World Food Books is a book shop in Melbourne, Australia.
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Wurtz appears courtesy of Metro Pictures, New York.
December 15 - January 20, 2014
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
During shop open hours videos played every hour, on the hour.
Softcover, 87 pages, 18.5 x 12.7 cm
1st Edition, Out of print title / as new
Published by ICA / Pennsylvania
$45.00 - Out of stock
Conceptions of “nothing” are one of the driving themes of twentieth-century art. One thinks of Piet Mondrian's reductivist approach to abstraction, Marcel Duchamp's contention that art resides in ideas, not objects, Mark Rothko's painterly reach for the sublime, Andy Warhol's affirmations of the vacuity of Pop culture. The Big Nothing will focus on themes of nothing, nothingness and negation in contemporary art and culture, surveying the legacy of these and other manifestations of absence made manifest in contemporary art. Artist include Gareth James, Jutta Koether, Louise Lawler, Richard Prince, Yves Klein, Bernadette Corporation, John Miller and James Welling, among others. Given its broad connotations, “nothing” provides general audiences with immediate access to looking at and thinking about the art of today.
Exhibition catalogue published in conjunction with show held May 1 - August 1, 2004. Curated and with essays by Ingrid Schaffner, Bennett Simpson, and Tanya Leighton. Additional essay by Paula Marincola. Artists include: Bas Jan Ader, Richard Artschwager, Michael Asher, Michel Auder, Jo Baer, Robert Barry, Larry Bell, Bernadette Corporation, James Lee Byars, Maurizio Cattelan, Thomas Chimes, Bruce Conner, Day Without Art, Jessica Diamond, Roe Ethridge, Lili Fleury, Rene Gabri, Jack Goldstein, Dominique Gonzalez-Foerster, Nicolas Guagnini, David Hammons, Heavy Industries, Nancy Holt, Richard Hoeck, Roni Horn, Pierre Huyghe, Gareth James, Ray Johnson, Yves Klein, Joachim Koester, Jutta Koether, Yayoi Kusama, Louise Lawler, Gordon Matta-Clark, Allan McCollum, Patrick McMullen, John Miller, Matt Mullican, Eileen Neff, Gabriel Orozco, Raphael Ortiz, Charlemagne Palestine, Philippe Parreno, William Pope.L, Doris Salcedo, Karin Schneider, Allan Sekula, Arlene Shechet, Santiago Sierra, John Smith, Robert Smithson, Paul Swenbeck, Rirkrit Tiravanija, Andy Warhol, James Welling, John Wesley, and Steve Wolfe. Includes checklist of the exhibition.
Softcover, 150 pages, 22 x 24 cm
1st Edition, out of print title / Used*,
Published by Tokyo Metropolitan Art Museum / Tokyo
$90.00 - In stock -
Great book published on the occasion of the exhibition at the Tokyo Metropolitan Art Museum in 1983.
Illustrated throughout in colour and black and white with examples of leading firgure in 1960s Japanese art scene, across themes and movements such as Gutai, Mono-ha, Pop, Fluxus, Dada, conceptual art and much more, including profiles on Tetsumi Kudo, Yukihisa Isobe, Ushio Shinohara, Shusaku Arakawa, Takami Sakurai, Yoshio Murakami, Hisashi Indo, Tomio Miki, Nobuaki Kojima, Jiro Takamatsu, Genpei Akasegawa, Natsuyuki Nakanishi, Koichi Tateishi, Hiroshi Nakamura, Koichi Tanikawa, Kei Hiraga, Ay-o, Tadanori Yokoo, Tasuo Ikeda, Tetsuro Komai, Hideo Hagiwara, Fumiaki Fukita, Yukio Fukazawa, Arinori Ichihara, Masuo Ikeda, Mitsuo Kano, Hideo Yoshihara, Tetsuya Noda, Bushiro Mouri, Saburo Muraoka, Shu Eguchi, Hisayuki Mogami, Ryokichi Mukai, Yoshikuni Iida, Bukichi Inoue, Isamu Wakabayashi, Masakazu Horiuchi, Kakuzo Tatehata, Haruhiko Yasuda, Moio Shinoda, Katsuhiro Yamaguchi, Masunobu Yoshimura, Tatsuo Kawaguchi, Minami Tada, Aiko Miyawaki, Nobuo Sekine, Takeo Yamaguchi, Masanari Murai, Toshinobu Onosato, Yoshishige Saito, Minoru Kawabata, Kumi Sugai, Yayoi Kusama, On Kawara, Keiji Usami, Takahiko Iimura.
