World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
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All prices in AUD (Australian dollars)
Pick-Ups
Pick-up orders can be collected in our bookshop during opening hours after order date. Please collect any Pick-up orders within 2 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected. If you cannot make it in to the bookshop in this time-frame, please choose postage option.
Return Policy
All sales are final. We do accept returns (for refund or exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1980, English
Softcover, 56 pages, 21.5 x 13.9 cm
Published by
Leete's Island Books / U.S.
$20.00 - Out of stock
An essay on aesthetics by the Japanese novelist, this book explores architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings. The book also includes descriptions of laquerware under candlelight and women in the darkness of the house of pleasure.
Translated from original Japanese to English by Thomas J. Harper and Edward G. Seidensticker.
Foreword by Charles Moore.
Jun'ichirō Tanizaki (1886—1965) was a Japanese author who is considered to be one of the most prominent figures in modern Japanese literature, writing numerous acclaimed books, including "The Makioka Sisters "and "Naomi: A Novel." The tone and subject matter of his work ranges from shocking depictions of sexuality and destructive erotic obsessions to subtle portrayals of the dynamics of family life within the context of the rapid changes in 20th-century Japanese society. Frequently, his stories are narrated in the context of a search for cultural identity in which constructions of the West and Japanese tradition are juxtaposed. He was one of six authors on the final shortlist for the Nobel Prize in Literature in 1964, the year before his death.
2007, Japanese
Softcover (with die-cut cover), 200 pages, 21.4 cm x 26 cm
1st Edition, Out of print title / as new
Published by
Asahi Shimbun / Japan
$90.00 - Out of stock
This richly illustrated and designed book was published on the occasion of the exhibition "Bruno Munari - Da Cosa Nasce Cosa -", 1 December 2007 - 14 January, 2008, at The Itabashi Museum of Art, Tokyo, celebrating the 100th Anniversary of the Italian artist Bruno Munari's birth. This lovely copy with bonus inserted exhibition flyer, exhibition ticket and book errata.
Chronologically showcasing his innovative and iconic graphic works in book and poster design, sculpture, illustration, interior/furniture design, games, art objects, and much more, this gorgeous, profusely illustrated exhibition catalogue illustrates Munari's rich creative history through modernism, futurism, and concrete art. It particularly focuses on Munari's book work, both his own authored titles and books and periodicals he created cover artwork for and contributed to/featured in, from his earliest days through. Includes rarely seen images of his illustrated/painted originals and sketches that were featured in the exhibition, along with insight into his relationships and productions in Japan throughout his career. A wonderful archive of material. Texts in Japanese.
Bruno Munari (October 24, 1907, Milan – September 30, 1998, Milan) was an Italian artist, designer, and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art, and in non visual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning, and creativity.
Very Good copy with inserted exhibition brochure, exhibition ticket and errata.
English
Softcover, 36 pages, 11 x 18 cm
Published by
Strelka / Moscow
$18.00 $10.00 - In stock -
Privileging declarations, right answers, proofs, and universals, culture is often banging away with the same blunt tools that are completely inadequate to address contemporary chemistries of power. On the flip side, medium design offers no dramatic manifestos where things are new or right. Instead it only rehearses a habit of mind that has been eclipsed. Even at a moment of digital ubiquity, medium design treats space as an information system and a broad, inclusive mixing chamber for many social, political, and technical networks. And just as it inverts the typical focus on the object over the field, it may also invert some habitual approaches to problem solving, aesthetics, and politics.
Keller Easterling is an architect, writer and professor at Yale University. Her book, Enduring Innocence: Global Architecture and its Political Masquerades (MIT, 2005) researches familiar spatial products that have landed in difficult or hyperbolic political situations around the world. A previous book, Organization Space: Landscapes, Highways and Houses in America, applies network theory to a discussion of American infrastructure and development formats. A forthcoming book, Extrastatecraft: Global Infrastructure and Political Arts, examines global infrastructure networks as a medium of polity.
1980, Japanese / English
Softcover, 29 x 22 cm
1st Edition, Out of print title / used / very good
Published by
A+U Publishing / Tokyo
$90.00 - Out of stock
Rare special issue the legendary Japanese architecture magazine, A+U (Architecture + Urbanism), published in 1980. Published by Yoshio Yoshida with Editor Toshio Nakamura and international advisors and correspondents including Paul Rudolph, Hans Hollein, Robert A.M. Stern... This issue is entirely dedicated to the work of Archigram's Peter Cook and Christine Hawley. Lavishly illustrated throughout in glossy full colour and b/w reproductions of Cook and Hawley's visionary architectural mixed media works on paper, plans, drawings, along with biographies, interviews, and articles. The most comprehensive publication on the collaboration between these important English architects to date, only available in Japan.
