World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
SAT 12—4 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Photography
Fashion
Eros
LGBTQ+
Fiction / Poetry
Weird / Speculative / Science Fiction / Horror
Transgressive / Visceral / Abject
Symbolism / Decadence / Fin de siècle
Film / Video
Painting
Sculpture / Installation
Performance / Dance / Theater
Drawing
Sound / Music
Curatorial
Group Shows / Collections
Periodicals
Out-of-print / Rare
Posters / Ephemera / Discs
Signed Books
World Food Books Gift Voucher
World Food Book Bag
Australian Art
Australian Photography
Japanese Photography
Conceptual Art
Minimal Art
Dada
'Pataphysics / Oulipo
Fluxus
Concrete Poetry
Pop Art
Surrealism
Arte Povera
Arte Informale / Haute Pâte / Tachism
Nouveau Réalisme / Zero / Kinetic
Situationism / Lettrism
Collage / Mail Art / Xerox Art
Art Brut / Folk / Visionary / Fantastic
Illustration / Graphic Art / Bandes Dessinées
Furniture
Italian Radical Design / Postmodernism
Textiles
Ceramics / Glass
Counterculture
Protest / Revolt
Anarchism
Socialism / Communism / Capitalism
Literary Theory / Semiotics / Language
Feminism
Fetishism / BDSM
Drugs / Psychedelia
Crime / Violence
Animal Rights / Veganism
Occult / Esoterica
Ecology / Earth / Alternative Living
Whole Earth / Crafts
All prices in AUD (Australian dollars)
Pick-Ups
Please note: The bookshop is closed until February 1, 2024.
Pick-up orders can be collected in our bookshop during opening hours after this date. Please collect any Pick-up orders within 3 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected.
Return Policy
All sales are final. We do accept returns (for refund, exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
English
Softcover, 80 pages, 24.5 x 34.5 cm
Published by
James Fitzsimmons / Lugano
$45.00 - In stock -
Art International, Vol. XIV/7 September 20, 1970
Published and Edited by James Fitzsimmons
Features: Concrete Poetry feature article, Richard Paul Lohse, Larry Poons, Edwin Ruda, William Pettet, Ernest Trova, Mario Merz, Ugo La Pietra, Paul Klee, Robert Delaunay, Johannes Itten, Josef Albers, Adolf Hölzel, Barnett Newman, Kenneth Noland, Jasper Johns, Mary Vieira, László Moholy-Nagy, Max Bill, Bruno Munari, William Harnett, H. C. Westermann, John McCracken, Dante Leonelli, Frances Picabia, and many more.
Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.
1970, English
Softcover, 80 pages, 24.5 x 34.5 cm
Out of print title / used / good
Published by
James Fitzsimmons / Lugano
$45.00 - In stock -
Art International, Vol. XIV/3 March 1970
Published and Edited by James Fitzsimmons
cover: Richard Hamilton
Features: Richard Hamilton, Enzo Mari, Joseph Beuys, Fernand Léger, Miguel Ortiz Berrocal, Urs Lüthi, Rodolfo Aricò, Allan Jones, Alex Colville, Anne Madden, Jasper Johns, Man Ray, Ed Ruscha, Duane Hanson, Sonia Delaunay, Erró, Francois Lalanne, Pier Manzoni, Alfred Manessier, Claes Oldenburg, Doug Wheeler, Peter Zecher, Robert Rauschenberg, Agnes Martin, Vija Clemens, Michael Heizer, Dan Flavin, Ellsworth Kelly, Frank Stella, Ronald Bladen, and many more.
Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.
1969, English / French
Softcover, 76 pages, 24.5 x 34.5 cm
Out of print title / used / good
Published by
James Fitzsimmons / Lugano
$55.00 - In stock -
Art International, Vol. XIII/6 Summer 1969
Published and Edited by James Fitzsimmons
Advisory Editors: Umbro Apollonio, Jean-Christophe Ammann, R. C. Kenedy, James Mellow.
Features: Bridget Riley, Barnett Newman, Tess Jaray, Oskar Kokoschka, Roland Topor, Tony Smith, Richard Linder, Jules Olitski, Karel Appel, Hans Bellmer, Horst-Egon Kalinowski, Louise Nevelson, Luciano Fabbro, George Brecht, Man Ray, Fernand Leger, Kenneth Noland, Lyonel Feininger, Herbert Ferber, George Sugarman, Walter de Maria, Edgar Negret, Richard Anuzkiewicz, Nicholas Krushenick, John Healey, Rodolfo Arico, Marco Cordioli, Edival Ramosa, Riccardo Emma, Livio Marzot, Pablo Picasso, Heinz Mack, and many more.
Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.
1985, English
Softcover, 72 pages (106 ill.), 19 x 20.5 cm
1st Edition, Out of print title / As New,
Published by
MUMA / Victoria
$20.00 - Out of stock
Wonderful publication to accompany the exhibition "Irreverent Sculpture" curated by Margaret Plant at the Monash University Gallery, 1-30th August, 1985.
