World Food Books

Cinema 1 : the Movement-Image
by Gilles Deleuze

1986, English
Softcover, 253 pages, 13.8 x 21.6 cm
Published by University of Minnesota Press / Minnesota minnes

$65.00 - In stock -

Reprint of the 1986 edition, translated by Hugh Tomlinson and Barbara Habberjam.

A revolutionary work in philosophy and a book about cinema that identifies three principal types of image-movement using examples from the work of a diverse group of filmmakers including Griffith, Eisenstein, Cassavetes, and Altman.

The appearance of Cinema 1 is an exciting event for film study and one that well deserves serious attention and commentary.—Film Quarterly

File under: Robert Altman Sergei Eisenstein John Cassavetes Gilles Deleuze University of Minnesota Press / Minnesota minnes Film / Video Theory / Essay Philosophy Art

Cinema 2 : the Time-Image
by Gilles Deleuze

1986, English
Softcover, 352 pages, 13.8 x 21.6 cm
Published by University of Minnesota Press / Minnesota

$65.00 - In stock -

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Reprint of the 1986 edition, translated by Hugh Tomlinson and Barbara Habberjam.

Brings to completion Deleuze’s work on the implications of the cinematographic image. In Cinema 2, Deleuze explains why, since World War II, time has come to dominate film. Among the filmmakers discussed are Rossellini, Fellini, Godard, Resnais, Pasolini, and many others.

File under: Roberto Rossellini Jean-Luc Godard Federico Fellini Alain Resnais Pier Paolo Pasolini Gilles Deleuze University of Minnesota Press / Minnesota Film / Video Philosophy Theory / Essay Art

Deleuze and Religion
by Mary Bryden

2001, English
Softcover, 224 pages, 15.6 x 23.4 cm
1st Edition, Out of print title / used / very good
Published by Routledge / London

$30.00 - In stock -

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Despite the ever-expanding body of Deleuzian scholarship, single volume has explored the religious dimensions of Delueze's writing. Now, Mary Bryden has assembled a team of international scholars to do just that. Their essays illustrate the ways in which Deleuzian thought is antithetical to religious debate, as well as the ways in which it contributes to those debates.

This volume will be invaluable for researchers, teachers and students of theology, philosophy, critical theory, cultural studies and literary criticism as well as to students of French who read Deleuze's work in its original language.

First edition. Very Good copy.

File under: Gilles Deleuze Mary Bryden Routledge / London Theory / Essay Philosophy

Critique and Power : Recasting the Foucault/Habermas Debate
Edited by Michael Kelly

1994, English
Softcover, 242 pages, 15.2 x 22.9 cm
1st Edition, Out of print title / used / very good
Published by The MIT Press / Massachusetts

$20.00 - In stock -

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First 1994 edition, long out-of-print.

The book juxtaposes key texts from Foucault and Habermas; it then adds a set of reactions and commentaries by theorists who have taken up the two alternative approaches to power and critique. The result is a guide for those seeking to understand and build on an unfinished debate between two of the 20th century's most important philosophers.

Which paradigm of critique--Foucault's or Habermas's--is philosophically and practically superior, especially with regard to the nature and role of power in contemporary society? In shaping this collection, Michael Kelly has sought to address this question in relation to the ethical, political, and social theory of the past two decades. Michel Foucault and Jurgen Habermas had only just begun to come to terms with one another's work when Foucault died in 1984; they had even discussed the possibility of a formal debate on Enlightenment in the neutral arena of the United States. In the decade since, Habermas and his supporters have continued to respond to Foucault in various ways, but Foucault's followers have not shown as strong an inclination to keep up his side of the dialogue. For this reason an invaluable exchange on the nature and limits of philosophy in the present age has never achieved its full potential. In this anthology Michael Kelly recasts the debate in a way that will open it up for further development. The book starts by juxtaposing key texts from the two philosophers; it then adds a set of reactions and commentaries by theorists who have taken up the two alternative approaches to power and critique. (Two of these essays were written especially for this volume.) The result is a guide for those seeking to understand and build on this important but unfinished debate.

Essays by: Michel Foucault, Jürgen Habermas, Axel Honneth, Nancy Fraser, Richard Bernstein, Thomas McCarthy, James Schmidt, Thomas E. Wartenberg, Gilles Deleuze, Jana Sawicki, Michael Kelly.

VG copy.

