World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
CLOSED FOR BREAK UNTIL NOV 10
WEB-SHOP OPEN 24/7
(ORDER SHIPPING RESUMES NOV 10)
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
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All prices in AUD (Australian dollars)
Pick-Ups
Pick-up orders can be collected in our bookshop during opening hours after order date. Please collect any Pick-up orders within 2 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected. If you cannot make it in to the bookshop in this time-frame, please choose postage option.
Return Policy
All sales are final. We do accept returns (for refund or exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
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Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2017, English
Hardcover, 350 pages, 23 x 31 cm
Published by
Self Service / Paris
$54.00 $20.00 - Out of stock
Self Service 47 features fashion photography by Glen Luchford, Collier Schorr, Cass Bird, Inez & Vinoodh, Alasdair McLellan, David Sims, Colin Dodgson, and many more.
2013, English
Softcover, 592 pages, 22 x 29 cm
Published by
Roma / Amsterdam
Vanity Press / London
$83.00 - Out of stock
Artist's book by Paul Elliman. In a glossy volume approaching 600 pages, Elliman has collected images from a variety of sources – fashion magazines, glamour photography and pornography – cropping and arranging the clippings in a manner that especially emphasises the presence of hands, along with the many gestures of which they are capable. Also prevalent in the spectrum of clothed, semi-nude and nude human forms are limbs, feet, torsos and erogenous zones. Without any text or explanation, the series takes on a mesmerising aspect wherein the action of flipping through the pages becomes a kind of meditative contemplation of the fragmented human body.
Design: Julie Peters.
Roma Publication 210
1988, English / German
Softcover, 213 pages (396 ill.), 30 x 23 cm
1st edition, Out of print title / used*,
Published by
Taco / Berlin
$80.00 - Out of stock
Studio Alchimia was an iconoclastic, radical design group founded in Italy in 1976 by the Italian Architect Alessandro Guerriero. The Studio Alchimia was composed of designers, whose aim was to design and manufacture exhibition pieces, rather than consumer orientated products. Their products were to be regarded as prototypes / one-offs, leading the way from the principles of modernist design to a bold, new, experimental design style. This style would lead to the formation and popularity of Italian design groups in the 1980's such as the Memphis Group and the new directions taken by the Alessi company.
This is truly THE book on the work of Studio Alchimia. Published in Germany in 1988 (also published in Japan) and lavishly illustrated throughout with colour photography and illustrations, this bilingual (English/German) volume features the history of Studio Alchimia, profiles of the Alchimia members (which included designers such as Alessandro Mendini, Andrea Branzi, Cinzia Ruggeri, Ettore Sottsass, UFO, Lapo Binazzi, Trix and Robert Hausmann, Michele De Lucchi, amongst many others) a full work index and bibliography, history and background (including Superstudio, Archizoom, UFO, Global Tools, Casabella) and more.
Contents: Introduction by Alessandro Mendini. I). Alchimia. 1). Redesigned cupboards. 2). Bauhaus I - II. II). Exhibition. 1). A phenomenon of design. 2). Banal objects. 3). Natural objects. 4). Blackout. 5). House of Newlyweds. III). Pilosophical expression and activity. 1). Unfinished furniture. 2). Cosmesi. 3). Juliet's house. 4). Carnival tower. 5). Bisexual architecture. 6). 'Nulla' - sounding garment. IV). Space design performance. 1). Furniture as clothing. 2). Mussolini's bathroom. 3). Sentimental robot. 4). Midsummer night's erotic dream. 5). Ambrogio's house. 6). Momentary environment. 7). Kitchen space. V). Architecture and interior. 1). Utopia in a test-tube. 2). Tender architecture. 3). Alchimia town. 4). Summer architecture. 5). An idea for the house. 6). House of falsity. 7). Café de Paris. 8). Colosseum/bank in Alcamo. 9). Mysterious bathing. 10). New bridge of Accademia. 11). Thodier house. 12). Alessi house. VI). Redesigning the Modern Movement. VII). New design. 1). Nuova Alchimia. 2). 1930s furniture. 3). Poetic objects. 4). Philosophical cupboards. 5). Monumental objects. 6). Timeless objects. 7). Human-life objects. 8). Architectural fashion. 9). Textile patterns. 10). The present age - the designer in the cage. 11). Design research on bicycles. VIII). Alchimia and industry. 1). 'Sans souci' tableware. 2). Product research on Neapolitan coffee-pots. 3). Post-modern designs. 4). Programme No. 6. 5). 'Renault super 5' decoration. 6). Domus. 7). Invention of a neutral surface. IX). Radical design. 1). The Forence group and Casabella. 2). Products of the Non-project period. 3). The Post-radicals.
First European edition, 1988.
*Condition: Very Good – All care is taken to provide accurate condition details of used books, photos available on request.
