World Food Books' programme is largely produced on Kulin Nation land. We acknowledge the Wurundjeri people of the Kulin Nation as the first and continuing custodians of this land, and pay respect to their Elders past, present, and emerging.
World Food Books is an arts and special interests bookshop in Naarm / Melbourne. Founded in 2010, World Food Books is devoted to the presentation of a rotating, hand-selection of international art, design, literary and counterculture publications with an emphasis on the anti-traditional, the experimental, the avant-garde, the heretic, the marginal.
Presenting new titles alongside rare and out-of-print books, catalogues and journals spanning the fields of modern and contemporary art, design, photography, illustration, film, literature, poetry, cultural theory, philosophy, sexuality, popular and underground culture in its many radical forms, World Food Books wishes to encourage adventurous, thoughtful and open-minded reading, looking, writing, and exchange of publishing and ideas, both current and historical.
As well as our bookshop, located in Melbourne's historical Nicholas Building, all of our inventory is available internationally via our online mail-order service.
World Food Books semi-regularly co-ordinates "Occasions", a programme of exhibits and events at the bookshop and in partnership with other hosts (such as museums and art galleries) that develop out of the activities, relationships and content of the bookshop itself.
World Food Books
The Nicholas Building
37 Swanston Street
Room 5, Level 6
Melbourne 3000
Australia
SHOP HOURS:
THU—FRI 12—6 PM
SAT 12—4 PM
WEB-SHOP OPEN 24/7
World Food Books
Postal Address:
PO Box 435
Flinders Lane
Victoria 8009
Australia
Art
Theory / Essay
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Fiction / Poetry
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Curatorial
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Signed Books
World Food Books Gift Voucher
World Food Book Bag
Australian Art
Australian Photography
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Minimal Art
Dada
'Pataphysics / Oulipo
Fluxus
Concrete Poetry
Pop Art
Surrealism
Arte Povera
Arte Informale / Haute Pâte / Tachism
Nouveau Réalisme / Zero / Kinetic
Situationism / Lettrism
Collage / Mail Art / Xerox Art
Art Brut / Folk / Visionary / Fantastic
Illustration / Graphic Art / Bandes Dessinées
Furniture
Italian Radical Design / Postmodernism
Textiles
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Counterculture
Protest / Revolt
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Socialism / Communism / Capitalism
Literary Theory / Semiotics / Language
Feminism
Fetishism / BDSM
Drugs / Psychedelia
Crime / Violence
Animal Rights / Veganism
Occult / Esoterica
Ecology / Earth / Alternative Living
Whole Earth / Crafts
All prices in AUD (Australian dollars)
Pick-Ups
Please note: The bookshop is closed until February 1, 2024.
Pick-up orders can be collected in our bookshop during opening hours after this date. Please collect any Pick-up orders within 3 weeks of ordering as we have limited storage space. Orders will be released back into stock if not collected within this time. No refunds can be made for pick-ups left un-collected.
Return Policy
All sales are final. We do accept returns (for refund, exchange) for items received in error. All our orders are packed with special care using heavy-duty padding and cardboard book-mailers or bubble mailers (for smaller books), using reinforcement where required. We cannot take responsibility for any lost, stolen or damaged parcels.
Insurance
Should you wish to insure your package, please email us directly after placing your order and we can organise this at a small extra expense. Although all standard/express tracked packages are very safe and dependable, we cannot take responsibility for any lost, stolen or damaged parcels. We recommend insurance on valuable orders.
Interested in selling your old books, catalogues, journals, magazines, comics, fanzines, ephemera? We are always looking for interesting, unusual and out-of-print books to buy. We only buy books in our fields of interest and specialty, and that we feel we can resell.
We base these prices on desirability, market value, in-print prices, condition and our current stock levels. We offer cash, store credit, and can take stock on consignment. All
about 25% of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Sell your books any day of the week. You can drop them off and return later. If you have a lot of books, we can visit your Sydney home.
We buy books that we feel we can resell. We offer about 25 % of the price we expect to get when we sell them, or 30% in store credit. We base these prices on desirability, market value, in-print prices, condition and our current stock levels.
Philadelphia Wireman
03 August - 01 September, 2018
World Food Books is proud to announce our next Occasion, the first presentation of sculptures by Philadelphia Wireman in Australia.
The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly-changing neighbourhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. Dubbed the "Philadelphia Wireman" during the first exhibition of this work, in 1985, the maker’s name, age, ethnicity, and even gender remain uncertain. The entire collection totals approximately 1200 pieces, all intricately bound together with tightly-wound heavy-gauge wire (along with a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry). The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewellery.
Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfil the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artefacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever their identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art and vernacular art.
Presented in collaboration with Fleisher-Ollman Gallery, Philadelphia, and Robert Heald, Wellington.
Susan Te Kahurangi King
02 February - 10 March, 2018
Susan Te Kahurangi King (24 February 1951 - ) has been a confident and prolific artist since she was a young child, drawing with readily available materials - pencils, ballpoint pens and felt-tip markers, on whatever paper is at hand. Between the ages of four and six Susan slowly ceased verbal communication. Her grandparents William and Myrtle Murphy had developed a special bond with Susan so they took on caring responsibilities for extended periods. Myrtle began informally archiving her work, carefully collecting and storing the drawings and compiling scrapbooks. No drawing was insignificant; every scrap of paper was kept. The King family are now the custodians of a vast collection containing over 7000 individual works, from tiny scraps of paper through to 5 meter long rolls.
The scrapbooks and diaries reveal Myrtle to be a woman of great patience and compassion, seeking to understand a child who was not always behaving as expected. She encouraged Susan to be observant, to explore her environment and absorb all the sights and sounds. Myrtle would show Susan’s drawings to friends and people in her community that she had dealings with, such as shopkeepers and postal workers, but this was not simply a case of a grandmother’s bias. She recognised that Susan had developed a sophisticated and unique visual language and sincerely believed that her art deserved serious attention.
This was an unorthodox attitude for the time. To provide some context, Jean Dubuffet coined the term Art Brut in 1945 to describe work created by self-taught artists – specifically residents of psychiatric institutions and those he considered to be visionaries or eccentrics. In 1972 Roger Cardinal extended this concept by adopting the term Outsider Art to describe work made by non-academically trained artists operating outside of mainstream art networks through choice or circumstance. Susan was born in Te Aroha, New Zealand in 1951, far from the artistic hubs of Paris and London that Dubuffet and Cardinal operated in. That Myrtle fêted Susan as a self-taught artist who deserved to be taken seriously shows how progressive her attitudes were.
Susan’s parents Doug and Dawn were also progressive. Over the years they had consulted numerous health practitioners about Susan’s condition, as the medical establishment could not provide an explanation as to why she had lapsed into silence. Dawn educated herself in the field of homeopathy and went on to treat all twelve of her children using these principles – basing prescriptions on her observations of their physical, mental and emotional state.
Doug was a linguist with an interest in philosophy who devoted what little spare time he had to studying Maori language and culture. To some extent their willingness to explore the fringes of the mainstream made them outsiders too but it was their commitment to living with integrity and their respect for individuality that ensured Susan’s creativity was always encouraged.