The exhibition presented Australian art made during the 1950s and 60s, inopposition to the dominant modes current then in Australia. Many pieces appearing juvenile or primitive, and displaying some form of wit in visual expression, including work of the Sydney group, the 'Annandale Imitation Realists'; Colin Lanceley, Mike Brown, Ross Crothall; Barry Humphries ('First Pan Australasian Dada Exhibition, University Of Melbourne, 1952'), Ti Parks, Clive Murray-White, Aleksander Danko, and Les Kossatz.
1981, German
Hardcover (w. dust jacket), 286 pages, 22 x 28 cm
Out of print title / used / average
Published by
Benteli Verlag / Bern
$30.00 - Out of stock
Large hardcover exhibition catalogue published in conjunction with show held in Switzerland in 1980. Illustrated in colour and black and white throughout, with many examples of artists from the exhibition. Artists included in the exhibition: Josef Albers, Cuno Amiet, Carl Andre, Jurij Annenkow, Alexander Archipeno, Arman, Gerd Arntz, Hans Arp, Richard Artschwager, Giacomo Balla, Ernst Barlach, Willi Baumeister, Bodo Baumgarten, Walter Bodmer, Lee Bontecou, Carl Buchheister, Erich Buchholz, Alexander Calder, Anthony Caro, Carlo Carrà, John Chamberlain, Eduardo Chillida, Christo, Joseph Cornell, Joseph Csaky, Robert Delaunay, Jim Dine, Theo van Doesburg, César Domela, Jean Dubuffet, Marcel Duchamp, Raymond Duchamp-Villon, Max Ernst, Dan Flavin, Adolf Fleischmann, Lucio Fontana, Otto Freundlich, Naum Gabo, Paul Gaugin, Julio Gonzalez, Jean Gorin, Gotthard Graubner, Oto Gutfreund, Nigel Hall, August Herbin, Adolf von Hildebrand, Robert Irwin, Robert Jacobsen, Marcel Janco, Jasper Johns, Paul Joostens, Donald Judd, Zoltan Kemény, Edward Kienholz, Yves Klein, Käthe Kollwitz, Norbert Kricke, Gary Kuehn, Berto Lardera, Henri Laurens, Fernand Léger, Wilhelm Lehmbruck, Sol LeWitt, Jacques Lipchitz, El Lissitzky, Vilhelm Lundstrøm, René Magritte, Aristide Maillol, Manolo, Man Ray, Piero Manzoni, Henri Matisse, Gordon Matta-Clark, Joan Miró, Laszlo Moholy-Nagy, François Morellet, Henry Moore, Robert Morris, Louise Nevelson, Ben Nicholson, Claes Oldenburg, Eduardo Paolozzi, Victor Pasmore, Laszlo Peri, Antoine Pevsner, Jean Peyrissac, Pablo Picasso, Anne und Patrick Poirier, Iwan Puni, David Rabinowitch, Robert Rauschenberg, James Reineking, Erich Reusch, August Renoir, George Rickey, Auguste Rodin, Ulrich Rückriem, Christian Schad, Oskar Schlemmer, Karl Schmidt-Rottluff, Jan Schoonhoven, Emil Schumacher, Kurt Schwitters, Arthur Segal, George Segal, Richard Serra, Gino Severini, Joel Shapiro, Richard Smith, Jesus Raphael Soto, Giuseppe Spagnulo, Daniel Spoerri, Henryk Stazewski, Frank Stella, Sophie Taeuber-Arp, Antonio Tàpies, Wladimir Tatlin, Jean Tinguely, Joaquin Torres-Garcia, Ilya Tschaschnik, Leon Tutundjan, Günter Uecker, Bernar Venet, Friedrich Vordemberger-Gildewart, Fritz Wotruba.
Written contributions by Felix A. Baumann, Sabine Kricke-Güse, Ernst Gerhard-Güse, Carola Giedion-Welcker, Sigrid Braunfels-Esche, Margit Rowell, Wulf Herzogenrath, Willy Rotzler, Eduard Trier, and Thomas Deecke. Text in German.
Ex library copy with usual stamps and general wear, bumping, wrinkling, in good original dust jacket.
1987, English
Hardcover (w. dustjacket), 456 pages, 22.3 x 17.5 cm
1st Edition, Out of print title / used / very good
Published by
October Books / New York
The MIT Press / Massachusetts
$95.00 - Out of stock
First edition of the heavy "OCTOBER: The First Decade, 1976 - 1986", which brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory - October.
Contributors include Rosalind Krauss, Sergei Eisenstein, Peter Handke, Georges Didi-Huberman, Mary Ann Doane, and Hans Haacke. Their essays are organized under the categories of "the index, historical materialism, the critique of institutions, psychoanalysis, rhetoric, and the body." -- publisher's statement.
Texts by Annette Michelson, Rosalind Krauss, Douglas Crimp, Joan Copjec, Nadar, Georges Didi-Huberman, Roger Caillois, Benjamin H.D. Buchloh, Sergei Einstein, Maria-Antonietta Macciocchi, Rosalyn Deutsche, Cara Gendel Ryan, Yve-Alain Bois, Daniel Buren, Louise Lawler, Christopher Philips, Homi Bhabha, Mary Ann Doane, Joel Fineman, Babette Mangolte, Peter Handke, Anette Michelson, Georges Bataille, Hollis Frampton, Robert Morris, Hans Haacke, and Trisha Brown.
