World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
SAT 12—4 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
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World Food Books Gift Voucher
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All prices in AUD (Australian dollars)
Pick-Ups
Please note: The bookshop is closed until February 1, 2024.
Pick-up orders can be collected in our bookshop during opening hours after this date. Please collect any Pick-up orders within 3 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected.
Return Policy
All sales are final. We do accept returns (for refund, exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1985, Japanese / English
Softcover, 166 pages, 20 x 29 cm
1st Edition, Out of print title / used / very good
Published by
National Museum of Modern Art / Kyoto
$150.00 - Out of stock
Very scarce, striking Japanese catalogue for a major international exhibition on Postmodern design held at the National Museum of Modern Art, Kyoto and at the National Museum of Modern Art, Tokyo, 1985. Presents 200 pieces of work by 48 designers and architects from Europe, America and Japan. Features the work of Aldo Rossi, Alessandro Mendini, Andrea Branzi, Arata Isozaki, Ettore Sottsass, Frank Gehry, Fumihiko Maki, Mario Botta, Masanori Umeda, Matteo Thun, Michael Graves, Michele De Lucchi, Nathalie Du Pasquier, Peter Shire, Richard Meier, Robert Venturi, Ron Arad, Daniel Weil, Shiro Kuramata...This book profiles many of these important designers through photographs, biographies and texts. Foreword by Michiaki Kawakita and Kenji Adachi. Introduction by Shinji Kohmoto and an essay on Italian radical and neo-radical design by Alessandro Mendini.
One of the finest and lesser-known volumes produced on postmodern design.
Very Good copy.
1974, Japanese / English
Softcover, 96 pages, 32.5 × 25.5 cm
1st Edition, Out of print title / used / good
Published by
Interior Publishing Co. Ltd. / Tokyo
$80.00 - Out of stock
Japan's finest magazine for interior design, architecture and home furnishings, edited by Moriyama Kazuhiko. JAPAN INTERIOR DESIGN presented "a monthly comprehensive view of traditional, contemporary, and contemplated environmental designs and pure art forms both Japanese and foreign, through pictures and critical reviews. English captions and summaries of major articles are provided each issue." The in-depth analysis in which JAPAN INTERIOR DESIGN committed to covering new international furniture, textile, product, environmental, and interior design developments and major events from the period (1950s-1980s), places it soundly alongside its Italian comrade Domus. Lavishly illustrated throughout with beautiful photography in colour and b/w, with comprehensive plans, drawings and elevations bringing many innovative and long lost architectural and industrial designs into sharp focus. A wealth of archival reference material in each issue for any enthusiast of modern and space age design.
no. 183 June 1974
CONTENTS :
FEATURE OF THE MONTH : CANVAS IN FURNITURE & ENVIRONMENTAL DESIGN
1986, English
Hardcover (w. dust jacket), 239 pages, 25 x 31 cm
1st Edition, Out of print title / used / very good
Published by
Thames and Hudson / London
$80.00 $20.00 - Out of stock
Edited by Robert A.M. Stern, one of the world's leading exponents of the Post-Modern movement, "The International Design Yearbook 1985/86" was "the first volume of an important annual review of domestic design in an international context. It shows the best, the most characteristic and the most exciting recent designs in furniture, lighting, ceramics, textiles, glass and metalware. It illustrates the work not only of such leading figures as Rossi, Hollein, Venturi, Sottsass and Castiglioni, but of hundreds of other contemporary designers around the world, whose work is notable for its topicality and promise, or for its aesthetic or functional excellence."
As well as contemporary design of the mid 1980's, the annual "deals with the reproduction of classic designs by such masters as Eileen Gray, Hoffman, Mackintosh, Rietveld and Le Corbusier." The annual also functioned as a guidebook to the featured designers and the respective companies, manufacturers and retailers of their designs. Biographies for all those designers featured are included, plus texts throughout.
This large book is richly illustrated with wonderful examples of the featured designers in their many forms via 520 illustrations, 382 in colour. Many works rarely (some possibly never) seen documented in any other book.
Includes the work of: Verner Panton, Nathalie du Pasquier, Charlotte Perriand, Paolo Piva, Andrée Putman, Dieter Rams, Gerrit Rietveld, Aldo Rossi, Stanley Tigerman, Brian Faucheux, Jay Stanger, Yrjo Kukkapuro, Hans Gunnarsson, Studio Alchimia, Gabrielle Regondi, John Smith, Alberto Salvati and Ambrogio Tresoldi, Paolo Deganello, Alessio Sarri, Charles Rennie Mackintosh, Matteo Thun, Pierre Jeanneret, Memphis, Giuseppe Terragni, Robert George Sowden, SITE, Afra Scarpa, Tobia Scarpa, Robert Venturi, Ugo La Pietra, Le Corbusier, Ettore Sottsass, Adolf Loos, Robert Mallet-Stevens, Richard Meier, Alessando Mendini, Fujiwo Ishimoto, Hans Hollein, Josef Hoffmann, William Morris, Frank Gehry, Robert A.M. Stern, Eileen Gray, Michael Graves, Michele De Lucchi, Joe Colombo, Achille Castiglioni, Mario Bellini, Gae Aulenti, Hans Ansems, Ron Arad, Emilio Ambasz, Alver Aalto, Daniel Weil, Marco Zanini, to name but a few!
Very Good copy with VG dust jacket, light tanning to page edge.