Even though Susan’s family supported her artistic pursuits, some staff in schools and hospitals saw it as an impediment to her assimilation into the community and discouraged it in a variety of ways. Her family was not always aware of this and therefore did not fully understand why Susan stopped drawing in the early 1990s. However, rather than dwell on the challenges that Susan faced in pursuit of her artistic practice, they prefer to highlight her achievements. In 2008 Susan began drawing again in earnest, after an almost 20 year interruption, and her work is now shown in galleries around the world.
Susan grew up without television and has been heavily influenced by the comics she read as a child. She is absolutely fearless in the appropriation of recognizable characters, such as Donald Duck and Mickey Mouse, in her work. She twists their limbs, contorts their faces, compresses them together, blends them into complex patterned backgrounds - always imbuing them with an incredible energy. Although Susan often used pop culture characters in her work they are not naive or childlike. These are drawings by a brilliant self-taught artist who has been creating exceptional work for decades without an audience in mind.
Mladen Stilinović
"Various Works 1986 - 1999"
02 February 16 - September 10, 2016
Various works 1986 - 1999, from two houses, from the collections of John Nixon, Sue Cramer, Kerrie Poliness, Peter Haffenden and Phoebe Haffenden.
Including: Geometry of Cakes (various shelves), 1993; Poor People’s Law (black and white plate), 1993; White Absence (glasses, ruler, set square, silver spoon, silver ladel with skin photograph and wooden cubes), 1990-1996; Exploitation of the Dead (grey and red star painting, wooden painting, black spoon with red table, red plate), 1984-1990; Money and Zeros (zero tie, paintings made for friends in Australia (Sue, John, Kerrie), numbers painting), 1991-1992; Words - Slogans (various t-shirts) - “they talk about the death of art...help! someone is trying to kill me”, “my sweet little lamb”, “work is a disease - Karl Marx”; Various artist books, catalogues, monographs, videos; Poster from exhibition Insulting Anarchy; "Circular" Croatian - Australian edition; Artist book by Vlado Martek (Dostoyevsky); more.
Thanks to Mladen Stilinović and Branka Stipančić.
Jonathan Walker
Always Will Need To Wear Winter Shirt Blue + Ochre Small Check Pattern
21 August - 21 September, 2015
Untitled
I am not a great reader of poetry but I always return to the work of Melbourne poet, Vincent Buckley (1925- 1988). Perhaps I find his most tantalising piece to be not a finished poem but a fragment left on a scrap of paper discovered on his desk after the poet’s death.
The poetry gathers like oil
In the word-core, and spreads
It has its music meet,
Its music is in movement.
This fragment is more the shell left behind from a volatile thought than a finished poem. I find the last two lines honest but awkward whereas the first two lines work like an arrow. Most likely he could not find a resolution so it was left. Still, in its present form, it remains an eloquent testimony to the ultimate failure of a medium to express mobile thought and sensation, in Buckley’s case, through verbal language. It’s an important matter because this is something all artists have to deal with regardless of the medium.
I have never written a poem, however, I am forever copying fragments from books on paper scraps in a vain effort to fix certain notions in my head. At first, they function as bookmarks that are sometimes returned to when I open the book. But before long, as they accumulate, they fall out littering the table interspersed with A4 photocopies, bills, books and medications.
To return to Buckley’s fragment, the first two lines very much evoke how I paint nowadays. As you age, detail diminishes and patches of light become more luminous and float. I feel the most honest way of dealing with this is by smearing the oil paint on the canvas with the fingers and working close-up, blind. Only if the patches coalesce into an approaching image can the work gain a life.
-
Jonathan Walker was born in Melbourne, Australia and brought up on a dairy farm in Gippsland. In the 1970’s he studied painting at RMIT and won the Harold Wright Scholarship to the British Museum, London. During the 1980’s he exhibited at Pinacotheca Gallery, Richmond and had work shown at the NGV and Heidi City Art Gallery. Over the same period he designed the cover for the “Epigenesi” LP by Giancarlo Toniutti, Italy and conducted a mail exchange work with Achim Wollscheid, Germany. The work with artists through the post resulted in an article published in the bicentenary issue of Art and Australia 1988. He showed in artist run spaces such as WestSpace in the 90’s and 2000’s, and until 2012, taught painting at Victoria University, which is where we (Colleen Ahern and Lisa Radford) as organisers of the exhibition, among many others, had the privilege of being his student.
Walker’s knowledge was imparted to students through the careful selection of music, literature, and artists found in books that he himself had ordered for the library. Walker’s strategy was the generosity of sharing his vast knowledge with references specific to each student and their context.
Walker’s paintings share a similar focus and intimacy.
This exhibition presents a small selection of recent paintings alongside a publication that includes Walker’s writing. Observational and analytical, Walker’s work is a type of material notation — the time of day, colour and how it is blended, the both specific and fleeting location of a reflection on lino or the question of whether a chair leg should be included in a painting.
Please join us on Friday August 21 between 6-8pm to celebrate the opening of the exhibition.
Curated by Colleen Ahern and Lisa Radford.
B. Wurtz
Curated by Nic Tammens
March 26 - April 4, 2015
B.Wurtz works from a basement studio in his home on Manhattan’s Lower East Side.
This local fact is attested to by the plastic shopping bags and newsprint circulars that appear in his work. As formal objects, they don’t make loud claims about their origins but nonetheless transmit street addresses and places of business from the bottom of this long thin island. Like plenty of artists, Wurtz is affected by what is local and what is consumed. His work is underpinned by this ethic. It often speaks from a neighborhood or reads like the contents of a hamper:
“BLACK PLUMS $1.29 lb.”
“Food Bazaar”
“USDA Whole Pork Shoulder Picnic 99c lb.”
“RITE AID Pharmacy, with us it’s personal.”
“H. Brickman & Sons.”
“Sweet Yams 59c lb."
Most of the work in this exhibition was made while the artist was in residence at Dieu Donne, a workshop dedicated to paper craft in Midtown. Here Wurtz fabricated assemblages with paper and objects that are relatively lightweight, with the intention that they would be easily transportable to Australia. This consideration isn’t absolute in Wurtz’s work, but was prescriptive for making the current exhibition light and cheap. Packed in two boxes, these works were sent from a USPS post office on the Lower East Side and delivered to North Melbourne by Australia Post.
Wurtz appears courtesy of Metro Pictures, New York.
Thanks to Rob Halverson, Joshua Petherick, Sari de Mallory, Matt Hinkley, Helen Johnson, Fayen d'Evie, Ask Kilmartin, Lisa Radon, Ellena Savage, Yale Union, and "Elizabeth".
John Nixon
"Archive"
December 15 - January 20, 2014
The presentation of John Nixon's archive offered a rare showcase of this extensive collection of the artist's own publications, catalogues, posters, ephemera, editions and more, from the mid 1980s onwards, alongside a selection of his artworks.
Organized by John Nixon, Joshua Petherick and Matt Hinkley.
"Habitat"
at Minerva, Sydney (organised by Joshua Petherick and Matt Hinkley)
November 15 - December 20, 2014
Lupo Borgonovo, Janet Burchill & Jennifer McCamley,
Lewis Fidock, HR Giger, Piero Gilardi, Veit Laurent Kurz,
Cinzia Ruggeri, Michael E. Smith, Lucie Stahl, Daniel Weil, Wols
Press Release:
“...It contained seven objects. The slender fluted bone, surely formed for flight, surely from the wing of some large bird. Three archaic circuitboards, faced with mazes of gold. A smooth white sphere of baked clay. An age-blackened fragment of lace. A fingerlength segment of what she assumed was bone from a human wrist, grayish white, inset smoothly with the silicon shaft of a small instrument that must once have ridden flush with the surface of the skin - but the thing’s face was seared and blackened.”
William Gibson, “Count Zero”, 1986
"Autumn Projects Archive"
Curated by Liza Vasiliou
March 6 - March 15, 2014
World Food Books, in conjunction with the Virgin Australia Melbourne Fashion Festival 2014, presented the Autumn Projects archive, consisting of a selection of early examples in Australian fashion with a particular interest in collecting designers and labels from the period beginning in the 1980’s, who significantly influenced the discourse of Australian Fashion.
Curated by Liza Vasiliou, the exhibition provided a unique opportunity to view pieces by designers Anthea Crawford, Barbara Vandenberg, Geoff Liddell and labels CR Australia, Covers, Jag along with early experimental collage pieces by Prue Acton and Sally Browne’s ‘Fragments’ collection, suspended throughout the functioning World Food Books shop in Melbourne.
H.B. Peace
presented by CENTRE FOR STYLE
November 14, 2013
"Hey Blinky, you say chic, I say same"
Anon 2013
H.B. Peace is a clothing collaboration between great friends Blake Barns and Hugh Egan Westland. Their pieces explore the divergences between 'character’ and ‘personality’ in garments....etc
Special Thanks to Joshua Petherick and Matt Hinkley of WFB and Gillian Mears
and a Very Special Thank you to Audrey Thomas Hayes for her shoe collaboration.
Janet Burchill & Jennifer McCamley
"Aesthetic Suicide"
May 10 - June 8, 2013
The first of our occasional exhibitions in the World Food Books office/shop space in Melbourne, "Aesthetic Suicide" presented a body of new and older works together by artists Janet Burchill & Jennifer McCamley, including videos, prints, a wall work, and publications.
During shop open hours videos played every hour, on the hour.
1998, English / French
Softcover, 380 pages, 15.5 x 21 cm
1st Edition, Out of print title / used / very good
Published by
Purple Institute / Paris
$390.00 - In stock -
Very rare copy of the first issue of Purple. Edited by Elein Fleiss and Olivier Zahm, with Jeff Rian, this wonderful issue features work and words by: Maison Martin Margiela, Zoe Leonard, Mark Borthwick, Jutta Koether, Lee Ranaldo, Dike Blair, Thurston Moore, Dominique Gonzalez-Foerster, Mitchell Algus, Rudolf Stingel, Wolfgang Tillmans, Maurizio Cattalan, David Robbins, Antek Walzcak, Karl Holmqvist, Calvin Klein, Takashi Homma, Veronique Branquinho, Laetitia Benat, Jeff Rian, Y's, Anders Edstrom, Tobjorn Rodland, Doug Aitken, Comme des Garcons, Nathaniel Goldberg, Helmut Lang, Susan Cianciolo, Terry Richardson, Takashi Noguchi, Camille Vivier, Katja Rahlwes, Junya Watanabe, Hussein Chalayan, Kostas Murkudis, Viviane Sassen, and many many more....
In 1992 Olivier Zahm and his partner Elein Fleiss printed the first issue of Purple Prose, a Parisian literary art zine that over the years has evolved into Purple Fashion Magazine. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications like les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion. Zahm aimed at fusing together his two worlds, fashion and art, in creating Purple.
Very Good copy, some light edge/cover wear, single spine crease, binding still great.
2000, English
Softcover, 500 pages, 21.5 x 15.7 cm
1st Edition, Out of print title / used / very good
Published by
Purple Institute / Paris
$260.00 - In stock -
A rare early issue of the iconic Purple magazine, edited by Elein Fleiss and Olivier Zahm, this wonderful early edition features: Susan Cianciolo, Raf Simons, Jack Goldstein, Terry Richardson, Anders Edstrom, Chloe Sevigny, Wolfgang Tillmans, Martin Margiela, Rosemarie Trockel, Dominique Gonzalez-Foerster, General Idea, Mark Borthwick, Lewis Baltz, Lars Bang Larsen, Wolfgang Tillmans, Dominique Gonzalez-Foerster, Comme des Garçons, Michelle Grabner, Bless, Yohji Yamamoto, Dike Blair, Bernhard Willhelm, Gilles Deleuze, Karl Holmqvist, David Grubbs, Glenn O'Brian, Hans Ulrich Obrist, Bob Nickas, Sergio Guillen, Camille Vivier, Tan Lin, Olivier Zahm, Armin Linke, Amy Yao, Elein Fleiss, Henry Roy, Torbjorn Rodland, Chikashi Suzuki, Michael Smith, Lionel Bovier, Amy Sillman, Cerith Wyn Evans, Daniel Pflumm, Allen Rupperberg, Blake Rayne, Stephen Prina, Sture Johannesson, Franz Ackermann, Adrea Zittel, Jeremy Deller, Miu Miu, Dorothee Perret, Gaspard Yurkievich, Stanley Brouwn, Vija Celmins, Bas Jan Ader, Richard Prince, Tim Griffin, and so many more. One of the best issues!
In 1992, Elein Fleiss and Olivier Zahm started the magazine Purple Prose as a reaction against the superficial glamour of the 1980s; much as a part of the global counterculture at the time, inspired by magazines like Interview, Ray Gun, Nova, and Helmut Newton's Illustrated, but with the aesthetics of what usually is referred to as anti-fashion. Based on their personal interests and views; Purple was, and in a sense still is, made much in the same spirit of the fanzine. Started "without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that no one else supported, much less talked about."—Olivier Zahm. The magazine became associated with the "realism" of the new fashion photography of the 1990s, with names like Juergen Teller, Terry Richardson, Wolfgang Tillmans, Mark Borthwick, Corinne Day, and Mario Sorrenti. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications such as les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion, in which Zahm aimed at fusing together his two worlds, fashion and art. Now one of the most iconic and influential fashion magazines in history.
Very Good copy. Copy from the library of OMA (Office for Metropolitan Architecture)! OMA was founded in 1975 by Dutch architect Rem Koolhaas and Greek architect Elia Zenghelis, along with Madelon Vriesendorp and Zoe Zenghelis. Sticker to spine and sticker to front cover (re-movable, but let on due to noteworthiness)
2024, English
Softcover, 200 pages, 33 x 24.7 cm
Published by
Viscose / Copenhagen
$55.00 - Out of stock
The sixth issue of Viscose Journal focuses on fashion as constructed through words, language and writing. From the pens of fashion journalists and art critics to the conceptual wordplay of designers, the issue delves into the aesthetic and critical effects of “writing fashion” in and outside of fashion industries.
The fashion writer is a confidant, a storyteller, a forecaster, a mythmaker; they are evocative and poetic, forming words that shape, and in turn are shaped by, the latest fashions. From the salon shows to the pages of fashion magazines, their “expressions may be as ephemeral as the fashions they describe,” as Dorothy Hughes noted already in 1935. Early fashion writing played a key role in the transformation of clothes into fashion each season, and in igniting the machine of fashion itself. The historical roots of fashion writing— which was, at least in an industry context, a distinctly female practice— are grounded in the modernization and seasonalization of industrial fashion. And even today, in an age described by many as image-driven, this remains true: across various media platforms, language not only surrounds fashion but also continuously contributes to its creation.
The succinct, ephemeral poetry of the fashion writer still plays—nearly a century since Hughes’ observation—a transformative role in the seasonal turnover of fashion, but its role in the fashion industry remains seriously overlooked. Fashion invests substantially in seasonally refreshing the visual messaging accompanying its physical commodities, but language plays a similarly important support in this artful game of marketing. In this industrial context spanning from press releases to magazine production, writing is devoted to fashion promotion, prioritizing its fundamental traits of novelty, urgency, and semiotic complexity. In this context, fashion writing is a process of mystification, capable of revealing things that the image cannot. The material conditions of fashion writing—of being for fashion—generates a unique set of poetics and syntax. Fashion writing, or “written fashion,” as Roland Barthes asserts, is a form of signification that is simultaneously real and imaginary, connected to the real garment that it signifies, but largely unencumbered by its materiality. Given the constraints of economic, cultural, and political factors on fashion writing, it is perhaps more interesting to ask, what is fashion writing really encumbered by, and what would it mean to “unencumber” it?
Since Baudelaire, art critics have turned to fashion as source material for their practice, casting fashion in the role of art’s capitalist conspirator, temporal truth-sayer, or feminine alter-ego. This erratic history is one filled with both fraught politics (rooted in a gendered division of labor) as well as critical possibility: art writing gestures to a style of intellectualism and independence from industry that is largely foreign in fashion. Viscose Journal has, since its founding, aimed to detach fashion criticism from industrial frameworks that has historically premised it. At the same time, informed by a materialist politics of fashion labor, we wish to seriously level the largely female writing of commercial fashion publications with the masculine philosophical inquiries of fashion.
While “fashion writing” denotes a thematic category within the wider field of writing, our theme of “writing fashion” prompts an exploration of fashion writing as a mode of fashion production and critique. This issue aims to explore writing as a tool for shaping fashion and broaden its perspectives by presenting a survey of experimental, fictocritical, and poetic approaches to writing fashion. In this expanded field of writing, “fashion” unfolds as a ubiquitous and epistemologically complex phenomena of everyday life pertinent to all.
Accompanied by the exhibition “Writing Fashion“ at and published by the International Library for Fashion Research in Oslo, Norway, staged in June 2024, Viscose Journal 06 strives to be a thought-provoking journey into the captivating intersection of fashion and language. We are grateful to the library’s fantastic team and collaborators for their ongoing support and collaboration.
with works by: Osman Ahmed, Alba Aragón, Katherine Bernard, Ricarda Bigolin, Eileen Chang, Dal Chodha, Eduardo Costa, Jose Unzueta Criale, Femke De Vries, Becket Flannery, Kennedy Fraser, Laura Gardner, Patrick Greaney, Bruce Hainley, Elizabeth Hawes, Nakako Hayashi, Devin Hentz, Elaine Wing-Ah Ho, Juje Hsiung, Olivia Kan-Sperling, Jamaica Kinkaid, Chantal Kirby, Jeremy Lewis, Davora Lindner, Hanne Lippard, Shanzhai Lyric, Shizuang Magazine, Celine Mathieu, Derek Mccormack, H.B. Peace, Julie Peeters, John Perrault, Vogue Runway Rag, Rachel Tashjian, Jeppe Ugelvig, Elizabeth VR, Hanna Weiner, Elizabeth Wilson, Yohji Yamamoto, Bruno Zhu
2022, English
Softcover, 376 pages, 30.1 x 23 cm
Ed. of 500,
1st Edition, Out of print title / used / fine
Published by
IDEA / London
$200.00 - Out of stock
Expanded 2022 edition of IDEA London's Self Service 1994-2022, The Ads, the quickly out-of-print heavy visual compendium of more than 300 fashion ads from 25 years of Self Service magazine, featuring iconic contemporary advertising imagery from brands such as Raf Simons, Comme des Garçons, A.P.C., Alexander McQueen, Hussein Chalayan, Prada, Miu Miu, Issey Miyake, Chloé, Balenciaga, Yohji Yamamoto, Jacquemus, Hermès, Celine, Eckhaus Latta, Jil Sander, Calvin Klein, Viktor & Rolf, Yves Saint Laurent, Susan Cianciolo, Marc Jacobs, BLESS, Fendi, Koji Tatsuno, Gucci, Botetega Veneta, Zucca, Helmut Lang, to name a few, all packed into one exceptional reference volume.
Edition of 500 copies.
"This book is a gathering of more than two and a half decades* of fashion advertising campaigns as they have appeared on our printed pages, providing a fascinating testament to and a subjective barometer of fashion's evolving aesthetic and cultural norms."—Ezra Petronio, art director and founder of Self Service
*28 years, 112 seasons, 56 issues, 18,431 pages, 3,397 advertising pages, 314 brands.
Near Fine copy with light wear and light spine crease.
2003, English / Dutch
Hardcover, 228 pages, 26 x 20 cm
1st Edition, Out of print title / used / average
Published by
MoMu / Antwerp
Ludion / Brussels
Ludion / Ghent
$150.00 - Out of stock
Seldom seen first limited edition copy of the hardcover catalogue, Patronen / Patterns, published in 2003 on the occasion of the unique exhibition on pattern-making curated by Kaat Debo at MoMu - ModeMuseum Antwerp, 24.04.2003—10.08.2003 — almost immediately out-of-print. Showcasing the work of Haider Ackermann, Azzedine Alaïa, Balenciaga, Véronique Branquinho, Pierre Cardin, Hussein Chalayan, Courrèges, Ann Demeulemeester, Dior Haute Couture, Sevin Doering, Angelo Figus, Jean-Paul Gaultier, Romeo Gigli, Hubert de Givenchy, Christian Lacroix, Martin Margiela, Issey Miyake, Josephus Thimister, Walter Van Beirendonck, Dirk Van Saene, A.F. Vandevorst, Patrick Van Ommeslaeghe, Madeleine Vionnet, Vivienne Westwood, Yohji Yamamoto, and Yves Saint Laurent, along with the photographic work of artist Nicole Tran Ba Vang, this lavishly illustrated and well-researched volume gives rare insight into this fundamental, largely un-documented aspect of contemporary fashion design, illuminating the new avant-garde alongside the history of dress-making, most importantly reproducing the actual pattern designs of many of the featured designers.
"The pattern is traditionally seen as a technical drawing and therefore, in a museum context, only interesting for research or study. With regard to both purchasing and exhibition policies, fashion museums focus mainly on the end product – the garment – and in so doing rarely exhibit the pattern, let alone acquire or purchase it. "Patterns" aims to explore both the technical and the artistic and cultural philosophy aspects of a clothing pattern."
Includes bi-lingual texts in English/Dutch by Kaat Debo, Dirk Lauwaert, Linda Loppa, Frieda Sorber, Christoph De Boeck, Neeltje ten Westenend, Karin De Coster, and more.
Average—Good copy. Cloth covers well-worn with marks, general age/tanning to book extremities, some (erasable) pencil underlining to text by previous owner. No dust jacket (as issued).
1988, English / Japanese
Softcover, oversized, loose-leaf pages, 42 x 29.7 cm
1st Edition, Out of print title / used / very good
Published by
Comme des Garçons / Tokyo
$440.00 - Out of stock
First 1988 edition, first printing of the inaugural issue of the cult, privately distributed Comme des Garçons publication. The incredible first issue of Comme des Garçons' 'Six' magazine (1988) features the work of Hungarian photographer André Kertész, Comme des Garçons by photographer Peter Lindbergh, photography by Sachiko Kuru, features on artist Jean Cocteau, architect Eileen Gray, artist Michel Sauer, and an interview with fashion designer Yohji Yamamoto, plus additional photography by Timothy Greenfield-Sanders, Arthur Elgort, Tony Mendoza, Sachiko Kuru, Shinji Mori, Serge Lido and Gisele Freund. Beautiful first-edition printing of this over-sized magazine vision of Rei Kawakubo, including die-cut features throughout and de-bossed cover title.
Between 1988 and 1991, Comme des Garçons explored the theme of the sixth sense via eight special biannual oversized, unstapled magazines titled 'Six'. These magazines were launched to coincide with Comme des Garçons fashion collections and were privately printed and distributed by Comme. The magazine visually represented the brand in a way that no other fashion company had before. Rei Kawakubo invited Tsuguya Inoue to art direct and Atsuko Kozasu to edit the issues, whilst contributions came from a diverse array of leading designers and artists. Issues of Comme des Garçons 'Six' have become very sought after collectors items.
Very Good / Near Fine copy.
2017, English
Softcover, 672 pages, 20 x 27.5 cm
1st Edition, Out of print title / as new
Published by
Many of Them / Spain
$80.00 - Out of stock
Sealed copy, out-of-print, limited to 1000 copies.
Fashion : Cosmic Wonder, Balenciaga, Loewe, Dries Van Noten, Chanel, Comme Des Garçons, Sacai, Issey Miyake, Yohji Yamamoto, Junya Watanabe, Paco, Rabanne, Off-White, Dior Homme, Olivier Theyskens, Jacquemus, Lutz Huelle, Vejas, Simone Rocha, Louis Vuitton, Courrèges, Undercover, Celine, Miu Miu, Hermès, Bernhard Willhelm, Sies Marjan, Prada, Raf Simons, John Alexander, Skelton, Olympia Le-Tan, Wendy & Jim, Koché, JW Anderson, Ligia Dias, Lemaire, Cherevichkiotvichki, Eatable Of Many Orders, Daniela Gregis, Hood By Air, Molly Goddard, Bless.
Cinema : Oliver Laxe, Paz Encina, Paul Verhoeven, Amat Escalante, Andres Di Tella, Milagros Mumenthaler, Joao Pedro Rodriges Pablo Larrain Terence Davies, Walter Salles, Jonas Trueba, Bertrand Tavernier.
Many of Them is a limited edition publication. Its aim is to offer a space for discussion in which creators can share their perspective about their own field, their languages and the problems they face in their everyday practices. It originally started as a diary in 2008 and it keeps evolving into different formats.
2018, English
Softcover, 552 pages, 19.6 × 27.5 cm
1st Edition, Out of print title / as new
Published by
Many of Them / Spain
$80.00 - Out of stock
"This issue is the result of daily photo shoots on the same street of Paris from 15 May 2018 to 15 July 2018, with selected pieces from: LOEWE, BALENCIAGA, CHANEL, COMME DES GARÇONS, MIU MIU, SACAI, ISSEY MIYAKE, YOHJI YAMAMOTO, PACO RABANNE, BYREDO, GUCCI, SIMONEROCHA, OLIVIER THEYSKENS, JACQUEMUS, REALITY STUDIO, LOUIS VUITTON, CÉLINE , HERMÈS, DIOR HOMME, PRADA, RAF SIMONS, UNDERCOVER, OFF-WHITE, LEMAIRE, BLESS, JUNYA WATANABE, ÉTUDES, LAUREN MANOOGIAN, SIES MARJAN, GOSHA RUBCHINSKIY, BEIRA, GEOFFREY B. SMALL; and conversations with YOSHIYUKI MIYAMAE, WIM WENDERS, BEN GORHAM, DRIES VAN NOTEN, JAMES FRANCO, RUBEN ÖSTLUND, ECKHAUS LATTA, MARK JENKINS, TODD HAYNES AND ANDRE WALKER. Thanks to all the contributors for making it possible to accomplish this love letter to Paris and its citizens."
As New, sealed.
1988, English / German / French
Softcover, 180 pages, 30 x 23 cm
1st Edition, Out of print title / used / good
Published by
Taco / Berlin
$45.00 - Out of stock
European 1988 re-print of this major 1987 Japanese monograph on Studio 80, the influential Japanese design group founded in 1981 by three of the leading interior and furniture designers of the 1970's, Shigeru Uchida, Ikuyo Mitsuhashi and Toru Nishioka. Lavishly illustrated throughout in colour and black and white architectural photography with their acclaimed designs for fashion boutiques (inc. many interiors for Yohji Yamamoto/Y's), clubs, bars, restaurants and more, alongside a collection of 30 floorplans and essays by Shigeru Uchida. Texts in English, German, and French.
Good - Very Good copy. Light wear and creasing to spine.
1988, English / Japanese
Softcover (w. dust jacket), 85 pages, 30 x 24 cm
1st Edition, Out of print title / used / very good
Published by
Rikuyo-Sha / Tokyo
$80.00 - Out of stock
First edition of Setsuo Kitaoka : Interior Designer, the 1988 monographic survey on the work of acclaimed Japanese interior and furniture designer, Setsuo Kitaoka, surveying the years 1980—1988. Working closely with fashion designer Yohji Yamamoto to create the exquisite boutiques and stage designs for Y's and Yohji Yamamoto throughout the 1980's, Kitaoka also created incredible interiors of "lightness and wit" for Kenzo, Barney's New York, Basco, St. Honore, Men's Melrose, Solariste, TKX, and many more, profiled throughout this publication in lush architectural photography by Hiroyuki Hirai and others, alongside his iconic chair, table and lamp designs of the period.
Very Good copy in original dust jacket (small closed tear).
1989, French
Softcover, 168 pages, 40 x 30 cm
1st Edition, Out of print title / used / very good
Published by
Les Editions Cassini / Paris
$160.00 $100.00 - In stock -
Issue No. 11 (1989) of the legendary and very collectible Egoïste magazine, “the most beautiful magazine in the world”. Issue No. 11 is one of the rarer to come by, featuring actress Isabelle Adjani on the cover, shot by Richard Avedon, which continues as an incredible photographic feature and interview inside, plus features on the photography of Man Ray and a photographic portfolio by Guy Bourdin, Richard Avedon portraits of Samuel Beckett, Francis Bacon, Jorge Luis Borges, poetry, photographic interview features with Mikhail Grobatchev by Francoise Sagan, dancer Twyla Tharp by Claude Arnaud (shot by Avedon), film director David Lynch by Kristine McKenna (shot by Larry Fink), Karl Lagerfeld, Bettina Rheims, photographic articles on the history of the Villa Igiea, the luxury Sicilian hotel, and La Tombe de Franco by Spanish architect Ricardo Bofill, and many others. One of the great features of the magazine is sumptuous tailor-made advertisements specially designed and produced by Egoïste editor and artistic director Nicole Wisniak with leading fashion houses and perfumers collaborating with photographers and artists outside the usual restrictions and guidelines of fashion magazines. Exquisite spreads by Comme des Garçons, Céline, Hermès, Yves Saint Laurent, Christian Dior, Calvin Klein, Yohji Yamamoto, Christian Lacroix, Luis Vuitton, Lancôme, Karl Lagerfeld, Revlon, with Isabella Rossellini, Audrey Hepburn, and many more.
Often referred to as “The most beautiful magazine in the world”, the cult luxury photography magazine Egoïste was founded in 1977 in Paris by art historian Gérard-Julien Salvy and edited/art directed by Nicole Wisniak. Immediately setting a new standard for photo publishing, Egoïste was printed in a beautiful over-sized, unbound format that benefitted the photography within and the specifically created photographic advertisements of the major fashion houses who sponsored its publication. Each issue was printed in a small run, all now exceptionally collectible, and featured the most outstanding photographers and writers of their time (including the photography of Helmut Newton, Richard Avedon, Guy Bourdin, Paolo Roversi, Ellen von Unwerth), and is forever linked with the personal work of Richard Avedon. The last of the Parisian chic, Egoïste is the subjective dictionary of an era. Each issue is collected with passion by many enthusiasts.
Very Good copy. Light wear to the cover, minor closed tear to top of "spine", all else clean and well preserved, interior pages all VG. Protected in plastic sleeve.
1984, English
Softcover (staple-bound), 46 pages, 30 x 21.5 cm
1st Edition, Out of print title / used / good
Published by
CROWD / Melbourne
$35.00 - Out of stock
Scarce copy of the November 1984 issue of Melbourne's CROWD magazine, committed to "Fashion Music Style", published in Melbourne with heavy ties to Tokyo. With cover (Yohji Yamamoto) by photographer Polly Borland, this issue opens with Street Fashion and includes an exclusive interview with Andy Warhol via Keith Haring, an interview with Divine, interview with Howard Jones, Berlin (with photography by Rozalind Drummond), Polly Borland interview, The Cure, Machinations, Australian fashion designer Kara Baker's Sirens clothing label, Japanese fashion designer Koshin Satoh's ARRSTON VOLAJU clothing label (designer for Miles Davis), fashion shoots, hair styling, films, records, social pages, clubs, clubs, clubs, fashion parade reviews, great Melbourne advertisements, and more!
Good copy with wear and marking to covers, edges.
1991, English
8 gloss postcards in gloss, foiled card envelope, 18.5 x 14 cm
1st Edition, Out of print title / used / very good
Published by
Yohji Yamamoto / Tokyo
$140.00 - Out of stock
Rare Yohji Yamamoto Autumn-Winter 1991-1992 Collection postcard set. This scarcely seen piece of promotional ephemera (never seen another) was issued for the Sopporo Yohji Yamamoto store in 1991 a silver-foil stamped signature gloss card envelope with matte-black lining, containing eight gloss postcards; seven "Advertisement Pour Homme" photographic postcards by Yohji Yamamoto, and one foil stamped signature introductory announcement card.
Very Good copy with perfectly preserved cards.
1989, English
Softcover (staple-bound), 72 pages, 23.5 x 33.5 cm
1st Edition, Out of print title / used / good
Published by
Tension / South Yarra
$30.00 - Out of stock
TENSION 17 (Australian and International Arts : August 1989) features articles on Mike Brown, Peter Halley, Cindy Sherman, Jon Cattapan, Jan Nelson, Paul Boston, Adam Rish, Carole Roberts, Luke Roberts, Carlo Mollino, "The Art of Photography", "Video", Horst, "The Designers' Designers" by Emma Dent Coed (on the art directors, designers, and visual marketing behind fashion designers such as Yohji Yamamoto, Dries Van Noten, John Galliano, Rei Kawakubo/Comme des Garcons, etc. inc. Peter Saville, Nick Knight, etc.), and "Aboriginal Art Now : A Survey of Artists and Issues", inc. the work of Gordon Bennett, Jarinyanu David Downs, Rover Thomas, Trevor Nickolls, Tim Johnson, a review by Lin Onus, and more.
TENSION (1983-1990) was one of the central "popular" culture arts periodicals to come out of Melbourne in the 1980s, emerging from the ashes of Virgin Press. Independently published and edited by critic Ashley Crawford, Tension magazine lasted for 25 bi-monthly issues dedicated to Art, Music, Fashion, Theatre, Film, Photography, across reviews, interviews, reports, critical essays and artist pages. Now an important document of culture in Australia, and especially Melbourne in the 1980s, issues featured the writing and contributions of Paul Taylor, McKenzie Wark, Mike Parr, John Nixon, Catharine Lumby, Philip Brophy, Adrian Martin, Ashley Crawford, Peter Tyndall, Jean Baudrillard, Timothy Leary, Gerard Malanga, Keith Haring, Gerald Murnane, and many more. In 1985 Crawford, with John Buckley, staged an exhibition issue of the magazine, 'Visual Tension', at ACCA featuring the work of Howard Arkley, Marianne Baillieu, Peter Booth, Paul Boston, Peter Cripps, Richard Dunn, Maria Kozic, John Lethbridge, Geoff Lowe, Linda Marrinon, John Matthews, John Nixon, Stieg Persson, Robert Rooney, Gareth Sansom, Vivienne Shark LeWitt, Imants Tillers, Peter Tyndall, Jenny Watson, John Young.
2018, English
Softcover, 572 pages, 27.5cm x 19.5 cm
Published by
Many of Them
$55.00 - In stock -
Many of Them is a contemporary culture magazine focusing on art, cinema and fashion. Published twice a year, its aim is to offer a space for discussion where creators can share their perspectives on their fields and the problems they face in their everyday practices.
