World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1st Edition, Out of print title / used / average
Published by Moderna Museet / Stockholm
$55.00 - In stock -
Önskemuseet: The Museum of Our Wishes (December 26, 1963 - February 16, 1964), was a unique and very ambitious exhibition initiated by director Pontus Hultén and Moderna Museet staff that gathered together a collection of modernist art from private owners, in order to present to the public and political administration their vision of what a museum collection could actually be. The exhibition featured works from private collections alongside a “wish list” of works that were still available on the market, calling for the government to allocate funds for purchasing new works for the museum. The request was acknowledged and the Museum received a one-off allocation of five million kronor, a substantial amount in today’s currency, which enabled the purchase of several works that now constitute the core of the collection, positioning Moderna Museet as one of the most dynamic and committed contemporary art institutions of the 1960s.
This is a copy of the first and only edition of the catalogue for the exhibition, which makes up a visual checklist of the artworks and artists featured in this enormous exhibit, taking it's form from art history guides that had started to be created after the war.
Includes introduction by Gerard Boniier as well as additional text by Olle Granath, K.G. Hulten, Ulf Linde and Karin Bergqvist Lindegren. Features works by Henri Matisse, Georges Rouault, Raoul Dufy, Emil Nolde, Edwin Ludwig Kirchner, Erich Heckel, Oscar Kokoschka, Max Beckmann, Chaim Soutine, Wassily Kandinsky, Kasimir Malevich, Pablo Picasso, Georges Braque, Jacques Villon, Raymond Duchamp-Villon, Henri Le Fauconnier, Fernand Léger, Robert Delaunay, Roger de la Fresnaye, Henri Laurens, Amédée Ozenfant, Juan Gris, Alexander Archipenko, Jacques Lipchitz, Giacomo Balla, Ardengo Soffici, Carlo Carrà, Umberto Boccioni, Gino Severini, Francis Picabia, Jean Arp, Marcel Duchamp, Man Ray, Kurt Schwitters, Piet Mondrian, El Lissitzky, Theo van Doesburg, Antoine Pevsner, Georges Vantongerloo, Sophie Tauber-Arp, Naum Gabo, Lazlo Moholy-Nagy, Alexander Calder, Charles Despiau, Andre Derain, Maurice Utrillo, Amedeo Modigliani, Otto Dix, Ben Shahn, Marie Laurencin, Constantin Brancusi, Julio Gonzales, Paul Klee, Giorgio de Chirico, Marc Chagall, Max Ernst, Juan Miró, Andre Masson, René Magritte, Yves Tanguy, Alberto Giacometti, Wilfredo Lam, Victor Brauner, Salvador Dali, Sebastian Matta, Henry Moore, Roger Bissière, Jean Bazaine, Maurice Esteve, Alfred Manessier, Nicolas De Staël, Auguste Herbin, Serge Poliafkoff, Victor Pasmore, Barnett Newman, Richard Mortensen, Jean Fautrier, Lucio Fontana, Henri Michaux, Jean Dubuffet, Germaine Richier, Francis Bacon, Wols, Asger Jorn, Alberto Burri, Antonio Tapies, Karel Appel, Mark Tobey, Fritz Hundertwasser, Mark Rothko, Archile Gorky, Willem de Kooning, Jackson Pollock, Jean-Paul Riopelle, Sam Francis, Robert Jacobsen, Robert Rauschenberg, Enrico Baj, César, Jasper Johns, Richard Stankiewicz, Jean Tinguely, Arman, and Yves Klein.
All texts in Swedish. The bulk of the reproductions are in black-and-white with several larger, tipped-in images in color.
Ex-library copy with stamps, stickers and covering. Otherwise a good copy.
1982, English / Japanese / Italian / French
Softcover (w. wax dust jacket), 128 pages, 21 x 29 cm
1st Edition, Out of print title / Used*,
Published by The Japan Foundation / Tokyo
$90.00 - In stock -
Great Japanese catalogue published in 1982 to accompany a major group exhibition that brought together the work of 5 Western artists (Joseph Beuys, Daniel Buren, Dan Graham, Bruce Mclean, and Giulio Paolini), for a major group show held at the Laforet Museum, Tokyo and The Tokyo Metropolitan Art Museum ; organized by The Japan Foundation and The Tokyo Metropolitan Art Museum, Laforet Harajuku. Each artist has many pages of work reproduced in black and white, accompanied by artists' statements, essays on each artist, and artists' biographies, in English, Japanese, Italian and French. First edition, wrapped in printed wax paper dust-jacket.