Sir Peter Cook (b. 1936) is an English architect, lecturer and writer on architectural subjects, known as a founding member of Archigram. Christine Hawley (b. 1949) is an accomplished British architect and educator. Cook and Hawley began collaborating in the 1970s, in 1975 creating the award-winning partnership Cook and Hawley Architects.
A+U (Architecture + Urbanism) is a forward thinking monthly architectural magazine from Japan which tackles a diverse range of themes, movements and discussions in the fields of architecture and urbanism. Each issue is comprehensively illustrated and accompanied by plans, maps, sections and details.
Very Good copy.
2022, English
Softcover, 96 pages, 12 x 20.3 cm
Published by
Walther König / Köln
$48.00 - Out of stock
A conversation between the artist Marc Camille Chaimowicz and the architect Roger Diener about their collaboration, The Armadillo House in Basel. Chaimowicz claims the interior as a pictorial space while also referencing the history of architecture, art and design. His agenda has been described as the celebration of domestic detritus and his spatial installations appear as painterly tableaus. From the 1970s onwards he advanced a critique of rigid, austere minimalism. For Diener, on the other hand, pictorial space is not a factor. Instead, he puts forward a modernist notion of non-expression, with architecture functioning as its raw material. In his architecture, it is not the insertion of culturally codified images but rather spatial configurations that shape the movement and circulation of inhabitants.
2000, English
Softocver, 404 pages, 15.2 x 22.9 cm
Published by
Princeton Architectural Press / New York
$69.00 - Out of stock
Sexuality and Space's interdisciplinary essays address gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within everyday practices. The contributors are Jennifer Bloomer, Victor Burgin, Beatriz Colomina, Elizabeth Grosz, Catherine Ingraham, Meaghan Morris, Laura Mulvey, Molly Nesbit, Alessandra Ponte, Lynn Spigel, Patricia White, and Mark Wigley.
"A milestone in the evolving discourse of architectural history and criticism.... These essays raise crucial questions about design and the experience of architecture, and many attempt to engage ... the rich critical literature of cultural studies." - Alice T. Friedman, JSAH
"Sexuality and Space is important, even necessary.... Both timely and well worth the time." - Thomas Keenan, Newsline
2020, English
Softcover (cloth), 284 pages, 16.5 x 10.4 cm
Published by
Office / Melbourne
$27.00 $15.00 - Out of stock
The Politics of Public Space is a quarterly publication of transcripts that speak directly to the city and the way we read it.
The second volume addresses the effects of COVID-19, including the sudden changes in the way we interact and view our public spaces. It contains excerpts from Myria Georgiou, Saskia Sassen, Jack Self, Brooke Holmes, Ian Strange and Alfredo Brillembourg.
This publication curates a series of global perspectives as we all come to terms with a new way of life due to the virus. Myria Georgiou observes the emergence of digital solidarity groups throughout the UK as inequalities and vulnerabilities are foregrounded. World-renowned sociologist Saskia Sassen reveals the pervasiveness of power as the fragility of our global connectedness is further disclosed. The true publicness of our cities is revealed in Jack Self’s account of protest and opposition to the political structures. Brooke Holmes depicts an interconnectedness between the health of the city and it’s citizens traced back to antiquity. Australian artist Ian Strange unpacks his understanding of the home as he recounts a decade of practice into the subject. And Venezuelan architect Alfredo Brillembourg calls to arms the architecture profession to deal directly with issues of injustice within the built environment.
2022, English
Softcover, 400 pages, 20 x 26 cm
Published by
gta Verlag / Zürich
$132.00 $80.00 - Out of stock
Our time is an urban age. More people than ever before are living in cities, cities are becoming bigger and denser than ever, and urbanity has reached an unprecedented level of complexity. This urbanization boom, which can be observed around the globe today, began at the turn of the 20th century, when technical progress and the extraction of seemingly unlimited natural resources drove urban development. With the steady growth of urban populations, architects and planners not only had to deal with the design of living space and public space, but also new social challenges such as (geo-) political tensions, the reconstruction after two world wars, decolonization, economic crises, responding to growing climatic problems and cultural changes. By analyzing more than one hundred richly illustrated urban planning projects and initiatives, the book offers the first comprehensive story of how these challenges have continuously generated new attitudes and approaches in the urban planning discipline since the early 20th century.