Texts in Japanese.
Hardcover, 366 pages, 22.5 x 31 cm
1st German edition, Out of print title / used / very good,
Published by Hatje Cantz / Berlin
$70.00 - Out of stock
The long out-of-print heavyweight "Out of Actions" book (First German hardcover edition) that was published to accompany the spectacular 1998 Paul Schimmel-curated travelling exhibition. "Out of Actions" surveyed the broad international history and influence of post-war Performance Art, and the objects that exist today as its documentation. It features significant texts by Schimmel, Kristine Stiles, Guy Brett, Hubert Klocker, Shinichiro Osaki, Leslie King-Hammond and Lowery Stokes Sims, and Keiko Okamura.
This important and heavily researched document is lavishly illustrated throughout in colour and black and white, capturing the work and actions of the artists featured in the exhibition and essays: Marina Abramovic, Marina Abramovic and Ulay, Vito Acconci, Genpei Akasegawa, Laurie Anderson, Eleanor Antin, Rasheed Arseen, Mowry Baden, Artur Barrio, Joseph Beuys, Mark Boyle and Joan Hills, George Brecht, Stuart Brisley, Robert Delford Brown, Gunter Brus, Chris Burden, James Lee Byars, John Cage, Marc Camille Chaimowicz, Lygia Clark, Pinchas Cohen Gan, Collective Action Group, Houston Conwill, Paul Cotton, COUM Transmissions, Guy de Cointet, Jim Dine, John Duncan, Felipe Ehrenberg, Roberto Evangelista, Valie Export, Robert Filliou, Rose Finn-Kelcey, Sherman Fleming, Lucio Fontana, Terry Fox, Howard Fried, Gideon Gechtman, Gilbert & George, Alberto Greco, Ion Grigorescu, Victor Grippo, Red Grooms, Guerrilla Art Action Group, David Hammons, Al Hansen, Maren Hassinger, Lynn Hershman, Dick Higgins, Tatsumi Hijikata, Susan Hiller, Rebecca Horn, Tehching Hsieh, Joan Jonas, Kim Jones, Michel Journiac, Akira Kanayama, Tadeusz Kantor, Allan Kaprow, Mike Kelley, Juergen Klauke, Yves Klein, Milan Knizak, Alison Knowles, Komar & Melamid, Jannis Kounellis, Shigeko Kubota, Tetsumi Kudo, Yayoi Kusama, Leslie Labowitz, Suzanne Lacy, John Latham, Jean-Jacques Lebel, Lea Lublin, George Maciunas, Leopoldo Maier, Piero Manzoni, Tom Marioni, Georges Mathieu, Gordon Matta-Clark, Paul McCarthy, Bruce McLean, David Medalla, Cildo Meireles, Ana Mendieta, Gustav Metzger, Marta Minujin, Jan Micoch, Linda Montano, Robert Morris, Otto Muehl, Saburo Murakami, Natsuyuki Nakanishi, Bruce Nauman, Paul Neagu, Senga Nengudi, Joshua Neustein, Hermann Nitsch, Helio Oiticica, Claes Oldenburg, Yoko Ono, Orlan, Raphael Montanez Ortiz, Lorenzo Pace, Nam June Paik, Gina Pane, Lygia Pape, Giuseppe Pinot Gallizio, Adrian Piper, Michelangelo Pistoletto, Jackson Pollock, William Pope L., Robert Rauschenberg, Carlyle Reedy, Klaus Rinke, Ulrike Rosenbach, Dieter Roth, Zorka Saglova, Niki de Saint Phalle, Alfons Schilling, Tomas Schmit, Carolee Schneemann, Rudolf Schwarzkogler, Bonnie Sherk, Shozo Shimamoto, Ushio Shinohara, Kazuo Shiraga, Barbara T. Smith, Daniel Spoerri, Petr Stembera, Wolfgang Stoerchle, Jiro Takamatsu, Atsuko Tanaka, Mark Thompson, Jean Tinguely, Rasa Todosijevic, Kerry Trengove, Ulay, Ben Vautier, Wolf Vostell, Franz Erhard Walther, Peter Weibel, Franz West, Hannah Wilke, Emmett Williams, and Zaj.
