World Food Books

Paul Thek
Paul Thek : The Wonderful World That Almost Was

1995, German
1st Edition, Out of print title / used / very good
Published by Witte de With / Rotterdam Neue Nationalgalerie / Berlin

$90.00 - Sold

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The rare first major monographic catalogue on Paul Thek, published in conjunction with a major retrospective exhibition staged at Witte de With, Center for Contemporary Art, Rotterdam, June 3 - October 8, 1995. The exhibition went on to Berlin, Barcelona, Zürich, Marseille, accompanied by this important book on the history of one of America's great artists.

Lavishly illustrated throughout with Thek's notebooks, sculptures, installations, paintings, drawings, photographs, writings, and much more, accompanied by important historical texts by Ann Wilson, Anke Bangma, Harald Szeemann, Richard Flood, Marietta Franke, Holland Cotter, Roland Groenenboom, and Rebecca Quaytman. Includes a selected bibliography.

Printed in an edition of 1000.

File under: Paul Thek R.H. Quaytman Paul Thek Ann Wilson Anke Bangma Harald Szeemann Richard Flood Marietta Franke Holland Cotter Roland Groenenboom Witte de With / Rotterdam Neue Nationalgalerie / Berlin Art Sculpture / Installation Painting Drawing

Out of Actions
Aktionismus, Body Art und Performance 1949-1979

1998, German
Hardcover, 366 pages, 22.5 x 31 cm
1st German edition, Out of print title / used / very good,
Published by Hatje Cantz / Berlin

$70.00 - Sold

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The long out-of-print heavyweight "Out of Actions" book (First German hardcover edition) that was published to accompany the spectacular 1998 Paul Schimmel-curated travelling exhibition. "Out of Actions" surveyed the broad international history and influence of post-war Performance Art, and the objects that exist today as its documentation. It features significant texts by Schimmel, Kristine Stiles, Guy Brett, Hubert Klocker, Shinichiro Osaki, Leslie King-Hammond and Lowery Stokes Sims, and Keiko Okamura.
This important and heavily researched document is lavishly illustrated throughout in colour and black and white, capturing the work and actions of the artists featured in the exhibition and essays: Marina Abramovic, Marina Abramovic and Ulay, Vito Acconci, Genpei Akasegawa, Laurie Anderson, Eleanor Antin, Rasheed Arseen, Mowry Baden, Artur Barrio, Joseph Beuys, Mark Boyle and Joan Hills, George Brecht, Stuart Brisley, Robert Delford Brown, Gunter Brus, Chris Burden, James Lee Byars, John Cage, Marc Camille Chaimowicz, Lygia Clark, Pinchas Cohen Gan, Collective Action Group, Houston Conwill, Paul Cotton, COUM Transmissions, Guy de Cointet, Jim Dine, John Duncan, Felipe Ehrenberg, Roberto Evangelista, Valie Export, Robert Filliou, Rose Finn-Kelcey, Sherman Fleming, Lucio Fontana, Terry Fox, Howard Fried, Gideon Gechtman, Gilbert & George, Alberto Greco, Ion Grigorescu, Victor Grippo, Red Grooms, Guerrilla Art Action Group, David Hammons, Al Hansen, Maren Hassinger, Lynn Hershman, Dick Higgins, Tatsumi Hijikata, Susan Hiller, Rebecca Horn, Tehching Hsieh, Joan Jonas, Kim Jones, Michel Journiac, Akira Kanayama, Tadeusz Kantor, Allan Kaprow, Mike Kelley, Juergen Klauke, Yves Klein, Milan Knizak, Alison Knowles, Komar & Melamid, Jannis Kounellis, Shigeko Kubota, Tetsumi Kudo, Yayoi Kusama, Leslie Labowitz, Suzanne Lacy, John Latham, Jean-Jacques Lebel, Lea Lublin, George Maciunas, Leopoldo Maier, Piero Manzoni, Tom Marioni, Georges Mathieu, Gordon Matta-Clark, Paul McCarthy, Bruce McLean, David Medalla, Cildo Meireles, Ana Mendieta, Gustav Metzger, Marta Minujin, Jan Micoch, Linda Montano, Robert Morris, Otto Muehl, Saburo Murakami, Natsuyuki Nakanishi, Bruce Nauman, Paul Neagu, Senga Nengudi, Joshua Neustein, Hermann Nitsch, Helio Oiticica, Claes Oldenburg, Yoko Ono, Orlan, Raphael Montanez Ortiz, Lorenzo Pace, Nam June Paik, Gina Pane, Lygia Pape, Giuseppe Pinot Gallizio, Adrian Piper, Michelangelo Pistoletto, Jackson Pollock, William Pope L., Robert Rauschenberg, Carlyle Reedy, Klaus Rinke, Ulrike Rosenbach, Dieter Roth, Zorka Saglova, Niki de Saint Phalle, Alfons Schilling, Tomas Schmit, Carolee Schneemann, Rudolf Schwarzkogler, Bonnie Sherk, Shozo Shimamoto, Ushio Shinohara, Kazuo Shiraga, Barbara T. Smith, Daniel Spoerri, Petr Stembera, Wolfgang Stoerchle, Jiro Takamatsu, Atsuko Tanaka, Mark Thompson, Jean Tinguely, Rasa Todosijevic, Kerry Trengove, Ulay, Ben Vautier, Wolf Vostell, Franz Erhard Walther, Peter Weibel, Franz West, Hannah Wilke, Emmett Williams, and Zaj.
Scarce first German edition, published by Hatje Cantz.