2021, English
Softcover (cloth), 266 pages, 16.5 x 10.4 cm
Published by
Office / Melbourne
$27.00 $15.00 - Out of stock
In July, Melbourne experienced a second wave of the virus and the introduction of further restrictions forced the city to a standstill. Workplaces, student accommodation and universities remained empty as local businesses were also required to close their premises. The structures of the state, city and its residents were again laid bare. This third volume of the quarterly publication addresses many of these issues by gathering talks held prior to the pandemic alongside recent interviews. Kate Shaw shows how the recent lockdown of the housing towers in Flemington and North Melbourne reveals the government’s underlying attitude towards public housing tenants. Tony Birch used the Shrine of Remembrance as the site for his talk on the Indigenous protest movement Camp Sovereignty and the significance of monuments in shaping collective values. Nicole Kalms outlines the experiences of women in Melbourne’s public spaces through data gathered by XYX Lab. Sarah Lynn Rees discusses the complexities of engaging and working respectfully with Traditional Owners when intervening in the built environment. Andy Fergus & Brighid Sammon expose the failings of planning in the modern development of Melbourne, and Philip Brophy declares the general failings of the built environment profession at large.
1980/1986, English
Softcover, 288 pages, 28 x 21.5 cm
Out of print title / used / good
Published by
The MIT Press / Massachusetts
LACMA / Los Angeles
$45.00 - Out of stock
Catalogue published to accompany an exhibition at the Los Angeles County Museum of Art and the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., 1980-1981. Edited by Stephanie Barron and Maurice Tuchman, this groundbreaking, richly illustrated (465 items) book documents "the most comprehensive survey of 1910—1930 Russian avant-garde art ever shown in this country"—Portfolio. Covering painting, sculpture, prints, drawing, books, photographs, costumes and examples of industrial, architectural, and theatrical design, with a special focus on Suprematism and Constructivism, this generous volume contains 19 authoritive and enlightening essays, excellent illustrated reference profiles on each artists, biographies, bibliographies, and a detailed chronology of the period. An essential art history reference, containing the works of Natan Altman, Yurii Annenkov, David Burliuk, Vladimir Burliuk, Marc Chagall, Iiia Chashnik, Vasilii Ermlov, Vera Ermolaeva, Alexandra Exter, Pavel Filanov, Naum Gabo, Natalia Goncharova, Vasilii Kamensky, Vasilii Kandinsky, Ivan Kliun, Gustav Klucis, Petr Konchalovsky, Ivan Kudriashev, Mikhail Larionov, El Lissitzky, Kazimir Malevich, Pavel Mansurov, Mikhail Matiushin, Konstantin Medunetsky, Petr Miturich, Alexei Morgunov, Vera Nikolskaia, Liubov Popova, Ivan Puni, Alexandr Rodchenko, Olga Rozanova, Georgii Stenberg, Vladimir Stenberg, Varvara Stepanova, Nikolia Suetin, Vladimir Tatlin, Nadezhda Udaltsova, Alexandr Vesnin, K.A. Vialov, Georgii Yakulov.
Good copy, with some general cover wear.
1971, Japanese / English
Softcover (w. original slipcase), 184 pages, 22.5 cm x 28 cm
1st Edition, Out of print title / used / very good
Published by
A.D.A Edita / Tokyo
$120.00 - Out of stock
Scarce first issue from 1971 of this now classic 1970's architectural series, the great GI (Global Interior) from Tokyo, Japan.
One of the finest interior architecture journal series ever published, GI "The Series of Global Interior" came from the producers of the highly esteemed GA (Global Architecture), GA Document, GA Houses, etc. architectural publications.GI was produced throughout the 1970's in a total of ten volumes. Each large volume highlighted a selection of architectural projects by renowned international architects, some volumes focusing on a specific architect entirely, and highlighted their work for houses and domestic spaces.
Beautiful architectural photography of house interiors, exteriors and room details of living spaces, along with texts (mostly in Japanese) and floorplans/elevation drawings make up the profiles on each featured building or environment. The visual generosity of these handsomely designed and printed journals (each more a book than a magazine) make them a treasure for any architecture or interior design enthusiast or collector.