2017, English
Softcover (over-sized), 144 pages, 25 x 37 cm
Published by
Encens / Paris
$58.00 $15.00 - Out of stock
encens is a fashion magazine from France, presenting a very selective number of designers, edited by Samuel Drira and Sybille Walter.
encens 38 "A Matter of Fact" (2017) features Bless, Helmut Lang, Nehera, Chanel, Jean-Paul Gaultier, Bill Gibb, Maryse Gaspard, Joan Juliet Buck, Marie Piovesan, Claudia Huidobro, Camille Bidault Waddington, Loc Boyle, Ellen von Unwerth, Comme des Garçons, Peter Lindbergh, Barbara Bloom, Francesco Brigida, Serge Lutens, Yohji Yamamoto, Juun J, Lutz Huelle, Pierre Cardin, Y/Project, Celine, Lemaire, Saint Laurent, Vivienne Westwood, Ralph Lauren, Lucio Vanotti, Hed Mayner, Dusan, Marithe & Françoise Girbaud, Vetements, Hermes, Dries Van Noten, Vetements x Brioni, Veronique Leroy, Issey Miyake Plantation, Uma Wang, Ann Demeulemeester, Heider Ackermann, Azzadine Alaia, Luc Delahaye, Paul Nougé, Pavel Büchler, Nina Chua, Xanti Schawinsky, and many more.
Cover by Francesco Brigida.
1976, English
Hardcover (w. dust jacket), 210 pages, 24.5 x 26.5 cm
1st Edition, Out of print title / used / very good
Published by
Studio Vista / London
$60.00 - Out of stock
Major overview of international Jewellery practices from 1945-1975, published in 1976 by the great Studio Vista, London. Alongside artists' statements/profiles spreads that include many examples of their work (in colour and b/w), this hardcover volume features many major texts on contemporary jewellery at the height of a resurgence of jewellery as an art form in the mid-1970s. There are also chapters on museums and public galleries that exhibit jewellery, as well as commercial galleries and private collections of the time, a further reading list, index and much more.
" ... a major survey of recent and contemporary developments (in jewellery), presenting the broad span of this innovative work in over 400 superb illustrations ..."
Includes the work of Wendy Ramshaw, Barry Merritt, Robert Smit, Bruno Martinazzi, Margaret De Patta, John Penderleith, Alexander Calder, Susanna Heron, André Derain, Gijs Bakker, Marc Camille Chaimowitz, Claus Bury – to name but a few.
2014, English
Envelope containing loose-leaf photographs, menu and publication, 20 x 26 cm
1st Edition, Out of print title / as new
Published by
Cosmic Wonder Press / Tokyo
$45.00 $25.00 - Out of stock
"COSMIC WONDER RESTAURANT"
Please come and visit us for lunch.
Let's exchange gifts.
Flowers, stones, letters, cookies…
Whatever you choose to bring, we'll have some lunch for you.
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publication to accompany "COSMIC WONDER RESTAURANT".
photography by Takashi Homma
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People visit the restaurant with gifts to exchange for lunch and a performance.
Upon arrival, visitors are given exchange tickets in the form of oil paintings, mirrors, and vases, and are then guided to their seats.
Each ticket is a signal for a particular performance to begin, ranging from music, dance, singing and poetry.
In the tranquil environment of the community garden, these serene performances emerge and recede and overlap one another.
All of the performances are inspired by the idea of a gift economy.
The restaurant serves plates of wild greens and vegetables grown with permaculture methods, as well as vibrational mountain water from "Kifune", Kyoto and "Okatorano" flower essence water.
This garden restaurant is a means of guiding the visitor's mind into a meditative space.
We might be able to catch the moment where a new and free-floating expressivity emerges through the multidimensional exchanges and movements.
ART DIRECTION : COSMIC WONDER
LINE OF CLOTHES : COSMIC WONDER Light Source | The Solar Garden COSMIC WONDER
ART FOOD : Aki Goto, Yuki Kato
PERFORMERS : Adam Kell, Claire Linn, Dora Johannsdottir, Kentaro Takashina,
Lynne Brown, Masha Pruss, Nezam Ardalan, Stephen Sprott,
Thuridur Ros Sigurthorsdottir, Evan Guyton, Gisela Fulla,
Munenori Hinoki, Kigi Hinoki, Yukinori Maeda
VOCAL IMPROVISERS : Kyoko Kitamura, Anne Rhodes
VIOLIN : Mari Yamamoto, Hayne Kim
VIOLA : Sarah Hainess, Midori Witkoski
CELLO : Kim Vogels
CONTRABASS : Carl Testa, Pablo Menares, Patrick Swoboda
FLUTE | PICCOLO : Allison Linker
MUSIC DIRECTION : Jue and Anoa (Yukinori Maeda, Mayumi Tanaka)
DANCE : Dani Brown, Connor Voss
CHOREOGRAPHY : Dani Brown
VIDEO RECORDING : Les Contes (Fumitaka Kato, Ai Nakagawa)
HAIR MAKE : Mari Kikuchi, Ayami Yamada, Kotarou Suzuki, Akio Kimura, Megumi Kashimura, Minako Kiuchi
PRODUCTION : COSMIC WONDER, Yasuyo Hibino (fish co), Stephen Sprott
Since its debut Paris collection in 2000 at the Centre Pompidou, Paris Fashion Week has been the principal forum for presenting the works of COSMIC WONDER. From now on, however, COSMIC WONDER is ever widening its focus to further its exploration of installation and performance in venues around the world. Their projects later this year include an art book, ''Hidden Path of Light COSMIC WONDER," published by Nieves, and in October, a new installation and performance to be exhibited at the Museum of Contemporary Art,Tokyo.
COSMIC WONDER Light Source Starting this year, COSMIC WONDER Light Source is on exhibit for Paris Fashion Week and at the same time it has become the sole fashion project of COSMIC WONDER. The collection is introduced to encourage people to wear these clothes in their daily life, so that they may delight in discovering anew the spirit within them.Yukinori Maeda After studying architecture, Maeda started his creative activities as COSMIC WONDER. In recent years, he has been actively creating and exhibiting his personal artistic works in parallel with his achievements as COSMIC WONDER. For 2007, Maeda has confirmed his participation in the coming traveling exhibition starting in Poland. Also confirmed is an exhibition at Museum of Contemporary Art Tokyo, and here he will attempt to president two separate creative endeavors as COSMIC WONDER and artist Yukinori Maeda, in one exhibition
2001, Finnish / Swedish / English
Softcover, 192 pages, 21 x 25 cm
1st Edition, Out of print title / Used*,
Published by
Marimekko Oyj
$85.00 - Out of stock
Published on the occasion of textile and ceramic designer Fujiwo Ishimoto's exhibition On the Road at the Amos Anderson Art Museum, Helsinki, 23 August - 7 October 2001.
Ishimoto moved to Finland from Japan in 1970 and has lived there ever since. He first worked for the company Decembre, set up by Ristomatti Ratia, son of Marimekko's founders Armi and Viljo Ratia. Ishimoto switched over to Marimekko in 1974. His highly personal style gave Marimekko a boost during the 1970s and 1980s with more mature and abstract designs than the playful 1960s styles which first had made Marimekko famous. Inspired by traditional Asian art and culture but also by Finnish traditions and nature, Ishimoto has continued to reinvent himself.
In total, he has made over 300 designs for Marimekko. Besides his work for Marimekko, he also creates unique ceramic works and was recently the subject of a large retrospective exhibition in Helsinki, of which this (now very rare) book is the accompanying publication. It is the most in-depth look at the work of Fujiwo Ishimoto to date.
2007, French
Hardcover (cloth), 296 pages (colour & b/w ill.), 250 x 310 mm
1st edition, Out of print title / As New,
Published by
HYX / France
$150.00 - Out of stock
Gorgeous, out of print, huge book on the early work of Italian designer Ettore Sottsass. Drawing in part on the FRAC Centre collection, this book gathers together unique works and projects of Ettore Sottsass – drawings, furniture, objects, ceramics, jewellery, photographs, written works and architecture – wherein over a period of time Sottsass frees himself from the principles of functionalism and rationalism and moves towards the development of a new sensorial language. This heavy book lavishly illustrates the large body of experimental and commercial work Sottsass had produced that lead the way to his founding the Memphis Group in Italy, 1981.
Overflowing with beautifully reproduced full-page colour images and containing minimal French text, this deluxe cloth-bound publication allows for an fascinating insight into one of the most important designers of the 20th century.
2017, English
Softcover (4 x newspapers), 16 pages each, 29 x 40 cm
Published by
Mode and Mode / Melbourne
$10.00 - In stock -
The HRD / CF Newsletter is a periodical publication produced within the exhibition ‘Hi$h Risk Dressing / Critical Fashion’ at RMIT Design Hub. The exhibition centres on the local fashion organisation active in Melbourne between the years 1983-1993, the Fashion Design Council. The FDC (as they are often shortened to), founded by Robert Buckingham, Kate Durham and Robert Pearce, were a self―organised group set up to foster independent designers and artists dealing with fashion. Influenced by the post―punk scene of Northern fashion capitals, the FDC put on shows in clubs and venues, as well as organising exhibitions, and eventually setting up a shop serving as a platform for alternative fashion in Melbourne. Throughout their active period, the FDC were prolific self―publishers. Print collateral was central to their success as an organisation. Postcards, invites, catalogues, business cards and other ephemera were shared with members and the broader public, promoting their officialdom. Particularly significant was the FDC newsletter, designed by co-founder Robert Pearce, disseminating a manifesto as well as news and events with its members. The newsletters were ad hoc; informal in language and design but expressed the energy and creative spirit of both the FDC community and available technology.
