World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
CLOSED FOR SUMMER
RE—OPENING JAN 16
WEB-SHOP OPEN 24/7
ORDERS SHIP FROM JAN 6
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
Theory / Essay
Architecture / Interior
Graphic Design / Typography
Photography
Fashion
Eros
LGBTQ+
Fiction / Poetry
Weird / Speculative / Science Fiction / Horror
Transgressive / Visceral / Abject
Symbolism / Decadence / Fin de siècle
Film / Video
Painting
Sculpture / Installation
Performance / Dance / Theater
Drawing
Sound / Music
Curatorial
Group Shows / Collections
Periodicals
Out-of-print / Rare
Posters / Ephemera / Discs
Signed Books
World Food Books Gift Voucher
World Food Book Bag
Australian Art
Australian Photography
Japanese Photography
Conceptual Art
Minimal Art
Dada
'Pataphysics / Oulipo
Fluxus
Concrete Poetry
Pop Art
Surrealism
Arte Povera
Arte Informale / Haute Pâte / Tachism
Nouveau Réalisme / Zero / Kinetic
Situationism / Lettrism
Collage / Mail Art / Xerox Art
Art Brut / Folk / Visionary / Fantastic
Illustration / Graphic Art / Bandes Dessinées
Furniture
Italian Radical Design / Postmodernism
Textiles
Ceramics / Glass
Counterculture
Protest / Revolt
Anarchism
Socialism / Communism / Capitalism
Literary Theory / Semiotics / Language
Feminism
Fetishism / BDSM
Drugs / Psychedelia
Crime / Violence
Animal Rights / Veganism
Occult / Esoterica
Ecology / Earth / Alternative Living
Whole Earth / Crafts
All prices in AUD (Australian dollars)
Pick-Ups
Please note: The bookshop is closed until February 1, 2024.
Pick-up orders can be collected in our bookshop during opening hours after this date. Please collect any Pick-up orders within 3 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected.
Return Policy
All sales are final. We do accept returns (for refund, exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
2020, English
Softcover (staple-bound), 24 pages, 13 x 19 cm
Published by
Innen Books / Zürich
$18.00 - In stock -
Christopher LG Hill's "Yakvlt Soirée" zine, published by Innen Books, Zürich, in 2020. First Edition. 150 copies.
Born 1980, Melbourne, Victoria; Christopher LG Hill lives and works in Melbourne. A co-founder of artist-run space Y3K, Hill has participated in, and organised, many exhibitions and music-related events and productions. Hill is editor and publisher of Endless Lonely Planet and co-founder of Bunyip Trax.
2014, English
Transparent plastic shopping bag, C90 audio cassette, autumnal leaves, loose-leaf A4 printed pages, envelope with edition, various other materials
Edition of 100,
Published by
Endless Lonely Planet / Melbourne
$15.00 $5.00 - Out of stock
Endless Lonely Planet is a yearly periodical of print and data from Melbourne, Australia.
ELP3 features: "a c90 tape from Porpoise Torture, an edition work and poem from Virginia Overell, a vine channel from Fictitious Sighs and Bunyip Trax, including at least 52 artists throughout the coming year, a selection of poetry from Internetemotions, a seasonal treat from Christopher L G Hill, a calender of contributors birthdays from Discipline, a poem by George Egerton-Warburton, an edition work by David Homewood, artist pages from James Deutsher, Kain Picken, Matthew Benjamin, and Dan Arps, an excerpt from a possible novella by Fayen d'Evie, two beautiful text works from Alex Vivian, a posy of poems from Adelle Mills, cover art as always by the illustrious Joshua Petherick"
Self published by Christopher LG Hill and contributors, each copy of Endless Lonely Planet issue III comes with all collateral bound together in a transparent plastic shopping bag.
Limited to 100 copies.
Contributors to this issue in full and counting: Adelle Mills, Alex Vivian, Christopher L G Hill, Dan Arps, David Homewood, Disciple, Fayen K X d'Evie. George Egerton-Warburton, Giles Fielke, Molly Dyson, Julian Schwarmer, Aurelia Guo, Jessica Yu, Trevelyan Clay, Anastsia Klose, Eva Birch, Clare Wöhlnick, Alice Jamerson, Jarved Costa, Tim Cøstẽr, Hamish M Macdonald, Holly Childs, Kate Meakin, Lipstick Larry, Simon Zoric, Brennen Oliver, Jessica van Hecke, Ruth O'Leary, Maffew Linde, Kain Picken, James Deutsher, Joshua Petherick, Matthew Benjamin, Porpoise Torture, Virginia Overell, Endless Lonely Planet III vine channel, Matthew P Hopkins, Kieran Hegarty, Air Max '97, and more to come.....
2019, English
Softcover (staple-bound), 24 pages, 13 x 19 cm
Ed. of 100,
Published by
Innen Books / Zürich
$14.00 - Out of stock
Melbourne artist Christopher LG Hill's "The world is it’s own feeble self", published in an edition of 100 copies by Innen Books, Zürich, in 2019.
Born 1980, Melbourne, Victoria; Christopher LG Hill lives and works in Melbourne. A co-founder of artist-run space Y3K, Hill has participated in, and organised, many exhibitions and music-related events and productions. Hill is editor and publisher of Endless Lonely Planet and co-founder of Bunyip Trax.
2015, English
Softcover (staple-bound), 24 pages, 13 x 19 cm
Edition of 100
Published by
Innen Books / Zürich
$14.00 - Out of stock
Melbourne artist Christopher LG Hill's "Dissolve Blur Gap Blue Grape Space", published in an edition of 100 copies by Innen Books, Zürich, in 2015.
Born 1980, Melbourne, Victoria; Christopher LG Hill lives and works in Melbourne. A co-founder of artist-run space Y3K, Hill has participated in, and organised, many exhibitions and music-related events and productions. Hill is editor and publisher of Endless Lonely Planet and co-founder of Bunyip Trax.
2016, English
Softcover (staple-bound), 24 pages, 13 x 19 cm
Edition of 100
Published by
Innen Books / Zürich
$14.00 - In stock -
Melbourne artist Christopher LG Hill's "Bagged Goods", published in an edition of 100 copies by Innen Books, Zürich, in 2016.
Born 1980, Melbourne, Victoria; Christopher LG Hill lives and works in Melbourne. A co-founder of artist-run space Y3K, Hill has participated in, and organised, many exhibitions and music-related events and productions. Hill is editor and publisher of Endless Lonely Planet and co-founder of Bunyip Trax.
2017, English
Softcover (4 x newspapers), 16 pages each, 29 x 40 cm
Published by
Mode and Mode / Melbourne
$10.00 - In stock -
The HRD / CF Newsletter is a periodical publication produced within the exhibition ‘Hi$h Risk Dressing / Critical Fashion’ at RMIT Design Hub. The exhibition centres on the local fashion organisation active in Melbourne between the years 1983-1993, the Fashion Design Council. The FDC (as they are often shortened to), founded by Robert Buckingham, Kate Durham and Robert Pearce, were a self―organised group set up to foster independent designers and artists dealing with fashion. Influenced by the post―punk scene of Northern fashion capitals, the FDC put on shows in clubs and venues, as well as organising exhibitions, and eventually setting up a shop serving as a platform for alternative fashion in Melbourne. Throughout their active period, the FDC were prolific self―publishers. Print collateral was central to their success as an organisation. Postcards, invites, catalogues, business cards and other ephemera were shared with members and the broader public, promoting their officialdom. Particularly significant was the FDC newsletter, designed by co-founder Robert Pearce, disseminating a manifesto as well as news and events with its members. The newsletters were ad hoc; informal in language and design but expressed the energy and creative spirit of both the FDC community and available technology.
Using the model of the FDC newsletter, the HRD / CF Newsletter is a take―away publication released each week of the exhibition program. Each of the issues is framed around an emerging aspect of the FDC captured in the exhibition ― the archive, the bar, the shop and the office ― with texts, interviews and contributions from local and international practitioners. The ‘HRD / CF Newsletter also includes facsimiles of print ephemera from the FDC archive, which was donated to the RMIT Design Archives in 1998 by co-founder Robert Buckingham. This new newsletter functions as a platform for disseminating ideas about the FDC then, and critical fashion now, allowing for new dialogues to emerge from the legacy of FDC.
Edited by Laura Gardner
Designed by Ziga Testen
Edition of 500
Contributors include: Agniezska Chabros, Annie Wu, Blake Barns/HB Peace, Christopher LG Hill, Clare Wohlnick, Jessie Kiely/Monica's Gallery, Kate Meakin, Matthew Linde, Sasha Geyer, Winnie Ha Mitford, Bryan Collins, D&K (Ricarda Bigolin and Nella Themelios), James Deutsher, Lewis Fidock, Brighid Fitzgerald, Amanda Horowitz, Chantal Kirby, Jessie Kiely and Monica’s Gallery (Spencer Lai and Jake Swinson), Christopher LG Hill, Matthew Linde, Kate Meakin, Olivia O’Donnell, Yair Oelbaum, Virginia Overell, Sean Peoples, Joshua Petherick, Jen Shear, Flannery Silva, Adele Varcoe, Alex Vivian and more.
2016, English
Softcover, 24 pages, 21 x 29.7 cm
Ed. of 2000,
Published by
Endless Lonely Planet / Melbourne
$0.00 - Out of stock
Endless Lonely Planet 5, published on the occasion of the 4th/5th Melbourne Artist Facilitated Biennial held at Tarrawarra Museum of Art as part of TARRAWARRA BIENNIAL 2016: ENDLESS CIRCULATION (19 August - 6 November 2016) curated with Discipline. Exhibition and publication features the work of Christopher L G Hill, Nick Selenitsch, Lou Hubbard, Lewis Fidock, Endless Lonely Planet, Liam Osborne, Lisa Radford, Elizabeth Newman, Nicholas Tammens, Kate Meakin, George Egerton-Warburton, James Deutsher, Zac Segbedzi, Aurelia Guo, Rudi Williams, Alex Vivian, Lucina Lane, Lauren Burrow, Counterfeitnessfirst, Virginia Overell, Joshua Petherick, Laurel Doody, Tahi Moore, elp3 Vine, and more...
Free in the shop.
Free on request with any order (include in your order and shipping cost will be credited back)
If ordered alone, shipping charges apply.
2015, English
Softcover (w. free copy of "Boulevard"), 80 pages, 19 x 27.5 cm
Published by
Centre for Style / Melbourne
$10.00 - Out of stock
Centre for Style Rag: Silly Canvas
2nd Printing.
Re-edited, re-printed, re-designed, re-bound, and comes with a free copy of "Boulevard" by Centre for Style at Gertrude Contemporary (softcover, 34 pages, 14 x 20 cm) from World Food Books!
Texts by:
Harry Burke, Helen Hughes, Lisa Radford, Olivia Barrett, Sally Gray, Tim Gentles
Artist pages by:
Anna-Sophie Berger, H.B. Peace, Dan Arps, Dena Yago, Elisa van Joolen, Lou Hubbard
The Prologue Edition doubles as the catalogue of Silly Canvas, with images from the exhibition curated by Centre for Style at Utopian Slumps in December 2014
Participants include:
A Constructed World, Amalia Ulman, Anna-Sophie Berger, Bless, Body by Body, D&K, ffiXXed, H.B. Peace , Ida Ekblad and Eirik Sæther, Lucina Lane, Marlie Mul, Mikala Dwyer, Susan Cianciolo, Trevor Shimizu
Designed and printed by Clare Wohlnick and Maff.
"Boulevard" by Centre for Style at Gertrude Contemporary features the work of Ander Rennick, Brooke Ally, Bum Creek, Chloe Maratta, Christopher LG Hill, Claire Lambe, D&K, Flannery Silva, Guy Benfield, H.B. Peace, Hamish Macdonald, Jenny Watson, Jessie Kiely, Joshua Petherick, K8 Hardy, Kate Meakin, Le Service Public, Laura Fanning, Lewis Fidock, Liam Osborne, Matthew Linde, Marie Karlberg, Michael Smith, Moses Gauntlett Cheng, Nicolas Ceccaldi, Odwalla 88, Quintessa Matranga, Rafael Delacruz, Rare Candy, Richard Malone, Sylvie Zijlmans & Hewald Jongenelis, Tobias Madison, Vejas, Zoe Latta.
2014, English
Softcover, 122 pages, 11 x 18 cm
Published by
3-Ply / Victoria
Poly:be / Victoria-Portland
$22.00 - Out of stock
Since 2011, Christopher L G Hill has sustained an open-ended project of twitter poetry. Through fluid yet disciplined haiku-like tweets, a multistanza poem has emerged, described on twitter.com/CLGHill as “a florid poem flailing in reflexivity”. In his artist book tink thank, Christopher L G Hill has translated poetic material crafted according to internet protocols into a form that operates in a non-virtual, printed environment. The result is not an analogue duplication; through addition, subtraction and reformatting of the original poetic content, a new work has been produced that explores the lived nature of expression, impression and introspection.