Scarce first German edition, published by Hatje Cantz.
1978, English / Japanese
Softcover, 160 pages, 26 x 12 cm
1st edition, Out of print title / used*,
Published by The National Museum of Art / Osaka
$190.00 - In stock -
Incredibly rare Japanese publication from 1978, printed on the occasion of a major exhibition entitled "Design and Art of Modern Chairs", August 19-October 15, at the National Museum of Art, Osaka. This wonderful landscape-formatted book is profusely illustrated throughout (in colour and black and white) with the chairs of designers and artists including Gerrit Rietveld, Isamu Kenmochi, Olivier Mourgue, Pierre Paulin, Sadamasa Motonaga, Mario Ceroli, Marcel Breuer, Studio 65, Le Corbusier, Pierre Jeanneret, Charlotte Perriand, Jan Dranger, Johan Huldt, Robert Haussman, Kwok Hoi Chan, Steen Østergaard, George Nakashima, Mies van der Rohe, Poul Kjaerholm, Eero Saarinen, Harry Bertoia, Charles Pollock, Aarne Jacobsen, Warren Platner, Roger Tallon, Verner Panton, Earo Aarnio, Bruno Mathsson, Motomi Kawakami, Marco Zanuso, Richard Sapper, Gerd Lange, Vico Magistretti, Alver Aalto, Jonathan de Pas, Paolo Lomazzi, Donato d'Urbino, Giorgio Decursu, Sori Yanagi, Reiko Tanabe-Murai, Wolfgang Mueller-Deisig, Stacy Dukes, Ettore Sottsass, Charles Eames, Hans J. Wegner, Franco Albini, Gio Ponti, Kaare Klint, Enzo Mari, Takeshi Nii, Achille Castiglioni, Achille and Piergiacomo Castiglioni, Tadashi Minohara, Gaetano Pesce, Yrjo Kukkapuro, Afra and Tobia Scarpa, Mario Bellini, Cini Boeri, Mario Marenco, Joe Colombo, Piero Gatti, Jonathan de Pas, Paolo Lomazzi, Donato d'Urbino, Ubald Klug, Gerrit Rietveld, Salvador Dali, Poltronova, Cassina, Taro Okamoto. Jiro Takamatsu, Susumu Koshimizu, Shiro Kuramata, Minoru Takeyama, Lucas Samaras, Kozo Mio, Arata Isozaki, Shigeo Fukuda, Takashi Sakaizawa, Constantin Brâncuși, Yoji Kuri, Yayoi Kusama, Vitra, Knoll, Kartell, Herman Miller, Arflex, BBB, Flexform, C&B Italia, Cassina, and many more.
Each chair included is detailed with a blurb in Japanese, data/specs of year, designer/artist, manufacture and dimensions. Also includes an illustrated timeline tracing a chronological history of the chairs exhibited, along with a production index and forward texts in English and Japanese. Forms an incredible index of important modern chair designs from the early 1930s - late 1970s.