Using the model of the FDC newsletter, the HRD / CF Newsletter is a take―away publication released each week of the exhibition program. Each of the issues is framed around an emerging aspect of the FDC captured in the exhibition ― the archive, the bar, the shop and the office ― with texts, interviews and contributions from local and international practitioners. The ‘HRD / CF Newsletter also includes facsimiles of print ephemera from the FDC archive, which was donated to the RMIT Design Archives in 1998 by co-founder Robert Buckingham. This new newsletter functions as a platform for disseminating ideas about the FDC then, and critical fashion now, allowing for new dialogues to emerge from the legacy of FDC.
Edited by Laura Gardner
Designed by Ziga Testen
Edition of 500
Contributors include: Agniezska Chabros, Annie Wu, Blake Barns/HB Peace, Christopher LG Hill, Clare Wohlnick, Jessie Kiely/Monica's Gallery, Kate Meakin, Matthew Linde, Sasha Geyer, Winnie Ha Mitford, Bryan Collins, D&K (Ricarda Bigolin and Nella Themelios), James Deutsher, Lewis Fidock, Brighid Fitzgerald, Amanda Horowitz, Chantal Kirby, Jessie Kiely and Monica’s Gallery (Spencer Lai and Jake Swinson), Christopher LG Hill, Matthew Linde, Kate Meakin, Olivia O’Donnell, Yair Oelbaum, Virginia Overell, Sean Peoples, Joshua Petherick, Jen Shear, Flannery Silva, Adele Varcoe, Alex Vivian and more.
2017, English
Hardcover, 414 pages, 23 x 31 cm
Published by
Self Service / Paris
$50.00 $20.00 - Out of stock
Self Service No. 46 Spring / Summer 2017 : The Last Boxes
Self Service 46 features "The Last Boxes", with photography by Paolo Roversi, Nobuyoshi Araki, Bruce Weber, Robert Frank, Peter Lindbergh, Guy Bourdin, Collier Schorr, Craig McDean, and Ezra Petronio, essays about polaroid photography, deconstructed fashion, a selected group of 24 creative minds who pay a personal homage to the polaroid, and much more.
Self Service magazine is a fashion and cultural biannual magazine. The magazine features the preeminent players in the fashion world, with innovative editorials photographed by the world’s best photographers and stylists.
Note: Due to the size/weight of this volume, your order will possibly incur additional postage costs. We will contact you with the best shipping advice upon your order, or alternatively, please email us in advance. Thank you for understanding.
2017, English
Softcover (over-sized), 145 pages, 25 x 37 cm
Published by
Encens / Paris
$58.00 - Out of stock
Published twice a year since 2002, ENCENS is focused on fashion as artform from the perspective of designers rather than trends. The magazine investigate new forms of dressing from past to present with probing interviews, extensive use of photography
and vintage, and dynamic layout.
encens 36 “A New Order" (2017) features Cécile Bortoletti, Truman Capote, Walter Albini, Michèle Rosier, Arata Isozaki, Ad Reinhardt, Harry Peccinotti, David Bailey, Comme des Garçons, Tony Viramontes, Nehera, Giorgio Armani, Issey Miyake, Givenchy, Dries Van Noten, Sonia Rykiel, Azzadine Alaia, Yohji Yamamoto, Chanel, Celine, Lemaire, Hermes, Robert Morris, Michelangelo Pistoletto, Yves Saint Laurent, and many more.
2017, English
Softcover, 550 pages, 21 × 28 cm
Published by
Novembre / Lausanne
$45.00 - Out of stock
Novembre 11: Isa Genzken, Sanya Kantarovsky, Jessi Reaves, Thomas Hauser, Dan Hoy, Ib Kamara, Robert Kulisek, Corey Olsen, Olympia Scarry, Alexandra Bircken, Ada Sokol, Hans Ulrich Obrist, Danielle van Camp and many more.
Reinforcing Novembre as a collectible object, issue 11 presents outstanding visuals, exclusive poetry, typographic collaborations, and the leading fashion collections.
Under the candid caption “arts and fashion in Switzerland and the world”, Novembre activates intergenerational discussions, producing international content that explores the critical stakes inherent to the Swiss identity: its neutrality notably fortifies its supposed integrity and inviolability, whilst placing the Confederation in an extremely productive and influential position within the arts on a global level.
Through the organic association of fashion, design and art, Novembre highlights the products which proliferate in schools, studios, galleries, showrooms, institutions, trade shows, fairs, hotels and bank lobbies and living rooms – addressing issues of integration, independence, equality, and exchange.
Novembre is currently published and independently by Florence Tétier (Paris), Florian Joye (Lausanne), and Jeanne-Salomé Rochat (Berlin), who united after their graduation from ECAL University of Arts, Switzerland.
