World Food Books

Mario Ceroli

1972, Japanese
Softcover (staple-bound), 8 pages,
1st Edition, Out of print title / used / very good
Published by Jiyugaoka Gallery / Tokyo

$55.00 - In stock -

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Incredibly scarce Japanese Mario Ceroli catalogue, published on the occasion of an exhibition at Jiyugaoka Gallery, Tokyo in 1972. Opens with texts (in Japanese) "Hommage a Ceroli" by architect Tadashi Yokoyama, and "Art Manufacture of Ceroli" by Nobuji Abuku, director of Jiyugaoka Gallery. Focussing primarily on Ceroli's editioned works, all fourteen exhibited works are illustrated and listed, along with an exhibition history and portrait.

Very Good copy with light ageing.

Mario Ceroli is an Italian sculptor, educated at the Academy of Fine Arts in Rome. He began his career realising ceramic sculptures, but his interest soon migrated towards Pop Art and the creation of his first wooden silhouettes. In the 1960s, he was already considered one of the great masters of Italian Pop Art and Arte Povera, becoming a very prominent contributor to the reformulation of the artistic language of that time and to the development of installation art in Italy. Ceroli’s production features natural and humble materials, particularly untreated wood, but also fabric, plastic or aluminium, sometimes polychrome and serialised. In 1966 he achieved international recognition with a prize at the Venice Biennale for the Cassa Sistina, an architectonic work conceived as an open relationship with the public and marking a transition into an art that engaged with the environment. In 1967-1968 he exhibited heavily alongside other artists associated with the Arte Povera and Italian Pop Art movements. Ceroli’s interest in various disciplines led him to transcend the boundaries of the mere work of art, and to explore how it interacts with other fields, such as architecture or theatre. He undertook the decoration of many public spaces and to this day works as a theatre set designer, cooperating with the likes of Teatro Stabile in Turin (1968) and La Scala in Milan (1971).

File under: Mario Ceroli Jiyugaoka Gallery / Tokyo Arte Povera Out-of-print / Rare Sculpture / Installation Art

Art-Events and Happenings
Udo Kultermann (Ed.)

1971, English
Softcover, 210 pages, 23 x 25 cm
1st UK Edition, Out of print title / used / good
Published by Mathews Miller Dunbar / London

$70.00 - Out of stock

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First English edition from 1971, Udo Kultermann's "Art-Events and Happenings", published by Mathews Miller Dunbar of London, translated by John William Gabriel. A deep reflection on an important part of Art's development throughout the 1960s - the turn to action through performance and conceptual art - surveying happenings, protests, theatre, ritual, land art and much more, and featuring a vast collection of black and white photographic illustrations of the work of Allan Kaprow, Ann Halprin, Yvonne Rainer, Merce Cunningham, Otto Mühl, Oyvind Fahlstrom, Piero Gilardi, Charlotte Moorman, Franz Erhard Walther, Joseph Beuys, Tetsumi Kudo, Lygia Clark, Carolee Schneemann, Stan Brakhage, John Cage, Hermann Nitsch, Günther Brus, Dennis Oppenheim, Jean-Jacques Lebel, Andy Warhol, Jan Dibbets, Carl Andre, Barry La Va, Rafael Ferrer, Marinus Boezum, Nam June Paik, Wolf Vostell, Milan Knizak, Jackson Pollock, Saburo Murakami, Atsuko Tanaka, Claes Oldenburg, Piero Manzoni, Peter Hutchinson, Christo, Robert Morris, and many more.

Very good copy (some tanning, previous owners name to first page)

File under: Allan Kaprow Andy Warhol Atsuko Tanaka Barry La Va Carl Andre Carolee Schneemann Charlotte Moorman Christo Claes Oldenburg Dennis Oppenheim Franz Erhard Walther Hermann Nitsch Jackson Pollock Jan Dibbets Jean-Jacques Lebel John Cage Joseph Beuys Lygia Clark Marinus Boezem Merce Cunningham Milan Knizak Nam June Paik Otto Muehl Peter Hutchinson Piero Gilardi Piero Manzoni Rafael Ferrer Robert Morris Saburo Murakami Stan Brakhage Tetsumi Kudo Wolf Vostell Yvonne Rainer Günter Brus Öyvind Fahlström Anna Halprin Udo Kultermann Mathews Miller Dunbar / London Art Film / Video Out-of-print / Rare Performance / Dance / Theater Sound / Music Fluxus Arte Povera Pop Art Group Shows / Collections Conceptual Art Minimal Art

Spelt from Sibyl's Leaves: Explorations in Italian Art

1982, English
Softcover, 88 pages, 24 x 22 cm
1st Edition, Out of print title / used / very good
Published by Electa / Milan

$35.00 - Out of stock

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Scarce exhibition catalogue published in 1982 by Electra International, Milano, to accompany Padiglione d'Arte Contemporanea, 'a thorough example of what Italian artistic research has produced in recent years' curated by Luigi Ballerini. Featuring the work of Alighiero Boetti, Italo Bressan, Pietro Coletta, Dadamaino, Alberto Garutti, Marco Gastini, Paolo Icaro, Jannis Kounellis, Vittorio Matino, Eliseo Mattiacci, Mario Merz, Maurizio Mochetti, Hidetoshi Nagasawa, Claudio Olivieri, Giulio Paolini, Claudio Parmiggiani, Sergio Sermidi, Giuseppe Spagnulo, Gilberto Zorio, the exhibition was staged at the Power Gallery, University of Sydney, and the University Art Museum, University of Queensland. Profusely illustrated throughout with accompanying texts in English, biographical notes and bibliography.

Very Good copy.

File under: Alighiero Boetti Italo Bressan Pietro Coletta Dadamaino Alberto Garutti Marco Gastini Paolo Icaro Jannis Kounellis Vittorio Matino Eliseo Mattiacci Mario Merz Maurizio Mochetti Hidetoshi Nagasawa Claudio Olivieri Giulio Paolini Claudio Parmiggiani Sergio Sermidi Giuseppe Spagnulo Gilberto Zorio Luigi Ballerini Electa / Milan Art Sculpture / Installation Arte Povera Conceptual Art Painting Out-of-print / Rare Group Shows / Collections

John Davis
Place

1975, English
Softcover, 23 pages, 18 × 26 cm
1st Edition, Out of print title / used / fine
Published by Monash University Exhibition Gallery / Victoria

$160.00 - Out of stock

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Very rare early catalogue/artists' book by John Davis, published on the occasion of an exhibition at Monash University Exhibition Gallery, Department of Visual Arts, September 2 - 26 1975.

Staple-bound landscape catalogue contains introduction, biography, artist texts and photographic documentation of the works "Time", "Space" and "Place"

A perfect copy.

John Davis (16 September 1936 – 17 October 1999) was an Australian sculptor and pioneer of Environmental art. An Australian exponent of Arte povera, he famously developed a new mode of Site-specific art at the Mildura Sculpture Triennial in the early 1970s. John Davis established a critically acclaimed reputation as an influential sculptor and installation artist whose practice synthesised material diversity with an idiosyncratic concept of landscape and ecology. Davis travelled widely and exhibited regularly in America, Japan and Australia. As well as participating in the inaugural Mildura Sculpture Triennial, and he represented Australia at the Venice Biennale in 1978. Davis initially worked in wood and later in fibreglass and aluminium, becoming known for his multiples and for his distinctive formalist style. By 1973, Davis had become increasingly interested in conceptual, process-based and land art practices, and his mature works reflect his sensitivity to elemental forces, the organic world, and his profound connection to the ecological fragility and beauty of landscape.

File under: John Davis Monash University Exhibition Gallery / Victoria Art Sculpture / Installation Australian Art Performance / Dance / Theater Conceptual Art Out-of-print / Rare Arte Povera Ecology

John Davis
Bush Art (Ina-Art News No. 6)

1982, Japanese
Softcover, 6 pages, 21 x 20.5 cm
1st Edition, Out of print title / used / good
Published by Ina Ceramics Co. / Japan

$70.00 - In stock -

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Incredibly scarce Japanese exhibition catalogue on Australian artist John Davis, published to accompany his 1982 solo exhibit at the gallery of Ina Ceramics. Ina-Art (or sometimes Ina-X) Art News was the catalogue/newsletter series that the gallery produced with each exhibition, presenting a selection of the artist's works and photographic portraits, alongside texts, artist biography, and exhibition history (all in Japanese). Includes a great selection of Davis' sculptural installations, both indoor and outdoor from the mid-late 1970s, plus a portrait of the artist in Japan.

John Davis (16 September 1936 – 17 October 1999) was an Australian sculptor and pioneer of Environmental art. An Australian exponent of Arte povera, he famously developed a new mode of Site-specific art at the Mildura Sculpture Triennial in the early 1970s. John Davis established a critically acclaimed reputation as an influential sculptor and installation artist whose practice synthesised material diversity with an idiosyncratic concept of landscape and ecology. Davis travelled widely and exhibited regularly in America, Japan and Australia. As well as participating in the inaugural Mildura Sculpture Triennial, and he represented Australia at the Venice Biennale in 1978. Davis initially worked in wood and later in fibreglass and aluminium, becoming known for his multiples and for his distinctive formalist style. By 1973, Davis had become increasingly interested in conceptual, process-based and land art practices, and his mature works reflect his sensitivity to elemental forces, the organic world, and his profound connection to the ecological fragility and beauty of landscape.