Softcover (2 volumes in slipcase), 154 + 194 pages, 21 x 29 cm
1st edition, Out of print title / used*,
Published by Museum of Contemporary Art / Tokyo
$140.00 - In stock -
The original two-volume Japanese slipcase edition, published in conjunction with the exhibition "Love Forever: Yayoi Kusama, 1958-1968" which travelled between Japan and the US in 1999. This edition was available for the Museum of Contemporary Art Tokyo staging of the exhibition, and has been long out of print. Both volumes here are lavishly illustrated throughout with colour photographs of Yayoi Kusama's history of work - the first book ("Love Forever: Yayoi Kusama, 1958-1968") being a catalogue for the exhibition, featuring essays and documentation of the works in the exhibit spanning the years 1958-1968, including her New York happenings, whilst the second book ("In Full Bloom: Yayoi Kusama, Years in Japan") illuminates many rarely seen works outside of Japan. Accompanied by texts, an interview and an exhibition history, this book is broken into the sections 1945-1959, 1970-1999 and is densely illustrated with colour documentation of her work created in Japan. Together chronicling Kusama's life of creating work across painting, collage, soft sculpture, performance art, and environmental installations, of which most exhibit her thematic interest in psychedelic colours, repetition, and pattern, this comprehensive and collectable publication illustrates an extremely influential artist's life of work. Based in conceptual art, Kusama's work shows attributes of Feminism, Minimalism, Surrealism, Art Brut, Pop Art, Nouvelle Tendence (Op, Kinetic, etc.) and Abstract Expressionism, and is infused with autobiographical, psychological, and sexual content. Kusama is truly uncategorizable, and is celebrated as one of the most important living artists to come out of Japan, and an important voice of the avant-garde.
$85.00 - In stock -
This is the complete, authorized collection of Donald Judd's early art criticism and polemical writings; it includes his landmark essay "Specific Objects" plus more than 500 contemporary art reviews he wrote on key artists and exhibitions of the 1960s.
Complete Writings 1959–1975 was first published in 1975 by The Press of the Nova Scotia College of Art and Design, and since then it has been the primary source for Donald Judd’s early writing. Working as an art critic for the magazines Arts, Arts Magazine and, later, Art International, Judd regularly contributed reviews of contemporary art exhibitions between 1959 and 1965, but continued to write throughout his life on a broad range of subjects. In his reviews and essays, Judd discussed in detail the work of more than 500 artists showing in New York in the early and mid-1960s, and provided a critical account of this significant era of art in America. While addressing the social and political ramifications of art production, the writings frequently addressed the work of such artists as Jackson Pollock, Kazimir Malevich, Barnett Newman, Ad Reinhardt, Lee Bontecou, Yayoi Kusama, John Chamberlain, Dan Flavin, Kenneth Noland and Claes Oldenburg. Judd’s essay "Specific Objects," first published in 1965, remains central to the analysis of the new art developed in the early 1960s. Other essays included in this publication are "Complaints I" (1969), "Complaints II" (1973) and his previously unpublished essay "Imperialism, Nationalism and Regionalism" (1975), all of which establish the polemical importance of Judd’s writing.
Donald Judd (1928–94) was born in Excelsior Springs, Missouri, and after having served in the United States Army, attended the College of William and Mary, Williamsburg, Virginia, and Columbia University, New York, where he received a BS in Philosophy, cum laude, in 1953. Studying at the Art Students League, Judd began his artistic career as a painter and transitioned to three-dimensional work in the early 1960s. Throughout his lifetime, in his writings and his work, he advocated for the importance of art and the artist’s role in society.
"Perhaps more than any other artist of his generation, Judd shaped the cultural discourse of his time- not only through his radical sculptures, but with his prolific writing on his peers." - Zoë Lescaze, Artnews
Softcover, 200 pages (10 b/w and 15 color ill.), 17 x 21 cm
Published by Sternberg Press / Berlin
$36.00 - Out of stock
Edited by David Maroto, Joanna Zielińska
Texts by Roland Barthes, Liam Gillick, Kenneth Goldsmith, Tom McCarthy, Ingo Niermann, Seth Price, Seth Siegelaub, et al.; excerpts from artist novels by Guy de Cointet, Henry Joseph Darger, Yayoi Kusama, Jill Magid, et al.
This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Visual artists create different strategies to integrate their novels into their practice. Introducing traits that are particular to narrative literature into the visual arts implies the accentuation of some features over others, such as narration, fiction, identification, and the act of reading and its protracted engagement, as well as distribution in public space. An artist’s approach comes fundamentally from the visual arts. The creation of an artist novel doesn’t differ from any other artwork. Both processes feed into each other as they evolve within the same body of works. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.
Copublished with Cricoteka on the occasion of the exhibition “Reads Like A Book: The Book Lovers Project,” January 23–March 15, 2015.
Design by Jakub de Barbaro