"October is among the most advanced journals of the 1970s and 1980s in the fields of art theory, criticism, history, and practice. [Its editors] are intimately familiar with the cultural and political avant-garde of Europe and the U.S. and are able to attract its best thinkers.... Few, if any, journals could receive a higher recommendation."—Choice
2001, English / Japanese
Softcover, 250 pages, 23 x 29 cm
Out of print title / used / very good
Published by
Museum of Modern Art / Wakayama
$70.00 - Out of stock
Great, heavy monographic catalogue published in 2001 in Japan on the work of Max Ernst.
Introductory essays in English/German/Japanese accompany a lavishly colour illustrated book filled with reproductions of Ernst's many works on paper, paintings, a huge section dedicated to his many sculptures, and an illustrated history of his book works, postcards, ephemera. Also a section of photographs, exhibition history, biography, bibliography. Wrapped in protective, printed wax jacket (not pictured).
Max Ernst (2 April 1891 – 1 April 1976) was a German painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism.
2016, French
Hardcover (w. wrap and dust-jacket), 192 pages, 24 x 31 cm
Published by
Mamco / Genève
$79.00 - Out of stock
Robert Lebel (1901-1986) was a poet, novelist, essayist, art historian, and painting expert. He took part in the Surrealists' activities and wrote Marcel Duchamp's first monograph in 1959. This book is a facsimile of the original edition in French of Sur Marcel Duchamp Robert Lebel published in 1959 in Paris by Trianon Press. This historical book by Robert Lebel - the first to be published on Marcel Duchamp - is an introduction to the work and personality of a single artist but also a reconsideration of the situation of the painter in contemporary society and a thorough analysis of mobile creative activity. It is supplemented by texts by Marcel Duchamp, André Breton and HP Roché, a bibliography and a catalog raisonné of all the works of Duchamp and is profusely illustrated throughout with images in black and white and inserted, die-cut colour plates. The layout of this book was itself even created and designed by Marcel Duchamp himself and is beautifully reproduced and printed here on paper stocks and using production methods that reflect the qualities of the original book.
2010, English / Japanese
Hardcover, 368 pages, 22.4 x 28 cm
1st Edition, Out of print title / Used*,
Published by
National Art Center / Tokyo
$90.00 - Out of stock
Fantastic, visually dense, heavy monograph on the life and work of Man Ray. "At first sight, another book surveying the life and work of this versatile and inventive artist would seem superfluous, yet surprisingly, this excellent catalogue contributes a wealth of new information, thus providing a valuable contribution to our understanding of Man Ray. The treasure trove of images and objects collected here is drawn from the large archives of the Man Ray Trust in Long Island, New York, and includes little known early works, documents and objects from his private life, working drawings and sketches for major works as well as innumerable familiar masterpieces. The publication is accompanied by essays and an extensive chronology." Introductory texts are "The Fate of Objects," by Noriko Fuku and "Unconcerned But Not Indifferent" by John P. Jacob.
2006, Japanese
Hardcover (w. dustjacket, printed slipcase, obi-strip, insert booklet), 88 pages, 25 x 30 cm
1st Edition, Out of print title / Used*,
Published by
Kawade Shobo Shinsha / Tokyo
$70.00 - Out of stock
Oversized Japanese monograph on Man Ray, published in a deluxe series of books on modern surrealist artists, this being volume 4 - dedicated to the work of Man Ray. Each hardcover volume comes wrapped in cloth with glossy illustrated dust-jacket, housed in a printed cardboard slipcase, wrapped in the original printer's obi-strip. Primarily the books are made up of a selection of large full-colour and black and white large reproductions of the works of each artist. This book presents page after page of Man Ray's diverse work across painting, drawing, sculpture, photography, and his famed Rayographs, all printed beautifully in Japan. Largely an oversized visual book, what small amount of text here is in Japanese. Comes with a small inserted booklet of Japanese text as well. In wonderful, almost As New condition, protected in plastic.
1987, English
Softcover, 44 pages, 25.4 X 17.8 cm
1st Edition, Out of print title / used / good
Published by
Kent Fine Art Inc. / New York
$40.00 - Out of stock
Long out of print catalogue published to accompany the exhibition "Assemblage", at Kent Fine Art, New York, May 12-July 2,1987.
Assemblage is an attempt to explore and address the development of assemblage from its beginnings in Dada, with an eye towards the future in a historical climate of developing interest in minimalism and conceptualism. Addressing the West Coast propensity to recycle emotionally-charged detritus, the works in this exhibition reveal an ongoing relevancy of the synthesized by-product, which continues to shape different artist’s personal languages. Including works by: Edward Kienholtz, Bruce Conner, Llyn Foulkes, Arman, Jean Arp, Wallace Berman, Louis Bourgeois, Joseph Cornell, Marcel Duchamp, Max Erst, Eva Hesse, Ed & Nancy Keinholz, Jannis Kounellis, Man Ray, Robert Rauschenberg, Kurt Schwitters, Dorothea Tanning, Tom Wesselmann, and others. Works selected and compiled by D.K. Walla. Includes full page bio, plus double-page plate spread in full-colour for each artist.
First, only edition.
1976, French
Softcover, 202 pages, 30 x 23 cm
1st Edition, Out of print title / used / good
Published by
Galeries Nationales du Grand-Palais / Paris
$85.00 - Out of stock
First edition of this great 200 pages French monographic catalogue on Francis Picabia, published on the occasion of the major exhibition at National Galleries of the Grand Palais, 23 January-29 March, 1976.
Lavishly illustrated throughout with reproductions of over 200 of Picabia's paintings, drawings, designs, typography, poems, alongside many photos, portraits, texts (in French), biography, bibliography, and much more.
Francis Picabia (22 January 1879 – 30 November 1953) was a French avant-garde painter, poet, typographist, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence. After experimenting with Impressionism and pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the defining figures in the Dada movement in the United States and in France; indeed, Andre Breton called Picabia one of the only "true" Dadas. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment.
*Good - some wear to cover edges, corners, spine, otherwise very good throughout.
1996, Japanese / English
Softcover (w. inserted exhibition ephemera), 198 pages, 22 x 27 cm
1st Edition, Out of print title / used / very good
Published by
Museum of Contemporary Art / Tokyo
$45.00 - Out of stock
Book published for the exhibition "1964: A Turning Point in Japanese Art" in 1996 at Museum of Contemporary Art, Tokyo. The work was divided into seven categories: 'Japanese-style Paintings', 'Oil Paintings', 'Prints', 'Sculptures', 'Anti-art Trend', '#32 The Venice Biennale' and 'Reportage on the Time', all illustrated in full-colour. A chronology from 1963 to 1965, a detailed bibliography as well as checklist of the exhibition and a group of essays (in English and Japanese) are included in this publication. This copy also includes inserted ephemera from the exhibition - ticketstub, adverts, pamphlets, guides, etc.
Includes work by Natsuyuki Nakanishi, Tadanori Yokoo, Ay-o, Nobuaki Kojima, Genpei Akasegawa, Tomio Miki, Kikuko Morimoto, Koichi Tateishi, Toshinobu Onosato, Yoshishige Saito, Taro Okamoto, Sadamasa Motonaga, Yuki Katsyra, Jiro Yoshihara, Saburo Aso, Kumi Sagai, Kazuo Shiraga, Masaaki Yamada, Tadaaki Kuwayama, Atsuko Tanaka, Minami Tada, Yoshikuni Iida, Bukichi Inoue, Shu Eguchi, Katsuhiro Yamaguchi, Matsuzawa Yutaka, Shinjiro Okamoto, Shusaku Arakawa, Yukihisa Isobe, Akira Shimizu, Jiro Takamatsu, and many more.
'This exhibition spotlights the year of the Tokyo Olympics, 1964, bringing back the art scene of that year in the museum galleries. Many previous exhibitions have shown how important the decade of the sixties was for the development of postwar art. [...] We have chosen to focus on 1964 as a significant dividing line between the first and second half of this fruitful decade. While there are few precedents fro an exhibition concentrating on a single year, we felt that an objective examination of a limited period could give a more precise picture of the art of that time and the ways in which it was related to social changes. There were not many art events directly related to the Tokyo Olympics, especially when compared to the international exposition held in Osaka in 1970. However, the many art movements and ideas which emerged that year had an extremely important effect on things to come. In this exhibition, we show how the year of the Tokyo Olympics, that great landmark of postwar history, was also a turning point in the art history of this country and we present a comprehensive view of the art produced that year. [...]' (Foreword by Kamon Yasuo)
1983, Japanese
Softcover, 150 pages, 22 x 24 cm
1st Edition, out of print title / Used*,
Published by
Tokyo Metropolitan Art Museum / Tokyo
$90.00 - Out of stock
Great book published on the occasion of the exhibition at the Tokyo Metropolitan Art Museum in 1983.
Illustrated throughout in colour and black and white with examples of leading firgure in 1960s Japanese art scene, across themes and movements such as Gutai, Mono-ha, Pop, Fluxus, Dada, conceptual art and much more, including profiles on Tetsumi Kudo, Yukihisa Isobe, Ushio Shinohara, Shusaku Arakawa, Takami Sakurai, Yoshio Murakami, Hisashi Indo, Tomio Miki, Nobuaki Kojima, Jiro Takamatsu, Genpei Akasegawa, Natsuyuki Nakanishi, Koichi Tateishi, Hiroshi Nakamura, Koichi Tanikawa, Kei Hiraga, Ay-o, Tadanori Yokoo, Tasuo Ikeda, Tetsuro Komai, Hideo Hagiwara, Fumiaki Fukita, Yukio Fukazawa, Arinori Ichihara, Masuo Ikeda, Mitsuo Kano, Hideo Yoshihara, Tetsuya Noda, Bushiro Mouri, Saburo Muraoka, Shu Eguchi, Hisayuki Mogami, Ryokichi Mukai, Yoshikuni Iida, Bukichi Inoue, Isamu Wakabayashi, Masakazu Horiuchi, Kakuzo Tatehata, Haruhiko Yasuda, Moio Shinoda, Katsuhiro Yamaguchi, Masunobu Yoshimura, Tatsuo Kawaguchi, Minami Tada, Aiko Miyawaki, Nobuo Sekine, Takeo Yamaguchi, Masanari Murai, Toshinobu Onosato, Yoshishige Saito, Minoru Kawabata, Kumi Sugai, Yayoi Kusama, On Kawara, Keiji Usami, Takahiko Iimura.
Texts in Japanese.
1963, Swedish
Softcover, 76 pages, 16.5 x 24 cm
1st Edition, Out of print title / used / average
Published by
Moderna Museet / Stockholm
$55.00 - Out of stock
Önskemuseet: The Museum of Our Wishes (December 26, 1963 - February 16, 1964), was a unique and very ambitious exhibition initiated by director Pontus Hultén and Moderna Museet staff that gathered together a collection of modernist art from private owners, in order to present to the public and political administration their vision of what a museum collection could actually be. The exhibition featured works from private collections alongside a “wish list” of works that were still available on the market, calling for the government to allocate funds for purchasing new works for the museum. The request was acknowledged and the Museum received a one-off allocation of five million kronor, a substantial amount in today’s currency, which enabled the purchase of several works that now constitute the core of the collection, positioning Moderna Museet as one of the most dynamic and committed contemporary art institutions of the 1960s.
This is a copy of the first and only edition of the catalogue for the exhibition, which makes up a visual checklist of the artworks and artists featured in this enormous exhibit, taking it's form from art history guides that had started to be created after the war.
Includes introduction by Gerard Boniier as well as additional text by Olle Granath, K.G. Hulten, Ulf Linde and Karin Bergqvist Lindegren. Features works by Henri Matisse, Georges Rouault, Raoul Dufy, Emil Nolde, Edwin Ludwig Kirchner, Erich Heckel, Oscar Kokoschka, Max Beckmann, Chaim Soutine, Wassily Kandinsky, Kasimir Malevich, Pablo Picasso, Georges Braque, Jacques Villon, Raymond Duchamp-Villon, Henri Le Fauconnier, Fernand Léger, Robert Delaunay, Roger de la Fresnaye, Henri Laurens, Amédée Ozenfant, Juan Gris, Alexander Archipenko, Jacques Lipchitz, Giacomo Balla, Ardengo Soffici, Carlo Carrà, Umberto Boccioni, Gino Severini, Francis Picabia, Jean Arp, Marcel Duchamp, Man Ray, Kurt Schwitters, Piet Mondrian, El Lissitzky, Theo van Doesburg, Antoine Pevsner, Georges Vantongerloo, Sophie Tauber-Arp, Naum Gabo, Lazlo Moholy-Nagy, Alexander Calder, Charles Despiau, Andre Derain, Maurice Utrillo, Amedeo Modigliani, Otto Dix, Ben Shahn, Marie Laurencin, Constantin Brancusi, Julio Gonzales, Paul Klee, Giorgio de Chirico, Marc Chagall, Max Ernst, Juan Miró, Andre Masson, René Magritte, Yves Tanguy, Alberto Giacometti, Wilfredo Lam, Victor Brauner, Salvador Dali, Sebastian Matta, Henry Moore, Roger Bissière, Jean Bazaine, Maurice Esteve, Alfred Manessier, Nicolas De Staël, Auguste Herbin, Serge Poliafkoff, Victor Pasmore, Barnett Newman, Richard Mortensen, Jean Fautrier, Lucio Fontana, Henri Michaux, Jean Dubuffet, Germaine Richier, Francis Bacon, Wols, Asger Jorn, Alberto Burri, Antonio Tapies, Karel Appel, Mark Tobey, Fritz Hundertwasser, Mark Rothko, Archile Gorky, Willem de Kooning, Jackson Pollock, Jean-Paul Riopelle, Sam Francis, Robert Jacobsen, Robert Rauschenberg, Enrico Baj, César, Jasper Johns, Richard Stankiewicz, Jean Tinguely, Arman, and Yves Klein.
All texts in Swedish. The bulk of the reproductions are in black-and-white with several larger, tipped-in images in color.
Ex-library copy with stamps, stickers and covering. Otherwise a good copy.
1977, English
Softcover, 78 pages, 23 x 23 cm
Out of print title / Used*,
Published by
Chalette International / New York
$55.00 - Out of stock
Great, heavily illustrated catalogue on the work of Jean Arp, published in conjunction with the Australian traveling exhibition supervised by The National Gallery of Victoria and organised by Madeleine Chalette Lejwa, 1977-1978, and published by Chalette International, New York and printed in Australia.
2005, Japanese
Softcover, 170 pages, 22 x 30.5 cm
Revised Ed.,
Published by
Suiseisha / Tokyo
$70.00 - Out of stock
This book documents the Dada movement in Japan from 1920s to 1970s through a collection of photos, artists' statements and recollections. It is a revised 2005 edition of a book first published in Japan in 1988 (following on from a publication 'Dada in Japan: Japanische Avantgarde, 1920-1970: Eine Fotodokumentation' from a large exhibition held at Kunstmuseum Duesseldorf in Germany in 1983). It covers the rarely seen photographic documentation of the avant-garde movements of Mavo, Gutai and more, featuring imagery and ephemera from installations, happenings, theatre performances, rallies, and protests including the work of artists Genpei Akasegawa, Atsuko Tanaka, Kazuo Shiraga, Nakanishi Natsuyuki, Shozo Shimamoto, Tomoyoshi Murayama, Yoshimura Masanobu, Tetsumi Kudo, and many others.