1971, Japanese / English
Softcover (w. original slipcase), 184 pages, 22.5 cm x 28 cm
1st Edition, Out of print title / used / very good
Published by
A.D.A Edita / Tokyo
$120.00 - Out of stock
Scarce first issue from 1971 of this now classic 1970's architectural series, the great GI (Global Interior) from Tokyo, Japan.
One of the finest interior architecture journal series ever published, GI "The Series of Global Interior" came from the producers of the highly esteemed GA (Global Architecture), GA Document, GA Houses, etc. architectural publications.GI was produced throughout the 1970's in a total of ten volumes. Each large volume highlighted a selection of architectural projects by renowned international architects, some volumes focusing on a specific architect entirely, and highlighted their work for houses and domestic spaces.
Beautiful architectural photography of house interiors, exteriors and room details of living spaces, along with texts (mostly in Japanese) and floorplans/elevation drawings make up the profiles on each featured building or environment. The visual generosity of these handsomely designed and printed journals (each more a book than a magazine) make them a treasure for any architecture or interior design enthusiast or collector.
Edited and Presented by Yukio Futagawa
GI Global Interior #1
Houses in U.S.A.
1971
Contents include:
MLTW/Moore and Turnbull (Caygill House, McComber Houses, Hines House, Reid House, Sea Ranch Condominium); Joseph Esherick (Bermak House, Cary House);
John Lautner (Malin House); Edward A. Killingsworth (Case Study House No.25);
Craig Ellwood (Rosen House, Daphne House); Charles Eames (Eames House); Herbert Greene (Greene House); Bruce Goff (Price House); Eero Saarinen
(Miller House); Crites and McConnell (Crites House A, Crites House B); Charles W. Moore (Moore House); Edward L. Barnes (Country House); John M. Johansen (Taylor House); Richard Meier (Smith House, Saltzman House); Paul Rudolph (Hirsch house); Marcel Breuer (Gagarin House, Stillman House); Robert Venturi (Mrs. Venturi House)...
Very Good copy preserved in worn slipcase (light general wear)
1987, English
Softcover, 80 pages, 28 x 22 cm
1st Edition, Out of print title / used / good
Published by
A&D / London
$25.00 - Out of stock
April 1987 of London's esteemed Art & Design magazine (A.D.), a special issue dedicated to "The Post Modern Object". Features include : Peter Fuller — Towards a New Nature for the Gothic; Michael Collins — Post-Modern Design; Hugh Cumming — The Designed Object: An International Survey; Charles Jencks — Symbolic Objects; Volker Fischer — Post-Modernism and Consumer Design; Geoffrey Broadbent — Functionalism versus Post-Modernism; Stuart Durant — Proto Post-Modernism; Hans Hollein — Post-Modern Performance Art; and much more. Profusely illustrated throughout with the work of Hans Hollein, Memphis, Robert Venturi, Ettore Sottsass, Aldo Rossi, Tadao Ando, Michael Graves, George Sowden, Mario Botta, Arata Isozaki, Matteo Thun, Shuji Hisada, Beppe Caturelli, Michele de Lucchi, Stanley Tigerman, SITE, Helmut Jahn, Landes and Rang, Charles Jencks, Richard Meier, Robert Stern, Alessi, Takefumi Aida, Eva Jiricna, Studio 65, Paolo Portoghesi, Oscar Tusquets, Terry Farrell, Tomas Taveira, Om Ungers, Swid Powell Ceramics, Lee Payne, and more...
"This issue of Art & Design takes a critical look at the controversial area of product design, a subject which does not often receive the same serious attention as painting or sculpture, although it probably concerns more people, on a day-to-day basis, than the fine arts. The Post-Modern Object focuses in particular on developments over the past few years by designers who have pulled away from the Modernist preoccupation with functionalism as an aesthetic and created a wide range of objects — from sofas to jewellery, cutlery to kettles — which are highly original and decorative. Included in this Profile are works by celebrated designers such as Ettore Sottsass, Michael Graves, Robert Venturi and Hans Hollein."
Good ex-libris copy with light associated markings, tanning and light wear to covers.
1983, German
Softcover, 142 pages, 26.5 x 24.5 cm
1st Edition, Out of print title / used / very good
Published by
Fricke Verlag / Frankfurt
$45.00 - Out of stock
Published in Germany in 1983, Monster am Highway (Monster on the Highway) by Helmut Weihsmann and Horst Schmidt-Brummer is one of the best photographic documents of vernacular and road side architecture. From iconic postmodern architecture by Hans Hollein, Charles Moore, SITE, etc. to fantastic outsider creations, Monster am Highway compiles international examples throughout history of wild drive-through restaurants, casinos, over-sized roadside attractions, mobile sculptures, billboards, murals, shop facades, interiors, profusely illustrated in colour and black and white. Texts in German.
Very Good copy with light wear.
2020, English
Softcover, 288 pages, 23.4 x 16.5 cm
Published by
Valiz / Amsterdam
University of Queensland / Brisbane
Ghent University / Ghent
$56.00 - Out of stock
Architecture has always been found in a space between its economic and cultural values. As distinct from the intrinsic values attributed to the visual and performing arts, literature and music, architecture's values are often seen to be compromised by, or contingent upon, forces outside of the discipline—on property prices, real estate markets and the vicissitudes of local and global economies. Such intersections of cultural and economic values are especially conspicuous in architectural heritage where conflicts between values are most publicly and passionately contested.
Valuing Architecture is not concerned with arguments for or against the cultural value of architecture and heritage per se but, rather, with the different sites and occasions where such values are bestowed, exchanged and come into conflict. It brings together a collection of essays that tackle concrete cases, both historical and contemporary, to explore how the values of architecture intersect, and what is at stake for architecture in the economics of culture.
