air, Molly Goddard, Bless.
Cinema : Oliver Laxe, Paz Encina, Paul Verhoeven, Amat Escalante, Andres Di Tella, Milagros Mumenthaler, Joao Pedro Rodriges Pablo Larrain Terence Davies, Walter Salles, Jonas Trueba, Bertrand Tavernier.
Many of Them is a limited edition publication. Its aim is to offer a space for discussion in which creators can share their perspective about their own field, their languages and the problems they face in their everyday practices. It originally started as a diary in 2008 and it keeps evolving into different formats.
2018, English
Softcover, 552 pages, 19.6 × 27.5 cm
1st Edition, Out of print title / as new
Published by
Many of Them / Spain
$80.00 - Out of stock
"This issue is the result of daily photo shoots on the same street of Paris from 15 May 2018 to 15 July 2018, with selected pieces from: LOEWE, BALENCIAGA, CHANEL, COMME DES GARÇONS, MIU MIU, SACAI, ISSEY MIYAKE, YOHJI YAMAMOTO, PACO RABANNE, BYREDO, GUCCI, SIMONEROCHA, OLIVIER THEYSKENS, JACQUEMUS, REALITY STUDIO, LOUIS VUITTON, CÉLINE , HERMÈS, DIOR HOMME, PRADA, RAF SIMONS, UNDERCOVER, OFF-WHITE, LEMAIRE, BLESS, JUNYA WATANABE, ÉTUDES, LAUREN MANOOGIAN, SIES MARJAN, GOSHA RUBCHINSKIY, BEIRA, GEOFFREY B. SMALL; and conversations with YOSHIYUKI MIYAMAE, WIM WENDERS, BEN GORHAM, DRIES VAN NOTEN, JAMES FRANCO, RUBEN ÖSTLUND, ECKHAUS LATTA, MARK JENKINS, TODD HAYNES AND ANDRE WALKER. Thanks to all the contributors for making it possible to accomplish this love letter to Paris and its citizens."
As New, sealed.
2021, English
Softcover, 260 pages, 20 x 15 cm
Published by
Pilot Press / London
$39.00 - In stock -
Derek McCormack is the author of fashion-inflected novels that cast luminaries such as Elsa Schiaparelli and Balenciaga as characters. This collection brings together for the first time McCormack's fashion journalism. He writes about and interviews fashion figures that fascinate him, tracing the ways they inspire and inhabit his novels. The result is a sort of memoir in essays: as he writes, "My tribute to [Judy] Blame is about him and about me—there are lots of my own tales woven in with the topics I touch on. The writing here is a sort of autobiography, a life seen through a scrim, or a life as a scrim—my moire mémoire."
Judy Blame's Obituary contains twenty years' worth of reminiscences, reviews of fashion shows and books, interviews with writers about fashion, and interviews with fashion designers about writing. He talks to Nicolas Ghesquière about perfume, and to Edmund White about which perfume he wore as a young fag in New York City. He inspects the clothes that Kathy Acker left behind when she died, and he summons the spirit of Margiela in a literary seance. He traces the history of sequins, then recounts the cursed story of Vera West, the costume designer who dressed the Bride of Frankenstein. These pieces were all previously published, some in Artforum, some in The Believer, and some in underground publications like Werewolf Express—what binds them together is a sense that though fashion victimizes us, this victimization is sometimes a sort of salvation.
Derek McCormack is a Canadian writer. His most recent novels are The Well-Dressed Wound and Castle Faggot, both published by Semiotext(e). Of Castle Faggot, Dennis Cooper said: "It is really just one of the best books ever, and maybe the greatest novel ever written."
Praise for Judy Blame's Obituary:
'Derek McCormack, Canada's most famous author as yet unsullied by Nobel Prize or television adaptation, hides in plain sight as a fashion journalist. Parallel to his writing incantatory, scatalogical fiction, he has reviewed collections and interviewed the great and good of la mode. His divagations are often darkly hilarious and always exquisitely tailored. The sublime and the ridiculous coexist in his prose, as they do in life. Fashion victims, ignore his insights at your peril.' — William E. Jones
1999, English
Softcover, 494 pages, 15.5 x 21 cm
1st Edition, Out of print title / used / good
Published by
Purple Institute / Paris
$150.00 - Out of stock
PURPLE magazine ("Fashion, Prose, Special, Fiction, Interior") Number 4, Winter 1999-2000.