File under: Niki de Saint-Phalle Cosey Fanni Tutti Marina Abramovic Vito Acconci Genpei Akasegawa Laurie Anderson Eleanor Antin Rasheed Arseen Mowry Baden Artur Barrio Joseph Beuys Mark Boyle Joan Hills George Brecht Stuart Brisley Robert Delford Brown Gunter Brus Chris Burden James Lee Byars John Cage Marc Camille Chaimowicz Lygia Clark Pinchas Cohen Gan Collective Action Group Houston Conwill Paul Cotton COUM Transmissions Guy de Cointet Jim Dine John Duncan Felipe Ehrenberg Roberto Evangelista Valie Export Robert Filliou Rose Finn-Kelcey Sherman Fleming Lucio Fontana Terry Fox Howard Fried Gideon Gechtman Gilbert & George Alberto Greco Ion Grigorescu Victor Grippo Red Grooms Guerrilla Art Action Group David Hammons Al Hansen Maren Hassinger Lynn Hershman Dick Higgins Tatsumi Hijikata Susan Hiller Rebecca Horn Tehching Hsieh Joan Jonas Kim Jones Michel Journiac Akira Kanayama Tadeusz Kantor Allan Kaprow Mike Kelley Juergen Klauke Yves Klein Milan Knizak Alison Knowles Komar & Melamid Jannis Kounellis Shigeko Kubota Tetsumi Kudo Yayoi Kusama Leslie Labowitz Suzanne Lacy John Latham Jean-Jacques Lebel Lea Lublin George Maciunas Leopoldo Maier Piero Manzoni Tom Marioni Georges Mathieu Gordon Matta-Clark Paul McCarthy Bruce McLean David Medalla Cildo Meireles Ana Mendieta Gustav Metzger Marta Minujin Jan Micoch Linda Montano Robert Morris Otto Muehl Saburo Murakami Natsuyuki Nakanishi Bruce Nauman Paul Neagu Senga Nengudi Joshua Neustein Hermann Nitsch Helio Oiticica Claes Oldenburg Yoko Ono Orlan Raphael Montanez Ortiz Lorenzo Pace Nam June Paik Gina Pane Lygia Pape Giuseppe Pinot Gallizio Adrian Piper Michelangelo Pistoletto Jackson Pollock William Pope L. Robert Rauschenberg Carlyle Reedy Klaus Rinke Ulrike Rosenbach Dieter Roth Zorka Saglova Alfons Schilling Tomas Schmit Carolee Schneemann Rudolf Schwarzkogler Bonnie Sherk Shozo Shimamoto Ushio Shinohara Kazuo Shiraga Barbara T. Smith Daniel Spoerri Petr Stembera Wolfgang Stoerchle Jiro Takamatsu Atsuko Tanaka Mark Thompson Jean Tinguely Rasa Todosijevic Kerry Trengove Ulay Ben Vautier Wolf Vostell Franz Erhard Walther Peter Weibel Franz West Hannah Wilke Emmett Williams Zaj Paul Schimmel Kristine Stiles Guy Brett Hubert Klocker Shinichiro Osaki Leslie King-Hammond Lowery Stokes Sims Keiko Okamura Hatje Cantz / Berlin Performance / Dance / Theater Sculpture / Installation Painting Arte Povera Minimal Art Feminism Art Dada Film / Video Fluxus Group Shows / Collections Nouveau Réalisme Out-of-print / Rare Pop Art Sound / Music Photography