Softcover, 170 pages, 22 x 30.5 cm
Published by Suiseisha / Tokyo
$70.00 - In stock -
This book documents the Dada movement in Japan from 1920s to 1970s through a collection of photos, artists' statements and recollections. It is a revised 2005 edition of a book first published in Japan in 1988 (following on from a publication 'Dada in Japan: Japanische Avantgarde, 1920-1970: Eine Fotodokumentation' from a large exhibition held at Kunstmuseum Duesseldorf in Germany in 1983). It covers the rarely seen photographic documentation of the avant-garde movements of Mavo, Gutai and more, featuring imagery and ephemera from installations, happenings, theatre performances, rallies, and protests including the work of artists Genpei Akasegawa, Atsuko Tanaka, Kazuo Shiraga, Nakanishi Natsuyuki, Shozo Shimamoto, Tomoyoshi Murayama, Yoshimura Masanobu, Tetsumi Kudo, and many others.
Hardcover (w/ pulped dust jacket), 163 pages, 22 x 30.5 cm
1st Edition, Out of print title / Used*,
Published by Hatsubaimoto Hakuba Shobo / Japan
$110.00 - In stock -
This first edition hard-cover book (in fine pulped, recycled paper dust jacket) documents the Dada movement in Japan from 1920s to 1970s through a collection of photos, artists' statements and recollections, published in Japan in 1988 (following on from a publication 'Dada in Japan: Japanische Avantgarde, 1920-1970: Eine Fotodokumentation' from a large exhibition held at Kunstmuseum Duesseldorf in Germany in 1983). It covers the rarely seen photographic documentation of the avant-garde movements of Mavo, Gutai and more, featuring imagery and ephemera from installations, happenings, theatre performances, rallies, and protests including the work of artists Genpei Akasegawa, Atsuko Tanaka, Kazuo Shiraga, Nakanishi Natsuyuki, Shozo Shimamoto, Tomoyoshi Murayama, Yoshimura Masanobu, Tetsumi Kudo, and many others.
*Condition: Very good-Fine – All care is taken to provide accurate condition details of used books, photos available on request.
Hardcover, 366 pages, 22.5 x 31 cm
1st German edition, Out of print title / used / very good,
Published by Hatje Cantz / Berlin
$70.00 - Sold
The long out-of-print heavyweight "Out of Actions" book (First German hardcover edition) that was published to accompany the spectacular 1998 Paul Schimmel-curated travelling exhibition. "Out of Actions" surveyed the broad international history and influence of post-war Performance Art, and the objects that exist today as its documentation. It features significant texts by Schimmel, Kristine Stiles, Guy Brett, Hubert Klocker, Shinichiro Osaki, Leslie King-Hammond and Lowery Stokes Sims, and Keiko Okamura.