File under: John Davis Ina Ceramics Co. / Japan Australian Art Out-of-print / Rare Sculpture / Installation Ceramics / Glass Art Arte Povera Objects / Ephemera / A/V

John Davis
Bush Installation (Inax Art News No. 48)

1986, Japanese
Softcover, 6 pages, 21 x 20.5 cm
1st Edition, Out of print title / used / good
Published by Ina Ceramics Co. / Japan

$70.00 - In stock -

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Incredibly scarce Japanese exhibition catalogue on Australian artist John Davis, published to accompany his 1986 solo exhibit at the gallery of Ina Ceramics. Ina-Art (or sometimes Ina-X) Art News was the catalogue/newsletter series that the gallery produced with each exhibition, presenting a selection of the artist's works and photographic portraits, alongside texts, artist biography, and exhibition history (all in Japanese). Cover depicts Davis' great Walden State Freeway installation work from 1984, in Los Angeles, alongside a selection of his installations and wall-reliefs from the 1980s.

John Davis (16 September 1936 – 17 October 1999) was an Australian sculptor and pioneer of Environmental art. An Australian exponent of Arte povera, he famously developed a new mode of Site-specific art at the Mildura Sculpture Triennial in the early 1970s. John Davis established a critically acclaimed reputation as an influential sculptor and installation artist whose practice synthesised material diversity with an idiosyncratic concept of landscape and ecology. Davis travelled widely and exhibited regularly in America, Japan and Australia. As well as participating in the inaugural Mildura Sculpture Triennial, and he represented Australia at the Venice Biennale in 1978. Davis initially worked in wood and later in fibreglass and aluminium, becoming known for his multiples and for his distinctive formalist style. By 1973, Davis had become increasingly interested in conceptual, process-based and land art practices, and his mature works reflect his sensitivity to elemental forces, the organic world, and his profound connection to the ecological fragility and beauty of landscape.

File under: Ina Ceramics Co. / Japan Australian Art Ceramics / Glass Sculpture / Installation Out-of-print / Rare Objects / Ephemera / A/V Art Arte Povera

Documenta 6
Complete 3 volume boxset, plus booklet

1977, German
Heavy card slipcase (4 vols.), 323 pages; 357 pages; 378 pages; 40 pages; 21 x 29.5 cm
1st Edition, Out of print title / used / good
Published by Paul Dierich / Kassel

$100.00 - Out of stock

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Complete 3 volume boxset exhibition catalogue published in conjunction with Documenta 6, the sixth edition of documenta, a quinquennial contemporary art exhibition. It was held between 24 June and 2 October 1977 in Kassel, Germany, and the artistic director was Manfred Schneckenburger. The title of the exhibition was: Internationale Ausstellung – international exhibition.

Box contains volume 1: painting - sculpture - performance (320 pages) / volume 2: photography - film - video (357 pages) / volume 3: drawings - utopian design - books (376 pages + show) / special edition of exhibition information booklet (40 pages + show); essays by Lothar Romain, Bazon Brock, Karl Oskar Blase, Klaus Honnef, Evelyn Weiss, Manfred Schneckenburger, Arnold Bode, Wieland Schmied, and Lothar Lang.

Artists featured throughout include Francis Bacon, Jennifer Bartlett, Georg Baselitz, Gerd Baukhage, Enzo Cacciola, Louis Cane, Chuck Close, Ulrich Erben, Winfred Gaul, Raimund Girke, Kuno Gonschior, Camille Graeser, Gotthard Graubner, Nancy Graves, Alan Green, Richard Hamilton, Heijo Hangen, Bernhard Heisig, Michael Heizer, Edgar Hofschen, Jasper Johns, Willem de Kooning, Attila Kovács, László Lakner, Roy Lichtenstein, Markus Lüpertz, Wolfgang Mattheuer, Gerhard Merz, Rune Mields, Carmengloria Morales, Malcolm Morley, Claudio Olivieri, Roman Opalka, Palermo, A.R. Penck, Lucio Pozzi, Hans-Peter Reuter, Gerhard Richter, Claude Rutault, Willi Sitte, Frank Stella, Werner Tübke, Bernar Venet, Andy Warhol, Reindert Wepko van de Wint, Gianfranco Zappetini, Jerry Zeniuk, Bernhard and Hilla Becher, Bernhard Johannes Blume, Christian Boltanski, Bettina Brand, Heinz Breloh, James Collins, Zdenek Felix, Reinhold Hohl, Gabrielle Honnef-Harling, Erich Kuby, Werner Lippert, Bernd Lohse, Felix H. Mann, Hilmar Pabel, Georg Reinhardt, Liselotte Strelow, Ann Wilde, Jürgen Wilde, Peter Ackermann, Michael von Biel, Fernando Botero, Miguel Condé, Renato Guttoso, Horst Janssen, Giacomo Manzù, Pablo Picasso, Wolfgang Schmitz, Rudolf Schoofs, André Thomkins, Bodo Baumgarten, Blythe Bohnen, Pinchas Cohen Gan, Rupprecht Geiger, Hetum Gruber, Eva Hesse, Sol LeWitt, Nino Malfatti, Bob Ryman, Jan Schoonhoven, Lee U-Fan, Rainer Werner Fassbinder, Martin Scorsese, Stanley Kubrick.

Texts in German.

Also includes an exhibition guide booklet in the same format as the 3 main catalogue volumes.
Good copy throughout with general tanning and age wear to box and books, some knocking and tape-mended cracking to the box binding corners and edging.

File under: Lothar Romain Arnold Bode Manfred Schneckenburger Bazon Brock Karl Oskar Blase Klaus Honnef Evelyn Weiss Lothar Lang Francis Bacon Jennifer Bartlett Georg Baselitz Gerd Baukhage Enzo Cacciola Louis Cane Chuck Close Ulrich Erben Winfred Gaul Raimund Girke Kuno Gonschior Camille Graeser Gotthard Graubner Nancy Graves Alan Green Richard Hamilton Heijo Hangen Bernhard Heisig Michael Heizer Edgar Hofschen Jasper Johns Willem de Kooning Attila Kovács László Lakner Roy Lichtenstein Markus Lüpertz Wolfgang Mattheuer Gerhard Merz Rune Mields Carmengloria Morales Malcolm Morley Claudio Olivieri Roman Opalka Palermo A.R. Penck Lucio Pozzi Hans-Peter Reuter Gerhard Richter Claude Rutault Willi Sitte Frank Stella Werner Tübke Bernar Venet Andy Warhol Reindert Wepko van de Wint Gianfranco Zappetini Jerry Zeniuk Bernhard Johannes Blume Christian Boltanski Bettina Brand Heinz Breloh James Collins Zdenek Felix Reinhold Hohl Gabrielle Honnef-Harling Erich Kuby Werner Lippert Bernd Lohse Felix H. Mann Hilmar Pabel Georg Reinhardt Liselotte Strelow Ann Wilde Jürgen Wilde Peter Ackermann Michael von Biel Fernando Botero Miguel Condé Renato Guttoso Horst Janssen Giacomo Manzù Pablo Picasso Wolfgang Schmitz Rudolf Schoofs André Thomkins Bodo Baumgarten Blythe Bohnen Pinchas Cohen Gan Rupprecht Geiger Hetum Gruber Eva Hesse Sol LeWitt Nino Malfatti Robert Ryman Jan Schoonhoven Lee U-Fan Wieland Schmied Rainer Werner Fassbinder Martin Scorsese Stanley Kubrick Bernd and Hilla Becher Lothar Romain Bazon Brock Karl Oskar Blase Klaus Honnef Evelyn Weiss Manfred Schneckenburger Arnold Bode Wieland Schmied Lothar Lang Paul Dierich / Kassel Sculpture / Installation Curatorial Group Shows / Collections Painting Film / Video Performance / Dance / Theater Art Arte Povera Conceptual Art Dada Minimal Art Out-of-print / Rare Photography Pop Art Sound / Music Fluxus

P.C.A. Projecte, Concepte & Actionen
Edited by Walter Aue

1971, German
Softcover, 464 pages, 29.7 x 21 cm
1st Edition, Out of print title / used / very good
Published by DuMont / Köln

$85.00 - Out of stock

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Huge, densely-illustrated volume compiled by German publisher/editor/essayist/curator Walter Aue, who worked closely with conceptual and performance artists in the 1960s-1970s. Laid-out by Aue himself, the book feels like a very natural scrap-book compendium of artist contributions, reproducing artworks, documentation of happenings, texts, photographs, diagrams, collages, news-clippings, instructions, etc. across over 450 pages, with Aue's type-written opening essay and cataloguing throughout. Features the most notable conceptual, actionist and performance artists of the period, spanning Fluxus, Arte Povera, radical architecture, Nouveau Realisme, etc. including Dieter Rot, Joseph Beuys, Robert Smithson, Pino Pascali, Stanley Brouwn, Jannis Kounellis, Klaus Rinke, Ben Vautier, Al Hansen, Walter Pichler, Hilla and Bernhard Becher, Giuseppe Penone, Ettore Sottsass, Gilbert and George, Walter De Maria, Wolf Vostell, Hans Hollein, Imi Knoebel, Barry Flanagan, Allan Kaprow, Carolee Schneemann, Hamish Fulton, Christo, Elfriede Jelinek, Dennis Oppenheim, Urs Lüthi, Sigmar Polke, Gerhard Rühm, Blink Palermo, Lawrence Weiner, Ed Ruscha, HA Schult, Hermann Nitsch, James Lee Byars, Jan Dibbets, Jochen Gerz, Mauricio Kagel, Nam June Paik, Otto Mühl, Arnulf Rainer, Jan Voss, George Brecht, Robert Filliou, Franz Erhard Walther, Timm Ulrichs, Daniel Spoerri, Erich Reusch, Paul Pechter, Rainer Giese, Jörg Immendorff, Henning Christiansen, Gilberto Zorio, Panamarenko, Joseph Kosuth, Dan Graham, Dick Higgins, Ian Baxter, Mel Bochner, Haus-Rucker-Co, Markus Raetz, Sottsass, Nam June Paik, Hans Haacke, Tetsumi Kudo, Bruce Mclean, On Kawara, and so many more.

Depending on the artist, texts are in English, German, Dutch, etc. Opening essay in German.
Very Good, light wear/tear to top spine.

File under: Dieter Rot Otto Muehl Otto Mühl Henning Christiansen Jörg Immendorff Haus-Rucker-Co Joseph Beuys Robert Smithson Pino Pascali Stanley Brouwn Jannis Kounellis Klaus Rinke Ben Vautier Al Hansen Walter Pichler Giuseppe Penone Ettore Sottsass Walter De Maria Wolf Vostell Hans Hollein Imi Knoebel Barry Flanagan Allan Kaprow Carolee Schneemann Hamish Fulton Christo Elfriede Jelinek Dennis Oppenheim Urs Lüthi Sigmar Polke Gerhard Rühm Lawrence Weiner Ed Ruscha HA Schult Hermann Nitsch James Lee Byars Jan Dibbets Jochen Gerz Mauricio Kagel Nam June Paik Arnulf Rainer Jan Voss George Brecht Robert Filliou Franz Erhard Walther Timm Ulrichs Daniel Spoerri Erich Reusch Paul Pechter Rainer Giese Gilberto Zorio Panamarenko Joseph Kosuth Dan Graham Dick Higgins Mel Bochner Markus Raetz Hans Haacke Tetsumi Kudo Bruce Mclean On Kawara Iain Baxter Bernd and Hilla Becher Gilbert & George Blinky Palermo Walter Aue DuMont / Köln Fluxus Performance / Dance / Theater Art Sculpture / Installation Feminism Arte Povera Conceptual Art Curatorial Film / Video Italian Radical Design / Postmodernism Minimal Art Out-of-print / Rare Photography Sound / Music Theory / Essay Group Shows / Collections Nouveau Réalisme / Zero / Kinetic

Ornament & Crime
Edited by Meg O’Rourke

2018, English
Hardcover, 92 pages, 23 x 27.5 cm
Published by Sternberg Press / Berlin Eykyn Maclean / New York-London

$79.00 $35.00 - Out of stock

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Contributions by Carl Andre, Meg O’Rourke, Caroline Weber, Lynn Zelevansky, Thea Westreich

The catalogue Ornament and Crime accompanies the group exhibition curated by Meg O’Rourke at Eykyn Maclean in New York (May 2–June 15, 2018). With Adolf Loos’s eponymous 1908 diatribe against excessive ornamentation as its guide, the exhibition draws on the tenets set forth by Loos—simplicity, purity, freedom—with particular attention to their philosophical implications and their persistence into the latter twentieth century. The catalogue traces a genealogy of form from the dogmatism of Loos and Piet Mondrian; to the experimental systems of Yves Klein, the Zero group, and Ad Reinhardt; and finally, to the austere formalism of Minimalism and Arte Povera. When superficial surfaces and superfluous decorations are stripped away, the unknown is opened up—into the void, that is, what lies beyond the surface; down to the elemental, a deeper engagement with material that exceeds mere abstraction; and toward the eternal, where aesthetic asceticism points toward spiritual and psychic transcendance. The texts comprise an introduction by Meg O’Rourke, an historical essay by Lynn Zelevansky, a creative abecedarium by Caroline Weber, and an interview with Carl Andre conducted by O’Rourke and Thea Westreich. They offer historical context and draw out the resonances between the artworks represented, which are included here in full-color standalone and installation views.

Features Agnes Martin, Donald Judd, Ellsworth Kelly, Carl Andre, Piet Mondrian, Yves Klein, Otto Piene, Ad Reinhardt, John McCracken, Lucio Fontana, Frank Stella, and more.

Copublished with Eykyn Maclean, New York / London

Design by A Practice for Everyday Life

File under: Adolf Loos Carl Andre Piet Mondrian Yves Klein Ad Reinhardt Otto Piene Zero Ellsworth Kelly Agnes Martin John McCracken Lucio Fontana Donald Judd Frank Stella Lynn Zelevansky Meg O’Rourke Caroline Weber Thea Westreich Sternberg Press / Berlin Eykyn Maclean / New York-London Art Group Shows / Collections Theory / Essay Minimal Art Arte Povera Sculpture / Installation SALE

ZERO

2015, English / German / Dutch
Softcover, 560 pages, 25cm x 25cm
Published by Walther König / Köln

$85.00 - Out of stock

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Fire, light, movement, space, demonstrations, and performances: this major publication forms a historic survey of the innovative, international avant-garde artists’ group, ZERO.

In 1957, Heinz Mack and Otto Piene devised the name ZERO for a new art movement and magazine. The brevity of the term ZERO and the fact that it retained its meaning in many languages helped the group to become an international “brand” in the ‘60s. After the Second World War and the grim years of post-war reconstruction, the term ZERO marked the coming of a new, optimistic, experimental, and pioneering kind of art. Piene described it as “a zone of silence and of pure possibilities for a new beginning.” While the ZERO movement was under formation, Dutch artists Armando, Jan Henderikse, Henk Peeters, Jan Schoonhoven, and herman de vries established the Nul group in the Netherlands. Like-minded artists in France, Italy, and Belgium – such as Jean Tinguely, Yves Klein, Daniel Spoerri, Jesús Rafael Soto, Lucio Fontana, Pierre Manzoni, Dadamaino, and Christian Megert – were also formulating similar artistic strategies - many affiliated with other movements such as Nouveau réalisme, Arte Povera, Minimalism, Op Art, Land Art and Kinetic art. They joined up with the trio of artists from Dusseldorf: Mack, Piene, and Günther Uecker. Together, the artists began to organize exhibitions in galleries, museums, and in their own studios. They also co-created artworks, experimenting with the most innovative materials and media, as well as gave performances and happenings, produced multiples, and published magazines and other publications. In 1962, the Stedelijk Museum staged the first museum presentation of ZERO. A few years later, a more comprehensive survey, Nul 1965, followed, a presentation widely considered as one of the movement’s highlights. Precisely fifty years later, in 2015, the Stedelijk presented an historical survey that sheds light on how the network’s artists redefined the meaning and form of art forever.

This extensive, deeply researched and richly illustrated (over 900 plates) publication, edited by curator Margriet Schavemaker, and Dirk Poerschmann, academic staff member of the ZERO Foundation, includes essays by Antoon Melissen, Johan Pas, Francesca Pola & Thekla Zell, and the transcript of a conversation between Mattijs Visser and Daniel Birnbaum. Organized by the ZERO foundation and including some 200 objects, ZERO is one of the most comprehensive resources available on this self-consciously avant-gardist international movement.

Includes the work of Arman, Armando, Bernard Aubertin, Pol Bury, Enrico Castellani, Gianni Colombo, Dadamaino, Lucio Fontana, Hermann Goepfert, Gerhard von Graevenitz, Gotthard Graubner, Hans Haacke, Jan Henderikse, Paul van Hoeydock, Oskar Holweck, Yves Klein, Yayoi Kusama, Walter Leblanc, Adolf Luther, Heinz Mack, Piero Manzoni, Almir Mavignier, Christian Megert, François Morellet, Saboro Murakami, Henk Peeters, Otto Piene, Uli Pohl, George Rickey, Dieter Roth, Hans Salentin, Jan Schoonhoven, Jesús Raphael Soto, Daniel Spoerri, Jean Tinguely, Gunther Uecker, Jef Verheyen, Nanda Vigo, herman de vries.

File under: Arman Armando Bernard Aubertin Pol Bury Enrico Castellani Gianni Colombo Dadamaino Lucio Fontana Hermann Goepfert Gerhard von Graevenitz Gotthard Graubner Hans Haacke Jan Henderikse Paul van Hoeydock Oskar Holweck Yves Klein Yayoi Kusama Walter Leblanc Adolf Luther Heinz Mack Piero Manzoni Almir Mavignier Christian Megert François Morellet Henk Peeters Otto Piene Uli Pohl George Rickey Dieter Roth Hans Salentin Jan Schoonhoven Daniel Spoerri Jean Tinguely Gunther Uecker Jef Verheyen Nanda Vigo herman de vries Jesus Raphael Soto Saburo Murakami Margriet Schavemaker Dirk Pörschmann Antoon Melissen Johan Pas Francesca Pola Thekla Zell Daniel Birnbaum Walther König / Köln Art Minimal Art Arte Povera Sculpture / Installation Painting Performance / Dance / Theater Conceptual Art Nouveau Réalisme / Zero / Kinetic

Piero Manzoni
by Germano Celant

1991, English
Softcover, 242 pages, 22.5 x 27.5 cm
1st Edition, Out of print title / used / very good
Published by Arnoldo Mondadori Arte / Milan Musee D'Art Moderne De La Ville De Paris / Paris

$200.00 - Out of stock

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Large comprehensive English-language catalogue that was published in the occasion of a major 1991 retrospective survey of the late, hugely influencial, Italian Conceptual artist Piero Manzoni held at the Musee D'Art Moderne De La Ville De Paris, curated by the Italian art critic, author and curator Germano Celant.
This rare monographic volume spans 242 pages profusely illustrated in colour and black and white images of Manzoni's painting, releifs, sculpture and editioned works, performances, printed ephemera, and more, as well as additional texts by Germano Celant, Jean Pierre Criqui, Jens Hendrik Sandberg, Francisco Calvo Seraller, Nancy Spector, and Suzanne Page. Also includes an exhibition checklist, chronology, bibliography and exhibition history, with all texts in English.

Piero Manzoni (July 13, 1933 – February 6, 1963) was an Italian artist best known for his ironic approach to avant-garde art. Often compared to the work of Yves Klein, his own work anticipated, and directly influenced, the work of a generation of younger Italian artists brought together by the critic Germano Celant in the first Arte Povera exhibition held in Genoa, 1967. Manzoni is most famous for a series of artworks that call into question the nature of the art object, directly prefiguring Conceptual Art. His work eschews normal artist's materials, instead using everything from rabbit fur to human excrement in order to "tap mythological sources and to realize authentic and universal values". His work is widely seen as a critique of the mass production and consumerism that was changing Italian society (the Italian economic miracle) after World War II. Italian artists such as Manzoni had to negotiate the new economic and material order of post-war Europe through inventive artistic practices which crossed geographic, artistic, and cultural borders.

A fine example of this very scarce book on the great Piero Manzoni.

Condition: Fine (an almost as new copy, very light wear) – All care is taken to provide accurate condition details of used books, photos available on request.

File under: Piero Manzoni Francisco Calvo Seraller Germano Celant Jean Pierre Criqui Jens Hendrik Sandberg Nancy Spector Suzanne Page Arnoldo Mondadori Arte / Milan Musee D'Art Moderne De La Ville De Paris / Paris Art Out-of-print / Rare Sculpture / Installation Nouveau Réalisme / Zero / Kinetic Arte Povera Conceptual Art Minimal Art

SuperDesign
Italian Radical Design 1965-75

2017, English
Hardcover, 256 pages, 235 x 287 cm
Published by Monacelli Press / New York

$80.00 - Out of stock

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SuperDesign charts the Italian Radicals' bold experimentation in modern design from its birth through its continued influence on design today. Radical Design was launched by art, architecture, and design students in Italy in the mid-1960s. What started as a youthful rally against the establishment and a rejection of design norms became a movement that brought together some of the most dynamic and avant-garde thinkers and makers across the country. Through enigmatic, confrontational, and clever furniture and objects--such as the iconic lip-shaped Bocca sofa, or the Cactus coat-rack in green foam--as well as more public innovations including discotheque interiors and subversive performances, the Radicals projected design's new era as equal parts Pop Art, play, Surrealism, and futurism. Told through exclusive interviews, unreleased photographs, original drawings and artwork unearthed from personal archives, and newly commissioned photography of rarely seen works, SuperDesign explores this fervent period of design that played out against the era's social and political turmoil. Featured designers include Archizoom Associati, Lapo Binazzi (UFO), Pietro Derossi (Gruppo Strum), Piero Gilardi, Ugo La Pietra, Gaetano Pesce, Gianni Pettena, Studio65, and Superstudio. The culmination of a decade of collecting and researching original examples of some of the most important and iconic works of the period, SuperDesign offers a unique new introduction to the legacy of the Italian Radicals.

File under: Archizoom Associati Lapo Binazzi Pietro Derossi Piero Gilardi Ugo La Pietra Gaetano Pesce Gianni Pettena Studio 65 Superstudio Gruppo Strum UFO Maria Cristina Didero Monacelli Press / New York Architecture / Interior Italian Radical Design / Postmodernism Sculpture / Installation Pop Art Arte Povera

documenta-Dokumente 1955-1968

1972, German
Hardcover, 216 pages, 24.5 x 21.5 cm
1st Edition, Out of print title / used / very good
Published by Georg Wenderoth Verlag / Kassel

$60.00 $40.00 - Out of stock

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documenta - Dokumente 1955 - 1968 (Four International Exhibitions of Modern Art), was published by Georg Wenderoth Verlag, Kassel in 1972. This clothbound hardcover book of texts (by Dieter Westecker, Carl Eberth, Werner Lengemann, Erich Müller) and photographs of the first four documenta exhibitions, is quite a unique publication. Written at the suggestion of former students and collaborators of Documenta initiator Arnold Bode, it does not replace a documenta chronicle or a scientific study of individual facts. On the contrary, the textual and pictorial material is selected from a technical point of view, processed and presented in a comprehensible form to stimulate detailed investigations into the exhibition-presentations. The bulk of the photographic documentation is of visitor reception and interaction with the installations of artworks, including those of Hans Arp, Constantin Brancusi, Lee Bontecou, Victor Pasmore, Marino Marini, Jean Dubuffet, Konrad Klapheck, George Segal, Robert Indiana, Claes Oldenburg, Walter de Maria, Eduardo Paolozzi, Phillip King, Erich Hauser, Ernest Trova, Michelangelo Pistoletto, Carl Andre, William Tucker, Peter Brüning, David Smith, Edward Keinholz, Dan Flavin, Morris Louis, Sol Lewitt, Robert Morris, Frank Stella, Tom Wesselmann, James RosenquisThomas Lenck, Francis Bacon, Horst Antes, Shinkichi Tajiri, Christo, Jackson Pollock, Karel Appel, Bernard Schultze, Otto Herbert Hajek, Jacques Lipchitz, Lynn Chadwick, Paul Delvaux, Helen Frankenthaler, Wassily Kandinsky, Fernand Leger, Max Bill, Joan Miro, Henry Moore, Pablo Picasso, Robert Rauschenberg, Giogio de Chirico, Victor Vasarley, Zoran Music, Giuseppe Capogrossi, and many others.

Texts in German. First and only edition.
Vert Good copy with original dust jacket.

File under: Constantin Brancusi Lee Bontecou Victor Pasmore Marino Marini Jean Dubuffet Konrad Klapheck George Segal Robert Indiana Claes Oldenburg Walter de Maria Eduardo Paolozzi Phillip King Erich Hauser Ernest Trova Michelangelo Pistoletto Carl Andre William Tucker Peter Brüning David Smith Edward Keinholz Dan Flavin Morris Louis Sol Lewitt Robert Morris Frank Stella Tom Wesselmann James RosenquisThomas Lenck Francis Bacon Horst Antes Shinkichi Tajiri Christo Jackson Pollock Karel Appel Bernard Schultze Otto Herbert Hajek Jacques Lipchitz Lynn Chadwick Paul Delvaux Helen Frankenthaler Wassily Kandinsky Fernand Leger Max Bill Joan Miro Henry Moore Pablo Picasso Robert Rauschenberg Giogio de Chirico Victor Vasarley Zoran Music Giuseppe Capogrossi Jean Arp (Hans Arp) Georg Wenderoth Verlag / Kassel Art Group Shows / Collections Out-of-print / Rare Sculpture / Installation Painting Arte Povera Pop Art Bauhaus Dada Nouveau Réalisme / Zero / Kinetic SALE

ARTFORUM
LOOKING CRITICALLY: 21 YEARS OF ARTFORUM MAGAZINE

1984, English
Softcover, 342 pages, 270 x 280 cm
1st Edition, Out of print title / used / average
Published by U.M.I. Research Press / Michigan

$50.00 - Out of stock

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Softcover edition of "LOOKING CRITICALLY: 21 YEARS OF ARTFORUM MAGAZINE", the heavy 342 page volume anthology of the first 21 years of the world's most important modern and art journal. An incredibly valuable collection of art theory.

Edited by Amy Baker Sandback, designed by Roger Gorman and Mary Beath and published in 1984 by U.M.I. Research Press, this dense volume, bound in hardcover to the dimensions of a copy of ARTFORUM, begins with an Ed Kienholz review at the Ferus Gallery from ARTFORUM's June 1962 inaugural issue, and ends with Barbara Kruger reviewing the film "TRON" for the November 1982 issue. An amazing compendium of articles and reviews from the magazine's important first 21 years, featuring contributions by the likes of John Cage, Robert Morris, Kate Steinitz, Henry T. Hopkins, Don Factor, Robert Pincus-Witten, Dennis Adrian, John Coplans, Hilton Kramer, Harold Rosenberg, Henry Geldzahler, John Cage, Walter Hopps, Ed Ruscha, Allan Kaprow, Robert Rosenblum, Dan Flavin, Boris Groys, Sam Wagstaff, Billy Kluver, Lucy R. Lippard, Robert Rosenblum, Roger Shattuck, Ad Reinhardt, Mel Bochner, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Barbara Rose, Manny Farber, Michael Fried, Robert Morris, Philip Leider, Hollis Frampton, Carl Andre, Richard Serra, Lawrence Alloway, Barbara Kruger, Jane Livingston, Lizzie Borden, Kenneth Baker, Laurie Anderson, Agnes Martin, Cindy Nemser, Sidney Tillim, Annette Michelson, Rosalind Krauss, Jeremy Gilbert-Rolfe, Roberta Smith, Peter Plagens, Peter Schjeldahl, J. Hoberman, Hal Foster, Richard Flood, Carter Ratcliff, Stuart Morgan, Max Kozloff, Donald Kuspit, Dan Graham, Walter De Maria, Komar & Melamid, Edit De Ak, Lawrence Weiner, Kathy Acker, Robert Mapplethorpe, Anselm Kiefer, Thomas McEvilley, Louise Bourgeois, Ingrid Sischy, and too many more to list. Artists featured include: Josef Albers, Richard Tuttle, Jo Baer, Carl Andre, Ant Farm, Hans Arp, Max Bill, Mel Bochner, Alighiero Boetti, Lee Bontecou, Constantin Brancusi, Bertholt Brecht, Richard Avedon, Francis Bacon, Diane Arbus, Michaelangelo Antonioni, Lynda Beglis, Larry Bell, Terry Fox, James Byers, Rober Barry, Marcel Breuer, AA Bronson, Luis Buñel, Daniel Buren, Chris Burden, Joseph Beuys, Anthony Caro, Marcel Broodthaers, John Chamberlain, Paul Cézanne, Marc Chagall, Jean Cocteau, Merce Cunningham, Sonia Delauney, Walter de Maria, Bruce Connor, Jean Dubuffet, Max Ernst, Walker Evans, Dan Flavin, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Hollis Frampton, Alberto Giacometti, Eva Hesse, Gilbert & George, Philip Glass, John Cage, Nancy Graves, Dan Graham, Robert Grosvenor, Nancy Grossman, Walter Gropius, Hans Haacke, Hairy Who, David Hockney, Douglas Huebler, Jorg Immendorff, Donald Judd, Jasper Johns, Joan Jonas, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Keinholz, Paul Klee, Alison Knowles, Joseph Kosuth, Brice Marden, Agnes Martin, André Masson, Henri Matisse, Roberto Matta, Sol Lewitt, Roy Lichtenstein, Barbara Kruger, Jannis Kounellis, Markus Lüpertz, El Lissitzky, Rene Magritte, Robert Mapplethorpe, John McCracken, Mario Merz, Robert Morris, Robert Motherwell, Ree Morton, Louise Nevelson, Barnett Newman, Kenneth Noland, Claes Oldenburg, Eduardo Paolozzio, A. R. Penck, Irving Penn, Francis Picabia, Pablo Picasso, Larry Poons, Ken Price, Yvonne Rainer, Robert Rauschenberg, Martial Raysse, Roman Polanski, Jackson Pollock, Steve Reich, Gerrit Rietveld, Alain Robbe-Grillet, Dorothae Rockburne, James Rosenquist, Mark Rothko, Robert Ryman, Lucas Samaras, Kurt Schwitters, Oscar Schlemmer, Richard Serra, Cindy Sherman, David Smith, Robert Smithson, Michael Snow, Robert Venturi, Wolf Vostell, Andy Warhol, Frank Stella, Saul Steinberg, Karlheinz Stockhausen, Bruno Taut, Jean Tinguely, Anne Truitt, Paul Wunderlich, Lawrence Weiner, Louise Bourgeois, Alfred Hitchcock, and so many more.

A Good copy throughout, with cover rubbing and corner bumping. Tightly bound and clean copy internally.

File under: A.R. Penck AA Bronson Agnes Martin Alain Robbe-Grillet Alberto Giacometti Albrecht Dürer Alfred Hitchcock Alighiero Boetti Alison Knowles Allan Kaprow André Masson Andy Warhol Anne Truitt Ant Farm Anthony Caro Barbara Kruger Barnett Newman Brice Marden Bruce Conner Bruno Taut Carl Andre Chris Burden Cindy Sherman Claes Oldenburg Constantin Brâncuși Dan Flavin Dan Graham Daniel Buren David Hockney David Smith Diane Arbus Donald Judd Dorothea Rockburne Douglas Huebler Edward Kienholz El Lissitzky Ellsworth Kelly Eva Hesse Francis Bacon Francis Picabia Frank Stella Gerrit Rietveld Hairy Who Hans Haacke Henri Matisse Hollis Frampton Irving Penn Jackson Pollock James Rosenquist Jannis Kounellis Jasper Johns Jean Cocteau Jean Dubuffet Jean Tinguely Jo Baer Joan Jonas John Cage John Chamberlain John McCracken Jörg Immendorff Josef Albers Joseph Beuys Joseph Kosuth Karlheinz Stockhausen Ken Price Kenneth Noland Kurt Schwitters Larry Bell Larry Poons Lawrence Weiner Lee Bontecou Louise Bourgeois Louise Nevelson Lucas Samaras Lucio Fontana Luis Buñuel Lynda Benglis Marc Chagall Marcel Breuer Marcel Broodthaers Marcel Duchamp Mario Merz Mark Rothko Markus Lupertz Martial Raysse Max Bill Max Ernst Mel Bochner Michael Snow Nancy Graves Nancy Grossman On Kawara Pablo Picasso Paul Cézanne Paul Klee Paul Wunderlich Philip Glass Ree Morton René Magritte Richard Avedon Richard Serra Richard Tuttle Robert Grosvenor Robert Mapplethorpe Robert Morris Robert Motherwell Robert Rauschenberg Robert Ryman Robert Smithson Robert Venturi Roberto Matta Roman Polanski Roy Lichtenstein Saul Steinberg Sol Lewitt Sonia Delaunay Steve Reich Terry Fox Walker Evans Walter de Maria Walter Gropius Wolf Vostell Yvonne Rainer Michelangelo Antonioni Jean Arp (Hans Arp) James Lee Byars Merce Cunningham Oskar Schlemmer Gilbert & George Robert Barry Eduardo Paolozzi Ad Reinhardt Agnes Martin Allan Kaprow Andy Warhol Annette Michelson Anselm Kiefer Barbara Kruger Barbara Rose Billy Kluver Boris Groys Carl Andre Carter Ratcliff Cindy Nemser Claes Oldenburg Dan Flavin Dan Graham Dennis Adrian Don Factor Donald Kuspit Ed Ruscha Edit De Ak Hal Foster Harold Rosenberg Henry Geldzahler Henry T. Hopkins Hilton Kramer Hollis Frampton Ingrid Sischy J. Hoberman Jane Livingston Jeremy Gilbert-Rolfe John Cage John Coplans Kate Steinitz Kathy Acker Kenneth Baker Laurie Anderson Lawrence Alloway Lawrence Weiner Lizzie Borden Louise Bourgeois Lucy R. Lippard Lynda Benglis Manny Farber Max Kozloff Mel Bochner Michael Fried Peter Plagens Peter Schjeldahl Philip Leider Richard Flood Richard Serra Robert Mapplethorpe Robert Morris Robert Pincus-Witten Robert Rosenblum Roberta Smith Roger Shattuck Roy Lichtenstein Sam Wagstaff Sidney Tillim Stuart Morgan Thomas McEvilley Walter De Maria Walter Hopps Rosalind E. Krauss Bertolt Brecht U.M.I. Research Press / Michigan Art Arte Povera Conceptual Art Counterculture Curatorial Dada Drawing Feminism Fiction / Poetry Film / Video Fluxus Group Shows / Collections Minimal Art Out-of-print / Rare Painting Performance / Dance / Theater Periodicals Photography Poetry Pop Art Sculpture / Installation Sound / Music Theory / Essay

ART POVERA
CONCEPTUAL, ACTUAL OR IMPOSSIBLE ART? GERMANO CELANT (ED.)

1969, English
Hardcover (clothbound), 240 pages, 21 x 22 cm
1st US Edition, Out of print title / used / good
Published by Praeger Publishers Inc. / New York

$140.00 - Out of stock

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First hardcover US printing of "Art Povera", the now legendary critical/photographic book by Germano Celant (Italian art historian, critic and curator) documenting the so-called "Art Povera /Arte Povera" movement (meaning "poor art", coined by Celant in 1967) and published by Studio Vista, London in 1969 and Praeger, New York, the same year.

Includes profiles of major artists of the movement, including a short text followed by pages of full-page photographs for each artist.

Artists featured: Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra.

"This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. ... This book produces a collection of already old material. ... In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That.

Good ex-library copy with light associated markings, without dust jacket. Otherwise clean, tightly bound Very Good copy throughout (never loaned).

File under: Walter de Maria Stephen Kaltenbach Richard Long Mario Merz Douglas Huebler Joseph Beuys Eva Hesse Michael Heizer Ger van Elk Lawrence Weiner Luciano Fabro Bruce Nauman Joseph Kosuth Jan Dibbets Giovanni Anselmo Robert Barry Pier Paolo Calzolari Dennis Oppenheim Barry Flanagan Robert Smithson Giulio Paolini Reiner Ruthenbeck Alighiero Boetti Giuseppe Penone Franz Erhard Walther Hans Haacke Gilberto Zorio Robert Morris Marinus Boezem Carl Andre Emilio Prini Richard Serra Michelangelo Pistoletto Praeger Publishers Inc. / New York Art Arte Povera Conceptual Art Sculpture / Installation Out-of-print / Rare Group Shows / Collections Fluxus Performance / Dance / Theater

Harald Szeemann
Museum of Obsessions

2018, English
Hardcover, 432 pages, 25x 31 cm
Published by Getty Publications / Los Angeles

$126.00 - Out of stock

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Texts by Glenn Phillips, Doris Chon, Pietro Rigolo, Philipp Kaiser

Harald Szeemann is associated with some of the most important artistic developments of the postwar era. A passionate advocate of avant-garde movements like conceptualism and post minimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture.

Szeemann once stated that his goal as an exhibition maker was to create a "Museum of Obsessions." This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through the materials he collected and produced while researching and organising his exhibitions, including letters, drawings, personal datebooks, installation plans, artists' books, posters, photographs, and handwritten notes.

This book documents all phases of Szeemann's career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apartment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realised projects on wide-ranging themes until his death in 2005.

The book contains essays exploring Szeemann's curatorial approach as well as interviews with collaborators. Its more than 350 illustrations include previously unpublished installation photographs and exhibition documents as well as many other materials from the curator's archive.

File under: Meret Oppenheim Markus Raetz Walter De Maria Klaus Rinke Christo Andy Warhol Marcel Broodthaers Marcel Duchamp Joseph Beuys Bruce Nauman Richard Serra Cy Twombly Ernst Fricke Charlotte Bara Karl Gräser Emma Kunz Ferdinand Cheval Ben Vautier Ed Ruscha Oskar Schlemmer Kurt Schwitters Thomas Hirschhorn Eva Hesse Dick Higgins Mario Merz Marisa Merz Sol LeWitt Nancy Graves Robert Filliou Donald Judd László Moholy-Nagy Man Ray Francis Picabia Elisar von Kupffer Charles Ives Paul Thek Panamarenko Edward Kienholz Guerilla Art Action Group John Cage Allan Kaprow Charlotte Moorman George Maciunas Haus-Rucker-Co Olga Fröbe-Kapteyn Nam June Paik Harald Szeemann Glenn Phillips Doris Chon Pietro Rigolo Philipp Kaiser Raymond Roussel Alfred Jarry Lucy R. Lippard Getty Publications / Los Angeles Curatorial Art Group Shows / Collections Conceptual Art Minimal Art Theory / Essay Fluxus Film / Video Sculpture / Installation Dada Arte Povera Architecture / Interior Performance / Dance / Theater Sound / Music Bauhaus

Craft
Edited by Tanya Harrod

2018, English
Softcover, 240 pages, 210 x 145 mm
Published by Whitechapel / London The MIT Press / Massachusetts

$50.00 - Out of stock

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Part of the acclaimed Documents of Contemporary Art series of anthologies which collect writing on major themes and ideas in contemporary art.

"Tanya Harrod is our leading scholarly voice on craft. [This] invaluable anthology...is an ideal introduction to the intellectual landscape of craft, and an essential tool for those already invested in the topic." - Glenn Adamson, Senior Scholar at the Yale Center for British Art

Craft is a contested concept in art history and a vital category through which to understand contemporary art. Through ‘craft’, materials, techniques and tools are investigated and their histories explored in order to reflect on the politics of labour and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying its shape-shifting identities in the context of progressive art and design through writings by artists and makers, and drawing on poetry, fiction, anthropology and sociology. Reflections on new technologies and materials, lost and found worlds of handwork and the politics of work all throw light on ‘craft’ as process, product and ideology.

Artists surveyed include Anni Albers, El Anatsui, Aaron Angell, Ruth Asawa, Phyllida Barlow, Louise Bourgeois, Annie Cattrell, Edmund de Waal, Harun Farocki, Lucio Fontana, Theaster Gates, Gee’s Bend Quiltmakers, Sabrina Gschwandtner, Sheila Hicks, Ana Lupas, Lu Shengzhong, Enzo Mari, Martin Puryear, Jessi Reaves, Bridget Riley, Ettore Sottsass, Studio Formafantasma, Peter Voulkos.

Writers include Glenn Adamson, Elissa Auther, Reyner Banham, Jean Baudrillard, John Berger, Walter Benjamin, Julia Bryan-Wilson, Joan Key, Ulrich Lehmann, Sarat Maharaj, Karl Marx, Sadie Plant, Rainer Maria Rilke, John Roberts, Jenni Sorkin.

Tanya Harrod is an independent design historian who lives in London and who writes widely on craft, art and design. She is co-editor of The Journal of Modern Craft and is author of The Crafts in Britain in the Twentieth Century (1999), The Last Sane Man: Michael Cardew (2012) which won the 2013 James Tait Black Memorial Prize for biography, and The Real Thing: Essays on Making in the Modern World (2015).

File under: Anni Albers El Anatsui Aaron Angell Ruth Asawa Phyllida Barlow Louise Bourgeois Annie Cattrell Edmund de Waal Harun Farocki Lucio Fontana Theaster Gates Gee's Bend Quiltmakers Sabrina Gschwandtner Sheila Hicks Ana Lupas Lu Shengzhong Enzo Mari Martin Puryear Jessi Reaves Bridget Riley Ettore Sottsass Studio Formafantasma Peter Voulkos Glenn Adamson Elissa Auther Reyner Banham Jean Baudrillard John Berger Walter Benjamin Julia Bryan-Wilson Joan Key Ulrich Lehmann Sarat Maharaj Karl Marx Sadie Plant Rainer Maria Rilke John Roberts Jenni Sorkin Tanya Harrod Whitechapel / London The MIT Press / Massachusetts Art Theory / Essay Textiles Conceptual Art Minimal Art Ceramics / Glass Arte Povera Painting Sculpture / Installation

Joseph Beuys
Greetings from the Eurasian

2017, English
Softcover, 142 pages, 20 x 28.7 cm
Published by Koenig Books / London Museum of Contemporary Art / Antwerp

$54.00 - Out of stock

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Edied by Antony Hudek

Joseph Beuys was captivated by Eurasia, the vast expanse connecting East and West. Through drawings, sculptures, installations, performances, films and multiples, Beuys sought to imagine the fluid contours of Eurasia, a space built upon history and myths yet firmly grounded in the present.
This book takes Beuys’ 1968 Eurasienstab action, performed with Henning Christiansen at the Wide White Space Gallery in Antwerp, as a starting point for a reflection on territories, real and imagined. It is through Beuys’ connections to the Wide White Space that he first met fellow artists Marcel Broodthaers and James Lee Byars.

File under: Joseph Beuys Henning Christiansen Marcel Broodthaers James Lee Byars Antony Hudek Koenig Books / London Museum of Contemporary Art / Antwerp Art Sculpture / Installation Conceptual Art Arte Povera Performance / Dance / Theater

Tidalectics
Imagining an Oceanic Worldview through Art and Science

2018, English
Hardcover, 240 pages, 17 x 23.9 cm
Published by The MIT Press / Massachusetts

$69.00 - Out of stock

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Edited by Stefanie Hessler
Foreword by Markus Reymann

Essays, research, and art projects that formulate a Tidalectic worldview, addressing our most threatened ecosystem: the oceans.

The oceans cover two-thirds of the planet, shaping human history and culture, home to countless species. Yet we, as mostly land-dwelling humans, often fail to grasp the importance of these vast bodies of water. Climate change destabilizes notions of land-based embeddedness, collapses tropes of time and space, and turns our future more oceanic. Tidalectics imagines an oceanic worldview, with essays, research, and artists' projects that present a different way of engaging with our hydrosphere. Unbound by land-based modes of thinking and living, the essays and research in Tidalectics reflect the rhythmic fluidity of water.

Tidalectics emerges from the Thyssen-Bornemisza Art Contemporary (TBA21)–Academy, the only Western arts organization entirely dedicated to work on climate change and the oceans. In 2016, TBA21–Academy became the first cultural organization to gain UN observer status at the International Seabed Authority Assembly. The book presents newly commissioned work from a range of disciplines and often-neglected perspectives, alongside classic “anchor texts” by such writers as Rachel Carson. The contributors include an anthropologist from Fiji, a Norwegian scholar who specializes in maritime legal history, the author of the first comparative history of Caribbean and Pacific Island literatures, and a poet from Barbados who coined the term “tidalectics” as a play on “dialectics.” The art projects documented in the book form part of an exhibition curated by the volume's editor, and include a video of the infinite whites, blues, and grays of Antarctica; a collection of oceanic smells from the Caribbean and Pacific coasts of Costa Rica; and a quartz submersible capsule designed to communicate with cetaceans. Tidalectics provides a unique collection of the strongest voices in oceanic thinking, bridging arts, oceanography, history, law, and environmental studies.

With contributions by Nabil Ahmed, Tamatoa Bambridge, Kamau Brathwaite, Guigone Camus, Rachel Carson, Cynthia Chou, Paul D'Arcy, Tony deBrum, Elizabeth DeLoughrey, Keller Easterling, Bill Graham, Francesca von Habsburg, Stefan Helmreich, Stefanie Hessler, Cresantia Frances Koya Vaka'uta, Rosiana Lagi, Stéphanie Leyronas, Chus Martínez, Astrida Neimanis, Elizabeth A. Povinelli, Markus Reymann, Philip E. Steinberg, Khal Torabully, Lingikoni Vaka'uta, Davor Vidas, Susanne M. Winterling

Artists surveyed in the book : Atif Akin, Darren Almond, Julian Charrière, Em'kal Eyongakpa, Tue Greenfort, Ariel Guzik, Newell Harry, Alexander Lee, Eduardo Navarro, Sissel Tolaas, Janaina Tschäpe & David Gruber, Jana Winderen, Susanne M. Winterling

File under: Atif Akin Darren Almond Julian Charrière Em'kal Eyongakpa Tue Greenfort Ariel Guzik Newell Harry Alexander Lee Eduardo Navarro Sissel Tolaas Janaina Tschäpe David Gruber Jana Winderen Susanne M. Winterling Nabil Ahmed Tamatoa Bambridge Kamau Brathwaite Guigone Camus Rachel Carson Cynthia Chou Paul D'Arcy Tony deBrum Elizabeth DeLoughrey Keller Easterling Bill Graham Francesca von Habsburg Stefan Helmreich Stefanie Hessler Cresantia Frances Koya Vaka'uta Rosiana Lagi Stéphanie Leyronas Chus Martínez Astrida Neimanis Elizabeth A. Povinelli Markus Reymann Philip E. Steinberg Khal Torabully Lingikoni Vaka'uta Davor Vidas Susanne M. Winterling The MIT Press / Massachusetts Ecology Theory / Essay Arte Povera

L'Utopie du Tout Plastique 1960-1973

1994, French
Softcover (w. dust jacket), 158 pages, 28.7 × 23 cm
1st Edition, Out of print title / used / fine
Published by Norma Editions / Paris

$180.00 - Out of stock

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Very rare first French edition of "L'Utopie du Tout Plastique 1960-1973", published in 1994 by the great Norma Editions. Long out of print, this comprehensive volume quickly became an invaluable bible of sorts for plastic collectors of the 1960s, 1970s period. In 1994, on the occasion of a major exhibition in Brussels, editors Philippe Decelle, Diane Hennebert, and Pierre Loze compiled the most detailed printed survey of plastic products to date, from Art, Functional Furniture, Fiberglass, Inflatable PVC, Transparent PMMA, Pop and Radical Design, Cookware, Electronics, Mod Fashions, Utopian Architecture. Heavily researched and lavishly illustrated throughout with close to 200 of the finest examples, L’ Utopie has become the standard reference on 1960s plastic design - an essential aid in identifying the designers, companies and manufacture details of many classic plastic objects from this era.

Includes detailed biographies of the artists, designers, architects, manufacturers, plus a chronology and bibliography.

Translated blurb:
"The sixties are marked by unprecedented prosperity and technological progress. To this optimism corresponds an extraordinary freedom of creation until the oil crisis of 1973 which tempers this enthusiasm. The vogue of plastic is linked to this society of abundance. Yellow, red, orange, soft, hard, inflatable, it identifies with cheap, serial and disposable productions. Starting from a private collection unique in the world, the book offers a selection of plastic objects created between 1960 and 1973. Tupperware box, Kelton watch, Courrèges dress, Ettore Sottsass portable typewriter Valentine for Olivetti, first chair of Verner Panton, Joe Colombo ABS plastic chair, Niki de Saint Phalle's Nana, Caesar's Compression, cupola of the United States Pavilion by Richard Buckminster Fuller at the Montreal World's Fair or Frei Otto and Günter Behnisch overhead roof for the stadium of the Olympic Games in Munich, all show their diversity, their spirit and sometimes their beauty of the inventiveness of the time."

Features the work of Pierre Paulin, Sergio Mazza, Vico Magistretti, César, Studio 65, Nicola L, Piero Gilardi, Verner Panton, Arman, Gianfranco Frattini, Jonathan De Pas, Donato d'Urbino, Paolo Lomazzi, Gae Aulenti, Anna Castelli Ferrieri, Joe Colombo, Enzo Mari, Iseo Hosoe, Mario Bellini, Dorothée Maurer-Becker, Cesare Leonardi and Franca Stagi, Günter Beltzig, Maurice Calka, Eero Aarnio, Wendell Castle, Alberto Rosselli, Quasar Khanh, Rossi Molinary, Ennio Lucini, Ugo la Pietra, Ettore Sottsass, Superstudio, Archizoom, Roy Adzak, Studio Gruppo 14, Dieter Rams, Reinhold Weiss, Marco Zanuso, Rodolfo Bonetto, Roger Tallon, Pierre Cardin, Courreges, Frei Otto, Buckminster Fuller, Jean Maneval, Paolo Soleri, Archigram, and many more.

Fine copy!

File under: Pierre Paulin Sergio Mazza Vico Magistretti César Studio 65 Nicola L Piero Gilardi Verner Panton Arman Gianfranco Frattini Jonathan De Pas Donato d'Urbino Paolo Lomazzi Gae Aulenti Anna Castelli Ferrieri Joe Colombo Enzo Mari Isao Hosoe Mario Bellini Dorothée Maurer-Becker Cesare Leonardi and Franca Stagi Günter Beltzig Maurice Calka Eero Aarnio Wendell Castle Alberto Rosselli Quasar Khanh Rossi Molinary Ennio Lucini Ugo la Pietra Ettore Sottsass Superstudio Archizoom Roy Adzak Studio Gruppo 14 Dieter Rams Reinhold Weiss Marco Zanuso Rodolfo Bonetto Roger Tallon Pierre Cardin Courreges Frei Otto Buckminster Fuller Jean Benjamin Maneval Paolo Soleri Archigram Norma Editions / Paris Architecture / Interior Art Italian Radical Design / Postmodernism Furniture Arte Povera Pop Art Ceramics / Glass Out-of-print / Rare Nouveau Réalisme / Zero / Kinetic

Einleuchten: Will, Vorstel und Simul in HH.
Harald Szeemann

1989, German
Softcover, 289 pages, 32 x 24 cm
1st Edition, Out of print title / used / good
Published by Christians / Hamburg

$48.00 - Out of stock

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Large catalogue published on the occasion of the exhibition "Einleuchten: Will, Vorstel und Simul in HH." curated by Harald Szeemann, 11 November 1989 to 18 February 1990, Hamburg.

Profusely illustrated in full-colour and b&w with biographies on all exhibiting artists, alongside texts by Harald Szeemann, Heinz Liesbrock, Christoph Schenker, and Stephan Schmidt-Wulffen

Artists include : Carl Andre, Giovanni Anselme, Donald Baechler, Georg Baselitz, Joseph Beuys, Christian Botanski, Daniel Buren, Lawrence Carroll, Hanne Darboven, Thierry De Gordier, David Deutsch, Martin Disler, Jiri Georg Dokoupil, Etienne-Martin, Dan Flavin, Günther Förg, Isa Genzken, Robert Gober, Thomas Grünleid, Tishan Hsu, Donald Judd, On Kawara, Ellsworth Kelly, Harald Klingelhöller, Wollgang Laib, Cary S. Leibowitz, Sol LeWitt, Richard Long, Ingeborg Lüscher, Gerhard Merz, Mario Merz, Marisa Merz, Reinhard Mucha, Bruce Nauman, Max Neuhaus, Cady Noland, Holt Quentel, David Rabinowitch, Royden Rabinowitch, Ulrich Rückriem, Robert Ryman, Richard Serra, Keith Sonnier, Serge Spitzer, Niele Toroni, Rosemarie Trockel, Richard Tuttle, Cy Twombly, Jan Vercruysse, Michel Verjux, Didier Vermeiren, Bill Viola, Mark Wallinger, Lawrence Weiner, Franz West, Rachel Whiteread, Jerry Zeniuk, Otto Zitko

Very good copy with some bumping to top right corner.

File under: Carl Andre Donald Baechler Georg Baselitz Joseph Beuys Christian Botanski Daniel Buren Lawrence Carroll Hanne Darboven Thierry De Gordier David Deutsch Martin Disler Etienne-Martin Dan Flavin Günther Förg Isa Genzken Robert Gober Thomas Grünleid Tishan Hsu Donald Judd On Kawara Ellsworth Kelly Harald Klingelhöller Wollgang Laib Cary S. Leibowitz Sol LeWitt Richard Long Ingeborg Lüscher Gerhard Merz Mario Merz Marisa Merz Reinhard Mucha Bruce Nauman Max Neuhaus Cady Noland Holt Quentel David Rabinowitch Royden Rabinowitch Ulrich Rückriem Robert Ryman Richard Serra Keith Sonnier Serge Spitzer Niele Toroni Rosemarie Trockel Richard Tuttle Cy Twombly Jan Vercruysse Michel Verjux Didier Vermeiren Bill Viola Mark Wallinger Lawrence Weiner Franz West Rachel Whiteread Jerry Zeniuk Otto Zitko Giovanni Anselmo Jiří Georg Dokoupil Harald Szeemann Heinz Liesbrock Christoph Schenker Stephan Schmidt-Wulffen Christians / Hamburg Art Sculpture / Installation Group Shows / Collections Out-of-print / Rare Arte Povera Conceptual Art Minimal Art

Destruction
Edited by Sven Spieker

2017, English
Softcover, 240 pages, 21 x 23 cm
Published by Whitechapel / London The MIT Press / Massachusetts

$55.00 $30.00 - Out of stock

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The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art’s fixity as arrested form and ushers in the ephemeral and contingent "open work."

This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art.

Artists surveyed include
Ai Weiwei, John Baldessari, Monica Bonvicini, Alexander Brener, Stuart Brisley, Douglas Gordon, Huang Yong Ping, Enrique Jezik, Milan Knizak, Paul McCarthy, Piero Manzoni, Gordon Matta-Clark, Gustav Metzger, Otto Mühl, Yoko Ono, Raphael Montañez Ortiz, Petr Pavlensky, William Pope.L, Walid Raad, Arnulf Rainer, Robert Rauschenberg, Carolee Schneemann, Song Dong, Jean Tinguely, Wolf Vostell

Writers include
Alain Badiou, Walter Benjamin, Horst Bredekamp, Carolyn Christov-Bakargiev, Medina Cuauthémoc, Dario Gamboni, Richard Galpin, Caleb Kelly, Bruno Latour, Sven Lütticken, Antonio Negri, Sophie O’Brien, Kristine Stiles, Jennifer Walden

About the Editor
Sven Spieker is Professor of Germanic and Slavic Studies at the University of California, Santa Barbara, and editor of ARTmargins. His books include The Big Archive: Art from Bureaucracy (MIT Press).

File under: Ai Weiwei John Baldessari Monica Bonvicini Alexander Brener Stuart Brisley Douglas Gordon Huang Yong Ping Enrique Jezik Milan Knizak Paul McCarthy Piero Manzoni Gordon Matta-Clark Gustav Metzger Otto Mühl Yoko Ono Raphael Montanez Ortiz Petr Pavlensky William Pope.L Walid Raad Arnulf Rainer Robert Rauschenberg Carolee Schneemann Song Dong Jean Tinguely Wolf Vostell Alain Badiou Walter Benjamin Horst Bredekamp Carolyn Christov-Bakargiev Medina Cuauthémoc Dario Gamboni Richard Galpin Caleb Kelly Bruno Latour Sven Lütticken Antonio Negri Sophie O’Brien Kristine Stiles Jennifer Walden Whitechapel / London The MIT Press / Massachusetts Art Fluxus Conceptual Art Performance / Dance / Theater Painting Sculpture / Installation Arte Povera Theory / Essay SALE

Documenta IX
COMPLETE 3 VOLUME BOXSET, HARDCOVER ED.

1992, German / English
Hardcover (in original slipcase), Vol. 1 : 255 pages; Vol. 2 : 310 pages; Vol. 3 : 619 pages, 18.5 x 27 cm
1st Edition, Out of print title / used / good
Published by Hatje Cantz / Berlin

$120.00 - Out of stock

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Hardcover edition, three volume exhibition catalogue published in conjunction with Documenta IX, Kassel, Germany, June 13 - September 9, 1992.

Documenta 9 is remembered as one of the most popular of all documenta exhibitions, thanks not least of all to the influence of its artistic director, the charismatic Belgian curator Jan Hoet. Hoet wanted to make the human being and our sensual, perceptual, agonized corporeality, which had been progressively displaced by the digitized, virtual world, the focus of attention at his exhibition. “From body to body to bodies” was the meaningful, poetic motto of documenta 9. Hoet described his curatorial mission in the following words: “At a time in which the human race is confronted more than ever with such dangers as AIDS and multinational wars, nuclear catastrophes, and global climate disasters, at a time in which threats are growing increasingly abstract and the fears more and more diffuse, I see reflection on the physical conditions of life as an appropriate answer.”

Texts by Jan Hoet, Denys Zacharopoulos, Bart de Baere, Pier Luigi Tazzi, Claudia Herstatt, Joyce Carol Oates, Jacques Roubaud, Cornelius Castoriadis, Heiner Müller, Paul Robbrecht, Hilde Daem.