Case studies:
Stedelijk Museum Amsterdam; Kanal–Centre Pompidou, Brussels; Robin Hood Gardens, Peter & Alison Smithson, London; Frank Lloyd Wright buildings, US; MoMA and American Folk Art Museum, New York; Metabolist architecture; Brutalist architecture; and many others
Editors: Ashley Paine, Susan Holden, John Macarthur
Contributors: Daniel M. Abramson, Tom Brigden, Alex Brown, Amy Clarke, Wouter Davidts, Bart Decroos, Susan Holden, Jordan Kauffman, Hamish Lonergan, John Macarthur, Joanna Merwood-Salisbury, Ashley Paine, Anton Pereira, Andrea Phillips, Lara Schrijver, Ari Seligmann, Kirsty Volz, Rosemary Willink
Design: Sam de Groot
1971, Japanese / English
Softcover, 184 pages, 22.5 cm x 28 cm
1st Edition, Out of print title / Used*,
1st Edition, Out of print title / used / very good
Published by
A.D.A Edita / Tokyo
$120.00 - Out of stock
Rare first issue from 1971 of this now classic 1970's architectural series, the great GI (Global Interior) from Tokyo, Japan.
One of the finest interior architecture journal series ever published, GI "The Series of Global Interior" came from the producers of the highly esteemed GA (Global Architecture), GA Document, GA Houses, etc. architectural publications.GI was produced throughout the 1970's in a total of ten volumes. Each large volume highlighted a selection of architectural projects by renowned international architects, some volumes focusing on a specific architect entirely, and highlighted their work for houses and domestic spaces.
Beautiful architectural photography of house interiors, exteriors and room details of living spaces, along with texts (mostly in Japanese) and floorplans/elevation drawings make up the profiles on each featured building or environment. The visual generosity of these handsomely designed and printed journals (each more a book than a magazine) make them a treasure for any architecture or interior design enthusiast or collector.
Edited and Presented by Yukio Futagawa
GI Global Interior #1
Houses in U.S.A.
1971
Contents include:
MLTW/Moore and Turnbull (Caygill House, McComber Houses, Hines House, Reid House, Sea Ranch Condominium); Joseph Esherick (Bermak House, Cary House);
John Lautner (Malin House); Edward A. Killingsworth (Case Study House No.25);
Craig Ellwood (Rosen House, Daphne House); Charles Eames (Eames House); Herbert Greene (Greene House); Bruce Goff (Price House); Eero Saarinen
(Miller House); Crites and McConnell (Crites House A, Crites House B); Charles W. Moore (Moore House); Edward L. Barnes (Country House); John M. Johansen (Taylor House); Richard Meier (Smith House, Saltzman House); Paul Rudolph (Hirsch house); Marcel Breuer (Gagarin House, Stillman House); Robert Venturi (Mrs. Venturi House)...
Very Good copy (light wear).
1984, English
Softcover, 342 pages, 270 x 280 cm
1st Edition, Out of print title / used / average
Published by
U.M.I. Research Press / Michigan
$50.00 - Out of stock
Softcover edition of "LOOKING CRITICALLY: 21 YEARS OF ARTFORUM MAGAZINE", the heavy 342 page volume anthology of the first 21 years of the world's most important modern and art journal. An incredibly valuable collection of art theory.
Edited by Amy Baker Sandback, designed by Roger Gorman and Mary Beath and published in 1984 by U.M.I. Research Press, this dense volume, bound in hardcover to the dimensions of a copy of ARTFORUM, begins with an Ed Kienholz review at the Ferus Gallery from ARTFORUM's June 1962 inaugural issue, and ends with Barbara Kruger reviewing the film "TRON" for the November 1982 issue. An amazing compendium of articles and reviews from the magazine's important first 21 years, featuring contributions by the likes of John Cage, Robert Morris, Kate Steinitz, Henry T. Hopkins, Don Factor, Robert Pincus-Witten, Dennis Adrian, John Coplans, Hilton Kramer, Harold Rosenberg, Henry Geldzahler, John Cage, Walter Hopps, Ed Ruscha, Allan Kaprow, Robert Rosenblum, Dan Flavin, Boris Groys, Sam Wagstaff, Billy Kluver, Lucy R. Lippard, Robert Rosenblum, Roger Shattuck, Ad Reinhardt, Mel Bochner, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Barbara Rose, Manny Farber, Michael Fried, Robert Morris, Philip Leider, Hollis Frampton, Carl Andre, Richard Serra, Lawrence Alloway, Barbara Kruger, Jane Livingston, Lizzie Borden, Kenneth Baker, Laurie Anderson, Agnes Martin, Cindy Nemser, Sidney Tillim, Annette Michelson, Rosalind Krauss, Jeremy Gilbert-Rolfe, Roberta Smith, Peter Plagens, Peter Schjeldahl, J. Hoberman, Hal Foster, Richard Flood, Carter Ratcliff, Stuart Morgan, Max Kozloff, Donald Kuspit, Dan Graham, Walter De Maria, Komar & Melamid, Edit De Ak, Lawrence Weiner, Kathy