This important and heavily researched document is lavishly illustrated throughout in colour and black and white, capturing the work and actions of the artists featured in the exhibition and essays: Marina Abramovic, Marina Abramovic and Ulay, Vito Acconci, Genpei Akasegawa, Laurie Anderson, Eleanor Antin, Rasheed Arseen, Mowry Baden, Artur Barrio, Joseph Beuys, Mark Boyle and Joan Hills, George Brecht, Stuart Brisley, Robert Delford Brown, Gunter Brus, Chris Burden, James Lee Byars, John Cage, Marc Camille Chaimowicz, Lygia Clark, Pinchas Cohen Gan, Collective Action Group, Houston Conwill, Paul Cotton, COUM Transmissions, Guy de Cointet, Jim Dine, John Duncan, Felipe Ehrenberg, Roberto Evangelista, Valie Export, Robert Filliou, Rose Finn-Kelcey, Sherman Fleming, Lucio Fontana, Terry Fox, Howard Fried, Gideon Gechtman, Gilbert & George, Alberto Greco, Ion Grigorescu, Victor Grippo, Red Grooms, Guerrilla Art Action Group, David Hammons, Al Hansen, Maren Hassinger, Lynn Hershman, Dick Higgins, Tatsumi Hijikata, Susan Hiller, Rebecca Horn, Tehching Hsieh, Joan Jonas, Kim Jones, Michel Journiac, Akira Kanayama, Tadeusz Kantor, Allan Kaprow, Mike Kelley, Juergen Klauke, Yves Klein, Milan Knizak, Alison Knowles, Komar & Melamid, Jannis Kounellis, Shigeko Kubota, Tetsumi Kudo, Yayoi Kusama, Leslie Labowitz, Suzanne Lacy, John Latham, Jean-Jacques Lebel, Lea Lublin, George Maciunas, Leopoldo Maier, Piero Manzoni, Tom Marioni, Georges Mathieu, Gordon Matta-Clark, Paul McCarthy, Bruce McLean, David Medalla, Cildo Meireles, Ana Mendieta, Gustav Metzger, Marta Minujin, Jan Micoch, Linda Montano, Robert Morris, Otto Muehl, Saburo Murakami, Natsuyuki Nakanishi, Bruce Nauman, Paul Neagu, Senga Nengudi, Joshua Neustein, Hermann Nitsch, Helio Oiticica, Claes Oldenburg, Yoko Ono, Orlan, Raphael Montanez Ortiz, Lorenzo Pace, Nam June Paik, Gina Pane, Lygia Pape, Giuseppe Pinot Gallizio, Adrian Piper, Michelangelo Pistoletto, Jackson Pollock, William Pope L., Robert Rauschenberg, Carlyle Reedy, Klaus Rinke, Ulrike Rosenbach, Dieter Roth, Zorka Saglova, Niki de Saint Phalle, Alfons Schilling, Tomas Schmit, Carolee Schneemann, Rudolf Schwarzkogler, Bonnie Sherk, Shozo Shimamoto, Ushio Shinohara, Kazuo Shiraga, Barbara T. Smith, Daniel Spoerri, Petr Stembera, Wolfgang Stoerchle, Jiro Takamatsu, Atsuko Tanaka, Mark Thompson, Jean Tinguely, Rasa Todosijevic, Kerry Trengove, Ulay, Ben Vautier, Wolf Vostell, Franz Erhard Walther, Peter Weibel, Franz West, Hannah Wilke, Emmett Williams, and Zaj.
Scarce first German edition, published by Hatje Cantz.
Softcover, 162 pages, 23 x 25 cm
1st edition, Out of print title / used*,
Published by Galerie Gmurzynska / Köln
$48.00 - Sold
Published in 1973 by Galerie Gmurzynska in Cologne, this wonderful monographic catalogue is lavishly illustrated throughout with black and white and colour reproductions of many works (primarily painting and drawing) by Russian 20th Century artists with a portion of the book dedicated entirely to Lev Nusberg (b. 1937, Russian artist, architect and designer) and the Moscow art group "Bewegung" ("Movement"), a group of artists spearheading developments in kinetic art, founded in 1962. This group of artists permanently changed their forms of expression in an experimental manner and were known for provocative and non-systematic art works and actions.
Artists include Alexander Archipenko, Alexander Rodschenko, Alexander Rodtschenko, László Moholy-Nagy, Alexandra Exter, Alexej Jawlensky, Anatolij Krivcikov, Boris Diodorov, David Burlik, El Lissitzky, Francisco A. Infanté, Galerie Franz Schoen, Galina Georgievna Bitt, Georgij I. Lopakov, Gruppe Dvizenie, Issachar Ryback, Iwan Kljun, Iwan Kudriaschow, Iwan Puni, Juri Annenkow, Kasimir Malewitsch, Kugelbahnen, Lev Voldemarovich Nussberg, Ljubow Popowa, Marianna von Werefkin, Michail Larionow, Nadia Khodossievitch-Léger, Natalia Gontscharowa, Nathan Altmann, Naum Gabo, Nicolas Schöffers, Nikolay M. Suetin, Ossip Zadkin, Paul Mansouroff, Pavel Burdukov, Rimma Sapgir-Janevskaja, Serge Charchoune, Sonia Delaunay-Terk, Viktor V. Stephanov, Vladimir Akulinin, Vladimir P. Galkin, Vladimir Scerbakov, Wassily Kandinsky, Wladimir Tatlin...
