World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
THURS 11-5 PM
FRI 11-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
Softcover, 180 pages, 13.3 x 20 cm
Published by Sternberg Press / Berlin
$36.00 - In stock -
Contributions by 0(rphan)d(rift>), Ursula Biemann, Ccru, Kodwo Eshun, N. Katherine Hayles, Francis McKee, Margarida Mendes, Jussi Parikka, Mariana Silva, Jennifer Teets, Jason Waite
Matter Fictions addresses fiction as a mode of producing reality as well as the significance of matter—animal, vegetable, mineral, hybrid—beyond binaries. Recounting a partial history of our relation with matter, the eponymous exhibition at Museu Coleção Berardo (May 4–August 21, 2016) explored how the crossover between cosmological narratives, spatial revolutions of concrete poetry, and hypertextual and territorial fictions might impact our understanding of human agency in a time that calls for action on climate change and technocratic policies. This companion reader features contributions from participating artists and like-minded writers that address the scope of this project as it exceeds the frame of art and the exhibition into the realm of nonhuman ecologies, ontologies, and temporalities.
The texts are oriented around the four threads that structured the exhibition. The science-fiction approach to the ethics of code and digital space is addressed in the texts by Kodwo Eshun of the Otolith Group, Ccru (Cybernetic culture resource unit), and N. Katherine Hayles, and the excerpt from 0(rphan)d(rift>)’s 1995 novel Cyberpositive. Contemporary psychogeophysics and the material realities of the digital are explored by Jussi Parikka’s text and printed drawings throughout the book based on Joana Escoval’s sculptures on electromagnetic conduction. The hybridity of contemporary bodies and rituals is contextualized by Margarida Mendes’s essay on agribusiness and GMOs. And the critique of technocratic and extractionist environmental policies is represented by Jason Waite’s text on Fukushima and artist statements by Ursula Biemann and Mariana Silva. The contributions from Jennifer Teets and Francis McKee straddle all four threads—Teets’s through a reflection on the ongoing series at Museu Berardo, The World in Which We Occur, which she organizes with Mendes, and McKee’s through a newly commissioned work of fiction.
Copublished with Museu Coleção Berardo
Design by Sena/Luz
2012, English / Polish
Hardcover, 226 pages, 17.5 x 23.6 cm
Published by Fundacja Transmisja / Poznań
$40.00 - Out of stock
Wojciech Bąkowski - "Selected Works 2004-2012 / Wybrane Prace"
Published by Fundacja Transmisja, Poznan.
With essays by Dominic Eichler, Julian Heynen, and Jennifer Teets.
Born 1979 in Poznań, Wojciech Bąkowski is a director of animated films and videos, a visual artist, poet, musician, and creator of audio performances and alternative music. The world depicted in his films shows reality as perceived through the eyes of the audience - muddled, spoken in colloquialisms and barely intelligible. One critics claims that "He creates a hyperreal world, indifferent to psychology and sociology, he doesn't stylise, he creates a new world".
The artist is sole author of his animations, and in making them he uses his own music, sounds and poetry. Bąkowski, perhaps the most prolific and visible member of Poznań’s vibrant art and music community, weaves together video, audio performance and sound-based installation. His films are shown at galleries, museum exhibitions and animated film festivals, and are included in anthologies.