MURAKAMI SABURO
Through The 70's

2013, Japanese / English
Hardcover, 160 pages (colour & bw ill.), 19 x 26 cm
Published by Seigensha Publishing / Kyoto

$60.00 - In stock -

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Published in conjunction with an exhibition at ARTCOURT Gallery in Osaka, this broad survey explores the expression and diverse changes through the career of this central member of the Gutai Art Association. While his ‘Paper-Breaking’ events were internationally renowned as pioneering examples of performance art, his “individuality was embodied in his boldest and most unique methodologies” during the 1970s. The book therefore offers a particularly in-depth re-examination of his solo exhibitions and independent work in that period. Numerous paintings, photos, and film stills accompany critical essays, an interview by Kōzu Yoshinori, and texts by Saburō himself. Certainly in our opinion this is nicest monograph on Murakami Saburo.

File under: Murakami Saburo Seigensha Publishing / Kyoto Art Performance / Dance / Theater Painting

The Slip of the Tongue
Danh Vo, Caroline Bourgeois, Julie Ault, Heinz Peter Knez, Stefan A. Peterson (Eds.)

2016, English / Italian
Softcover (w. French-folds and inserted booklets), 200 pages, 19.5 x 25.4 cm
Published by Marsilio / Venice

$85.00 - In stock -

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Edited by Danh Vo, Caroline Bourgeois, Julie Ault, Heinz Peter Knez, Stefan A. Peterson.
Exhibition curated by Danh Vo and Caroline Bourgeois
Texts by Patricia Falguieres, Elisabeth Lebovici, and Amy Zion
Photography by Heinz Peter Knes

Danh Vo’s conceptual artworks and installations often draw upon elements of personal lived experience (his own, the lives of his parents and other family members) to explore broader historical, social or political themes, particularly those relating to the history of Vietnam at the close of the twentieth century. The works shown in this book—closely related to an exhibition at the Pinault Foundation in Venice—in addition to Vo’s site-specific installations, include some curious old works of art from Venetian museums and collections, provocatively chosen by Vo to establish an unprecedented dialogue between past and present.

Beautifully designed, comprehensive exhibition catalogue with two inserted booklets (text book with words by Patricia Falguieres, Elisabeth Lebovici, and Amy Zion; and exhibition guide/artist profile book and work list), with the main book entirely made up of elegant colour photographic imagery by Heinz Peter Knez of the exhibition itself and the wonderful collection of works assembled. Profusely illustrated with installation views, works and details, featuring the work of Leonor Antunes, Nairy Baghramian, Giovanni Bellini, Constantin Brancusi, Marcel Broodthaers, Giovanni Buonconsigliodetto Il Marescalco, Hubert Duprat, Michael Elmgreen & Ingar Dragset, Luciano Fabro, Peter Fischli and David Weiss, Felix Gonzalez-Torres, Petrit Halilaj, David Hammons, Roni Horn, Peter Hujar, Tetsumi Kudo, Bertrand Lavier, Zoe Leonard, Francesco Lo Savio, Lee Lozano, Robert Manson, Piero Manzoni, Sadamasa Motonaga, Jean-Luc Moulène, Henrik Olesen, Pablo Picasso, Sigmar Polke, Carol Rama, Charles Ray, Auguste Rodin, Cameron Rowland, Andres Serrano, Nancy Spero, Sturtevant, Alina Szapocznikow, Paul Thek, Harald Thys & Jos Degruyter, Danh Vo, David Wojnarowicz, Martin Wong.