Softcover (two-volumes in plastic jacket), 116 pages, 21.6 x 24.7 cm
Published by Yale University Press / New Haven
$48.00 - Sold
The landmark Jewish Museum exhibition Primary Structures offered the first presentation of Minimalist sculptures in the United States, in 1966. The accompanying catalogue by Kynaston McShine became a key resource on artists such as Donald Judd, Carl Andre, Dan Flavin, and Sol LeWitt, who were virtually unknown at the time. Other Primary Structures is a long-overdue reintroduction of this classic, out-of-print text. This two-volume set includes a replica of the original catalogue, plus a new companion volume by Jens Hoffmann that offers a global survey of early Minimalist sculpture during the 1960s and 1970s, featuring important sculptors from Asia, Africa, Latin America, and Eastern Europe, and complementing the earlier catalogue's focus on American and British artists. Beautifully designed, this publication comes enclosed in a clear jacket that pays homage to the original catalogue's iconic cover. Other Primary Structures is invaluable for the study of modern art history and provides an authoritative survey of Minimalist sculpture in the 1960s.
Carl Andre, Lyman Kipp, Tim Scott, Richard Van Buren, Isaac Witkin, Tony DeLap, Tom Doyle, Richard Artschwager, Michael Bolus, Paul Frazier, Douglas Huebler, John McCracken, Peter Phillips, Anne Truitt, Ronald Bladen, Robert Grosvenor, Donald Judd, Robert Morris, Larry Bell, Walter de Maria, Sol LeWitt, Daniel Gorski, David Gray, David Hall, Phillip King, John McCracken, Peter Pinchbeck, Michael Todd, Derrick Woodham, Rasheed Araeen, Sérgio Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandell, Gego, Stanislav Kolíbal, Edward Krasiński, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahović, Oscar Bony, Benni Efrat, Yoshida Katsurō, Stanislav Kolíbal, Susumu Koshimiz, Ivan Kožarić, David Lamelas, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Kishio Suga, Jirō Takamatsu, Lee Ufan
Hardcover (w. dust jacket), 312 pages, 18 x 23 cm
Published by University of Chicago Press / Chicago
$75.00 - In stock -
Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.
1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls to define a "black aesthetic" or otherwise settle the race question, these experiments with modernist art favored cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight.
The power and social importance of these experiments, English argues, came partly from color's special status as a racial metaphor and partly from investigations of color that were underway in formalist American art and criticism. From Frank Bowling to Virginia Jaramillo, Sam Gilliam to Peter Bradley, black modernists and their supporters rose above the demand to represent or be represented, compromising nothing in their appeals for racial reconciliation. At a time when many debates about identity sought closure, these exhibitions offered openings; when icons and slogans touted simple solutions, they chose difficulty. But above all, as English demonstrates in this provocative book, these exhibitions and artists responded with optimism rather than cynicism to the surrounding culture's preoccupation with color.
Softcover, 21 x 28 cm, 320 pages
Published by Primary Information / New York
$59.00 - In stock -
REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine through its 15 year history, traces the influences, development and transitions of artists through the 80s.
The anthology features writings by and about Dara Birnbaum, Eric Bogosian, Rhys Chatham, Mark Dion, Jack Goldstein, Felix Gonzalez-Torres, Kim Gordon, Dan Graham, Thomas Lawson, Louise Lawler, Sherrie Levine, Allan McCollum, John Miller, Dave Muller, Matt Mullican, Adrian Piper, Richard Prince, David Robbins, Ed Ruscha, Cindy Sherman, Laurie Simmons, Michael Smith, John Stezaker, Bernard Tschumi, Jeff Wall, Lawrence Weiner, and James Welling among others.
Table of Contents:
Thomas Lawson and Susan Morgan: Various Histories of REAL LIFE Magazine
Matthew Higgs: REAL LIFE
Susan Morgan: an interview with Robert Moskowitz, 1979
Valentin Tatransky: Collage And The Problem Of Representation: Sherrie Levine's new work, 1979
Grahame Shane: Crime as Function, 1979
Susan Morgan: an interview with Steve Gianakos, 1979
Barbara Kruger: Game Show, 1979
James Welling: Untitled, 1979
Thomas Lawson: Every Picture Tells A Story Don't It? 1979
Thomas Lawson: Fashion Moda, 1980
Richard Prince: Primary Transfers, 1980
Dan Graham: The Destroyed Room of Jeff Wall, 1980
Kim Gordon: Trash Drugs And Male Bonding, 1980
Thomas Lawson: Going Places, 1980
Susan Morgan: Michael Hurson, 1980
Barbara Kruger: Devils With Red Dresses On, 1980
Thomas Lawson: Long Distance Information, 1980
Joseph Bishop: Desperate Character, 1980
Richard Prince: Menthol Pictures, 1980
Laurie Simmons: Sam and Dottie Dance, 1980
Jim Bradley: Radical Genitalia, 1980
Allan McCollum: Matt Mullican's World, 1980
Michael Smith: Mike In... What Should I Do About The Car? 1980
Sherrie Levine: Two Photographs After Walker Evans, 1980
Kim Gordon: Honeymoon Habit, 1980
Post-Modernism: a symposium, 1981
Dan Graham: BOWWOWWOW (the Age of Piracy), 1981
Howard Singerman: The Artist as Adolescent, 1981
Elsa Bulgari: Your Everyday Critic, 1981
Thomas Lawson: Too Good to be True, 1981
Jenny Bolande: Elk Grazed as if Nothing Had Happened, 1981
David Robbins: Notes toward film, 1981
Eric Bogosian: Fascination, 1981
Fulton Ryder: Pissing on Ice, 1981
Joan Wallace and Geralyn Donohue: Edit deAk, 1982
Rex Reason: Democratism, 1982
The Holy Ghost Writers: Condensation and Dish-Placement, 1982-3
Howard Singerman: Paragraphs toward an essay entitled 'Restoration Comedies', 1982-3
John Roberts: Ruins in the Realm of Thought, 1983
Paul McMahon: From The Permanent Collection, 1983
Jo Baer and Bruce Robbins: Beyond the Pale, 1983
Kathi Norklun: Courage, 1983
Tim Rollins: Particles, 1980-1983, 1983-4
Doug Ashford: Kiss of Death, 1983-4
Thomas Lawson: Komar & Melamid, 1983-4
Robin Winters: The Secret Agent: an interview with Jacki Ochs , 1983-4
Robert C. Morgan: a conversation with Lawrence Weiner , 1983-4
Judith Kirshner: A Blinding Light , 1983-4
Rex Reason: Brie Popcorn: an interview with the directors of Nature Morte Gallery, 1983-4
John Miller: Morality and the Poetic, 1984
Susan Morgan: Portraits of the Artists/Composite Drawings, 1984
B.P. Gutfreund: Four Photographs, 1984
Susan Morgan: Each and Every One of You, 1985
Mark Dion: Tales From The Dark Side, 1985
Jeff Wall: Dan Graham's Kammerspiel Parts I and II, 1985
Jana Sterbak: Premeditated: an interview with Ed Ruscha, 1985
Walter Robinson: The Quest For Failure, 1985-6
Derek Boshier: John Dugger, 1985-6
John A.Walker: Unholy Alliance: Chairman Mao, Andy Warhol, and the Saatchis, 1985-6
Kellie Jones: David Hammons, 1986
John Miller: Swiss Family Robbins, 1986
Adrian Piper: An Open Letter to Donald Kuspit, 1987-8
Susan Morgan: when X does not equal Y , 1987-8
Thomas Lawson: Critical Art Ensemble, 1988-9
Christine N. Lea: Beyond Belief, 1988-9
Felix Gonzalez-Torres: Untitled 1988: Detail of a Sculpture (Endless Copies), 1988-9
Thomas Lawson: No Bull, 1990
Allan McCollum: Photo from TV (with Paintings), 1990
Dara Birnbaum: The Wondering Of Context, 1990
James Welling: Corridors, 1989, 1990
Michael Smith and R. Sikoryak: Mike, 1990
Felix Gonzalez-Torres: Untitled, 1990
Judith Barry: Drive-In or Walk-In Museum, 1990
Group Material: AIDS Timeline, 1990
David Robbins: Three Cancelled TV Families, 1990
Louise Lawler: Untitled 1988, 1990
Susan Morgan: Carlos Gutierrez-Solana, 1994
Josef Strau and Stephan Dillemuth: Friesenwall 120, 1994
David A. Muller: Three Day Weekend, 1994
Spencer Finch: Amnesia And Saying Nothing, 1994
Softcover (die-cut), 244 pages, 19 x 26 cm
Published by Walker Art Centre / Minneapolis
$78.00 - In stock -
Edited with text by Fionn Meade. Foreword by Olga Viso. Texts by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Robert Wiesenberger.