A rare copy of this early edition of Purple, edited by Elein Fleiss, this wonderful early issue that features work by: Mark Borthwick, Juergen Teller, Jutta Koether, Jack Pierson, Tobjorn Rodland, A.F. Vandervorst, Ann-Sofie Back, Takashi Homma, Anders Edstrom, Balenciaga, Hussein Chalayan, Susan Cianciolo, Comme des Garcons, Fabrics Interseason, Martin Margiela, Kim Gordon, Doug Aitken, Junya Watanabe, Hermés, Bernard Willhelm, Helmut Lang, Leah Singer, Louis Vuitton, Lewis Baltz, Liz Bougatsos, Bless, Experimental Jetset, Antek Walzcak, Harmony Korine, Mark Gonzales, Terry Richardson, Giasco Bertoli, and many many more....
In 1992 Olivier Zahm and his partner Elein Fleiss printed the first issue of Purple Prose, a Parisian literary art zine that over the years has evolved into Purple Fashion Magazine. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications like les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion. Zahm aimed at fusing together his two worlds, fashion and art, in creating Purple Fashion.
1990, English
Hardcover (w. dust jacket), 129 pages, 22.5 x 29 cm
1st Edition, Out of print title / used / very good
Published by
Harry N. Abrams / New York
$50.00 - Out of stock
First hardcover edition of "Snoopy Around The World...", published in New York in 1990. The always incredible fashion photo album of Snoopy and his beagle sister Belle travelling world in original one-of-a-kind designer outfits created by the world's most progressive and famous fashion designers of the time, asking each of them to create an for Snoopy and his beagle sister Belle. There is even a cameo by Woodstock in Krizia! Designers include Givenchy, Chloé, Issey Miyake, Karl Lagerfeld, Sonia Rykiel, Martine Sitbon, Balenciaga, Missoni, Krizia, L.L. Bean, Marimekko, Jag, Popy Moreni, Pierre Balmain, Guy Laroche, Dolce & Gabbana, Fendi, Hermes, Dirk Bikkembergs, Cacharel, Bill Blass, Kenzo, Giorgio Armani, Vivienne Westwood, Diane von Fürstenberg, and so many more. Lavishly photographed throughout with endless fold out full-colour spreads!
From the blurb:
"Snoopy Around the World, which features commentaries by Peanuts's creator Charles Schulz, photographs by renowned fashion photographer Alberto Rizzo, and biographies of the designers, is sure to delight the millions of people who avidly follow the daily adventures of the world's most popular beagle. The book accompanies a major exhibition that began its own world tour by opening at the Musée des Arts Décoratifs in Paris to international acclaim. For no matter where their journey takes them, Snoopy and Belle always travel in high style - they really know how to put on the dog!"
Very Good copy.
2018, English
Softcover, 572 pages, 27.5cm x 19.5 cm
Published by
Many of Them
$55.00 - In stock -
Many of Them is a contemporary culture magazine focusing on art, cinema and fashion. Published twice a year, its aim is to offer a space for discussion where creators can share their perspectives on their fields and the problems they face in their everyday practices.
This issue is the result of daily photo shoots on the same street of Paris from 15 May 2018 to 15 July 2018, with selected pieces from: LOEWE, BALENCIAGA, CHANEL, COMME DES GARÇONS, MIU MIU, SACAI, ISSEY MIYAKE, YOHJI YAMAMOTO, PACO RABANNE, BYREDO, GUCCI, SIMONEROCHA, OLIVIER THEYSKENS, JACQUEMUS, REALITY STUDIO, LOUIS VUITTON, CÉLINE , HERMÈS, DIOR HOMME, PRADA, RAF SIMONS, UNDERCOVER, OFF-WHITE, LEMAIRE, BLESS, JUNYA WATANABE, ÉTUDES, LAUREN MANOOGIAN, SIES MARJAN, GOSHA RUBCHINSKIY, BEIRA, GEOFFREY B. SMALL; and conversations with YOSHIYUKI MIYAMAE, WIM WENDERS, BEN GORHAM, DRIES VAN NOTEN, JAMES FRANCO, RUBEN ÖSTLUND, ECKHAUS LATTA, MARK JENKINS, TODD HAYNES AND ANDRE WALKER. "Thanks to all the contributors for making it possible to accomplish this love letter to Paris and its citizens."