Edited and Presented by Yukio Futagawa
GI Global Interior #1
Houses in U.S.A.
1971
Contents include:
MLTW/Moore and Turnbull (Caygill House, McComber Houses, Hines House, Reid House, Sea Ranch Condominium); Joseph Esherick (Bermak House, Cary House);
John Lautner (Malin House); Edward A. Killingsworth (Case Study House No.25);
Craig Ellwood (Rosen House, Daphne House); Charles Eames (Eames House); Herbert Greene (Greene House); Bruce Goff (Price House); Eero Saarinen
(Miller House); Crites and McConnell (Crites House A, Crites House B); Charles W. Moore (Moore House); Edward L. Barnes (Country House); John M. Johansen (Taylor House); Richard Meier (Smith House, Saltzman House); Paul Rudolph (Hirsch house); Marcel Breuer (Gagarin House, Stillman House); Robert Venturi (Mrs. Venturi House)...
Very Good copy preserved in worn slipcase (light general wear)
1972, Japanese / English
Softcover, 184 pages, 22.5 cm x 28 cm
1st Edition, Out of print title / used / very good
Published by
A.D.A Edita / Tokyo
$120.00 - Out of stock
Rare second issue from 1972 of this now classic 1970’s architectural series, the great GI (Global Interior) from Tokyo, Japan.
One of the finest interior architecture journal series ever published, GI “The Series of Global Interior” came from the producers of the highly esteemed GA (Global Architecture), GA Document, GA Houses, etc. architectural publications.
GI was produced throughout the 1970’s in a total of ten volumes. Each large volume highlighted a selection of architectural projects by renowned international architects, some volumes focusing on a specific architect entirely, and highlighted their work for houses and domestic spaces.
Beautiful architectural photography of house interiors, exteriors and room details of living spaces, along with texts (mostly in Japanese) and floor-plans/elevation drawings make up the profiles on each featured building or environment. The visual generosity of these handsomely designed and printed journals (each more a book than a magazine) make them a treasure for any architecture or interior design enthusiast or collector.
Edited and Presented by Yukio Futagawa
GI Global Interior #2
Latin America
1971
Contents include:
Paulo A. Mendes Da Rocha (Da Rocha House); Joaquim Guedes (Pereira House); Carlos Millan (Millan House); Stroater & Antonacio (Carvalho House); Arnald A. Martino (Martino House); Paulo Sergio S. Silva (Silva House); Oscar Niemeyer (Niemeyer House); Sergio Bernandes (Bernandes House); Luis Barragan (Barragan House); Jaime Ortiz Monasterio (Obregon House); Francisco Artigas (Artigas House); Artigas & Luna (House in San Angel); Francisco Artigas (Rojas House); Manuel Gonzarez Rul (House in Tlacopac); Juan O’Gorman (O’Gorman House); David Muñoz Suarez(House in Tecamachalco); Martinez, Avendaño & Sotomayer (Santos House A, Santos House B); Martinez & Avendaño (Martinez House, Ochoa House); Susana Prias de Kovacs (Kovacs House); Oscar Tenreiro (Tenreiro House); Carmona & Puig (Toro House); Carlos Raúl Villanueva (Villanueva House in La Florida, Villanueva House in Caraballeda)…
Very Good copy with slipcase (wear and marks).
1972, English / Japanese
Softcover, 184 pages, 22.5 cm x 28 cm
1st Edition, Out of print title / used / very good
Published by
A.D.A Edita / Tokyo
$120.00 - Out of stock
Rare fourth issue from 1972 (complete with original issue printed slip-case) of this now classic 1970’s architectural series, the great GI (Global Interior) from Tokyo, Japan.
One of the finest interior architecture journal series ever published, GI “The Series of Global Interior” came from the producers of the highly esteemed GA (Global Architecture), GA Document, GA Houses, etc. architectural publications.
GI was produced throughout the 1970’s in a total of ten volumes. Each large volume highlighted a selection of architectural projects by renowned international architects, some volumes focusing on a specific architect entirely, and highlighted their work for houses and domestic spaces.
Beautiful architectural photography of house interiors, exteriors and room details of living spaces, along with texts (mostly in Japanese) and floor-plans/elevation drawings make up the profiles on each featured building or environment. The visual generosity of these handsomely designed and printed journals (each more a book than a magazine) make them a treasure for any architecture or interior design enthusiast or collector.
Edited and Presented by Yukio Futagawa
GI Global Interior #4
Southern Europe
1972
Contents include:
Harnden & Bombelli (House in Malaga), Harnden & Bombelli (Cluster House in Port-Lligat), Harnden & Bombelli (Summer House in Port-Lligat), Harnden & Bombelli (Summer House in Montras), José Antonio Coderch (Tapies House), José Antonio Coderch (House in San Cugat del Valles), José Antonio Coderch (House in Sitges), Antonio Bonet (Villa La "Ricarda"), Tobia Scarpa (Scarpa House), Tobia Scarpa (Benetton House), Angelo Mangiarotti (House in Cisano), Angelo Mangiarotti (Bianchi House), Baldassini, Bichocchi & Monsani (House in Castiglione della Pescaia), Calro Moretti (House in Crenna), Vittoriano Vigano (House along Lake Garda), Luigi Moretti (Villa "La Saracena"), Piero Sartogo (Summer House in Circeo), Piero Sartogo (Cluster House in Circeo), Piero Sartogo (Sartogo House), Morassutti & Gussoni (Carlevaro House), Gio Ponti & Nanda Vigo (House in Malo), Umberto Riva (House in Taino), Cini Boeri (House in Osmate), Vico Magistretti (Cassina House)...
…
Very Good copy.
1973, English / Japanese
Softcover, 184 pages, 22.5 cm x 28 cm
1st Edition, Out of print title / used / very good
Published by
A.D.A Edita / Tokyo
$120.00 - Out of stock
Rare fifth issue from 1973 (complete with original issue printed slip-case) of this now classic 1970’s architectural series, the great GI (Global Interior) from Tokyo, Japan.
One of the finest interior architecture journal series ever published, GI “The Series of Global Interior” came from the producers of the highly esteemed GA (Global Architecture), GA Document, GA Houses, etc. architectural publications.
GI was produced throughout the 1970’s in a total of ten volumes. Each large volume highlighted a selection of architectural projects by renowned international architects, some volumes focusing on a specific architect entirely, and highlighted their work for houses and domestic spaces.
Beautiful architectural photography of house interiors, exteriors and room details of living spaces, along with texts (mostly in Japanese) and floor-plans/elevation drawings make up the profiles on each featured building or environment. The visual generosity of these handsomely designed and printed journals (each more a book than a magazine) make them a treasure for any architecture or interior design enthusiast or collector.
Edited and Presented by Yukio Futagawa
GI Global Interior #5
Apartment Interiors
1973
Contents include:
Apartment interior profiles by Nanda Vigo, Cini Boeri, Carla Venosta, Ettore Sottsass Jr., Joe Colombo, Gae Aulenti, Baldassini, Bicocchi and Monsani, Vico Magistretti, Piero Sartogo, Salvati and Tresoldi, Mario Bellini, Carlo Moretti, Francois Catroux, Taller de Arquitectura, Paul Rudolph ...
Very Good copy preserved in worn slipcase (spine tanning and general wear).
1974, English / Japanese
Softcover (w. original cardboard slipcase), 182 pages, 22.5 cm x 28 cm
1st Edition, Out of print title / used / very good
Published by
A.D.A Edita / Tokyo
$120.00 - In stock -
Rare seventh issue from 1974 (complete with original issue printed slip-case) of this now classic 1970’s architectural series, the great GI (Global Interior) from Tokyo, Japan.
One of the finest interior architecture journal series ever published, GI “The Series of Global Interior” came from the producers of the highly esteemed GA (Global Architecture), GA Document, GA Houses, etc. architectural publications.
GI was produced throughout the 1970’s in a total of ten volumes. Each large volume highlighted a selection of architectural projects by renowned international architects, some volumes focusing on a specific architect entirely, and highlighted their work for houses and domestic spaces.
Beautiful architectural photography of house interiors, exteriors and room details of living spaces, along with texts (mostly in Japanese) and floor-plans/elevation drawings make up the profiles on each featured building or environment. The visual generosity of these handsomely designed and printed journals (each more a book than a magazine) make them a treasure for any architecture or interior design enthusiast or collector.
Edited and Presented by Yukio Futagawa
GI Global Interior #7
Houses in Northern Europe 2
1974
Contents include:
Rennie Mackintosh (Mackintosh and Hill House), Tarquini Martensson, Jorn Utzon, Ralph Erskine, K. Gullichsen and J. Pallasmaa, Erkki Kairamo, Gerrit Thomas Rietveld ― A. van Eijck, Aldo van Eijck, Gerrit Thomas Rietveld, E. J. Jelles, Van der Grinten, Heijdenrijk and Manche, Atelier 5, Erich Schneider―Wessling, Krier, Siemer and Siwik, Richard and Su Rogers, Richard Rogers and Norman and Wendy Foster, Peter Biihlmann …
1974, English / Japanese
Softcover, 182 pages, 22.5 cm x 28 cm
1st Edition, Out of print title / used / very good
Published by
A.D.A Edita / Tokyo
$120.00 - Out of stock
Rare eighth issue from 1972 (complete with original issue printed slip-case) of this now classic 1970’s architectural series, the great GI (Global Interior) from Tokyo, Japan.
One of the finest interior architecture journal series ever published, GI “The Series of Global Interior” came from the producers of the highly esteemed GA (Global Architecture), GA Document, GA Houses, etc. architectural publications.
GI was produced throughout the 1970’s in a total of ten volumes. Each large volume highlighted a selection of architectural projects by renowned international architects, some volumes focusing on a specific architect entirely, and highlighted their work for houses and domestic spaces.
Beautiful architectural photography of house interiors, exteriors and room details of living spaces, along with texts (mostly in Japanese) and floor-plans/elevation drawings make up the profiles on each featured building or environment. The visual generosity of these handsomely designed and printed journals (each more a book than a magazine) make them a treasure for any architecture or interior design enthusiast or collector.
Edited and Presented by Yukio Futagawa
GI Global Interior #8
Houses in Southern Europe 2
1974
Architects profiled include:
F. Higueras Diaz and A. Milo, E. Marquez, Antonio Bonet, Harnden and Bombelli, Luis Clotet and Oscar Tusquets, Antonio Fernandez Alba, Vittoriano Vigano, A. Salvati and A. Tresoldi, Federico Motterle, Ico e Luisa Parisi, G.+L. Bicocchi, R. Monsani, L. Baldassini, , Nanda Vigo and Franco fiorio, E. Bonfanti, C. Macchi-Cassia and M. Porta, P. Derossi, G. Ceretti, R. Rosso...
Very Good copy preserved in worn slipcase (spine tanning and general wear).
1963, German
Hardcover (clothbound), 216 pages, 24.5 x 20.5 cm
1st Edition, Out of print title / used / good
Published by
Schuler Verlagsgesellschaft / Stuttgart
$25.00 - Out of stock
Published in 1963, lavishly illustrated book of 100 Treasures from museums around the world, spanning art history, antiquity, archaeology, handicrafts, biology, architecture, with text by Dr. Traudl Seifert, edited by J.E. Schuler. Includes the throne of Tutankhamun, Order of the Golden Fleece, Venus von Milo, Nike von Samothrake, Ming dynasty vase, Arabian celestial globe, the Taj Mahal, Meißner porcelain, Louis XIV pistols, Renaissance Venetian cabinet, statue of Uta von Naumburg, Venus von Milo, Altar of Verdun, Nike von Samothrake, The Tabatière rifle, the bust of Nefertiti, The lady and the Unicorn
... the work of Michelangelo, Veit Stoss, Aristide Maillol, Tilman Riemenschneider, Albrecht Dürer, and many more.
Good copy with general wear and rubbing to linen boards.
2021, English
Softcover, 190 pages, 17cm x 28 cm
2nd Edition, 700 copies,
Published by
Centre Centre / London
$59.00 - Out of stock
New (brown cover) edition of the quickly out-of-print, fantastic Brick Index, first published in 2019. 'Brick Index' is a collection of named bricks and the unseen makers' marks stamped by brickworks from across the UK. It celebrates the humble brick, relishing the textures, colours and graphics debossed into their 'frogs'. This collection serves to rethink a ubiquitous material and honour the graphic stamps hidden all around us. The book features 155 beautifully photographed bricks, printed at actual size, accompanied by an index that states the time, place, and maker of each brick.
Featuring an introduction from David Kitching, a brick historian and an essay from Professor Rick Poynor. Photography by Inge Clemente.