This issue is the result of daily photo shoots on the same street of Paris from 15 May 2018 to 15 July 2018, with selected pieces from: LOEWE, BALENCIAGA, CHANEL, COMME DES GARÇONS, MIU MIU, SACAI, ISSEY MIYAKE, YOHJI YAMAMOTO, PACO RABANNE, BYREDO, GUCCI, SIMONEROCHA, OLIVIER THEYSKENS, JACQUEMUS, REALITY STUDIO, LOUIS VUITTON, CÉLINE , HERMÈS, DIOR HOMME, PRADA, RAF SIMONS, UNDERCOVER, OFF-WHITE, LEMAIRE, BLESS, JUNYA WATANABE, ÉTUDES, LAUREN MANOOGIAN, SIES MARJAN, GOSHA RUBCHINSKIY, BEIRA, GEOFFREY B. SMALL; and conversations with YOSHIYUKI MIYAMAE, WIM WENDERS, BEN GORHAM, DRIES VAN NOTEN, JAMES FRANCO, RUBEN ÖSTLUND, ECKHAUS LATTA, MARK JENKINS, TODD HAYNES AND ANDRE WALKER. "Thanks to all the contributors for making it possible to accomplish this love letter to Paris and its citizens."
1994, English / Japanese
Hardcover (w. dut jacket), 21 x 2.5 x 31.1 cm
1st Edition, Out of print title / used / fine
Published by
Pie Books / Tokyo
$140.00 - Out of stock
First edition of this special Japanese hardcover volume published in 1994, collecting over 400 invitations from the Paris fashion collections beginning in 1983.
"Paris is the very heart of fashion, and the Paris Collections are renowned as a dazzling display of style and sophistication. The top designers each present three collections twice a year in haute couture, pret-a-porter for ladies, and pret-a-porter for men. This book carries a selection of the fabulous invitations sent out prior to these shows, spanning the ten years from the Autumn/Winter Collections of 1983-84 to those of 1993-94. Invitations to the Paris Collections are sent around the world to fashion journalists, buyers and important clients. They encapsulate the glamour of Paris, and mirror the prestige, as
well as the originality, of each designer or fashion house. As a selection, these invitations provide a fascinating record of the changing times in the fashion world. And each of the 430 or so invitations in this book is in itself a unique work of art that will delight and reward the reader."
Features the printed matter of : Comme des Garçons, Dries Van Noten, Issey Miyake, Chloe, Jean-Paul Gaultier, Kenzo, Rochas, Popy Moreni, Sonia Rykiel, Thierry Mugler, Yohji Yamamoto, Karl Lagerfeld, Cerruti, Jean-Charles de Castelbajac, Yves Saint Laurent, Kansai Yamamoto, Christian Dior, Dirk Bikkembergs, Valentino, Balmain, Christian Lacroix, Martine Sitbon, Givenchy, Gianni Versace, Guy Laroche, Nina Ricci, Yohji Yamamoto, Chanel, Emanuel Ungaro, Lanvin, Hermes, and many others.
2018, English
Softcover, 280 pages, 27.9 x 21.5 cm
Published by
Walther König / Köln
$48.00 - Out of stock
299 792 458 m/s is a magazine created in 2016 by German artist David Lieske and photographer Rob Kulisek.
Issue 2 "The Overworked Body" is co-edited by curator Matthew Linde and functions not just as fashion magazine and artist's book but also as a catalogue for the eponymous exhibition at Mathew Gallery, New York (2017) titled "The Overworked Body: An Anthology of 2000's Dress", organised by Linde. The exhibition and associated "Overworked Runway" show (all documented extensively in full-colour here) includes works by 20471120, A.F. Vandevorst, Adeline André, Alexander McQueen for Target, Andrea Ayala Closa, Andrew Groves, Anke Loh, Ann-Sofie Back, Annalisa Dunn, Arkadius, As Four, Benjamin Cho, Bernadette Corporation, Bernhard Willhelm, BLESS, Carol Christian Poell, Christophe Coppens, Comme des Garçons, Cosmic Wonder, Dorothée Perret, Dutch Magazine, FINAL HOME, Helmut Lang, Hideki Seo, House of Holland, Hussein Chalayan, Imitation of Christ, Isaac Mizrahi for Target, Issey Miyake, Jean Paul Gaultier, Junya Watanabe, KEUPR/van BENTM, Kim Jones, Koji Arai, Kostas Murkudis, Lutz Huelle, Maison Martin Margiela, Maison Martin Margiela and Marina Faust, Miguel Adrover, Number (N)ine, Organization for Returning Fashion Interest, Proenza Schouler for Target, Purple Fashion, Rodarte for Target, Shelley Fox, Sophia Kokosalaki, Stephen Jones, Susan Cianciolo, Tao, Telfar, Undercover, Victoria Bartlett (previously VPL), Viktor & Rolf, Viktor & Rolf for H&M, Walter van Beirendonck, Wendy & Jim, Yohji Yamamoto, and ____fabrics interseason.
Full contents:
2016, English
Hardcover, 288 pages, 25.4 x 30.5 cm
Published by
Rizzoli / New York
$70.00 - Out of stock
A stunning work on contemporary fashion spectacles, showcasing the most innovative, creative, and artistic high-fashion runway shows of the last twenty years.
In recent years, as fashion shows have become a part of our collective imagination and an important part of contemporary culture, blockbuster productions have redefined the runway show as a form of entertainment and creativity on par with the clothes themselves. This book focuses on designers for whom fashion and the mode of presenting it have held equal significance: Alexander McQueen, Maison Martin Margiela, Susan Ciancialo, Issey Miyake, Bernadette Corporation, Ann Demeulemeester, Bernhard Willhelm, Gucci, Helmut Lang, Hussein Chalayan, Viktor & Rolf, Givenchy, Yohji Yamamoto, Comme des Garçons, Rick Owens, A.F. Vandevorst, Louis Vuitton, W<, X-Girl, Christian Dior, Prada, Yeezy, Marc Jacobs, Chanel, Raf Simons, Thom Browne, and Imitation of Christ, among them. From the performance art spectacles of the first Alexander McQueen collections in the mid-1990s and the high-art concept shows of Hussein Chalayan in the late 1990s to the lavish beauty of Chanel haute couture in 2012, author Alix Browne explores the highest pinnacles of fashion today. Runway gives the reader full access to the theatrical and creative aspects of the production, in both intimate, little-seen runway shows from the pre-Internet era many of the photographs here have never been published before as well as major productions with elaborate sets and full-blown narrative. Each show is presented through lush, full-bleed photography and many through fold-out four-page images - an index gives a blurb about each runway presentation with further images.
A thrilling, immersive, and inspiring look into the wide-ranging creativity of contemporary fashion, Runway is the most thorough book available on the subject. Featuring the most innovative fashion designers of the last twenty years, this book is a must for lovers of fashion and culture.
1988, English / Japanese
Softcover, 132 pages, 297 x 39.4 cm
1st Edition, Out of print title / Used*,
Published by
Chronicle Books / San Francisco
$140.00 - Out of stock
The Japanese word sonomama means in a natural state or just as you are. To create this book, Taishi Hirokawa, the internationally-renowned photographer, traveled throughout the Japanese countryside to photograph ordinary people in the creations of some of the world's top fashion designers: shopkeepers, fishermen, schoolchildren, & farmers, modeling bold, stylish outfits by Issay Miyake, Comme de Garcon, Yohji Yamamoto and others. A stunning and unique book of unconventional fashion photography, resulting in dramatic duotone images that strip away the artifice & the image-creating power of the clothing & draw attention to the people themselves.
2017, English
Softcover (over-sized), 144 pages, 25 x 37 cm
Published by
Encens / Paris
$58.00 $15.00 - Out of stock
encens is a fashion magazine from France, presenting a very selective number of designers, edited by Samuel Drira and Sybille Walter.
encens 38 "A Matter of Fact" (2017) features Bless, Helmut Lang, Nehera, Chanel, Jean-Paul Gaultier, Bill Gibb, Maryse Gaspard, Joan Juliet Buck, Marie Piovesan, Claudia Huidobro, Camille Bidault Waddington, Loc Boyle, Ellen von Unwerth, Comme des Garçons, Peter Lindbergh, Barbara Bloom, Francesco Brigida, Serge Lutens, Yohji Yamamoto, Juun J, Lutz Huelle, Pierre Cardin, Y/Project, Celine, Lemaire, Saint Laurent, Vivienne Westwood, Ralph Lauren, Lucio Vanotti, Hed Mayner, Dusan, Marithe & Françoise Girbaud, Vetements, Hermes, Dries Van Noten, Vetements x Brioni, Veronique Leroy, Issey Miyake Plantation, Uma Wang, Ann Demeulemeester, Heider Ackermann, Azzadine Alaia, Luc Delahaye, Paul Nougé, Pavel Büchler, Nina Chua, Xanti Schawinsky, and many more.
Cover by Francesco Brigida.
2017, English
Softcover (over-sized), 145 pages, 25 x 37 cm
Published by
Encens / Paris
$58.00 - Out of stock
Published twice a year since 2002, ENCENS is focused on fashion as artform from the perspective of designers rather than trends. The magazine investigate new forms of dressing from past to present with probing interviews, extensive use of photography
and vintage, and dynamic layout.
encens 36 “A New Order" (2017) features Cécile Bortoletti, Truman Capote, Walter Albini, Michèle Rosier, Arata Isozaki, Ad Reinhardt, Harry Peccinotti, David Bailey, Comme des Garçons, Tony Viramontes, Nehera, Giorgio Armani, Issey Miyake, Givenchy, Dries Van Noten, Sonia Rykiel, Azzadine Alaia, Yohji Yamamoto, Chanel, Celine, Lemaire, Hermes, Robert Morris, Michelangelo Pistoletto, Yves Saint Laurent, and many more.
1998, English / Japanese
Softcover, 500 pages, 29 x 36 cm
1st edition, Out of print title / used*,
Published by
GAP Japan Co. Ltd. / Tokyo
$130.00 - Out of stock
Incredible 1998 edition (with Yohji Yamamoto cover) of the mighty Prét-Á-Porter Collections (Paris / London) from gap Tokyo! Each huge, over-sized edition of gap Collections feature thorough runway coverage of the latest collections from top international brands to cutting edge designers presented in NY, London, Milan, Paris, Tokyo, Madrid, Barcelona, Sao Paulo during biannual celebrated fashion events. The creativity of the most sought after designers were reproduced in high quality photographs direct from the runway and only published here, in the case of this heavy volume 1,500 original photos all in full-colour! Featured in the issue are the 1998 collections of Yohji Yamamoto, Vivienne Westwood, Christian Dior, Givenchy, Chanel, Jean-Paul Gaultier, Chloé, John Galliano, Helmut Lang, Ann Demeulemeester, Dirk Bikkembergs, Jean Colonna, Costume National, Junya Watanabe Comme des Garçons, Dries Van Noten, Hermés, Martine Sitbon, Valentino, Claude Montana, Cerruti, Balenciaga, Lolita Lemopicka, Lanvin, Yves Saint Laurent, Christian Lacroix, Guy Laroche, Jerome L'Huillier, Enrica Massei, Marcel Marongiu, Christophe Lemaire, Eric Bergere, Isabel Marant, Barbara Bui, Masaki Matsushima, Sonia Rykiel, Kenzo, Corinne Cobson, Junko Shimada, Dice Kayek, Yuki Torii, Yoshiki Hishinuma, Paco Rabanne, Celine, Maurizio Galante, Angelo Tarlazzi, Jaques Fath, Leonard, Veronique Leroy, Atsuro Tayama, Zucca, Nina Ricci, Slowik, Kosta Murkudis, Isabelle Ballu, Hervé Léger, 0.9 18 OOTORII, Koji Nihommatsu, Alexander McQueen, Hussein Chalayan, Matthew Williamson, Bella Freud, and so many more, creating a wealth of archival fashion imagery from the late 1990s.
2016, English
Softcover (over-sized), 136 pages, 25 x 37 cm
$58.00 $15.00 - Out of stock
encens is a fashion magazine from France, presenting a very selective number of designers, edited by Samuel Drira and Sybille Walter.
encens 36 "Mindscape" (Spring/Summer 2016) features Susan Sontag, Serge Lutens, Isabelle Weingarten, Cartier, Comme des Garçons, Annie Leibovitz, Nehera, Giorgio Armani, Hed Mayner, Angelo Flaccavento, James Benning, Carol Bove, Uma Wang, Veronique Branquinho, Issey Miyake, Carlo Scarpa, Lene Berg, Lutz Huelle, Givenchy, Dries Van Noten, Sonia Rykiel, Azzadine Alaia, Yohji Yamamoto, Willie Christie, Axl Jensen, Chanel, Celine, Lemaire, Veronique Leroy, Dior Homme, Maison Martin Margiela, Vivienne Westwood, Linda Loppa, Bless, Juun J., Christopher Williams, Friedrich Kiesler, Pierre Cardin, Hermes, and many more.
2016, English
Softcover (2 books), 560 pages, 215 x 155 cm
ed. of 1000,
Published by
Many of Them
$62.00 - Out of stock
MANY OF THEM – VOL. IV
A LIMITED EDITION OF 1000 COPIES
Cosmic Wonder, Louis Vuitton, Issey Miyake, Hermès, Saint Laurent, Loewe, Yohji Yamamoto, Irène Silvagni, Limi Feu, Undercover, Dries Van Noten, Lemaire, Chanel, Bernhard Willhelm, Junya Watanabe, Comme Des Garçons, Maurizio Amadei, Alaïa, Paz De La Huerta, Daniela Gregis, Sybilla, Geoffrey B. Small, Eatable Of Many Orders, Sacai, Ply,Ragne Kikas, Steve Mono, Jan-Jan Van Essche, Susan Cianciolo, Koché, Bless, Oriole Cullen, Kaat Debo, Akiko Fukai, Harold Koda, Olivier Saillard, Valerie Steele, Pedro Costa, Jia Zhang-Ke, Amat Escalante, Isaki Lacuesta, Lisandro Alonso, Nathalia Acevedo, Lav Diaz, Moira Lang, Charlotte Gainsbourg, Mia Hansen-Løve, Jonas Mekas, Todd Haynes.
Many of Them is a limited edition publication. Its aim is to offer a space for discussion in which creators can share their perspective about their own field, their languages and the problems they face in their everyday practices. It originally started as a diary in 2008 and it keeps evolving into different formats.