World Food Books is a book shop in Melbourne, Australia.
Founded in 2010, World Food Books is a book service dedicated to the presentation of a rotating, hand-selection of quality international art and design journals, artists’ monographs, exhibition catalogues, artists’ editions, collected writings and printed ephemera.
Presenting new titles alongside rare and out-of-print publications spanning the fields of contemporary art, modern art, cultural theory, photography, film, poetry, fiction, fashion, architecture, interior design, typography, illustration, politics and much between, World Food Books wishes to encourage active and thoughtful reading, looking, writing, publishing, and exchanging of art and design press, both contemporary and historical.
As well as our book shop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service. We also have outposts at MUMA (Monash University Museum of Art) and Westspace, both also in Melbourne.
World Food Books semi-regularly co-ordinates "Occasions", a program of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
Studio 19, Level 3
37 Swanston Street
FRI 12-7 PM
SAT 12-4 PM
& OPEN BY APPOINTMENT
MAIL ORDER RUNS EVERY DAY
World Food Books
PO Box 435
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Fiction / Poetry
Film / Video
Sculpture / Installation
Performance / Dance / Theater
Sound / Music
Group Shows / Collections
Illustration / Graphic Art
Ceramics / Glass
Italian Radical Design / Postmodernism
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
at Minerva, Sydney (curated by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
$55.00 - Out of stock
The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art’s fixity as arrested form and ushers in the ephemeral and contingent "open work."
This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art.
Artists surveyed include
Ai Weiwei, John Baldessari, Monica Bonvicini, Alexander Brener, Stuart Brisley, Douglas Gordon, Huang Yong Ping, Enrique Jezik, Milan Knizak, Paul McCarthy, Piero Manzoni, Gordon Matta-Clark, Gustav Metzger, Otto Mühl, Yoko Ono, Raphael Montañez Ortiz, Petr Pavlensky, William Pope.L, Walid Raad, Arnulf Rainer, Robert Rauschenberg, Carolee Schneemann, Song Dong, Jean Tinguely, Wolf Vostell
Alain Badiou, Walter Benjamin, Horst Bredekamp, Carolyn Christov-Bakargiev, Medina Cuauthémoc, Dario Gamboni, Richard Galpin, Caleb Kelly, Bruno Latour, Sven Lütticken, Antonio Negri, Sophie O’Brien, Kristine Stiles, Jennifer Walden
About the Editor
Sven Spieker is Professor of Germanic and Slavic Studies at the University of California, Santa Barbara, and editor of ARTmargins. His books include The Big Archive: Art from Bureaucracy (MIT Press).
$89.00 - In stock -
Bringing together five decades of painting, sculpture, and installations from the celebrated Italian artist Marisa Merz, this major hardcover monograph accompanies a major US retrospective of her work. This generously illustrated book offers readers the chance to appreciate the full range of works by Marisa Merz, winner of the 2013 Golden Lion lifetime achievement award at the Venice Biennale. This volume traces Merz's artistic evolution from early experiments with non-traditional materials and processes, to intricately constructed installations of the 1970s and the enigmatic ceramic heads of the 1980s and '90s. Authoritative essays explore the rise of international women's art in the 1960s and '70s and Merz's own place in Italy's postwar art history. As the sole female protagonist of Arte Povera she is one of the few Italian women to exhibit in major venues internationally. Merz's challenging and evocative body of work is deeply personal and resistant to the categories of art history, including Arte Povera and international feminist art, with which she was associated. Previously unpublished texts and poetry by the artist, and an illustrated chronology, complement this comprehensive look at an enormously influential artist.
Texts by Connie Butler, Ian Alteveer, Carolyn Christov-Bakargiev, Leslie Cozzi, Teresa Kittler, Lucia Re, Cloe Perrone, Tommaso Trini.