1998, English / Japanese
Softcover, 500 pages, 29 x 36 cm
1st edition, Out of print title / used*,
Published by
GAP Japan Co. Ltd. / Tokyo
$130.00 - Out of stock
Incredible 1998 edition (with Yohji Yamamoto cover) of the mighty Prét-Á-Porter Collections (Paris / London) from gap Tokyo! Each huge, over-sized edition of gap Collections feature thorough runway coverage of the latest collections from top international brands to cutting edge designers presented in NY, London, Milan, Paris, Tokyo, Madrid, Barcelona, Sao Paulo during biannual celebrated fashion events. The creativity of the most sought after designers were reproduced in high quality photographs direct from the runway and only published here, in the case of this heavy volume 1,500 original photos all in full-colour! Featured in the issue are the 1998 collections of Yohji Yamamoto, Vivienne Westwood, Christian Dior, Givenchy, Chanel, Jean-Paul Gaultier, Chloé, John Galliano, Helmut Lang, Ann Demeulemeester, Dirk Bikkembergs, Jean Colonna, Costume National, Junya Watanabe Comme des Garçons, Dries Van Noten, Hermés, Martine Sitbon, Valentino, Claude Montana, Cerruti, Balenciaga, Lolita Lemopicka, Lanvin, Yves Saint Laurent, Christian Lacroix, Guy Laroche, Jerome L'Huillier, Enrica Massei, Marcel Marongiu, Christophe Lemaire, Eric Bergere, Isabel Marant, Barbara Bui, Masaki Matsushima, Sonia Rykiel, Kenzo, Corinne Cobson, Junko Shimada, Dice Kayek, Yuki Torii, Yoshiki Hishinuma, Paco Rabanne, Celine, Maurizio Galante, Angelo Tarlazzi, Jaques Fath, Leonard, Veronique Leroy, Atsuro Tayama, Zucca, Nina Ricci, Slowik, Kosta Murkudis, Isabelle Ballu, Hervé Léger, 0.9 18 OOTORII, Koji Nihommatsu, Alexander McQueen, Hussein Chalayan, Matthew Williamson, Bella Freud, and so many more, creating a wealth of archival fashion imagery from the late 1990s.
2017, English
Softcover, 144 pages, 28.5 x 22 cm
Published by
Walther König / Köln
$48.00 - Out of stock
This publication presents de Rooj’s private collection of sportswear by Dutch designer Fong Leng.
Offering a focus on these supposedly trivial, mass-produced objects de Rooij creates groups of similar labels, colours and patterns that expose cross-references. Thus it becomes apparent that many of the surfaces recur to techniques and patterns of a wide variety of cultural spheres, such as caucasian carpets or Navajo blankets. Others seem to address sports as part activity, part status symbol.
Some of the prints and applications recall North American quilts or the specific Adiretechnique known from Ghana. The outcome of this is a contemporary discourse of fashion, gender and identity as much as within the oeuvre of Willem de Rooij.
2016, English / Japanese
Softcover, 248 pages, 23 x 30 cm
Published by
Kyuryudo / Tokyo
$80.00 - Out of stock
This impressive volume is part of an exhibition at the National Art Center, Tokyo, in 2016, the first full-scale retrospective to showcase the myriad ideas that have emerged over the course of the designer’s career, from his earliest activities to current projects. Widely recognised for his technology-driven clothing designs, exhibitions, and fragrances, Issey Miyake has been stimulating the world of culture and fashion for almost half a century with his organic and skilfully articulated repertoire, fuelled by boundless curiosity and love of experimentation. The catalogue explores the main themes of his innovative drive, complemented by Hiroshi Iwasaki’s expert photography.
1984, English
Softcover, 156 pages (260 b/w & 140 colour ill.), 28.0 x 23.0 cm
Out of print title / Used*,
Published by
Thames and Hudson / London
$65.00 - Out of stock
Edited by Andrea Branzi, The Hot House was one of the finest books published to trace the history of Italy's radical design studios from 1960 to the dawn of Memphis. Through academic texts and profuse visual documentation of the work of Alessandro Mendini, Gaetano Pesce, Superstudio, Ettore Sottsass, Natalie Du Pasquier, UFO Group, Enzo Mari, Alchymia, Michele De Lucchi, 9999, Archizoom Associati, Mattheo Thun, Memphis, and many others.
1999, English
Softcover, 228 pages, 21 x 30 cm
1st Edition, Out of print title / used / very good
Published by
Maison Martin Margiela / Paris
$200.00 - Out of stock
The scarce first joint edition of this great visual archive, designed, edited and published by Maison Martin Margiela!
In 1995, Tokyo-based Street magazine approached the Paris fashion house of Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second instalment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 through to Spring/Summer 1999, including heavy visual documentation of the presentations, events, studio, ephemera, behind the scenes, garment details, and much more.
In 1999, Maison Martin Margiela himself collected together both volumes into this now collectable book. After quickly selling out, it was made available once more in 2013 by Street Editorial Office, that is now also out of print.
Please note that this is the first book printing from MMM in 1999.
1990, English
Softcover, 90 pages, 23 x 23 cm
1st Edition, Out of print title / used*,
Published by
Architecture Design and Technology Press / London
$35.00 - Out of stock
In the 1970s, manager Malcolm McLaren asked a young Ben Kelly to refurbish a basement rehearsal room for The Sex Pistols in Denmark Street, London, which McLaren had bought from Badfinger. Ben Kelly went on to become an enormously influential and original, independent designer whose work has included private houses, shops, nightclubs, showrooms and furnishings, established throughout the 1980s and 1990s in London. Among his best-known projects have been the much-imitated Manchester nightclub, the Haçienda, the Smile hairdressing salon in Chelsea, and the colourful entrance to the underground Gymbox in London. All show the obsessive attention to detail characteristic of the Kelly style, and which is also expressed in this book, art directed by Peter Saville, a collaborator on several award-winning graphic projects, including their record sleeve designs for Factory Records, whom Kelly worked for on many projects (the Haçienda of course being one of them).
Kelly uses this book to examine the way design evolves, to record the influences on his work, and to explore the relationship between art and design. Ben Kelly has twice won D&AD awards for graphics, and this book is another outstandingly designed object under the talented Peter Saville. It encapsulates a design practice at an important transitional period in British design, developing through Punk Rock via Post Modernism and into High-Tech, Industrial and beyond.
Catherine McDermott introduces Kelly, and provides a catalogue of his work.
First and only UK edition, published by Architecture, Design and Technology Press in London under their Design File series.
2017, English / German
Softcover (w. printed plastic wraps), 340 pages, 16.5 x 23.4 cm
Published by
Kunsthaus Bregenz / Austria
Walther König / Köln
$58.00 - Out of stock
The present book – the fourth and last volume in the series of KUB Arena publications – goes far beyond a documentation of KAMP KAYA’s activities. Rather it is the very first comprehensive publication on KAYA, a joint project initiated by the painter Kerstin Brätsch and the sculptor Debo Eilers in 2010, in collaboration with the then 13-year-old Kaya Serene. In addition to a comprehensive and carefully compiled catalogue raisonné, the publication documents all of KAYA’s past exhibitions and includes seminal essays by Boško Blagojević, Scott Roben, and Kerstin Stakemeier – who have all been following KAYA’s work for many years – as well as a conversation with Burmamyanmar aka Daniel Chew. Altogether the publication provides profound insights into this important and exceptional artistic collaboration. In a similar manner to the volumes that have been published to date (On Performance, Anfang Gut. Alles Gut. Actualizations of the futurist opera Victory Over the Sun (1913), and Art and Ideology Critique After 1989), this last volume in the series could also potentially become one of the key references on the topic.
Edited by Eva Birkenstock
with texts by Boško Blagojević, Scott Roben, and Kerstin Stakemeier
Graphic design: HIT Berlin
1984, English
Hardcover (w. dust jacket), 342 pages, 270 x 280 cm
1st Edition, Out of print title / Used*,
Published by
U.M.I. Research Press / Michigan
$150.00 - Out of stock
First, hardcover edition of "LOOKING CRITICALLY: 21 YEARS OF ARTFORUM MAGAZINE", the heavy 342 page volume anthology of the first 21 years of the world's most important modern and art journal. An incredibly valuable collection of art theory.