File under: Alina Szapocznikow Andres Serrano Auguste Rodin Bertrand Lavier Cameron Rowland Carol Rama Charles Ray Constantin Brâncuși Danh Vo David Hammons David Wojnarowicz Elmgreen & Dragset Felix Gonzalez-Torres Francesco Lo Savio Giovanni Bellini Heinz Peter Knes Henrik Olesen Hubert Duprat Jean-Luc Moulène Jos de Gruyter & Harald Thys Julie Ault Lee Lozano Leonor Antunes Luciano Fabro Marcel Broodthaers Martin Wong Nairy Baghramian Nancy Spero Pablo Picasso Paul Thek Peter Fischli & David Weiss Peter Hujar Petrit Halilaj Piero Manzoni Robert Manson Roni Horn Sadamasa Motonaga Sigmar Polke Sturtevant Tetsumi Kudo Zoe Leonard Amy Zion Caroline Bourgeois Danh Vo Elisabeth Lebovici Julie Ault Patricia Falguières Stefan A. Peterson Marsilio / Venice Art Photography Sculpture / Installation Painting Arte Povera Curatorial Conceptual Art

Carol Rama
Antibodies

2017, English
Softcover, 295 pages, 18.6 x 25cm
Published by New Museum / New York

$58.00 - In stock -

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While Carol Rama (1918-2015) has been largely overlooked in contemporary art discourses, her work has proven prescient and influential for many artists working today, attaining cult status and attracting renewed interest. Rama's exhibition at the New Museum brings together over 150 of her paintings, objects and works on paper, highlighting her consistent fascination with the representation of the body. This book celebrates the independence and eccentricity of this legendary artist whose work spanned half a century of contemporary art history and anticipated debates on sexuality, gender and representation. Encompassing her entire career, it traces the development from her early erotic, harrowing depictions of "bodies without organs" through later works that invoke innards, fluids and limbs.

This catalog accompanying her New Museum exhibition features an interview with the artist by Lea Vergine, a new text by writer Sarah Lehrer-Graiwer, and a contribution by artist Danh Vo.

File under: Carol Rama Danh Vo Sarah Lehrer-Graiwer Lea Vergine New Museum / New York Art Painting Drawing Sculpture / Installation

Robert Jacks
On Paper 1958-1990

1991, English
1st Edition, Out of print title / used / very good
Published by University of Melbourne / Melbourne

$25.00 - In stock -

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Published by the University of Melbourne in 1990, this catalogue celebrates Australian artist Robert Jacks's commitment to abstraction as well as his works' "authority and formal quality, suggestive colours and sensitivity". Forward by Frances Lindsay, expansive text by Simeon Kronenberg, written in 1989. Illustrated throughout (in colour and b&w) with Jacks' many works on paper using pencil, watercolour, gouache, collage, cut paper, stamps and ink. Includes biography and exhibition history.

Robert Jacks (born 1943) is an Australian painter, sculptor and printmaker.
In 1966 he had his first solo exhibition at Gallery A, Melbourne from which a work was purchased for the collection of the National Gallery of Victoria. In 1968, he participated in ‘The Field’ an extremely influential exhibition at the new National Gallery of Victoria, which effectively launched colour field abstraction in Australia.

"I think my work has always been minimal and abstract because when I was being taught sculpture, it was expressed in abstract terms. Form in space, mass and volume - that sort of thing. Painting, for me, is an extension of sculptural ideas."

File under: Robert Jacks University of Melbourne / Melbourne Art Painting Drawing Australian Art

Before Pictures
by Douglas Crimp

2016, English
Hardcover (w. dust jacket), 288 pages, 15.2 x 24.1 cm
Published by University of Chicago Press / Chicago