1988, Japanese
Hardcover (w/ pulped dust jacket), 163 pages, 22 x 30.5 cm
1st Edition, Out of print title / Used*,
Published by
Hatsubaimoto Hakuba Shobo / Japan
$110.00 - Out of stock
This first edition hard-cover book (in fine pulped, recycled paper dust jacket) documents the Dada movement in Japan from 1920s to 1970s through a collection of photos, artists' statements and recollections, published in Japan in 1988 (following on from a publication 'Dada in Japan: Japanische Avantgarde, 1920-1970: Eine Fotodokumentation' from a large exhibition held at Kunstmuseum Duesseldorf in Germany in 1983). It covers the rarely seen photographic documentation of the avant-garde movements of Mavo, Gutai and more, featuring imagery and ephemera from installations, happenings, theatre performances, rallies, and protests including the work of artists Genpei Akasegawa, Atsuko Tanaka, Kazuo Shiraga, Nakanishi Natsuyuki, Shozo Shimamoto, Tomoyoshi Murayama, Yoshimura Masanobu, Tetsumi Kudo, and many others.
*Condition: Very good-Fine – All care is taken to provide accurate condition details of used books, photos available on request.
1998, German
Hardcover, 366 pages, 22.5 x 31 cm
1st German edition, Out of print title / used / very good,
Published by
Hatje Cantz / Berlin
$70.00 - Out of stock
The long out-of-print heavyweight "Out of Actions" book (First German hardcover edition) that was published to accompany the spectacular 1998 Paul Schimmel-curated travelling exhibition. "Out of Actions" surveyed the broad international history and influence of post-war Performance Art, and the objects that exist today as its documentation. It features significant texts by Schimmel, Kristine Stiles, Guy Brett, Hubert Klocker, Shinichiro Osaki, Leslie King-Hammond and Lowery Stokes Sims, and Keiko Okamura.
This important and heavily researched document is lavishly illustrated throughout in colour and black and white, capturing the work and actions of the artists featured in the exhibition and essays: Marina Abramovic, Marina Abramovic and Ulay, Vito Acconci, Genpei Akasegawa, Laurie Anderson, Eleanor Antin, Rasheed Arseen, Mowry Baden, Artur Barrio, Joseph Beuys, Mark Boyle and Joan Hills, George Brecht, Stuart Brisley, Robert Delford Brown, Gunter Brus, Chris Burden, James Lee Byars, John Cage, Marc Camille Chaimowicz, Lygia Clark, Pinchas Cohen Gan, Collective Action Group, Houston Conwill, Paul Cotton, COUM Transmissions, Guy de Cointet, Jim Dine, John Duncan, Felipe Ehrenberg, Roberto Evangelista, Valie Export, Robert Filliou, Rose Finn-Kelcey, Sherman Fleming, Lucio Fontana, Terry Fox, Howard Fried, Gideon Gechtman, Gilbert & George, Alberto Greco, Ion Grigorescu, Victor Grippo, Red Grooms, Guerrilla Art Action Group, David Hammons, Al Hansen, Maren Hassinger, Lynn Hershman, Dick Higgins, Tatsumi Hijikata, Susan Hiller, Rebecca Horn, Tehching Hsieh, Joan Jonas, Kim Jones, Michel Journiac, Akira Kanayama, Tadeusz Kantor, Allan Kaprow, Mike Kelley, Juergen Klauke, Yves Klein, Milan Knizak, Alison Knowles, Komar & Melamid, Jannis Kounellis, Shigeko Kubota, Tetsumi Kudo, Yayoi Kusama, Leslie Labowitz, Suzanne Lacy, John Latham, Jean-Jacques Lebel, Lea Lublin, George Maciunas, Leopoldo Maier, Piero Manzoni, Tom Marioni, Georges Mathieu, Gordon Matta-Clark, Paul McCarthy, Bruce McLean, David Medalla, Cildo Meireles, Ana Mendieta, Gustav Metzger, Marta Minujin, Jan Micoch, Linda Montano, Robert Morris, Otto Muehl, Saburo Murakami, Natsuyuki Nakanishi, Bruce Nauman, Paul Neagu, Senga Nengudi, Joshua Neustein, Hermann Nitsch, Helio Oiticica, Claes Oldenburg, Yoko Ono, Orlan, Raphael Montanez Ortiz, Lorenzo Pace, Nam June Paik, Gina Pane, Lygia Pape, Giuseppe Pinot Gallizio, Adrian Piper, Michelangelo Pistoletto, Jackson Pollock, William Pope L., Robert Rauschenberg, Carlyle Reedy, Klaus Rinke, Ulrike Rosenbach, Dieter Roth, Zorka Saglova, Niki de Saint Phalle, Alfons Schilling, Tomas Schmit, Carolee Schneemann, Rudolf Schwarzkogler, Bonnie Sherk, Shozo Shimamoto, Ushio Shinohara, Kazuo Shiraga, Barbara T. Smith, Daniel Spoerri, Petr Stembera, Wolfgang Stoerchle, Jiro Takamatsu, Atsuko Tanaka, Mark Thompson, Jean Tinguely, Rasa Todosijevic, Kerry Trengove, Ulay, Ben Vautier, Wolf Vostell, Franz Erhard Walther, Peter Weibel, Franz West, Hannah Wilke, Emmett Williams, and Zaj.