Edited by Amy Baker Sandback, designed by Roger Gorman and Mary Beath and published in 1984 by U.M.I. Research Press, this dense volume, bound in hardcover to the dimensions of a copy of ARTFORUM, begins with an Ed Kienholz review at the Ferus Gallery from ARTFORUM's June 1962 inaugural issue, and ends with Barbara Kruger reviewing the film "TRON" for the November 1982 issue. An amazing compendium of articles and reviews from the magazine's important first 21 years, featuring contributions by the likes of John Cage, Robert Morris, Kate Steinitz, Henry T. Hopkins, Don Factor, Robert Pincus-Witten, Dennis Adrian, John Coplans, Hilton Kramer, Harold Rosenberg, Henry Geldzahler, John Cage, Walter Hopps, Ed Ruscha, Allan Kaprow, Robert Rosenblum, Dan Flavin, Boris Groys, Sam Wagstaff, Billy Kluver, Lucy R. Lippard, Robert Rosenblum, Roger Shattuck, Ad Reinhardt, Mel Bochner, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Barbara Rose, Manny Farber, Michael Fried, Robert Morris, Philip Leider, Hollis Frampton, Carl Andre, Richard Serra, Lawrence Alloway, Barbara Kruger, Jane Livingston, Lizzie Borden, Kenneth Baker, Laurie Anderson, Agnes Martin, Cindy Nemser, Sidney Tillim, Annette Michelson, Rosalind Krauss, Jeremy Gilbert-Rolfe, Roberta Smith, Peter Plagens, Peter Schjeldahl, J. Hoberman, Hal Foster, Richard Flood, Carter Ratcliff, Stuart Morgan, Max Kozloff, Donald Kuspit, Dan Graham, Walter De Maria, Komar & Melamid, Edit De Ak, Lawrence Weiner, Kathy Acker, Robert Mapplethorpe, Anselm Kiefer, Thomas McEvilley, Louise Bourgeois, Ingrid Sischy, and too many more to list. Artists featured include: Josef Albers, Richard Tuttle, Jo Baer, Carl Andre, Ant Farm, Hans Arp, Max Bill, Mel Bochner, Alighiero Boetti, Lee Bontecou, Constantin Brancusi, Bertholt Brecht, Richard Avedon, Francis Bacon, Diane Arbus, Michaelangelo Antonioni, Lynda Beglis, Larry Bell, Terry Fox, James Byers, Rober Barry, Marcel Breuer, AA Bronson, Luis Buñel, Daniel Buren, Chris Burden, Joseph Beuys, Anthony Caro, Marcel Broodthaers, John Chamberlain, Paul Cézanne, Marc Chagall, Jean Cocteau, Merce Cunningham, Sonia Delauney, Walter de Maria, Bruce Connor, Jean Dubuffet, Max Ernst, Walker Evans, Dan Flavin, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Hollis Frampton, Alberto Giacometti, Eva Hesse, Gilbert & George, Philip Glass, John Cage, Nancy Graves, Dan Graham, Robert Grosvenor, Nancy Grossman, Walter Gropius, Hans Haacke, Hairy Who, David Hockney, Douglas Huebler, Jorg Immendorff, Donald Judd, Jasper Johns, Joan Jonas, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Keinholz, Paul Klee, Alison Knowles, Joseph Kosuth, Brice Marden, Agnes Martin, André Masson, Henri Matisse, Roberto Matta, Sol Lewitt, Roy Lichtenstein, Barbara Kruger, Jannis Kounellis, Markus Lüpertz, El Lissitzky, Rene Magritte, Robert Mapplethorpe, John McCracken, Mario Merz, Robert Morris, Robert Motherwell, Ree Morton, Louise Nevelson, Barnett Newman, Kenneth Noland, Claes Oldenburg, Eduardo Paolozzio, A. R. Penck, Irving Penn, Francis Picabia, Pablo Picasso, Larry Poons, Ken Price, Yvonne Rainer, Robert Rauschenberg, Martial Raysse, Roman Polanski, Jackson Pollock, Steve Reich, Gerrit Rietveld, Alain Robbe-Grillet, Dorothae Rockburne, James Rosenquist, Mark Rothko, Robert Ryman, Lucas Samaras, Kurt Schwitters, Oscar Schlemmer, Richard Serra, Cindy Sherman, David Smith, Robert Smithson, Michael Snow, Robert Venturi, Wolf Vostell, Andy Warhol, Frank Stella, Saul Steinberg, Karlheinz Stockhausen, Bruno Taut, Jean Tinguely, Anne Truitt, Paul Wunderlich, Lawrence Weiner, Louise Bourgeois, Alfred Hitchcock, and so many more.
Very uncommon hardcover edition, with dust jacket.
1996, English
Softcover, 238 pages, 23 x 30.5 cm
Out of print title / used*,
Published by
Rizzoli / New York
$70.00 - Out of stock
"The influence of Surrealism on fashion and its ancillary arts lasted decades longer than the movement itself. This catalog, accompanying a 1987 exhibition at Fashion Institute of Technology, explores the extravagances of visual language as social and political comment, a revolution in perception."--The Library Journal.
"The love affair between fashion and Surrealism began in the Paris of the 1920s when Surrealist artists plundered fashion's imagery for their art, raising fashion beyond the level of mere style to an important expression of culture. This text reveals the extravagent and ingenious creations resulting from this collaboration. It ranges from the shocking Surrealist dresses of Schiaparelli and Dali, and photographic experiments with Surrealist techniques by Horst P. Horst, Cecil Beaton and George Hoyningen-Huene to the work of younger fashion designers, including Olivier Guillemin and Vivienne Westwood, who have all brought Surrealist imagery into clothing and accessories."