$80.00 - In stock -

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Douglas Crimp is the rare art critic whose work profoundly influenced a generation of artists. He is best known for his work with the "Pictures Generation" the very name of which Crimp coined to define the work of artists like Robert Longo and Cindy Sherman who appropriated images from mass culture to carry out a subversive critique. But while his influence is widely recognized, we know little about Crimp's own formative experiences before "Pictures."Before Pictures tells the story of Crimp's life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. Crimp participated in all of what made the city so stimulating in that vibrant decade. The details of his professional and personal life are interwoven with this the particularly rich history of New York City at that time, producing a vivid portrait of both the critic and his adopted city. The book begins with his escape from his hometown in Idaho, and we quickly find Crimp writing criticism for ArtNews while working at the Guggenheim where, as a young curatorial assistant, he was one of the few to see Daniel Buren's Peinture-Sculpture before it was removed amid cries of institutional censorship. We also travel to the Chelsea Hotel (where Crimp helped the down-on-his-luck couturier Charles James organize his papers) through to his days as a cinephile and balletomane to the founding of the art journal October, where he remained a central figure for many years. As he was developing his reputation as a critic, he was also partaking of the New York night life, from drugs and late nights alongside the Warhol crowd at the Max's Kansas City to discos, roller-skating, and casual sex with famous (and not-so-famous) men. As AIDS began to ravage the closely linked art and gay communities, Crimp eventually turned his attention to activism dedicated to rethinking AIDS. Part biography and part cultural history, Before Pictures is a courageous account of an exceptional period in both Crimp's life and the life of New York City. At the same time, it offers a deeply personal and engaging point of entry into important issues in contemporary art.

Includes the work of Cindy Sherman, Jack Goldstein, Daniel Buren, Charles James, Hiroshi Sugimoto, Agnes Martin, Dan Flavin, Peter Hujar, Eva Hesse, Bernardo Bertolucci, Walker Evans, Joseph Cornell, Alfred Hitchcock, Jack Tworkov, Robert Ryman, Jane Freilicher, Robert Smithson, Michael Snow, Stanley Kubrick, Cristobal Balenciaga, Christian Dior, Brice Marden, Ellsworth Kelly, Guilio Romano, Andrea Mantegna, Merce Cunningham, Joan Jonas, Yvonne Rainer, John Baldessari, Dan Graham, Vito Acconci, Alvin Baltrop, Divine, Gordon Matta-Clark, Edgar Degas, Louise Lawler, and so many others.

File under: Cindy Sherman Jack Goldstein Daniel Buren Charles James Hiroshi Sugimoto Agnes Martin Dan Flavin Peter Hujar Eva Hesse Bernardo Bertolucci Walker Evans Joseph Cornell Alfred Hitchcock Jack Tworkov Robert Ryman Jane Freilicher Robert Smithson Michael Snow Stanley Kubrick Cristobal Balenciaga Christian Dior Brice Marden Ellsworth Kelly Guilio Romano Andrea Mantegna Joan Jonas Yvonne Rainer John Baldessari Dan Graham Vito Acconci Alvin Baltrop Divine Gordon Matta-Clark Edgar Degas Louise Lawler Merce Cunningham Douglas Crimp University of Chicago Press / Chicago Art Pop Art Minimal Art Theory / Essay Painting Fashion Textiles Performance / Dance / Theater Photography Conceptual Art Film / Video Sculpture / Installation

The Return of The Real
by Hal Foster

1996, English
Softcover, 328 pages, 18 x 22.2 cm
Published by October Books / New York The MIT Press / Massachusetts

$69.00 - In stock -

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In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today.After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real -- to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-garde, it concludes with an original reading of this contemporary situation -- and what it portends for future practices of art and theory, culture and politics.

Includes the work of David Hammons, Robert Gober, Mike Kelley, Marcel Duchamp, Alexander Rodchenko, Vladimir Tatlin, Dan Flavin, Carl Andre, Jasper Johns, Daniel Buren, Marcel Broodthaers, Michael Asher, Hans Haacke, Fred Wilson, Silvia Kolbowski, Larry Bell, Sol Lewitt, Richard Serra, Eva Hesse, Donald Judd, Tony Smith, Robert Morris, Robert Smithson, Jeff Koons, Haim Steinbach, Peter Halley, Ashley Bickerton, Ross Bleckner, Barbara Kruger, Sherrie Levine, Vito Acconci, Bruce Nauman, Gordon Matta-Clark, Frank Stella, Robert Rauschenberg, Andy Warhol, Allan McCollum, Gerhard Richter, Richard Estes, Richard Prince, Cindy Sherman, Kiki Smith, John Miller, Zoe Leonard, Gran Fury, Renée Green, Dan Graham, Martha Rosler, Allan Sekula, Mary Kelly, Silvia Kolbowski, Lothar Baumgarten, Fred Wilson, Jimmie Durham, and many more.

File under: David Hammons Robert Gober Mike Kelley Marcel Duchamp Alexander Rodchenko Vladimir Tatlin Dan Flavin Carl Andre Jasper Johns Daniel Buren Marcel Broodthaers Michael Asher Hans Haacke Fred Wilson Silvia Kolbowski Larry Bell Sol Lewitt Richard Serra Eva Hesse Donald Judd Tony Smith Robert Morris Robert Smithson Jeff Koons Haim Steinbach Peter Halley Ashley Bickerton Ross Bleckner Barbara Kruger Sherrie Levine Vito Acconci Bruce Nauman Gordon Matta-Clark Frank Stella Robert Rauschenberg Andy Warhol Allan McCollum Gerhard Richter Richard Estes Richard Prince Cindy Sherman Kiki Smith John Miller Zoe Leonard Gran Fury Renée Green Dan Graham Martha Rosler Allan Sekula Mary Kelly Lothar Baumgarten Jimmie Durham Hal Foster October Books / New York The MIT Press / Massachusetts Art Theory / Essay Dada Surrealism Photography Film / Video Performance / Dance / Theater Painting Sculpture / Installation Minimal Art Conceptual Art Curatorial Pop Art

Tom Humphreys
Plates

2017, English
Edition of 500
Published by Sternberg Press / Berlin Forde / Geneva

$65.00 - In stock -

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Tom Humphreys—Plates is an artist’s book documenting works produced between 2009 and 2016 using industrially manufactured plates as a support medium. This extensive volume reproduces four hundred and twenty works from this series at a one-to-one scale, in precisely rendered photographs.

The surfaces of the plates incorporate painted glazes and ceramic transfers that are applied by the artist before the plates are refired in a kiln. Imagery is hand-drawn or applied using transfers that incorporate the artist’s own photography and generic found material. Like a sketch, each work results from a simple gesture. With silhouettes and scenes from everyday life, the plates play with innumerable combinations of image and subject matter. Joining artisanal craft and digital production, the works conflate the banality of a collection of objects without pedigree with the ambition of the collection itself, further exploring the politics of art production, presentation, and consumption.

The book follows the exhibition “Under the Wing” at the independent art space Forde in Geneva (February 19–March 26, 2017), curated by Nicolas Brühlart and Sylvain Menétrey. The illustrated works have been included in many other exhibitions, including “Over you / you,” 31st Biennial of Graphic Arts, Ljubljana, 2015; “Warm Math,” Balice Hertling, New York, 2014; “Casa Particular,” Rob Tufnell, London, 2014; “Holes” (with Lucie Stahl), What Pipeline, Detroit, 2013; “Chez Michel,” Dingum, Berlin, 2013; “Vertical Club,” Bortalami Gallery, New York, 2013; and “Flaca – Tom Humphreys,” Portikus, Frankfurt am Main, 2011.

Design by Tom Humphreys and Dan Solbach

Edition of 500 copies.

File under: Tom Humphreys Sternberg Press / Berlin Forde / Geneva Art Painting Ceramics / Glass

Blake Rayne
Tense and Spaced Out : Polar Nights, Glacial Chaos and the Ecology of Misery

2017, English
Softcover, 206 pages, 21.5 x 28 cm
Published by Sequence Press / New York Sternberg Press / Berlin

$65.00 - In stock -

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Edited by Katherine Pickard, Tim Saltarelli
Contributions by John Kelsey, David Lewis, Jaleh Mansoor, Javier Sánchez Martínez, Laura Owens, Sean Paul

Blake Rayne’s approach to painting stems from the duplicity of words like script, folder, application, dissolve, and screen. These operative terms situate his work between forms of linguistic description and the history of reflexive material practices in art. He begins from an orientation that considers the terms painter and painting as fictions with no stable material definition. Rather, they are shaped by always-evolving social, institutional, and physical relations.

Published in conjunction with Rayne’s first survey exhibition “Cabin of the Accused” (Blaffer Art Museum, Houston, October 22, 2016–March 18, 2017), Tense and Spaced Out spans Rayne’s work over the last decade, featuring long-form essays by Sean Paul, Jaleh Mansoor, Javier Sánchez Martínez, and John Kelsey, and shorter statements by Laura Owens and David Lewis. Not confined to the role of mere catalogue, however, the publication also includes documentation of the exhibition by a group of local high-school students and a magazine dedicated to Rayne’s 2013 book-object Almanac.

Copublished with Sequence Press and Blaffer Art Museum
Design by Geoff Kaplan

File under: Laura Owens Sean Paul Blake Rayne John Kelsey David Lewis Jaleh Mansoor Javier Sánchez Martínez Sequence Press / New York Sternberg Press / Berlin Art Painting

Progressive Russische Kunst
Der Aufbruch bis 1930 + Lev Nusberg und die Moskauer Gruppe "Bewegung"

1973, German
Softcover, 162 pages, 23 x 25 cm
1st edition, Out of print title / used*,
Published by Galerie Gmurzynska / Köln

$48.00 - Sold

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Published in 1973 by Galerie Gmurzynska in Cologne, this wonderful monographic catalogue is lavishly illustrated throughout with black and white and colour reproductions of many works (primarily painting and drawing) by Russian 20th Century artists with a portion of the book dedicated entirely to Lev Nusberg (b. 1937, Russian artist, architect and designer) and the Moscow art group "Bewegung" ("Movement"), a group of artists spearheading developments in kinetic art, founded in 1962. This group of artists permanently changed their forms of expression in an experimental manner and were known for provocative and non-systematic art works and actions.

Artists include Alexander Archipenko, Alexander Rodschenko, Alexander Rodtschenko, László Moholy-Nagy, Alexandra Exter, Alexej Jawlensky, Anatolij Krivcikov, Boris Diodorov, David Burlik, El Lissitzky, Francisco A. Infanté, Galerie Franz Schoen, Galina Georgievna Bitt, Georgij I. Lopakov, Gruppe Dvizenie, Issachar Ryback, Iwan Kljun, Iwan Kudriaschow, Iwan Puni, Juri Annenkow, Kasimir Malewitsch, Kugelbahnen, Lev Voldemarovich Nussberg, Ljubow Popowa, Marianna von Werefkin, Michail Larionow, Nadia Khodossievitch-Léger, Natalia Gontscharowa, Nathan Altmann, Naum Gabo, Nicolas Schöffers, Nikolay M. Suetin, Ossip Zadkin, Paul Mansouroff, Pavel Burdukov, Rimma Sapgir-Janevskaja, Serge Charchoune, Sonia Delaunay-Terk, Viktor V. Stephanov, Vladimir Akulinin, Vladimir P. Galkin, Vladimir Scerbakov, Wassily Kandinsky, Wladimir Tatlin...

Condition: Good (light wear, clean throughout) – All care is taken to provide accurate condition details of used books, photos available on request.

File under: Alexander Archipenko Alexander Rodchenko Alexandra Exter Alexej Jawlensky Anatolij Krivcikov Boris Diodorov David Burlik El Lissitzky Francisco A. Infanté Galerie Franz Schoen Galina Georgievna Bitt Georgij I. Lopakov Gruppe Dvizenie Issachar Ryback Iwan Kljun Iwan Kudriaschow Iwan Puni Juri Annenkow Kugelbahnen Laszlo Moholy-Nagy Lev Voldemarovich Nussberg Ljubow Popowa Marianna von Werefkin Michail Larionow Nadia Khodossievitch-Léger Natalia Gontscharowa Nathan Altmann Naum Gabo Nicolas Schöffers Nikolay M. Suetin Ossip Zadkin Paul Mansouroff Pavel Burdukov Rimma Sapgir-Janevskaja Serge Charchoune Viktor V. Stephanov Vladimir Akulinin Vladimir P. Galkin Vladimir Scerbakov Wassily Kandinsky Wladimir Tatlin Sonia Delaunay Kazimir Malevich Galerie Gmurzynska / Köln Art Drawing Out-of-print / Rare Painting Group Shows / Collections

Michael Krebber
The Living Wedge (Part 1. Porto 2016)

2017, English / German / Portuguese
Softcover, 152 pages, 28 x 21.5 cm
Published by Koenig Books / London Kunsthalle Bern / Bern Serralves Museum of Contemporary Art / Porto

$42.00 - In stock -

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Exploring the continual exhaustion, withdrawal, engagement and renewal of painting, the work of Michael Krebber is a central reference in conversations about the mediumʼs continued relevance.