1998, English / German
Softcover (w. press text and invitation card), 264 pages, 28 x 22 cm
1st edition, Out of print title / used*,
Published by John Hansard Gallery / University of Southhampton Museum Moderner Kunst Stiftung Wien / Vienna
$130.00 - Out of stock
This now scarce, large monographic publication was published in 1998 to accompany an exhibition on the work of Haim Steinbach at Museum of Modern Art, Ludwig Foundation Vienna, 20er Haus, 22.11.1997 - 01.11.1998 and John Hansard Gallery, University of Southhampton 17.3. - 25.4.1998.
One of the best books on Steinbach, 0% contains abundant examples of work spanning from 1975 to 1995, in black and white and colour, running through each year, alongside numerous essays in both German and English by Lorand Hegyi, Stephen Foster, Brude Ferguson, Eve Badura-Triska, Michel Gauthier, Giacinto di Pietrantonio, Cornelia Lauf, Jen Budney, Eva Meyer, Jan Avgikos, Carolyn Christov-Bakargiev and Adachiara Zevi. Also includes a full biography/bibliography.
This copy also includes an inserted copy of the exhibition accompanying text/booklet ("The Display Ratio" by Michel Gauthier) and exhibition invitation/event programme, both from John Hansard Gallery.
For more than four decades, Haim Steinbach has explored the psychological, aesthetic, cultural and ritualistic aspects of collecting and arranging already existing objects. His work engages the concept of “display” as a form that foregrounds objects, raising consciousness of the play of presentation. Steinbach selects and arranges objects – which range from the natural to the ordinary, the artistic to the ethnographic – thereby emphasizing their identities, inherent meanings and associations. An important influence in the growth of post-modern artistic dialogue, Steinbach’s work has radically redefined the status of the object in art.
Softcover, 304 pages, 14 x 20 cm
Published by Independent Curators / New York
$45.00 - In stock -
Since the publication of "Thinking Contemporary Curating" in 2012, art historian Terry Smith has continued his travels through the globalizing art world, talking to curators. The dozen searching conversations in this book--with Carolyn Christov-Bakargiev, Claire Bishop, Zdenka Badovinac, Mami Kataoka, Mari Carmen Ramírez, Okwui Enwezor, Germano Celant, Jens Hoffmann, Hans Ulrich Obrist, Maria Lind, Zoe Butt and Boris Groys--provide a vivid sense of contemporary curatorial thought at work. They show curators deeply immersed in thinking about the exigencies of practice, the contexts of exhibition-making, the platforms through which art may be made public, and about what their work can contribute toward understanding what it means to be alive today.
Terry Smith is Andrew W. Mellon Professor of Contemporary Art History and Theory in the Department of the History of Art and Architecture at the University of Pittsburgh. In 2010 he was named Australia Council Visual Arts Laureate by the Australian Government, and won the Mather Award for art criticism conferred by the College Art Association (USA). He is the author of "Making the Modern: Industry, Art and Design in America" (University of Chicago Press, 1993); "The Architecture of Aftermath" (University of Chicago Press, 2006), "What is Contemporary Art?" (University of Chicago Press, 2009), "Contemporary Art: World Currents" (Laurence King and Pearson/Prentice-Hall, 2011) and "Thinking Contemporary Curating" (Independent Curators International, 2012).
Hardcover, 224 pages (150 colour ill.), 310 x 240 mm
Published by Walther König / Köln
$60.00 - Out of stock
All-in-One represents a first attempt at offering an overview of Thomas Bayrle's multifaceted practice, from his first kinetic machines to the recent engine installations.
Amply illustrated, the catalogue highlights not only the serigraphies and super-images Bayrle is perhaps best known for, but also his sculptures, his early work as a graphic designer and publisher (included is an illustrated bibliography of all of Bayrle's artist books), his videos, as well as samples from his own texts (excerpts from his San Francisco Diary of 1981, reprinted here for the first time) and from his dabblings in concrete poetry.
Holding together this expansive approach are the concerns that have always animated his work: consumerism and consumer society, political propaganda, weaves and patterns, movement, sexuality, and religion.