Text within and outside of an internet context has become an integral part of Christopher L G Hill’s expansive practice over the past decade, see for example:
2013, English
Softcover, 214 pages, 14.8 x 21 cm
Edition of 1000,
Published by
Many Many / Melbourne
$20.00 - Out of stock
Published, designed and edited by Melbourne's MANY MANY (Stephanie Poole and Rachel Elliot-Jones), HOUSE WEAR is a study in nomadic behaviour and human design constructs.
Issue two contains: walking villages concrete terrain handheld breadcessory banana lounge makeshift forms mobility aids foraging vibration of colour eBay porta-room b(r)e(a)droom spray-foam shelter thing to shape hammock fruit bag endurance.
Contributors: Adam Wood, Aleksandra Nedeljkovic, Amanda Maxwell, Antuong Nguyen, Ben Davis, Ben Richards, Carson Fisk-Vittori, Christopher LG Hill, Courtney Reagor, Eugenia Lim, FAUX/real, ffiXXed, Jess Brent, Joe Hamilton, Laila, MANY MANY, Moon Wheel, N55, Nic Dowse, Nicholas Gardner, PAGEANT, Rachel de Joode, Rachel Elliot-Jones, Roland Tings, Sari de Mallory, Schuhtutehemd, Sibling, SO-IL, Stephanie Poole, tin&ed, Travess Smalley, Virginia Overell.
Produced in an edition of 1000.
2013, English
Compact Disc (CDr, 59:00 min)
Published by
Bunyip Trax / Melbourne
$10.00 - Out of stock
New compact disc from Melbourne label Bunyip Trax. Nine new tracks landing on one hour from VDO (the duet of Moffarfarrah/Mouving - Christopher LG Hill/Joshua Petherick). A soundtrack of desolate, improvised ambient/new-age wastelands, punctuated by thickets of claustrophobic world noise and tear-sodden environmental exorcisms.
Tracks: Antithesis, Myer, Outside Your Party, Still Looking, Inland, Bounty, Drive-By Lock-In, Reserve and The Pool Wall.
Free shipping on this item.
2006, English
LP (w. white-sleeve, printed paste-on, catalogue insert)
Edition of 100,
Published by
Bunyip Trax / Melbourne
$15.00 - Out of stock
The first-ever and long-lost Bunyip Trax catalogue release (BTX0001). Never before issued, until now, seven years later.
As hearsay has it, this album (the only recording known of the anonymous Galactic Locksmith) was recorded in a house in Glen Waverley, Victoria, over the course of one weekend in 2006. This singular session of improvised music captures a gloriously wide range of territories and atmospheres - from meandering, haunting analog synth-scapes, to wild acid-folk/space free-forms, to touches of musique concrète, library, even disco (on the anomalous "Like a Duck to Kinky Water"). The music of KAROT seems to have little in common with anything happening in Melbourne in the mid-2000s, outside the undeniable connection to the sounds of the artists on the Bunyip Trax catalogue that developed after and around this time. KAROT more closely possesses the irreverence and elan of experimental European artists from the 1960s/70's such as Bernard Vitet, Polé, MEV, Franco Battiato, Agitation Free, Amon Düül, Ghedalia Tazartes, or even Basil Kirchin.
The record sleeve sheds little light on the LP aside from a quote of the late 19th century writer Robert W. Chambers and a listing of 'instruments' ("Arps Korgs Rolands Apples Wasp Kettle Bongos Whiskey Over Ice Various Bells Fender Electric Bass Acoustic Guitar Lachlan Custom Electric Guitar Swany Whistle Various Drums Voices FX Yamaha Ibanez Stoker Cowbell Hand-Claps Water Shakers & A House").
The LP comes housed in a white card sleeve with bootleg-style paste-on cover artwork (some in blue ink, printed in The Netherlands, the others xeroxed in black), recently inserted with a catalogue sheet that reproduces (rather illegibly) all Bunyip Trax releases to date (inc. cassettes and compact discs from VDO, Gugg, Mouving, Moffarfarrah, Paeces, Urchyn, Saint John's Ambience, Porpoise Torture, and others) and a download link to the "expanded, uncut version" of this very album, which originally almost ran into double-LP duration.