The large selection of paintings, drawings and sculptures featured in this two-volume publication showcases Krebber’s practice over the last three decades.

Stations in a recursive cycle of starts, fits and restarts, scattered in a variety of motifs and gestures, by turns emphatic, arresting or ironic together they trace the artistʼs approach to painting, its expressive language as well as its critical function.

Volume 1 of 2.

Published on the occasion of the exhibition, Michael Krebber: The Living Wedge at Fundação De Serralves, Porto, Portugal (15 October 2016 – 15 January 2017) and at Kunsthalle Bern, Switzerland (18 February – 30 April 2017).

English, German and Portuguese text.

File under: Michael Krebber João Ribas Manfred Hermes Suzanne Cotter Valérie Knoll Koenig Books / London Kunsthalle Bern / Bern Serralves Museum of Contemporary Art / Porto Art Drawing Painting

Michael Krebber
The Living Wedge (Part 2. Porto 2016)

2017, English / German / Portuguese
Softcover, 160 pages, 28 x 21.5 cm
Published by Koenig Books / London Kunsthalle Bern / Bern Serralves Museum of Contemporary Art / Porto

$42.00 - In stock -

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Exploring the continual exhaustion, withdrawal, engagement and renewal of painting, the work of Michael Krebber is a central reference in conversations about the mediumʼs continued relevance.

The large selection of paintings, drawings and sculptures featured in this two-volume publication showcases Krebberʼs practice over the last three decades.

Stations in a recursive cycle of starts, fits and restarts, scattered in a variety of motifs and gestures, by turns emphatic, arresting or ironic together they trace the artistʼs approach to painting, its expressive language as well as its critical function.

Volume 2 of 2

Published on the occasion of the exhibition, Michael Krebber: The Living Wedge at Fundação De Serralves, Porto, Portugal (15 October 2016 – 15 January 2017) and at Kunsthalle Bern, Switzerland (18 February – 30 April 2017).

English, German and Portuguese text.

File under: Michael Krebber João Ribas Manfred Hermes Suzanne Cotter Valérie Knoll Koenig Books / London Kunsthalle Bern / Bern Serralves Museum of Contemporary Art / Porto Art Drawing Painting

Hilma af Klint
Seeing is Believing

2017, English
Softcover, 120 pages, 25 x 18 cm
Published by Koenig Books / London

$42.00 - Sold

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This unique volume contains the last abstract images series made by Hilma af Klint in the 1920ʼs which are previously unpublished in their entirety. These images are followed by ground breaking essays which shed new light on the pioneering abstract artist af Klint and her importance for artists today.

The texts also address a need for an evolved understanding of art history in the 21st century.

File under: Hilma af Klint Karl Holmqvist Branden W. Joseph Briony Fer Daniel Birnbaum David Lomas Hans Ulrich Obrist Karl Holmqvist Koenig Books / London Art Drawing Painting Theory / Essay

Sigmar Polke
The Editions

2017, English / German
Hardcover, 128 pages, 18 x 26 cm
Published by Walther König / Köln

$55.00 - In stock -

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Editioned work holds a special place within Sigmar Polkeʼs artistic oeuvre. To him it represented another possibility for conducting intensive and excessive variations on his experiments, enabling an endless discourse between himself and the world.

Like an alchemist, he expected different techniques to serve his creative ego, thus his editions comprise objects, books, folders, photography, photocopies, collages and numerous prints.

This catalogue contains all of the artistʼs editions, a total of around 200 works.

Accompanies the exhibition Sigmar Polke – The Editions, 28 Apr – 27 Aug 2017, The Collectors Room, Berlin. Curated by Tereza de Arruda.

German and English text.

File under: Sigmar Polke Walther König / Köln Art Drawing Painting

Francis Picabia
I am a Beautiful Monster : Poetry, Prose, and Provocation

2012, English
Softcover, 486 pages, 17 x 23 cm
Published by The MIT Press / Mass