Artists include Marina Abramovic, Absalon, Richard Artschwager, Francis Bacon, Marco Bagnoli, Nicos Baikas, Miroslaw Balka, Matthew Barney, Jerry Barr, Lothar Baumgarten, Jean-Pierre Bertrand, Joseph Beuys, Michael Biberstein, Guillaume Bijl, Dara Birnbaum, Jonathan Borofsky, Louise Bourgeois, Herbert Brandl, Ricardo Brey, Tony Brown, Marie José Burki, Jean-Marc Bustamante, Michael Buthe, Pedro Cabrita Reis, Waltercio Caldas, Pier Paolo Calzolari, Ernst Caramelle, Lawrence Carroll, Saint Clair Cemin, Tomasz Ciecierski, Tony Clark, James Coleman, Tony Conrad, Patrick Corillon, Damian, Richard Deacon, Thierry De Cordier, Silvie Defraoui & Chérif Defraoui, Raoul De Keyser, Wim Delvoye, Braco Dimitrijevic, Eugenio Dittborn, Helmut Dorner, Stan Douglas, Marlene Dumas, Jimmie Durham, Mo Edoga, Jan Fabre, Luciano Fabro, Belu-Simion Fainaru, Peter Fend, Rose Finn-Kelcey, FLATZ, Fortuyn/O'Brien, Günther Förg, Erik A.Frandsen, Michel François, Vera Frenkel, Katsura Funakoshi, Isa Genzken, Gaylen Gerber, Robert Gober, Dan Graham, Rodney Graham, Angela Grauerholz, Michael Gross, George Hadjimichalis, David Hammons, Georg Herold, Gary Hill, Peter Hopkins, Rebecca Horn, Geoffrey James, Olav Christopher Jenssen, Tim Johnson, Andrej N. Joukov, Ilya Kabakov, Anish Kapoor, Kazuo Katase, Tadashi Kawamata, Mike Kelley, Ellsworth Kelly, Bhupen Khakhar, Per Kirkeby, Harald Klingelhöller, Kurt Kocherscheidt, Peter Kogler, Vladimir Kokolia, Joseph Kosuth, Mariusz Kruk, Guillermo Kuitca, Suzanne Lafont, Jonathan Lasker, Jac Leirner, Zoe Leonard, Eugène Leroy, Via Lewandowsky, Bernd Lohaus, Ingeborg Lüscher, Attila Richard Lukacs, James Lutes, Marcel Maeyer, Brice Marden, Cildo Meireles, Ulrich Meister, Thom Merrick, Gerhard Merz, Mario Merz, Marisa Merz, Meuser, Jürgen Meyer, Liliana Moro, Reinhard Mucha, Matt Mullican, Juan Muñoz, Christa Näher, Hidetoshi Nagasawa, Bruce Nauman, Max Neuhaus, Pekka Nevalainen, Nic Nicosia, Moshe Ninio, Jussi Niva, Cady Noland, Manuel Ocampo, Jean-Michel Othoniel, Tony Oursler, Panamarenko, Giulio Paolini, A. R. Penck, Michelangelo Pistoletto, Hermann Pitz, Stephen Prina, Richard Prince, Martin Puryear, Royden Rabinowitch, Rober Racine, Philip Rantzer, Charles Ray, Martial Raysse, readymades belong to everyone, José Resende, Gerhard Richter, Ulf Rollof, Erika Rothenberg, Susan Rothenberg, Ulrich Rückriem, Thomas Ruff, Stephan Runge, Edward Ruscha, Reiner Ruthenbeck, Remo Salvadori, Joe Scanlan, Eran Schaerf, Adrian Schiess, Thomas Schütte, Helmut Schweizer, Maria Serebriakova, Mariella Simoni, Susana Solano, Ousmane Sow, Ettore Spalletti, Haim Steinbach, Pat Steir, Wolfgang Strack, Thomas Struth, János Sugár, Yuji Takeoka, Robert Therrien, Frederic Matys Thursz, Niele Toroni, Thanassis Totsikas, Addo Lodovico Trinci, Mitja Tušek, Luc Tuymans, Micha Ullman, Juan Uslé, Bill Viola, Henk Visch, James Welling, Franz West, Rachel Whiteread, Christopher Wool, KeunByung Yook, Heimo Zobernig, Gilberto Zorio, and Constantin Zvezdochotov.

Very Good condition volumes in hardcover (much less common edition than usual softcover), preserved in their original illustrated slipcase (with common repaired splitting and bumping damage).

File under: Absalon Richard Artschwager Francis Bacon Marco Bagnoli Nicos Baikas Miroslaw Balka Matthew Barney Jerry Barr Lothar Baumgarten Jean-Pierre Bertrand Joseph Beuys Michael Biberstein Guillaume Bijl Dara Birnbaum Jonathan Borofsky Louise Bourgeois Herbert Brandl Ricardo Brey Tony Brown Marie José Burki Jean-Marc Bustamante Michael Buthe Pedro Cabrita Reis Waltercio Caldas Pier Paolo Calzolari Ernst Caramelle Lawrence Carroll Saint Clair Cemin Tomasz Ciecierski Tony Clark James Coleman Tony Conrad Patrick Corillon Damian Richard Deacon Thierry De Cordier Silvie Defraoui & Chérif Defraoui Raoul De Keyser Wim Delvoye Braco Dimitrijevic Eugenio Dittborn Helmut Dorner Stan Douglas Marlene Dumas Jimmie Durham Mo Edoga Jan Fabre Luciano Fabro Belu-Simion Fainaru Peter Fend Rose Finn-Kelcey Fortuyn/O'Brien Günther Förg Erik A.Frandsen Michel François Vera Frenkel Katsura Funakoshi Isa Genzken Gaylen Gerber Robert Gober Dan Graham Rodney Graham Angela Grauerholz Michael Gross George Hadjimichalis David Hammons Georg Herold Gary Hill Peter Hopkins Rebecca Horn Geoffrey James Olav Christopher Jenssen Tim Johnson Andrej N. Joukov Ilya Kabakov Anish Kapoor Kazuo Katase Tadashi Kawamata Mike Kelley Ellsworth Kelly Bhupen Khakhar Per Kirkeby Harald Klingelhöller Kurt Kocherscheidt Peter Kogler Vladimir Kokolia Joseph Kosuth Mariusz Kruk Guillermo Kuitca Suzanne Lafont Jonathan Lasker Jac Leirner Zoe Leonard Eugène Leroy Via Lewandowsky Bernd Lohaus Ingeborg Lüscher Attila Richard Lukacs James Lutes Marcel Maeyer Brice Marden Cildo Meireles Ulrich Meister Thom Merrick Gerhard Merz Mario Merz Marisa Merz Meuser Jürgen Meyer Liliana Moro Reinhard Mucha Matt Mullican Juan Muñoz Christa Näher Hidetoshi Nagasawa Bruce Nauman Max Neuhaus Pekka Nevalainen Nic Nicosia Moshe Ninio Jussi Niva Cady Noland Manuel Ocampo Jean-Michel Othoniel Tony Oursler Panamarenko Giulio Paolini Michelangelo Pistoletto Hermann Pitz Stephen Prina Richard Prince Martin Puryear Royden Rabinowitch Rober Racine Philip Rantzer Charles Ray Martial Raysse readymades belong to everyone José Resende Gerhard Richter Ulf Rollof Erika Rothenberg Susan Rothenberg Ulrich Rückriem Thomas Ruff Stephan Runge Edward Ruscha Reiner Ruthenbeck Remo Salvadori Joe Scanlan Eran Schaerf Adrian Schiess Thomas Schütte Helmut Schweizer Maria Serebriakova Mariella Simoni Susana Solano Ousmane Sow Ettore Spalletti Haim Steinbach Pat Steir Wolfgang Strack Thomas Struth János Sugár Yuji Takeoka Robert Therrien Frederic Matys Thursz Niele Toroni Thanassis Totsikas Addo Lodovico Trinci Mitja Tušek Luc Tuymans Micha Ullman Juan Uslé Bill Viola Henk Visch James Welling Franz West Rachel Whiteread Christopher Wool KeunByung Yook Heimo Zobernig Gilberto Zorio Constantin Zvezdochotov FLATZ Marina Abramovič A.R. Penck Hatje Cantz / Berlin Art Sculpture / Installation Performance / Dance / Theater Film / Video Sound / Music Theory / Essay Curatorial Out-of-print / Rare Conceptual Art Feminism Arte Povera Group Shows / Collections Australian Art

Arte Povera 1966-1980. Libri e documenti / Books and Documents
Edited by Giorgio Maffei

2007, English / Italian
Softcover, 285 pages, 24 x 17 cm
Published by Corraini / Italy

$90.00 - Out of stock

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The critical catalogue raisonné of artist's books from the Arte Povera movement 1966-1980, compiled by Giorgio Maffei.

Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini and Gilberto Zorio: the protagonists of the most important Italian artistic movement after World War II are presented not through "traditional" works, but from the point of privileged view of their editorial production. Artist books conceived, constructed and reinvented as works "in itself", some of them with a programmatic value that makes them extremely important for the comprehension of the whole movement. A rich and in-depth introduction transversely analyzes the current of Arte Povera for people, times, places and texts, while each artist is presented individually through the review of their books and personal exhibitions, richly illustrated with the documents described. This generous volume is completed by an accurate chronology of collective exhibitions (1966-2005) and a vast bibliography of essays and articles that appeared in books and art magazines (1966-2006).

"The task this book faces is to provide news, data, and stories through documents, if not certain, at least considered reliable, and to overcome the temptation to penetrate events and present them in the simplest way possible." - from Giorgio Maffei's introduction.

Text in English and Italian.

File under: Giovanni Anselmo Alighiero Boetti Pier Paolo Calzolari Luciano Fabro Jannis Kounellis Mario Merz Marisa Merz Giulio Paolini Pino Pascali Giuseppe Penone Michelangelo Pistoletto Emilio Prini Gilberto Zorio Giorgio Maffei Corraini / Italy Arte Povera Sculpture / Installation Conceptual Art Art Minimal Art Curatorial