Limited to 700 copies
2001, English
Hardcover, 128 pages, 25 x 18 cm
1st Edition, Out of print title / used / good
Published by
Lars Müller / Zürich
$60.00 - In stock -
New Living (Das Neue Wohnen) was the title of an exceptional architectural propaganda film created in 1930 by German avant-garde artist and filmmaker Hans Richter. It showcased exemplary modernist buildings and furniture--some of which were on view shortly after in the prestigious exhibition The International Style--and contrasted them with the impractical, unhygenic living spaces that were the norm. Visually diverse and full of experimental montage techniques, New Living pioneered a radical method of portraying architecture on celluloid.
First English edition of this long out-of-print book by Lars Müller Publishers. Essays by Andres Jensen and Arthur Ruegg, and running commentary and extensive film sequences of each of Richter's films.
Hans Richter was born in Berlin in 1888. Throughout his career, he was involved with the Blue Rider group, the cubists, "Die Aktion", the Zurich Dadaists, the November group, and De Stijl. In 1921 he made the first abstract film, "Rhythme 21" and in 1957 finished "Dadascope". Richter died in 1976.
Good copy. Some shelf wear to hardcovers, light tanning to page edges, otherwise Very Good throughout.
1976, English
Softcover, 234 pages, 28 x 21 cm
1st Edition, Out of print title / used / good
Published by
Da Capo Press / New York
$15.00 - Out of stock
First softcover edition of this heavy volume from 1976, Pattern: A Study of Ornament in Western Europe 1180-1900 ( Volume I: The Middle Ages), first published by Clarendon Press in Oxford in the 1930s. Profusely illustrated throughout, this extensive study traces the development of European ornamental art from the beginning of the Gothic period in France to the end of the Middle Ages, explaining and illustrating in fascinating detail the Pastoral vision of nature used in art of every sort, as well as the rise of Decorative Heraldry. Includes bibliographical references.
Good copy with light wear to covers.
1997, English
Hardcover (w. dust jacket), 830 pages
1st Edition, Out of print title / used / very good
Published by
documenta / Kassel
$80.00 - Out of stock
First English edition of this monumental 830 page book for documenta X, the last documenta of the twentieth century and the first directed by a woman, the French curator Catherine David, brings together the work of more than 100 of the world's foremost thinkers, writers, and artists in an extraordinary anthology of seminal texts and images of, on, and about the development of Western cultural and critical theory since 1945.
The book "seeks to indicate a political context for the interpretation of artistic activities at the close of the twentieth century, through a montage of images and documents from the immediate post-war period to the present. The range of material treated here is not encyclopaedic; it represents a polemical attempt to isolate specific strands of artistic production and political endeavour which can be taken as references in the contemporary debate over the evolution of our societies. Drawing from distinct yet interrelated territorial and linguistic domains, the book singles out complex cultural responses to the unifying processes of global modernity."—from the book jacket.
A comprehensive work in itself, rich with enmeshed texts and illustrations of artworks, film stills, historical documents throughout in colour and in black and white.
Writers include: Theodor W. Adorno, Maurice Blanchot, Pier Paolo Pasolini, Paul Celan, Amílcar Cabral, Masao Miyoshi, Hannah Arendt, Michel Foucault, Gilles Deleuze, Félix Guattari, Jacques Rancière, Tadao Sato, Youssef Ishaghpour, Josef Beuys, Samuel Beckett, Albert Camus, Rainer Werner Fassbinder, Rem Koolhaas, Sandra Álvarez de Toledo, Witold Gombrowicz, Herve Joubert-Laurencin, Jean-François Chevrier, Marguerite Duras, Edward Said, Henri Alleg, Pierre Vidal-Naquet, Uwe Johnson, Jerzy Grotowski, James Clifford, Primo Levi, Pierre Clastres, Andrea Branzi, Fabrizio Gallanti, Gérard Chaliand, Stig Björkman, Daniel Defert, Saskia Sassen, Catherine David, Benjamin Buchloh, Paul Virilio, Serge Daney, Étienne Balibar, Nadia Tazi, and many others.....
