World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
Softcover (French-folds), 288 pages, 27 x 21.5 cm
1st edition, Out of print title / used*,
Published by Tokyo Metropolitan Museum of Photography / Tokyo
$200.00 - Out of stock
Wonderful first edition of this now very scarce Japanese photography book published in 1995 by Tokyo Metropolitan Museum of Photography, Tokyo, Japan on the occasion of the major photography retrospective "The Founding and Development of Modern Photography in Japan", held between 21 January-26 March 1995.
Fine historical photographic works by 76 Japanese artists are beautifully reproduced in this handsome edition, alongside reproductions of page-spreads from important modern Japanese photography publications such, complete list of exhibited works, and texts in English and Japanese, including "Consciousness and Expression of the Modern"; "The Modern in Lyricism"; "Photographs as Modern Forms of Expression"; "In Search of a New Image of the Photographer".
Isshū Nagata, Koshiro Onchi, Manshichi Sakamoto, Iwata Nakayama, Kiyoshi Koishi, Jun Watanabe, Ei-Q, Masaki Yamaguchi, Hiroshi Hamaya, Shoji Ueda, Hisashi Hisano, Wataru Takahashi, Keiichiro Goto, Kansuke Yamamoto, Tsugio Tajima, Minoru Sakata, Koro Honjo, Sutezo Otono, Kametaro Kawasaki, Bizan Ueda, Nakaji Yasui, Yoshio Tarui, Toshinobu Yano, Kiyoshi Koishi, Kiyoshi Nishiyama, Ori Umesaka, Shinzo Fukuhara,Roso Fukuhara, Yasuzo Nojima, Mitsugi Arima, and many more.
"... With the Meiji Restoration, Japan began its march towards modernization. As part of that process, photography, which had reached Japan in the waning days of the Edo period, spread throughout society. The Taisho era saw the rise of Taisho Democracy, with its respect for the individual as a human being. Paralleling that movement, photography became a popular medium closely involved in the lives of ordinary people, thanks to technical advances that made photography simpler and more accessible. By the start of the Showa period, the modernization of Japan was an accomplished fact, and photography was no longer simply another means of expression; through modernization it acquired social qualities. Japan, however, was on the path to war, a tragedy arising from the strains of modernization, and the collapse of everything that had been built up over the previous decades became unavoidable. Photography, as an art that had developed in the process of building a modern society, underwent a metamorphosis as the times overtook art. This exhibition takes the view that the history of modern photography is part of the history of modern Japan, and is an attempt to provide a thought-provoking retrospective of modern photography while posing the question, “What is the modern?""
January, 1993, Tokyo Metropolitan Museum of Photography