File under: Michel Foucault Jürgen Habermas Axel Honneth Nancy Fraser Richard Bernstein Thomas McCarthy James Schmidt Thomas E. Wartenberg Gilles Deleuze Jana Sawicki Michael Kelly The MIT Press / Massachusetts Theory / Essay Philosophy Out-of-print / Rare

Cinema 1 : the Movement-Image
by Gilles Deleuze

1986, English
Softcover, 253 pages, 13.8 x 21.6 cm
Published by University of Minnesota Press / Minnesota

$55.00 - Out of stock

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1986 edition, translated by Hugh Tomlinson and Barbara Habberjam.

A revolutionary work in philosophy and a book about cinema that identifies three principal types of image-movement using examples from the work of a diverse group of filmmakers including Griffith, Eisenstein, Cassavetes, and Altman.

The appearance of Cinema 1 is an exciting event for film study and one that well deserves serious attention and commentary.—Film Quarterly

Fifth printing of this 1986 edition (c. 1997), out-of-print.

File under: Robert Altman Sergei Eisenstein John Cassavetes Gilles Deleuze by Gilles Deleuze and Felix Guattari University of Minnesota Press / Minnesota Philosophy Art Theory / Essay Film / Video Out-of-print / Rare

Cinema 2 : the Time-Image
by Gilles Deleuze

1989, English
Softcover, 352 pages, 13.8 x 21.6 cm
Published by University of Minnesota Press / Minnesota

$55.00 - Out of stock

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1986 edition, translated by Hugh Tomlinson and Barbara Habberjam.

Brings to completion Deleuze’s work on the implications of the cinematographic image. In Cinema 2, Deleuze explains why, since World War II, time has come to dominate film. Among the filmmakers discussed are Rossellini, Fellini, Godard, Resnais, Pasolini, and many others.

Fifth printing of this 1986 edition (c. 1997), out-of-print.

File under: Alain Resnais Jean-Luc Godard Roberto Rossellini Federico Fellini Pier Paolo Pasolini Gilles Deleuze University of Minnesota Press / Minnesota Film / Video Out-of-print / Rare Philosophy Art

Kafka: toward a Minor Literature
by Gilles Deleuze and Felix Guattari

1986, English / French
Softcover, 104 pages, 15.6 x 23.4 cm
Out of print title / used / very good
Published by University of Minnesota Press / Minnesota

$40.00 - Out of stock

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1986 English edition of this classic of critical thought, in which Deleuze and Guattari challenge conventional interpretations of Kafka’s work. Instead of exploring preexisting categories or literary genres, they propose a concept of “minor literature”—the use of a major language that subverts it from within. Writing as a Jew in Prague, they contend, Kafka made German “take flight on a line of escape” and joyfully became a stranger within it. His work therefore serves as a model for understanding all critical language that must operate within the confines of the dominant language and culture.

In Kafka Deleuze and Guattari free their subject from his (mis)intrepreters. In contrast to traditional readings that see in Kafka's work a case of Oedipalized neurosis or a flight into transcendence, guilt, and subjectivity, Deleuze and Guattari make a case for Kafka as a man of joy, a promoter of radical politics who resisted at every turn submission to frozen hierarchies.

Text in English and original French.

File under: Gilles Deleuze & Felix Guattari Gilles Deleuze Felix Guattari University of Minnesota Press / Minnesota Philosophy Fiction / Poetry Theory / Essay

Expressionism in Philosophy — Spinoza
by Gilles Deleuze

1992, English
Softcover, 446 pages, 15.8 x 22.9 cm
1st Edition, Out of print title / used / very good
Published by Zone Books / New York

$59.00 - Out of stock

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In this remarkable work, Gilles Deleuze, the renowned French philosopher, reflects on one of the thinkers of the past who most influenced his own sweeping reconfiguration of the tasks of philosophy. For Deleuze, Spinoza, along with Nietzsche and Lucretius, conceived of philosophy as an enterprise of liberation and radical demystification. He locates in Spinoza "a set of affects, a kinetic determination, an impulse" and makes Spinoza into "an encounter, a passion."

Expressionism in Philosophy was the culmination of a series of monographic studies by Deleuze (on Hume, Bergson, Nietzsche, Proust, Kant, and Sacher-Masoch) and prepared the transition from these abstract treatments of historical schemes of experience to the nomadology of Capitalism and Schizophrenia (Anti-Oedipus and A Thousand Plateaus, co-authored with Félix Guattari). Thus, Expressionism in Philosophy is both a pivotal reading of Spinoza's work and a crucial text within the development of Deleuze's thought.

First 1992 softcover edition. Very Good copy.

File under: Gilles Deleuze Baruch Spinoza Zone Books / New York Philosophy Theory / Essay Out-of-print / Rare

Masochism : Coldness and Cruelty & Venus in Furs
by Gilles Deleuze & Leopold von Sacher-Masoch

1991, English
Hardcover (w. dust jacket), 296 pages, 15 x 22.6 cm
1st Edition, Out of print title / used / very good
Published by Zone Books / New York

$90.00 - Out of stock

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First 1991 hardcover edition of Masochism : Coldness and Cruelty & Venus in Furs by Gilles Deleuze, published by Zone. Long out-of-print in hardcover.

In his stunning essay Coldness and Cruelty Gilles Deleuze provides a rigorous and informed philosophical examination of the work of late nineteenth-century German novelist Leopold von Sacher-Masoch. Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's "peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity." He shows that masochism is something far more subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism: their worlds do not communicate, just as the genius of those who created them -- Masoch and Sade -- lie stylistically, philosophically, and politically poles apart.

Venus in Furs, the most famous of Masoch's novels, belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes, including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here -- fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness -- these received associations do not eclipse the truly singular and surprising power of Masoch's eroticism.

Very Good copy in VG dust jacket.

File under: Gilles Deleuze The Marquis de Sade Leopold von Sacher-Masoch Zone Books / New York Theory / Essay Philosophy Eros Out-of-print / Rare Fiction / Poetry Fetishism / BDSM

documenta X
The Book: Politics Poetics

1997, English
Hardcover (w. dust jacket), 830 pages
1st Edition, Out of print title / used / very good
Published by documenta / Kassel

$80.00 - Out of stock

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First English edition of this monumental 830 page book for documenta X, the last documenta of the twentieth century and the first directed by a woman, the French curator Catherine David, brings together the work of more than 100 of the world's foremost thinkers, writers, and artists in an extraordinary anthology of seminal texts and images of, on, and about the development of Western cultural and critical theory since 1945.

The book "seeks to indicate a political context for the interpretation of artistic activities at the close of the twentieth century, through a montage of images and documents from the immediate post-war period to the present. The range of material treated here is not encyclopaedic; it represents a polemical attempt to isolate specific strands of artistic production and political endeavour which can be taken as references in the contemporary debate over the evolution of our societies. Drawing from distinct yet interrelated territorial and linguistic domains, the book singles out complex cultural responses to the unifying processes of global modernity."—from the book jacket.

A comprehensive work in itself, rich with enmeshed texts and illustrations of artworks, film stills, historical documents throughout in colour and in black and white.

Writers include: Theodor W. Adorno, Maurice Blanchot, Pier Paolo Pasolini, Paul Celan, Amílcar Cabral, Masao Miyoshi, Hannah Arendt, Michel Foucault, Gilles Deleuze, Félix Guattari, Jacques Rancière, Tadao Sato, Youssef Ishaghpour, Josef Beuys, Samuel Beckett, Albert Camus, Rainer Werner Fassbinder, Rem Koolhaas, Sandra Álvarez de Toledo, Witold Gombrowicz, Herve Joubert-Laurencin, Jean-François Chevrier, Marguerite Duras, Edward Said, Henri Alleg, Pierre Vidal-Naquet, Uwe Johnson, Jerzy Grotowski, James Clifford, Primo Levi, Pierre Clastres, Andrea Branzi, Fabrizio Gallanti, Gérard Chaliand, Stig Björkman, Daniel Defert, Saskia Sassen, Catherine David, Benjamin Buchloh, Paul Virilio, Serge Daney, Étienne Balibar, Nadia Tazi, and many others.....

Artists include : Archigram, Martin Kippenberger, Archizoom Associati, Art & Language, Hans Haacke, Oyvind Fahlström, Samuel Beckett, Franz West, Andrea Zittel, Heimo Zobernig, Nancy Spero, Jean-Luc Godard, Marcel Broodthaers, Lygia Clark, Jörg Herold, Fischli & Weiss, Dan Graham, Robert Adams, Peter Friedl, Paweł Althamer, Liam Gillick, Mike Kelley & