World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
$49.00 - In stock -
Edited by Daniela Zyman, Cory Scozzari
Contributions by Nabil Ahmed, Keller Easterling, Carles Guerra Rojas, Celina Jeffery, Laleh Khalili, Rosa Lleó, Gabriele Mackert, Jegan Vincent de Paul, Allan Sekula, Sally Stein, Daniela Zyman
This publication intersperses essays from scholars, historians, and thinkers with a selection of Allan Sekula’s seminal texts and excerpts from his private notebooks. The title is a reference to Okeanos—son of Gaia, the Greek goddess of the earth—who ruled over the oceans and water. Made and written across the decades, Sekula’s sketches and texts focus on maritime space and the material, economic, and ecological implications of globalization. In projects such as his magnum opus Fish Story (1989–95), or films like Lottery of the Sea (2006) and The Forgotten Space (2010), Sekula provided a view from and of the sea. This publication expands on these oceanic themes, seeking to honor the scope and complexity of the late artist-theorist’s work, and situate his ideas in current political, social, and environmental discourses.
The book is divided thematically: the section “Containerization” focuses on the sea as a site of infrastructural complication; Sekula’s work Black Tide / Marea negra (2002–3) is also revisited, which explores environmental violence and contamination as well as their social implications; a selection from Sekula’s personal drawings are accompanied by an essay by photo historian Sally Stein; various essays readdress Sekula’s legacy in the age of the Anthropocene; and a number of case studies by contemporary artists, writers, and thinkers examine ideas that overlap with Sekula’s and expand on his interests.
Design by Kristin Metho
$45.00 - In stock -
Edited by Daniela Zyman, Cory Scozzari
Contributions by Armen Avanessian, Daniel Garza-Usabiaga, Carl Michael von Hausswolff, Anke Hennig, Chus Martínez, Eva Wilson, Daniela Zyman
Appropriation, storytelling, reenactment, and reportage are some of the strategies that Mario García Torres deploys to highlight the limitations of factual evidence and the agency of historical records and objects. An Arrival Tale detaches the Mexican artist’s works in the TBA21 collection from their original contexts and offers them as a collection of narratives and artistic experiments open for reinscription in order to address the conditions and urgencies of our contemporary societies. It examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return.
This publication follows the eponymous exhibition at TBA21 – Augarten. While conceived in relation to the exhibition, this book is not a documentation, but rather the start of a journey that expands, explores, complicates, and undoes the thematic threads of spatial disjunction, recollection, asynchronicity, fictionality, and the politics of visibility.
Copublished with Thyssen-Bornemisza Art Contemporary, Vienna
Design by Studio Folder
$48.00 - In stock -
Edited by Eva Wilson, Daniela Zyman
Texts by Walead Beshty, Ramsay Burt, Ifat Finkelman, Martina Leeker, Steve Paxton, Howard Singerman, Noémie Solomon, Eva Wilson, Daniela Zyman
The catalog Sharon Lockhart | Noa Eshkol accompanies the eponymous exhibition at TBA21 – Augarten in Vienna by Sharon Lockhart (November 23, 2012–February 24, 2013) which consists of a complex installation of videos, photographs, and archival material, composing a subtle and sensuous portrait of the Israeli choreographer, dancer, researcher, and textile artist Noa Eshkol (1924–2007). The book features nine essays, installation photographs of the works on show, film stills, archival material from the Noa Eshkol Foundation (notations, journals, notes), and wall carpets by Noa Eshkol.
Copublished with Thyssen-Bornemisza Art Contemporary
Design by Sara Hartman, John McCusker