Pressed and printed in 2006 yet never issued until now (late 2013), seven years later, and here only in it's original edition of 100 copies, this LP has somewhat become a mythological creature of the Australian experimental underground, and is available exclusively until sold out from World Food Books.
2014, English
C90 cassette
Edition of 100,
Published by
Bunyip Trax / Melbourne
$10.00 - Out of stock
Back in stock - new cassette for 2013 from underground label Bunyip Trax!
Somewhat of a compilation tape, "REBEL SORTS" is personality split four ways between the artists Moffarfarrah, Mouving, Asujoh Sunag and Urchyn (as a collaborative track), and VDO (as a side long mixtape). This tape spans 90 mins of dark, compressed/ravaged urban dystopic landscape programming, concrete pastoral lamentations, screwed cybertropic rhythms, and synthetic choral deliverance.
Limited to 100 copies!
2008, English
Hardcover, 367 pages, 22.3 x 17.2 cm
Published by
Gertrude Contemporary / Melbourne
MONA / Hobart
$40.00 - Out of stock
“When we separate music from life we get art.” John Cage
This catalogue presents the exhibition which was part of the 2008 Melbourne International Arts Festival, 21:100:100 featured 100 works by 100 sound artists produced in the 21st Century. This exhibition was the first significant survey to explore and chronicle the extraordinary developments that have occurred in contemporary sound art in the 21st century.
Curated by Alexie Glass, Emily Cormack, Marco Fusinato, Oren Ambarchi
Collaborators: Fabio Ongarato, Jared Davis, Kristy Edmunds
Today, Sound Art and Experimental Music enjoy an infrastructure all of their own, with journals, labels, music festivals and websites devoted to its critical and creative discussion. This ambitious concept was developed with the premise that the foundations of both sound art and contemporary art share a similar spirit of enquiry and experimentation, and whilst the discussion of their relationship is a lively one, this exhibition proved the first to present such a breadth of sound work to Australian audiences within a gallery context.
21:100:100 was developed by Gertrude Contemporary Art Spaces in collaboration with internationally acclaimed Australian artists Oren Ambarchi and Marco Fusinato. It included work made in the preceding eight years chronicling new directions and innovations in sound art. These works were played on 100 headphones suspended within the gallery, creating a space for the visitor to pick their way through sound art’s many and varied aural and conceptual evolutions.
As co-curator Alexie Glass has stated “Melbourne has always enjoyed an incredibly lively sound art community and has been a central site in the investigation and presentation of sound art in a music festival context. 21:100:100 provides a truly unique and crucial opportunity to fully engage with sound art, and to trace it’s varied thematic threads, and innovative stylistic developments. It is the first exhibition of its kind and is one of the most important sound art exhibitions in Australian history.”
The exhibition spanned a range of threads and styles within the art form, featuring work by a diverse selection of the worlds leading practitioners with artists including: ¾ Had Been Eliminated [Italy] Lucas Abela [Australia] Oren Ambarchi [Australia] Natasha Anderson [Australia] Thomas Brinkmann Philip Brophy [Australia] Brothers Of The Occult Sisterhood [Australia] Neil Campbell [UK] Eugene Carchesio [Australia] Andrew Chalk [UK] Chicks On Speed [Europe] Rod Cooper [Australia] Corrupted [Japan] Martin Creed (Owada) [UK] Alvin Curran Dead C [New Zealand] Jim Denley [Australia] The Donkey's Tail [Australia] Kevin Drumm [USA] Fennesz [Austria] Robin Fox [Australia] Cor Fuhler [Netherlands] Ellen Fullman [USA] Marco Fusinato [Australia] Alistair Galbraith [New Zealand] Bernhard Gunter [Germany] Will Guthrie [Australia] Keiji Haino [Japan] Florian Hecker [Germany] Joyce Hinterding [Australia] Kanta Horio [Japan] Ryoji Ikeda [Japan] Incapacitants [Japan] Jandek [Usa] Philip Jeck [UK] Rolf Julius [Germany] Junko [Japan] Kemialliset Ystavat [Finland] Christina Kubisch [Germany] Kuupuu [Finland] Alan Lamb [Australia] Graham Lambkin [UK] Annea Lockwood [Europe/Nz/USA] Francisco Lopez [Spain] Alvin Lucier [USA] Sachiko M [Japan] Lionel Marchetti [France] Christian Marclay [USA] Masonna [Japan] Maher Shalal Hash Baz [Japan] Mattin (Basque) Merzbow [Japan] Gordon Mumma Muura [Australia] Toshimaru Nakamura [Japan] New Blockaders [UK] Phill Niblock [USA] Hermann Nitsch No Neck Blues Band [USA] Jerome Noetinger [France] Jim O’rourke [USA] Optrum [Japan] Paeces [Australia] Charlemagne Palestine [USA] Paul Panhuysen [Netherlands] Pateras/Baxter/Brown Pita [Austria] Francis Plagne [Australia] Stephen Prina [USA] Eliane Radigue [France] Tom Recchion [USA] Rizili [Australia] Steve Roden [USA] Keith Rowe [UK] Runzelstirn + Gurgelstock [Switzerland] Philip Samartzis [Australia] Marcus Schmickler [Germany] David Shea [Australia/USA] Skaters [USA] Snawklor Michael Snow [Canada] Sonic Youth [Usa] Ssl (Robbie Avenaim/Dale Gorfinkel) [Australia] Striborg [Australia] Taku Sugimoto [Japan] Sun City Girls [USA] Sunn O))) [USA] Akio Suzuki [Japan] Yasunao Tone [Japan/USA] Toshiya Tsunoda [Japan] Voice Crack [Switzerland] Brendan Walls [Australia] Scott Walker [UK] Chris Watson [UK] Ralf Wehowsky [USA] Whitehouse [UK] Otomo Yoshihide [Japan] Richard Youngs (UK) Z'ev (USA)
2013, English
Loose-leaf collection of Y3K ephemera (folded A3 exhibition posters, plus A4 inserts), 21 x 29.7 cm
Edition of 100,
Published by
Y3K / Melbourne
$25.00 - Out of stock
Y3K was a two-year (2009-2011) proposition initiated by James Deutsher and Christopher L G Hill, a gallery practice as-an-extension-of an art practice and-in-support-of a wider art and design community in Melbourne and Internationally.
Over two-years Y3K exhibited World Food Books, BLESS, Christopher L.G. Hill, Emmeleine deMooij, Jota Castro, Kinga Kielczynska, Melanie Bonaj, fabrics interseason, ffiXXed, Heinz Peter Knes, James Deutsher, Matt Hinkley, Olivia Barrett, Pat Foster, Jen Berean, Rob McKenzie, SIBLING, Slow and Steady Wins the Race, Jon Campbell, LOST Projects, Alex Vivian, Daniel du Bern, Nick Selenitsch, Kain Picken, Next Wave, A Constructed World, Joshua Petherick, Helen Johnson, Bianca Hester, Misha Hollenbach, David Griggs, Sam Kiyoumarsi, Robert Langenegger, Nick Mangan, Matt Griffin, Masato Takasaka, Fiona Connor, Tahi Moore, Ida Ekblad, Art Centre Ongoing, Kit Lee, Kate Newby, Sriwhana Spong, Dylan Statham, Simon Taylor, Sophia Mitchell, Rowan Mcnaught, MM Yu. Ilia Farah Rosli, Marco Fusinato, TATE Modern, Marie Gaultier, Anna Hess, Veronica Kent, Jarrod Rawlins, Keith Al-Hasani, Ruby Lowe, Justin Clemens, Daniel Munn, Simon Denny, Dan Arps, Andrew Barber, Structural Integrity, Marco Fusinato, Rose Nolan, Dan Bell, Kate Smith, Ardi Gunawan, Nikos Pantazopoulos, Ben Tankard, Steve Kado, Virginia Overell, Mateo Tannatt, Sean Peoples, Inri Cristo, Tara Rawlins, Chateau 2F, Oscar Yanez, Hany Armanious, Ash Kilmartin, Elizabeth Gower, Lizzy Newman, Nina Sers, Maria Kozic, Ellen Pittman, Juan Davila, Janet Burchill, Jennifer McCarthy, Constanze Zikos, Hao Guo, Pow Martinez, Carissa Rodriguez, Tobias Kaspar, Piotr Łakomy, Natalie Rognsøy, Katherine Huang, Taree McKenzie, Ester Partegas, Mikala Dwyer and John Spiteri and more.
Each exhibition was accompanied by an A3 double sided unique limited edition poster designed by the artists and gallerists. These posters now form the basis for the Y3K publication.