This bountiful, visually lavish volume, published to accompany a 1987 exhibition at Fashion Institute of Technology, features the garments, paintings, sculptures, illustrations, window displays, fashion advertisements, costume designs and photography of Man Ray, Cecil Beaton, Issey Miyake, Horst P. Horst, Cinzia Ruggeri, Vivienne Westwood, Thierry Mugler, Krizia, Giorgio De Chirico, Meret Oppenheim, Max Ernst, Donatella, Rene Magritte, Comme des Garcons, Enrico Donati, Elsa Schiaparelli, Salvador Dali, Marcel Rochas, Jaques Griffe, Adelle Lutz, Marina Killery, Dominique Lacoustille, Emme, Stephen Jones, Louise Bourbon, Bill Cunningham, Germaine Vittu, Eric Braagaard, Karl Lagerfeld, Candy Pratts Price, Serge Lutens, Antonio, Linda Fargo, Claude Montana, Georgina Godley, Olivier Guillemin, Yves Tanguy, Christian Lacroix, Valentine Hugo, Paul Colin, Francoise Lesage, Yves Saint Laurent, Jean Cocteau, Adam Kurtzman, Herbert Bayer, Mel Odom, Jean-Paul Gaultier, Alfa Castaldi, Leo Malet, Jorge Silvetti, Gabriella Giandelli, Givenchy, Marcel Jean, Jean-Charles de Castelbajac, Michael Roberts, Marcel Vertés, Bert Stern, John Galliano, Danuta Riyder, Paul Delvaux, Manolo Blahnik, Dorothea Tanning, Eileen Agar, Miguel Covarubias, Cristobal Balenciaga, Andre Masson, Leonor Fini, Roman Cieslewicz, Shoji Ueda, Louise Dahl-Wolfe, Bruce Weber, Robert Mapplethorpe, A. M. Cassandre, Peter Lindbergh, Claude Cahun, Jean Arp, and so many more.
1993, English
Softcover, 224 pages, 26 x 33.5 cm
1st Edition, Out of print title / Used*,
Published by
Pavilion Books / London
$190.00 - Out of stock
The now very collectable "Nova 1965-1975" was issued in 1993 by Pavilion, in London, and is a comprehensive celebration of the iconic and pioneering 1960-1970s British style magazine, Nova.
Features the work of Harry Peccinotti, Helmut Newton, Sarah Moon, Diane Arbus, Issey Miyake, Jeanloup Sieff, Hans Feurer, Zandra Rhodes, Bob Richardson, Jonvelle, Alan Aldridge, Terence Donovan, Kansai Yamamoto, Saul Leiter, Caroline Baker, David Hillman, and many more.
A product of the creative cauldron in "Swinging London", Nova was avant-garde in every aspect: its typography and layout, illustration and photography. It offered a mixture of daring and artistic imagery with unconstrained writing which had never been done before, and marked a period of real innovation in magazine design. This over-sized volume shows every Nova cover, and over 200 photographs and layouts of key features. The accompanying words tell the story of the magazine and the people who made it, how Nova influenced and was influenced by the times, and is complemented by a "time-line" of events, the signposts of the era. But the lavishly reproduced images, such as the groundbreaking "How to Undress in Front of Your Husband" speak largely for themselves. Not only of specialist interest to designers and artists, and nostalgic interest to avid subscribers, this is also a visual document of times of great change, of the political and cultural upheavals which brought us platform soles and flares, Mick Jagger and Ted Heath. David Hillman was art director for "Nova" from 1969 until it closed in 1975. He was also deputy editor during that time. Harry Peccinotti was the magazine's first art director and regular photographer throughout.
1993, English / Italian
Softcover, 130 pages, 24.5 x 33 cm
1st edition, Out of print title / used*,
Published by
Versace / Italy
$120.00 - Out of stock
Rare 1993 catalogue look-book for Versace's "Collezione Uomo Primavera Estate 1993" with photography by Beppe Caggi, Rohn Meijer, Doug Ordway.
These early 1990s Versace over-sized photo catalogues perfectly visually embody the Versace aesthetic in book-form, with page after page filled with colour-saturated images of luxurious catwalk photography, textile details, model photoshoots, accessories, shoes, backstage, Versace advertisements, graphics and Versace's diary (with Italian and English text).
Art Directed by Donatella Versace herself, with Paul Beck to the incredible backdrop of Miami Beach and the Miami Seaquarium!
2016, English
Softcover (over-sized), 136 pages, 25 x 37 cm
$58.00 $15.00 - Out of stock
encens is a fashion magazine from France, presenting a very selective number of designers, edited by Samuel Drira and Sybille Walter.
encens 36 "Mindscape" (Spring/Summer 2016) features Susan Sontag, Serge Lutens, Isabelle Weingarten, Cartier, Comme des Garçons, Annie Leibovitz, Nehera, Giorgio Armani, Hed Mayner, Angelo Flaccavento, James Benning, Carol Bove, Uma Wang, Veronique Branquinho, Issey Miyake, Carlo Scarpa, Lene Berg, Lutz Huelle, Givenchy, Dries Van Noten, Sonia Rykiel, Azzadine Alaia, Yohji Yamamoto, Willie Christie, Axl Jensen, Chanel, Celine, Lemaire, Veronique Leroy, Dior Homme, Maison Martin Margiela, Vivienne Westwood, Linda Loppa, Bless, Juun J., Christopher Williams, Friedrich Kiesler, Pierre Cardin, Hermes, and many more.