Acker, Robert Mapplethorpe, Anselm Kiefer, Thomas McEvilley, Louise Bourgeois, Ingrid Sischy, and too many more to list. Artists featured include: Josef Albers, Richard Tuttle, Jo Baer, Carl Andre, Ant Farm, Hans Arp, Max Bill, Mel Bochner, Alighiero Boetti, Lee Bontecou, Constantin Brancusi, Bertholt Brecht, Richard Avedon, Francis Bacon, Diane Arbus, Michaelangelo Antonioni, Lynda Beglis, Larry Bell, Terry Fox, James Byers, Rober Barry, Marcel Breuer, AA Bronson, Luis Buñel, Daniel Buren, Chris Burden, Joseph Beuys, Anthony Caro, Marcel Broodthaers, John Chamberlain, Paul Cézanne, Marc Chagall, Jean Cocteau, Merce Cunningham, Sonia Delauney, Walter de Maria, Bruce Connor, Jean Dubuffet, Max Ernst, Walker Evans, Dan Flavin, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Hollis Frampton, Alberto Giacometti, Eva Hesse, Gilbert & George, Philip Glass, John Cage, Nancy Graves, Dan Graham, Robert Grosvenor, Nancy Grossman, Walter Gropius, Hans Haacke, Hairy Who, David Hockney, Douglas Huebler, Jorg Immendorff, Donald Judd, Jasper Johns, Joan Jonas, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Keinholz, Paul Klee, Alison Knowles, Joseph Kosuth, Brice Marden, Agnes Martin, André Masson, Henri Matisse, Roberto Matta, Sol Lewitt, Roy Lichtenstein, Barbara Kruger, Jannis Kounellis, Markus Lüpertz, El Lissitzky, Rene Magritte, Robert Mapplethorpe, John McCracken, Mario Merz, Robert Morris, Robert Motherwell, Ree Morton, Louise Nevelson, Barnett Newman, Kenneth Noland, Claes Oldenburg, Eduardo Paolozzio, A. R. Penck, Irving Penn, Francis Picabia, Pablo Picasso, Larry Poons, Ken Price, Yvonne Rainer, Robert Rauschenberg, Martial Raysse, Roman Polanski, Jackson Pollock, Steve Reich, Gerrit Rietveld, Alain Robbe-Grillet, Dorothae Rockburne, James Rosenquist, Mark Rothko, Robert Ryman, Lucas Samaras, Kurt Schwitters, Oscar Schlemmer, Richard Serra, Cindy Sherman, David Smith, Robert Smithson, Michael Snow, Robert Venturi, Wolf Vostell, Andy Warhol, Frank Stella, Saul Steinberg, Karlheinz Stockhausen, Bruno Taut, Jean Tinguely, Anne Truitt, Paul Wunderlich, Lawrence Weiner, Louise Bourgeois, Alfred Hitchcock, and so many more.
A Good copy throughout, with cover rubbing and corner bumping. Tightly bound and clean copy internally.
1988, English
Hardcover (w. dust jacket), 96 pages (47 Color & 350 b&w ill.), 250 x 280 mm
1st Edition, Out of print title / used*,
Published by
Harry N. Abrams / New York
$40.00 - Out of stock
What is a chair? More than 300 designers, architects, and furniture makers from around the world attempted to answer that question when they submitted chairs to an exhibition sponsored by The Architectural League of New York in 1986. Made from all manners of materials--steel, fabric, wood, plastic, aluminum, fiberglass--and running from serious solitary utilitarian seats to whimsical models, the range and variety of the designer's answers, all 397 of them illustrated here, are truly stunning.
Opening with American critic and philosopher Arthur C. Danto's essay "The Seat of the Sole", this handsomely designed volume, printed and bound in Japan, features an incredible photographic survey of eclectic chairs from the early 1980s. Amongst them appears Mario Bellini, Enzo Mari, Phillipe Starck, Vignelli designs, Michael Graves, Herman Miller, Ward Bennett, Stomu Miyazaki, Alan Buchsbaum, Knoll, Michele De Lucchi, Marco Zanini, Robert Venturi and Denise Scott Brown, Emilio Ambasz, Kazuo Kawasaki, Richard Meier, Herbert and Jutta Ohl, Simon Desanta, Vitra Seating, Shigeru Uchida, Giancarlo Piretti, Thonet Industries, Memphis Milano, Hartmut Lohmeyer, to name but a few.
1982, German
Hardcover (limited ed. Laminate cover), 260 pages, 24 x 33.5 cm
1st Edition, Out of print title / Used*,
Published by
Werkbund / Bremen
$350.00 - Out of stock
Beautiful over-sized book published on the occasion of a special exhibition in Lower Saxony and Bremen in 1982 entitled "Provokationen. Design Aus Italien : Ein Mythos Geht Neue Wege".
Published more broadly as a softcover book in 1982, here is one of the very limited edition hardcover versions, produced in collaboration between the designers Andrea Branzi, Paola Navone, Mario Radice, Ettore Sottsass Jr. and Superstudio with Firma Abet Laminati in Turin, especially for the exhibition. Each of the limited hardcover copies is sandwiched between two pieces of actual laminate panels designed by the designers and produced by Abet Laminati.
This particular copy features the work of Superstudio (front cover laminate) and Paola Navone (back cover laminate).
A very collectable copy of an incredible, scarce, heavy Italian design book!
Handsomely designed and profusely illustrated throughout with large black and white examples of the work of Enzo Mari, Sergio Asti, Gae Aulenti, Andrea Branzi, Superstudio, Achille and Piergiacomo Castiglioni, Marco Zanuso, Roberto Arioli, Ettore Sottsass Jr., Emma Schweinberger Gismondi, Angelo Mangiarotti, Mario Bellini, Gio Ponti, Martine Bendin, Daniela Puppa, Antonia Astori de Ponti, Franco Mirenzi, Joe Colombo, Ennio Lucini, Elio Martinelli, Sottsass Associates, Alessandro Mendini, Franco Raggi, Studio Alchimia, Gaetano Pesce, Franco Mello, Guido Drocco, Studio 65, UFO, Jonathan De Pas, Donato D'Urbino, Paolo Lomazzi, Aldo Rossi, Vico Magistretti, Achille Castiglioni, Sergio De Michiel, Paolo Nava, Mario Dell'Orto, Antonio Citterio, Anrea Bellosi, Richard Sapper, Bruno Munari, Anna Castelli Ferrieri, Giulietto Cacciari, Man Ray, Gigi Sabadin, Antonia Astori de Ponte, Mario Ceroli, Lucchino Oltrona Visconti, Michele De Lucchi, Michael Graves, Paolo Portoghesi, Stanley Tigerman, Oscar Tusquets, Robert Venturi, Kuzumasa Yamashita, and more.
And also the work of Gerrit Rietveld, Giuseppe Terragni, Alvar Aalto, Eileen Gray, Sonja Delaunay, Marcel Breuer, Karl Josef Jucker, Charles Rennie Mackintosh, Josef Hoffman in their original, influential forms, and their re-inventions by Alessandro Mendini and co.
1984, English
Hardcover (w. dust jacket), 342 pages, 270 x 280 cm
1st Edition, Out of print title / Used*,
Published by
U.M.I. Research Press / Michigan
$150.00 - Out of stock
First, hardcover edition of "LOOKING CRITICALLY: 21 YEARS OF ARTFORUM MAGAZINE", the heavy 342 page volume anthology of the first 21 years of the world's most important modern and art journal. An incredibly valuable collection of art theory.
Edited by Amy Baker Sandback, designed by Roger Gorman and Mary Beath and published in 1984 by U.M.I. Research Press, this dense volume, bound in hardcover to the dimensions of a copy of ARTFORUM, begins with an Ed Kienholz review at the Ferus Gallery from ARTFORUM's June 1962 inaugural issue, and ends with Barbara Kruger reviewing the film "TRON" for the November 1982 issue. An amazing compendium of articles and reviews from the magazine's important first 21 years, featuring contributions by the likes of John Cage, Robert Morris, Kate Steinitz, Henry T. Hopkins, Don Factor, Robert Pincus-Witten, Dennis Adrian, John Coplans, Hilton Kramer, Harold Rosenberg, Henry Geldzahler, John Cage, Walter Hopps, Ed Ruscha, Allan Kaprow, Robert Rosenblum, Dan Flavin, Boris Groys, Sam Wagstaff, Billy Kluver, Lucy R. Lippard, Robert Rosenblum, Roger Shattuck, Ad Reinhardt, Mel Bochner, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Barbara Rose, Manny Farber, Michael Fried, Robert Morris, Philip Leider, Hollis Frampton, Carl Andre, Richard Serra, Lawrence Alloway, Barbara Kruger, Jane Livingston, Lizzie Borden, Kenneth Baker, Laurie Anderson, Agnes Martin, Cindy Nemser, Sidney Tillim, Annette Michelson, Rosalind Krauss, Jeremy Gilbert-Rolfe, Roberta Smith, Peter Plagens, Peter Schjeldahl, J. Hoberman, Hal Foster, Richard Flood, Carter Ratcliff, Stuart Morgan, Max Kozloff, Donald Kuspit, Dan Graham, Walter De Maria, Komar & Melamid, Edit De Ak, Lawrence Weiner, Kathy Acker, Robert Mapplethorpe, Anselm Kiefer, Thomas McEvilley, Louise Bourgeois, Ingrid Sischy, and too many more to list. Artists featured include: Josef Albers, Richard Tuttle, Jo Baer, Carl Andre, Ant Farm, Hans Arp, Max Bill, Mel Bochner, Alighiero Boetti, Lee Bontecou, Constantin Brancusi, Bertholt Brecht, Richard Avedon, Francis Bacon, Diane Arbus, Michaelangelo Antonioni, Lynda Beglis, Larry Bell, Terry Fox, James Byers, Rober Barry, Marcel Breuer, AA Bronson, Luis Buñel, Daniel Buren, Chris Burden, Joseph Beuys, Anthony Caro, Marcel Broodthaers, John Chamberlain, Paul Cézanne, Marc Chagall, Jean Cocteau, Merce Cunningham, Sonia Delauney, Walter de Maria, Bruce Connor, Jean Dubuffet, Max Ernst, Walker Evans, Dan Flavin, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Hollis Frampton, Alberto Giacometti, Eva Hesse, Gilbert & George, Philip Glass, John Cage, Nancy Graves, Dan Graham, Robert Grosvenor, Nancy Grossman, Walter Gropius, Hans Haacke, Hairy Who, David Hockney, Douglas Huebler, Jorg Immendorff, Donald Judd, Jasper Johns, Joan Jonas, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Keinholz, Paul Klee, Alison Knowles, Joseph Kosuth, Brice Marden, Agnes Martin, André Masson, Henri Matisse, Roberto Matta, Sol Lewitt, Roy Lichtenstein, Barbara Kruger, Jannis Kounellis, Markus Lüpertz, El Lissitzky, Rene Magritte, Robert Mapplethorpe, John McCracken, Mario Merz, Robert Morris, Robert Motherwell, Ree Morton, Louise Nevelson, Barnett Newman, Kenneth Noland, Claes Oldenburg, Eduardo Paolozzio, A. R. Penck, Irving Penn, Francis Picabia, Pablo Picasso, Larry Poons, Ken Price, Yvonne Rainer, Robert Rauschenberg, Martial Raysse, Roman Polanski, Jackson Pollock, Steve Reich, Gerrit Rietveld, Alain Robbe-Grillet, Dorothae Rockburne, James Rosenquist, Mark Rothko, Robert Ryman, Lucas Samaras, Kurt Schwitters, Oscar Schlemmer, Richard Serra, Cindy Sherman, David Smith, Robert Smithson, Michael Snow, Robert Venturi, Wolf Vostell, Andy Warhol, Frank Stella, Saul Steinberg, Karlheinz Stockhausen, Bruno Taut, Jean Tinguely, Anne Truitt, Paul Wunderlich, Lawrence Weiner, Louise Bourgeois, Alfred Hitchcock, and so many more.
Very uncommon hardcover edition, with dust jacket.
1977, English
Softcover, 208 pages (146 ill.), 152 x 229 mm
Published by
Semiotext(e) / Los Angeles
The MIT Press / Massachusetts
$50.00 - Out of stock
Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments. This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl.
Robert Venturi is an award-winning architect and an influential writer, teacher, artist, and designer. His work includes includes the Sainsbury Wing of London's National Galler; renovation of the Museum of Contemporary Art, San Diego; dozens of major academic projects; and the groundbreaking Vanna Venturi House. Denise Scott Brown is a Founding Principal of Venturi, Scott, Brown, and Associates (VBSA) whose work and ideas have influenced generations of architects and planners. Steven Izenour (1940-2001) was coauthor of Learning from Las Vegas (MIT Press, 1977) and a principal in the Philadelphia firm Venturi, Scott Brown and Associates, Inc (VSBA). His most noted projects at VSBA include Philadelphia's Basco showroom, the George D. Widener Memorial Treehouse at the Philadelphia Zoo, the Camden Children's Garden, and the house he designed for his parents in Stony Creek, Connecticut.
"...a brilliant document of the times...a work which uses history knowledgeably, skillfully, and creatively: a rarity." Journal of the Society of Architectural Historians
"...professionally informed, competitively astute, and perversely brilliant..." The Yale Review
"...these studies are brilliant...the kind of art history and theory that is rarely produced." The New York Times Ada Louis Huxtable
1982, German
Hardcover (limited ed. Laminate cover), 260 pages, 24 x 33.5 cm
1st Edition, Out of print title / Used*,
Published by
Werkbund / Bremen
$350.00 - Out of stock
Beautiful over-sized book published on the occasion of a special exhibition in Lower Saxony and Bremen in 1982 entitled "Provokationen. Design Aus Italien : Ein Mythos Geht Neue Wege".
Published more broadly as a softcover book in 1982, here is one of the very limited edition hardcover versions, produced in collaboration between the designers Andrea Branzi, Paola Navone, Mario Radice, Ettore Sottsass Jr. and Superstudio with Firma Abet Laminati in Turin, especially for the exhibition. Each of the limited hardcover copies is sandwiched between two pieces of actual laminate panels designed by the designers and produced by Abet Laminati.
This particular copy features the work of Ettore Sottsass Jr. (both front and back cover laminates).
A very collectable copy of an incredible, scarce, heavy Italian design book!
Handsomely designed and profusely illustrated throughout with large black and white examples of the work of Enzo Mari, Sergio Asti, Gae Aulenti, Andrea Branzi, Superstudio, Achille and Piergiacomo Castiglioni, Marco Zanuso, Roberto Arioli, Ettore Sottsass, Emma Schweinberger Gismondi, Angelo Mangiarotti, Mario Bellini, Gio Ponti, Martine Bendin, Daniela Puppa, Antonia Astori de Ponti, Franco Mirenzi, Joe Colombo, Ennio Lucini, Elio Martinelli, Sottsass Associates, Alessandro Mendini, Franco Raggi, Studio Alchimia, Gaetano Pesce, Franco Mello, Guido Drocco, Studio 65, UFO, Jonathan De Pas, Donato D'Urbino, Paolo Lomazzi, Aldo Rossi, Vico Magistretti, Achille Castiglioni, Sergio De Michiel, Paolo Nava, Mario Dell'Orto, Antonio Citterio, Anrea Bellosi, Richard Sapper, Bruno Munari, Anna Castelli Ferrieri, Giulietto Cacciari, Man Ray, Gigi Sabadin, Antonia Astori de Ponte, Mario Ceroli, Lucchino Oltrona Visconti, Michele De Lucchi, Michael Graves, Paolo Portoghesi, Stanley Tigerman, Oscar Tusquets, Robert Venturi, Kuzumasa Yamashita, and more.
And also the work of Gerrit T. Rietveld, Giuseppe Terragni, Alvar Aalto, Eileen Gray, Sonja Delaunay, Marcel Breuer, Karl Josef Jucker, Charles Rennie Mackintosh, Josef Hoffman in their original, influential forms, and their re-inventions by Alessandro Mendini and co.
1997, Japanese
Hardcover (w. dustjacket), 144 pages, 23 x 30 cm
1st edition, Out of print title / used*,
Published by
Kajima Institute Publishing / Tokyo
$100.00 - Out of stock
Very scarce first edition of this wonderfully compiled hardcover Japanese compendium from the late 1990s of chairs designed by notable architects throughout the ages, from Art Nouveau to Bauhaus to Postmodern. All designers and their selected chairs are sleekly photographed and profiled alongside archival images of the furniture in its original interior architectural contexts. Edited by SD (Space Design), this book also contains historical essays/text sections throughout the book on differing paper stocks with images and texts in Japanese. Profusely illustrated and in brand new condition with original dust-jacket.
Architects featured:
Adolf Loos, Charles Rennie Mackintosh, Antonio Gaudi, Henry van de Velde, Josef Hoffmann, Carlo Bugatti, Kaare Jensen Klint, Otto Wagner, Eliel Saarinen, Walter Gropius, Frank Lloyd Wright, Gerrit Thomas Rietveld, El Lissitzky, Erik Gunnar Asplund, Marcel Lajos Breuer, Mart Stam, Pierre Chareau, Eileen Gray, L. Mies van der Rohe, Le Corbusier + Pierre Janneret + Charlotte Perriand, Robert Mallet-Stevens, Alvar Aalto, Kay Fisker, Rene Herbst, Jean Prouve, Michel Dufet, Giuseppe Terragni, Bruno Taut, Richard J. Neutra, Eero Saarinen, Charles Eames, Marco Zanuso, Finn Juhl, Max Bill, Gio Ponti, Arne Jacobsen, A. Laymand, N. Laymond, Franco Albini, George Nelson, Vilhelm Wohlert, Florence Knoll, Illmari Tapiovaara, Achiile & P.G. Castiglioni, Achiile Castiglioni, Angelo Mangiarotti, Gae Aulenti, Warren Platner, Vico Magistretti, P. Gatti + C. Paolini + F. Teodoro, Afra + Tobia Scarpa, Jorn Utzon, Joe C. CoIombo, Carlo Scarpa, Mario Bellini, Aldo Rossi, Cini Boeri, Antonio Citterio, Giandomenico Belotti, Paolo Deganello, Richard Meier, Stefan Wewerka, Mario Botta, Ettore Sottsass, Michele de Lucchi, Antti Nurmesniemi, Alessandro Mendini, Charles Pfister, De. Pas + D'urbino + Lomazzi, Robert Venturi, Michael Graves, Enzo Mari.
1990, Japanese
Hardcover (w. dust jacket), 191 pages, 22.5 x 26 cm
1st edition, Out of print title / used*,
Published by
Gendaikikakushitsu / Tokyo
$80.00 - Out of stock
First Japanese edition (printed in 1990) of this great design book published originally in Europe in 1987/88. Different cover variation for the Japanese edition.
An international selection of over 400 objects (over 500 illustrations) such as tableware, furniture, jewellery, glassware and light fixtures designed by more than 50 leading architects. The book provides a cross-section of original ideas to be found in the best of modern design and aims to show the powerful influence that architects continue to have on industrial and furniture design. Furniture and lighting by Norman Foster, tableware by Sottsass, Robert Stern and Venturi, jewellery by Arata Isogaki and Stern, furniture by Ambasz, Mario Botta, Michael Graves and Richard Meier are some of the artefacts included in this study. The architects, Juli Capella and Quim Larreo are editors of the magazine "De Diseno" and are on the board of the architectural magazine "El Croquis" published in Madrid.
Includes an introduction by Alessandro Mendini, "This Book is This Painting".
Features the work of: Emilio Ambasz, Ron Arad, Gae Aulenti, Mario Bellini, Cini Boeri, Pep Bonet, Mario Botta, Andrea Branzi, Santiago Calatrava, Anna Castelli, Achille Castiglioni, Cristian Cirici, Antonio Citterio, Lluis Clotet, Paolo Deganello, Michele de Lucchi, Jonathan de Pas, Donato d'Urbino, Paolo Lomazzi, Norman Foster, Frank Gehry, Michael Graves, Vittorio Gregotti, Pierluigi Cerri, Hans Hollein, Arata Isozaki, Charles Jencks, Ugo la Pietra, Vico Magistretti, Angelo Mangiarotti, Richard Meier, Alessandro Mendini, Pedro MMiralles, Rafael Moneo, Nemo, Oscar Niemeyer, Peolo Portoghesi, Aldo Rossi, Afra and Tobia Scarpa, Alvaro Siza Vieira, Ettore Sottsass Jr., Robert A.M. Stern, Giotto Stoppino, Kazuide Takahama, Matteo Thun, Elias Torres Tur, José Antonio, Martinez Lapeña, Oscar Tusquets, Robert Venturi, Daniel Weil, Stefan Wewerka, Marco Zanuso.
1989, English
Hardcover (w. dust jacket), 325 pages (619 colour and b/w ill.), 23 x 31 cm
1st Edition, Out of print title / As New*,
Published by
Prestel / Munich
$70.00 - Out of stock
Published by Prestel Munich, in 1989, this wonderful, richly illustrated and stylishly designed book covers the entire range of design in the late 1980's and it's predecessors. With sections dedicated to themes and subjects such as Exemplars; High Tech; Trans High Tech; Alchimia/Memphis; Post-Modernism; Minimalism; Archetypes; plus dense profile chapters on Dieter Rams, Stefan Wewerka and Holger Scheel; and essay sections from Matteo Thun ("Neo-Baroque Yardsticks"; "Micro-Architecture"; "Banal Design"), Volker Albus ("Rolex and Manhattan: Skyscraper Symbolism in Advertising") and Jochen Gros ("Small but Sophisticated: Microelectronics and Design"). Featuring fantastic photo-documentation and archival imagery of some of the finest and most radical design-objects of the period, including work by Frank Gehry, Hans Hollien, Michael Graves, Robert Venturi, Norbert Berghof, Aldo Rossi, Zeus, Shiro Kuramata, Philippe Starck, Dakota Jackson, Stanley Tigerman, Marcus Brotsch, Jorg Hieronymous, Michael Matuschka, Stefan Ambrozus, Michele De Lucchi, Ettore Sottsass, Ron Arad, Gaetano Pesce, George J. Sowden, Peter Shire, Martine Bedin, Carla Ceccariglia, Alessandro Mendini, Bruno Gregori, Ingo Maurer, Till Lesser, Gerard Kuijpers, Mario Botta, Jean-Marc da Costa, Piero Vendruscolo, Heide Warlamis, Robert A.M. Stern, Robert and Trix Hausmann, Stanley Tigerman, Margaret McCurry, Steven Holl, Danilo Silvestrin, Dieter Rams, Stefan Wewerka, Daniel Weil, Holger Scheel, Matteo Thun, SITE, and so many more, this generous publication is a must for any enthusiast of design from this period.
Edited by Volker Fischer, deputy director of the German Architecture Museum, Frankfurt.
1986, English
Hardcover (w. dust jacket), 239 pages, 25 x 31 cm
1st edition, Out of print title / used*,
Published by
Abbeville Press / New York
$68.00 - Out of stock
Edited by Robert A.M. Stern, one of the world's leading exponents of the Post-Modern movement, "The International Design Yearbook 1985/86" was "the first volume of an important annual review of domestic design in an international context. It shows the best, the most characteristic and the most exciting recent designs in furniture, lighting, ceramics, textiles, glass and metalware. It illustrates the work not only of such leading figures as Rossi, Hollein, Venturi, Sottsass and Castiglioni, but of hundreds of other contemporary designers around the world, whose work is notable for its topicality and promise, or for its aesthetic or functional excellence."
As well as contemporary design of the mid 1980's, the annual "deals with the reproduction of classic designs by such masters as Eileen Gray, Hoffman, Mackintosh, Rietveld and Le Corbusier." The annual also functioned as a guidebook to the featured designers and the respective companies, manufacturers and retailers of their designs. Biographies for all those designers featured are included, plus texts throughout.
This large book is richly illustrated with wonderful examples of the featured designers in their many forms via 520 illustrations, 382 in colour. Many works rarely (some possibly never) seen documented in any other book.
Includes the work of: Verner Panton, Nathalie du Pasquier, Charlotte Perriand, Paolo Piva, Andrée Putman, Dieter Rams, Gerrit Rietveld, Aldo Rossi, Stanley Tigerman, Brian Faucheux, Jay Stanger, Yrjo Kukkapuro, Hans Gunnarsson, Studio Alchimia, Gabrielle Regondi, John Smith, Alberto Salvati and Ambrogio Tresoldi, Paolo Deganello, Alessio Sarri, Charles Rennie Mackintosh, Matteo Thun, Pierre Jeanneret, Memphis, Giuseppe Terragni, Robert George Sowden, SITE, Afra Scarpa, Tobia Scarpa, Robert Venturi, Ugo La Pietra, Le Corbusier, Ettore Sottsass, Adolf Loos, Robert Mallet-Stevens, Richard Meier, Alessando Mendini, Fujiwo Ishimoto, Hans Hollein, Josef Hoffmann, William Morris, Frank Gehry, Robert A.M. Stern, Eileen Gray, Michael Graves, Michele De Lucchi, Joe Colombo, Achille Castiglioni, Mario Bellini, Gae Aulenti, Hans Ansems, Ron Arad, Emilio Ambasz, Alver Aalto, Daniel Weil, Marco Zanini, to name but a few!
1988, English
Hardcover (w. dust jacket), 191 pages, 22.5 x 26 cm
1st edition, Out of print title / used*,
Published by
Rizzoli / New York
$80.00 - Out of stock
Heavily illustrated first edition of this title, published by Rizzoli in 1988.
An international selection of over 400 objects (over 500 illustrations) such as tableware, furniture, jewellery, glassware and light fixtures designed by more than 50 leading architects. The book provides a cross-section of original ideas to be found in the best of modern design and aims to show the powerful influence that architects continue to have on industrial and furniture design. Furniture and lighting by Norman Foster, tableware by Sottsass, Robert Stern and Venturi, jewellery by Arata Isogaki and Stern, furniture by Ambasz, Mario Botta, Michael Graves and Richard Meier are some of the artefacts included in this study. The architects, Juli Capella and Quim Larreo are editors of the magazine "De Diseno" and are on the board of the architectural magazine "El Croquis" published in Madrid.
Includes an introduction by Alessandro Mendini, "This Book is This Painting".
Features the work of: Emilio Ambasz, Ron Arad, Gae Aulenti, Mario Bellini, Cini Boeri, Pep Bonet, Mario Botta, Andrea Branzi, Santiago Calatrava, Anna Castelli, Achille Castiglioni, Cristian Cirici, Antonio Citterio, Lluis Clotet, Paolo Deganello, Michele de Lucchi, Jonathan de Pas, Donato d'Urbino, Paolo Lomazzi, Norman Foster, Frank Gehry, Michael Graves, Vittorio Gregotti, Pierluigi Cerri, Hans Hollein, Arata Isozaki, Charles Jencks, Ugo la Pietra, Vico Magistretti, Angelo Mangiarotti, Richard Meier, Alessandro Mendini, Pedro MMiralles, Rafael Moneo, Nemo, Oscar Niemeyer, Peolo Portoghesi, Aldo Rossi, Afra and Tobia Scarpa, Alvaro Siza Vieira, Ettore Sottsass Jr., Robert A.M. Stern, Giotto Stoppino, Kazuide Takahama, Matteo Thun, Elias Torres Tur, José Antonio, Martinez Lapeña, Oscar Tusquets, Robert Venturi, Daniel Weil, Stefan Wewerka, Marco Zanuso.