Included in this publication, and on the occasion of it's launch to the public two years after the cessation of the Y3K gallery space, is an accompanying text from
Fayen D’Evie.
The Y3K publication is a limited edition of 100, and is available from World Food Books.
2013, English
Found office ring-binder with plastic sleeves, VHS cassette, various sizes
Published by
Endless Lonely Planet / Melbourne
$15.00 - Out of stock
Endless Lonely Planet is a yearly periodical of print and data featuring Christopher L G Hill, Nick Selenitsch, Counterfeitness First, Virginia Overell, Kate Meakin, Joshua Petherick, Gwynneth Porter, Y3K, Discipline, Fayen Ke-Xiao d'Evie, Holly Childs, ST Lore, Carrie McGrath, Matthew Benjamin and others.
Self published by Christopher LG Hill and contributors, each copy of Endless Lonely Planet issue 2 comes bound in found office ring-binders, with an accompanying VHS video compilation from Counterfeitness First.
Limited to 100 copies.
2012, English
Softcover, perfect bound, 176 pages (colour ills), 30 x 23 cm
Edition of 1000,
Published by
Discipline / Melbourne
$25.00 - Out of stock
Second issue of Melbourne's Discipline!
CONTENTS
ESSAYS
Nicholas Croggon & Helen Hughes Editorial
Emanuele Coccia (trans. by Connal Parsley) End of Love
Amelia Barikin Time Shrines: Melancholia and Mourning in the Work of Ash Keating
Francis Plagne Matt Hinkley and the Embedded Mark
Helen Hughes Aestheticising Architecture / Architecturalising Aesthetics: Callum Morton and Bianca Hester
Timothy Morton Yukultji Napangati: Occupying Dreaming
Helen Johnson A Moment An Immeasurable Whole (on Mira Gojak)
David Homewood RR / SK: Public Exhibition
Steve Salisbury Kimberley Dinosaur Tracks
Kate Warren Unstable Realities in Omer Fast’s Five Thousand Feet Is The Best
Adrian Martin Price Tag
Vivian Ziherl Recommended Reading: LIP Magazine (1976-1984)
Sarinah Masukor All The News That’s Fit To Sing: Vernon Ah Kee’s Tall Man
Tim Alves The Telling Moment Revisited: Vernon Ah Kee’s Tall Man
Nikos Papastergiadis Can There Be a History of Contemporary Art?
James Parker Retromania and the Atemporality of Contemporary Pop
GUEST EDITED SECTION - MARIA FUSCO (EDITOR)
Maria Fusco Editorial: The Human Word is Midway Between the Muteness of Animals and the Silence of God
Nikolaus Gansterer & Moira Roth The Hand & The Creature
John Berger Why Look At Animals?
Yve Lomax A Philosopher, A Cat, A Monkey and Nudity
John Bevis Mnemonics for Bird Songs and Calls
Nikolaus Gansterer & Moira Roth The Hand, The Creatures & The Singing Garden
ARTIST PAGES
A Constructed World
Elizabeth Newman
Sandra Selig
Kate Meakin
Rongsolo
Christopher LG Hill
Paul Knight
S.T. Lore
POSTER INSERT
Janet Burchill
Editors: Nick Croggon and Helen Hughes
Guest Editor: Maria Fusco
Design: Annie Wu and Ziga Testen
2012, English
Compact Disc (CDr, 39:59 min)
Edition of ? copies,
Published by
Bunyip Trax / Melbourne
$10.00 - Out of stock
One of two new releases from Melbourne duet VDO (Moffarfarrah/Mouving - Christopher LG Hill/Joshua Petherick). Eight new tracks at just under forty minutes of sparse/dense improvised ambient/world/noise ferric-tape traversals exploring themes of property development, urban renewal, urban decay, behavioural patterns, information theory, manners, evolution, entropy, and The Docklands.
Tracks: Spread Sheet, Paper Trail, Chivalry, Quiet Reminder, Poor Table, Paper Trail (Reprieve), Parks and Wreckreation, and Attachments.
Free shipping on this item.
2012, English
Compact Disc (CDr, 1:00:58 min)
Edition of ? copies.,
Published by
Bunyip Trax / Melbourne
$8.00 - Out of stock
One of two new releases from Melbourne duet VDO (Moffarfarrah/Mouving - Christopher LG Hill/Joshua Petherick). Four new tracks at just over one hour of sparse/dense improvised ambient/world/noise ferric-tape traversals exploring themes of property development, urban renewal, urban decay, behavioural patterns, information theory, manners, evolution, entropy, and The Docklands.