Artists include : Archigram, Martin Kippenberger, Archizoom Associati, Art & Language, Hans Haacke, Oyvind Fahlström, Samuel Beckett, Franz West, Andrea Zittel, Heimo Zobernig, Nancy Spero, Jean-Luc Godard, Marcel Broodthaers, Lygia Clark, Jörg Herold, Fischli & Weiss, Dan Graham, Robert Adams, Peter Friedl, Paweł Althamer, Liam Gillick, Mike Kelley & Tony Oursler & Diedrich Diederichsen, Stan Douglas, Harun Farocki, Ed van der Elsken, Walker Evans, Aldo van Eyck, Heiner Goebbels, William Kentridge, Ulrike Grossarth, Richard Hamilton, Vito Acconci, Raymond Hains, Pier Paolo Pasolini, Siobhán Hapaska, Ecke Bonk, Carsten Höller & Rosemarie Trockel, Carl Michael von Hausswolff, Lois Weinberger, Hélio Oiticica, Gabriel Orozco, Olaf Nicolai, Michelangelo Pistoletto, Gerhard Richter, Thomas Schütte, Marc Pataut, Gordon Matta-Clark, Christian Philipp Müller, Matt Mullican, Antoni Muntadas, Jean-Luc Moulène, Reinhard Mucha, Álvaro Siza, Toyo Ito, John C. Portman Jr., Paulo Mendes da Rocha, Mariella Mosler, Josef Beuys, Steve McQueen, Chris Marker, Lothar Baumgarten, Jean Dubuffet, Kerry James Marshall, Maria Lassnig, Rem Koolhaas, Joachim Koester, Suzanne Lafont, Sigalit Landau, Helen Levitt, Garry Winogrand, Brassaï, Le Corbusier, Antonin Artaud, and so many more...
Very Good coy, light wear. Good dust jacket with some creasing and edge wear.
1994, English
Softcover, 144 pages, 28 x 21 cm
1st Edition, Out of print title / used / very good
Published by
A.D. (Architectural Design) / London
$25.00 - Out of stock
Published in 1994 and long out-of-print, this volume presents a view of recent developments in Russian art and architecture in the context of the critical debates of postmodernism and national cultures. The return to popular national sources in the 1960s through the 1980s was a means for Soviet artists in a multi-ethnic state to avoid submersion in the official ideology of "Socialist-Realism". The transition from totalitarianism to pluralism is evident in the diversity of work featured by both artists and architects from different regions of the former USSR. The essays presented here are by leading Russian and Western art and literary critics, including Charles Jencks, Alexander Rappaport, Alexei Tolstoy, and Nadezhda Yurasovskaya. They provide a critical, historical and personal context for a survey of the work produced in Russia since the fall of Communism.
Very Good copy, only light wear, small split to spine edge.
1993 / 1996, Japanese
Hardcover (w. dust jacket), 386 pages, 26 x 26 cm
Out of print title / used / very good
Published by
Shashin Kagaku Co. / Kyoto
$320.00 - Out of stock
Very collectible early hardcover edition of what is now one of the truely iconic interior "design" books - Tokyo Style. Over a period of two years, Japanese writer-photographer Kyoichi Tsuzuki visited apartments, condos and suburban homes in Tokyo, and documented exactly what he saw in colour photography. First published in 1993 in this large photo book format, Tokyo Style is a collection of these photographs along with Tsuzuki's texts. Divided into eight sections - Beauty in Chaos, The Fancy Fetish, Artsy Pads, The Traditional Touch, Monomaniacs, Kiddie Kingdoms, Inertial Living and Hermitages - the book shows readers a demystified Tokyo and the ordinary lifestyles of the Tokyo people. No wide-angles or post-production here, just the most amazing compendium of hundreds of tiny Tokyo living spaces, no two alike.
Very Good copy in Good dust jacket with some small chipping and wear to corners and edges.
2022, English
Hardcover (w. dust jacket), 400 pages, 23 x 15.3 cm
Published by
Bard Graduate Center Gallery / New York
$95.00 - Out of stock
For as long as people have made things and kept things, they have cared for them and repaired them. The field of conservation developed in Europe and the United States and then spread around the world. Today’s conservator uses a variety of tools and categories developed over the last 150 years to do this work. But in the next decades, new kinds of materials and a new scale of change will pose unprecedented challenges. Thinking through the lens of “active matter,” as understood by philosophers, historians, materials scientists, conservators, and those who work on Indigenous artifacts, this project raises questions and establishes new lines of inquiry for the future rethinking of conservation and the human sciences of the object.
Conserving Active Matter draws together the main lines and interim conclusions of a five-year research project embedded in a ten-year effort to reimagine the relationship between conservation knowledge and the humanistic study of the material world—Cultures of Conservation. The effort to conserve things is part of the human struggle with the pervasive activity of matter.
Peter N. Miller is dean and professor at Bard Graduate Center.
Soon Kai Poh is a conservator and Andrew W. Mellon Foundation Postgraduate Fellow at Bard Graduate Center.