Published on the occasion of the exhibition at WIELS Contemporary Art Centre, Brussels, 9 February – 12 May 2013.
Due to the weight of this volume, your order will likely incur additional postage costs. We will contact you with the best shipping advice upon your order, or alternatively, please email us in advance. Thank you for understanding.
2012, English / Italian
Softcover Newspaper, 270 pages (clour and b&w ill.), 26.5 x 37.5 cm
Published by Mousse / Milan
$15.00 - Out of stock
2011, English / Italian
Softcover, 273 pages, 265 x 375 mm
Published by Mousse / Milan
$15.00 - Out of stock
by Antonio Scoccimarro
LUCY MCKENZIE AND MARC CAMILLE CHAIMOWICZ
Adventures Close To Home
by Michael Bracewell
Reality Production Part II
by Hans Ulrich Obrist
Etica Da Ginga A Letter from Rio De Janeiro
by Dieter Roelstraete
PART OF THE PROCESS – ALLORA & CALZADILLA
by Sofía Hernández Chong Cuy
CAREY YOUNG AND JILL MAGID
The Color of Law
by Introduction by Alessandro Rabottini
A Stitch in Time
by Adam Nankervis
by Carolyn Christov-Bakargiev with Barbara Casavecchia, Daniel Baumann, Anthony Huberman, Raimundas Malašauskas, João Ribas
TEN FUNDAMENTAL QUESTIONS OF CURATING
"Chapter 5: What Is the Public?" Juan A. Gaitán Images selected by Christodoulos Panayiotou
by edited by Jens Hoffmann
by David Joselit
Starting From The End
by Elena Volpato
A Readymade Mystery in Three Parts
by Adam Kleinman
KERSTIN BRÄTSCH AND AMY SILMAN
The Art and Ephemera of Allen Ruppersberg
by Andrew Berardini
After Marcel Broodthaers, on Relationism & Lost Articles
by Guillaume Désanges and Hélène Meisel
LOST AND FOUND
All That Jess
by Jens Hoffmann
Now or Never
by Jennifer Allen
On “Poesivski”, Oblivion and Cinema
by Vincent Honoré
SKELETONS IN THE CLOSET
by Rachel Rosenfield Lafo
by Will Holder
by Stefano Cernuschi
by Antonio Scoccimarro
Who Is Darius Mikšys
by Jennifer Teets
NICE TO MEET YOU – ADRIÁN VILAR ROJAS
The Aching Whale
by Cecilia Alemani
PORTFOLIO – ELIAS HANSEN
Glass Magnifies Things
by Sarah Lehrer-Graiwer
WHAT’S ALTERNATIVE? ALTERNATIVE TO WHAT?
Stefan Kalmár and Tirdad Zolghadr
by Curated by Vincenzo de Bellis
$65.00 - Out of stock
dOCUMENTA (13)’s first artist book records the first stage of a project by Guillermo Faivovich (1977 in Buenos Aires) and Nicolás Goldberg (1978 in Paris). Since 2006, the artists have been researching Campo del Cielo, field of impact of a meteorite shower that occurred in northern Argentina four thousand years ago. El Taco, one of those meteorites, was divided in half in an intricate procedure at the Max Planck Institute in Mainz, Germany—halves which have since been located in Washington D.C.’s Smithsonian Institution and Buenos Aires’s planetarium.
The two parts of El Taco will be reunited for the first time at an exhibition at Portikus, a step in their journey toward dOCUMENTA (13), where a future stage of the project A Guide to Campo del Cielo will take place in 2012. This publication documents the meteorite’s long story, which involves the artists approach to bibliographical inquiry, archival research, and oral history through interacting with people who have been engaged in the region’s history and worldwide fieldwork.
Edited by dOCUMENTA (13), foreword by Daniel Birnbaum, Carolyn Christov-Bakargiev, texts by Tim McCoy, Hernán Pruden, Jutta Zipfel, conversation between Simon Starling and the artists.