Scarce first German edition, published by Hatje Cantz.
2016, English
Softcover, 288 pages, 12.5 x 20.5 cm
Published by
Sternberg Press / Berlin
$28.00 - Out of stock
Edited by Jürg Berthold, Kristina Hinrichsen, Philip Ursprung, Mechtild Widrich
With contributions by Elisabeth Bronfen, Hans Ulrich Gumbrecht, Michael Hampe, Mark Jarzombek, Amelia Jones, Tom Levin, Dieter Mersch, Rebecca Schneider, Peter Zumthor
Recently, the idea of “presence” has returned to the arts, humanities, and social sciences. In February 2013, in Zurich’s historical Cabaret Voltaire, which was central to the Dada movement almost a hundred years ago, an experimental international symposium took place that put presence under the microscope.
Presence: A Conversation at Cabaret Voltaire, Zurich is not a traditional post-conference publication but is conceived as a theatrical discussion of ideas between different speakers, both on and offstage. In contrast to transcribed conversations, monologues are interspersed throughout the book, acting like small, performative interruptions. The lively juxtaposition of both individual speech and colloquy is enhanced by theatrical conventions: characters enter and exit; stage directions mirror those found in the cabaret.
Design by Elektrosmog, Zürich, Adeline Mollard, Marina Brugger, Marco Walser
1977, French
Softcover (w. dust jacket), 212 pages, 21.5 x 26 cm
1st Edition, Out of print title / Used*,
Published by
Georges Pompidou Musee National d'Art Moderne / Paris
$130.00 - Out of stock
Published by Georges Pompidou Musee National d'Art Moderne in Paris in 1977, this fantastic book, "L'Oeuvre de Marcel Duchamp, Tome II", presents Marcel Duchamp's catalogue raisonne; 212 pages chronologically documenting his rich history of works in detail, heavily illustrated throughout in colour and black and white, with French texts and a full bibliography. It also goes beyond that, looking to aspects of his work including Photography, Esotericism, Perspective... The second of a four-part book set detailing the life and work of French-American artist Marcel Duchamp (1887-1968), published on the occasion of a 1977 exhibition. This particular volume (Tome II) is the Duchamp catalogue raisonne, and became a very valuable resource book on the artist in the late 1970s.
First edition of this scarce French book.
1987, English / Japanese
Softcover, 44 pages, 21 x 29.5 cm
1st Edition, Out of print title / Used*,
Published by
Marlborough Fine Art / Tokyo
$48.00 - Out of stock
Rare Japanese catalogue produced on the occasion of the Kurt Schwitters exhibition held at Marlborough Fine Art in Tokyo, September 8 - December 5, 1987. The exhibition included works ranging from 1918 - 1947, including paintings, drawings, reliefs, sculptures, and collages, all of which are reproduced in this catalogue in colour photography. All texts are in both English and Japanese, including bibliography, biography, exhibition list and work lists. Invitation letter (?) in Japanese from Marlborough also inserted into book from previous owner.
Kurt (Hermann Eduard Karl Julius) Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany. Schwitters worked in several genres and media, including Dada, Constructivism, Surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called Merz Pictures.
1984, English
Hardcover (w. dust jacket), 342 pages, 270 x 280 cm
1st Edition, Out of print title / Used*,
Published by
U.M.I. Research Press / Michigan
$150.00 - Out of stock
First, hardcover edition of "LOOKING CRITICALLY: 21 YEARS OF ARTFORUM MAGAZINE", the heavy 342 page volume anthology of the first 21 years of the world's most important modern and art journal. An incredibly valuable collection of art theory.