Question the Wall Itself examines ways that interior spaces and décor can be fundamental to the understanding of cultural identity. It showcases 23 international artists who explore the political and social dimensions of interior architecture as well as its complicated relationship to history and their own backgrounds. The featured artists are Jonathas de Andrade, Uri Aran, Nina Beier, Marcel Broodthaers, Tom Burr, Alejandro Cesarco, Marc Camille Chaimowicz, Theaster Gates, Ull Hohn, Janette Laverrière, Louise Lawler, Nick Mauss, Park McArthur, Lucy McKenzie, Shahryar Nashat, Walid Raad, Seth Siegelaub, Paul Sietsema, Florine Stettheimer, Rosemarie Trockel, Cerith Wyn Evans, Danh Vo and Akram Zaatari.
The book and the exhibition it accompanies take as its guiding principle what Marcel Broodthaers termed “esprit décor”: a critique of ideas of nationality, globalization and the space of the institution through constructed interior scenes. Recasting our conception of interior space and design, the featured works exist between art, prop, and set or stage. Espousing this mise-en-scène approach, Question the Wall Itself plugs readers into material that expands the show in the form of book-as-exhibition. It includes an extensive photographic walk-through of the installations, and essays by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Fionn Meade, and Robert Wiesenberger, as well as contributions from participating artists.
Hardcover (limited ed. Laminate cover), 260 pages, 24 x 33.5 cm
1st Edition, Out of print title / Used*,
Published by Werkbund / Bremen
$350.00 - Sold
Beautiful over-sized book published on the occasion of a special exhibition in Lower Saxony and Bremen in 1982 entitled "Provokationen. Design Aus Italien : Ein Mythos Geht Neue Wege".
Published more broadly as a softcover book in 1982, here is one of the very limited edition hardcover versions, produced in collaboration between the designers Andrea Branzi, Paola Navone, Mario Radice, Ettore Sottsass Jr. and Superstudio with Firma Abet Laminati in Turin, especially for the exhibition. Each of the limited hardcover copies is sandwiched between two pieces of actual laminate panels designed by the designers and produced by Abet Laminati.
This particular copy features the work of Superstudio (front cover laminate) and Paola Navone (back cover laminate).
A very collectable copy of an incredible, scarce, heavy Italian design book!
Handsomely designed and profusely illustrated throughout with large black and white examples of the work of Enzo Mari, Sergio Asti, Gae Aulenti, Andrea Branzi, Superstudio, Achille and Piergiacomo Castiglioni, Marco Zanuso, Roberto Arioli, Ettore Sottsass Jr., Emma Schweinberger Gismondi, Angelo Mangiarotti, Mario Bellini, Gio Ponti, Martine Bendin, Daniela Puppa, Antonia Astori de Ponti, Franco Mirenzi, Joe Colombo, Ennio Lucini, Elio Martinelli, Sottsass Associates, Alessandro Mendini, Franco Raggi, Studio Alchimia, Gaetano Pesce, Franco Mello, Guido Drocco, Studio 65, UFO, Jonathan De Pas, Donato D'Urbino, Paolo Lomazzi, Aldo Rossi, Vico Magistretti, Achille Castiglioni, Sergio De Michiel, Paolo Nava, Mario Dell'Orto, Antonio Citterio, Anrea Bellosi, Richard Sapper, Bruno Munari, Anna Castelli Ferrieri, Giulietto Cacciari, Man Ray, Gigi Sabadin, Antonia Astori de Ponte, Mario Ceroli, Lucchino Oltrona Visconti, Michele De Lucchi, Michael Graves, Paolo Portoghesi, Stanley Tigerman, Oscar Tusquets, Robert Venturi, Kuzumasa Yamashita, and more.
And also the work of Gerrit Rietveld, Giuseppe Terragni, Alvar Aalto, Eileen Gray, Sonja Delaunay, Marcel Breuer, Karl Josef Jucker, Charles Rennie Mackintosh, Josef Hoffman in their original, influential forms, and their re-inventions by Alessandro Mendini and co.