Tracks: Council, Dial, Global Account, and Caucus Torture.
Free shipping on this item.
2012, English
Softcover, staple/tape/ribbon bound, offset/xerox/risograph printing, includes poster, catalogue, photographic inserts, 4gb data disc, 297 x 210 mm
Edition of 100,
Published by
Endless Lonely Planet / Melbourne
$20.00 - Out of stock
Endless Lonely Planet is a yearly periodical in print and data featuring Christopher L G Hill, Joshua Petherick, Nicholas Mangan, Evergreen (Olivia Barrett and James Deutsher), Alex Vivian, Kate Newby, Y3K, Review Swapper, Discipline, Bunyip Trax, Matthew Benjamin, S.T. Lore, Virginia Overell, Nicholas Selenitsch, Darren Banks, Elizabeth Newman, VDO, Theodore Whong, Oliver Van Der Lugt, Hessian Jailer, Jason Heller, Olle Holmberg, Justin K Fuller, Matthew Brown, Ardi Gunawan, Counterfeitness First, Emile Zile, Fictitious Sighs, Porpoise Torture, Bum Creek, Simon Denny… and others
Self published by contributors and Christopher L G Hill, and each copy coming with 4GB of data.
Limited to 100 copies.
Seven inch vinyl record w. cardboard sleeve
Edition of 300,
Published by
Alberts Basement / Melbourne
$10.00 - Out of stock
New Moffarfarrah Thread bare 7" Out early February on Alberts Basement, solo vocal project of Christopher LG Hill, est 2003 with various releases on Bunyip Trax, Inverted crux, Tape projects and now Alberts Basement.
2012, English
DVD w. booklet, duration 1:10:12 (colour/sound), 13.5 x 19 cm
Edition of 25 only! Out-of-print.,
Published by
Bunyip Trax / Melbourne
$1015.00 - Out of stock
Brand new VDO release for 2012!
This extremely limited edition DVD release features four new VDO audio tracks (recorded live in early 2011) set to four new video clips, running for a total of one hour and ten minutes of deeply compressed, meditative, aquatic CGI house and regionally zoned ambient noise, from Bunyip Trax's new audio-visual division.
Tracks: Opportunity Shopping, Genius Bar A.M., A Theo Between Leos, and Urban Renewal.
2010, English
Softcover (ringbound), 24 pages (bw ill.), 210 x 150 mm
Edition of 100,
Published by
Y3K / Melbourne
$5.00 - Out of stock
Catalogue produced on the occasion of the collaborative exhibition of the same name at Y3K Gallery in Melbourne, by Christopher L.G. Hill and Joshua Petherick.
Both artists in their work share an interest in the malleability and potentiality of image and object through the vast mechanisms of reproduction and redistribution. For this show the pair have produced two canvases, two costumes and a large series of artists books. The show celebrates the fruitfulness of productive confusion, at once embracing what is invigorating and problematic about assessing and re-assessing the murk of inspiration from pictures and their living on and through multiple modes of duplication and production.
The catalogue features artist research images and texts by Simon Taylor, Liv Barrett and Sriwhana Spong.
2011, English
Softcover, 44 pages, 285 x 222 mm
Published by
Morava Books / Poland
$18.00 $8.00 - Out of stock
Dust Show is a publication that sums up activities taking place in the space of the Amager Park in Copenhagen. The project, conceived by Piotr Łakomy, was extended over a longer period, with the works installed in September and October 2010. There were also works that did not make it to their destination, to the park by the sea. Dispersal – a characteristic feature of the project – was set in order in the publication Dust Show; it was here that all the artists and their works met. As in the case of an earlier book, Dust Snow, photographs documenting the show are accompanied by a text by Sebastian Cichocki, a curator of the Museum of Modern Art in Warsaw.
Participants of Dust Snow included: Jesper Fabricius, Christopher L G Hill, Paweł Kowzan, Piotr Łakomy, Mads Lindberg, POSTER COMPANY (Max Pitegoff & Travess Smalley), Tomasz Saciłowski, TTC (Simon Højbo Hansen, Magnus Clausen, Emil Alsbo), and Honza Zamojski.