Edited by Amy Baker Sandback, designed by Roger Gorman and Mary Beath and published in 1984 by U.M.I. Research Press, this dense volume, bound in hardcover to the dimensions of a copy of ARTFORUM, begins with an Ed Kienholz review at the Ferus Gallery from ARTFORUM's June 1962 inaugural issue, and ends with Barbara Kruger reviewing the film "TRON" for the November 1982 issue. An amazing compendium of articles and reviews from the magazine's important first 21 years, featuring contributions by the likes of John Cage, Robert Morris, Kate Steinitz, Henry T. Hopkins, Don Factor, Robert Pincus-Witten, Dennis Adrian, John Coplans, Hilton Kramer, Harold Rosenberg, Henry Geldzahler, John Cage, Walter Hopps, Ed Ruscha, Allan Kaprow, Robert Rosenblum, Dan Flavin, Boris Groys, Sam Wagstaff, Billy Kluver, Lucy R. Lippard, Robert Rosenblum, Roger Shattuck, Ad Reinhardt, Mel Bochner, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Barbara Rose, Manny Farber, Michael Fried, Robert Morris, Philip Leider, Hollis Frampton, Carl Andre, Richard Serra, Lawrence Alloway, Barbara Kruger, Jane Livingston, Lizzie Borden, Kenneth Baker, Laurie Anderson, Agnes Martin, Cindy Nemser, Sidney Tillim, Annette Michelson, Rosalind Krauss, Jeremy Gilbert-Rolfe, Roberta Smith, Peter Plagens, Peter Schjeldahl, J. Hoberman, Hal Foster, Richard Flood, Carter Ratcliff, Stuart Morgan, Max Kozloff, Donald Kuspit, Dan Graham, Walter De Maria, Komar & Melamid, Edit De Ak, Lawrence Weiner, Kathy Acker, Robert Mapplethorpe, Anselm Kiefer, Thomas McEvilley, Louise Bourgeois, Ingrid Sischy, and too many more to list. Artists featured include: Josef Albers, Richard Tuttle, Jo Baer, Carl Andre, Ant Farm, Hans Arp, Max Bill, Mel Bochner, Alighiero Boetti, Lee Bontecou, Constantin Brancusi, Bertholt Brecht, Richard Avedon, Francis Bacon, Diane Arbus, Michaelangelo Antonioni, Lynda Beglis, Larry Bell, Terry Fox, James Byers, Rober Barry, Marcel Breuer, AA Bronson, Luis Buñel, Daniel Buren, Chris Burden, Joseph Beuys, Anthony Caro, Marcel Broodthaers, John Chamberlain, Paul Cézanne, Marc Chagall, Jean Cocteau, Merce Cunningham, Sonia Delauney, Walter de Maria, Bruce Connor, Jean Dubuffet, Max Ernst, Walker Evans, Dan Flavin, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Hollis Frampton, Alberto Giacometti, Eva Hesse, Gilbert & George, Philip Glass, John Cage, Nancy Graves, Dan Graham, Robert Grosvenor, Nancy Grossman, Walter Gropius, Hans Haacke, Hairy Who, David Hockney, Douglas Huebler, Jorg Immendorff, Donald Judd, Jasper Johns, Joan Jonas, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Keinholz, Paul Klee, Alison Knowles, Joseph Kosuth, Brice Marden, Agnes Martin, André Masson, Henri Matisse, Roberto Matta, Sol Lewitt, Roy Lichtenstein, Barbara Kruger, Jannis Kounellis, Markus Lüpertz, El Lissitzky, Rene Magritte, Robert Mapplethorpe, John McCracken, Mario Merz, Robert Morris, Robert Motherwell, Ree Morton, Louise Nevelson, Barnett Newman, Kenneth Noland, Claes Oldenburg, Eduardo Paolozzio, A. R. Penck, Irving Penn, Francis Picabia, Pablo Picasso, Larry Poons, Ken Price, Yvonne Rainer, Robert Rauschenberg, Martial Raysse, Roman Polanski, Jackson Pollock, Steve Reich, Gerrit Rietveld, Alain Robbe-Grillet, Dorothae Rockburne, James Rosenquist, Mark Rothko, Robert Ryman, Lucas Samaras, Kurt Schwitters, Oscar Schlemmer, Richard Serra, Cindy Sherman, David Smith, Robert Smithson, Michael Snow, Robert Venturi, Wolf Vostell, Andy Warhol, Frank Stella, Saul Steinberg, Karlheinz Stockhausen, Bruno Taut, Jean Tinguely, Anne Truitt, Paul Wunderlich, Lawrence Weiner, Louise Bourgeois, Alfred Hitchcock, and so many more.
Very uncommon hardcover edition, with dust jacket.
1970, English
Softcover, 352 pages, 21 x 14 cm
Out of print title / Used*,
Published by
Studio Vista / London
$25.00 - Out of stock
"Renderings : Critical Essays on a Century of Modern Art" is a collection of forty-three essays, originally published in The Nation, Artforum, Art International and elsewhere, organized in six sections, "Revisitations Within the Modern Tradition"; "American Art and the Generation of the Second World War"; "Essays in Modern Sculpture"; "Current Art: Options and Responses"; "Sketches in the Aesthetics of Photography" and "The Methodology of Criticism". Illustrated sections reproduce selected works by the many artists featured throughout the texts collected here, including Gustave Courbet, Claes Oldenburg, Edward Kienholz, Robert Rauschenberg, Jasper Johns, Toulouse-Lautrec, Jackson Pollock, Pablo Picasso, David Smith, Rene Magritte, Mark Rothko, Camille Pissarro, Henri Matisse, Frank Stella, Robert Motherwell, Édouard Manet, Pierre Bonnard, Alberto Giacometti, Joseph Cornell, Medardo Rosso, Francis Bacon,Julio Gozalez, John Chamberlain, Ronald Bladen, Jacques Henri Lartigue, Larry Poons, Diane Arbus, Marcel Duchamp, and many others.
Max Kozloff (born 1933) is an American Art Historian, art critic of modern art and photographer. He has been art editor at The Nation, and Executive Editor of Artforum. His essay, "American Painting During the Cold War" is of particular importance to the criticism on American Abstract Expressionism.