1998, English / Japanese
Softcover, 500 pages, 29 x 36 cm
1st edition, Out of print title / used*,
Published by
GAP Japan Co. Ltd. / Tokyo
$130.00 - Out of stock
Incredible 1998 edition (with Yohji Yamamoto cover) of the mighty Prét-Á-Porter Collections (Paris / London) from gap Tokyo! Each huge, over-sized edition of gap Collections feature thorough runway coverage of the latest collections from top international brands to cutting edge designers presented in NY, London, Milan, Paris, Tokyo, Madrid, Barcelona, Sao Paulo during biannual celebrated fashion events. The creativity of the most sought after designers were reproduced in high quality photographs direct from the runway and only published here, in the case of this heavy volume 1,500 original photos all in full-colour! Featured in the issue are the 1998 collections of Yohji Yamamoto, Vivienne Westwood, Christian Dior, Givenchy, Chanel, Jean-Paul Gaultier, Chloé, John Galliano, Helmut Lang, Ann Demeulemeester, Dirk Bikkembergs, Jean Colonna, Costume National, Junya Watanabe Comme des Garçons, Dries Van Noten, Hermés, Martine Sitbon, Valentino, Claude Montana, Cerruti, Balenciaga, Lolita Lemopicka, Lanvin, Yves Saint Laurent, Christian Lacroix, Guy Laroche, Jerome L'Huillier, Enrica Massei, Marcel Marongiu, Christophe Lemaire, Eric Bergere, Isabel Marant, Barbara Bui, Masaki Matsushima, Sonia Rykiel, Kenzo, Corinne Cobson, Junko Shimada, Dice Kayek, Yuki Torii, Yoshiki Hishinuma, Paco Rabanne, Celine, Maurizio Galante, Angelo Tarlazzi, Jaques Fath, Leonard, Veronique Leroy, Atsuro Tayama, Zucca, Nina Ricci, Slowik, Kosta Murkudis, Isabelle Ballu, Hervé Léger, 0.9 18 OOTORII, Koji Nihommatsu, Alexander McQueen, Hussein Chalayan, Matthew Williamson, Bella Freud, and so many more, creating a wealth of archival fashion imagery from the late 1990s.
2014, English
"Interior Moments", Fall Winter 2013/14
Published by
PIN-UP MAGAZINE
$34.00 - Out of stock
PIN–UP is a magazine that captures an architectural spirit, rather than focusing on technical details of design, by featuring interviews with architects, designers, and artists, and presenting work as an informal work in progress – a fun assembly of ideas, stories and conversations, all paired with cutting-edge photography and artwork. Both raw and glossy, the magazine is a nimble mix of genres and themes, finding inspiration in the high and the low by casting a refreshingly playful eye on rare architectural gems, amazing interiors, smart design, and that fascinating area where those areas connect with contemporary art. In short, PIN–UP is pure architectural entertainment!
Issue 15 features:
ARANDA\LASCH
Two Architectural Shape Shifters are Taking Things to the next Level
Interview by Felix Burrichter
Portraits by Asger Carlsen
MARIA PERGAY
The Indisputable Grand Dame of French Collectible Design is anything but Steely
Interview by Jina Khayyer
Portraits by Katja Rahlwes
STEVEN HOLL
Into the recesses of the Imagination of New York’s resident Space Poet
Interview by Pierre Alexandre de Looz
Portraits by Jason Rodgers
JON RAFMAN
The best of both Worlds with a Modern Internet Explorer
Interview by Stephen Froese
Portraits by Topical Cream
HERMAN HERTZBERGER
A special feature on the Eminence Grise of Dutch Architecture
Introduction by Dirk van den Heuvel
Interview by Florian Idenburg
Photography by Elsbeth Struijk van Bergen
PLUS 67 pages of Interior Moments, including the Princeton home of Michael Graves, the DESTE Foundation in Athens by Dakis Joannou and Andreas Angelidakis, Jean Pigozzi’s Sottsass-designed beach-side getaway, a beautiful Fifth Avenue penthouse designed by Michael Schaible, an imaginary home at London’s V&A designed by artists Elmgreen & Dragset, Veronica Chou’s Beijing party home, and a spectacular New York lair entirely designed by the late Ward Bennett.
ALSO:
The future imagined with Konstantin Grcic’s most iconic designs, wise words on furniture by the inimitable Edgar Allan Poe, a whole new outfit for the house of Balenciaga, Trix and Robert Haussmann revisited, artist Oliver Michaels’ new architectural vernacular, a design symphony in shades of beige, and so much more.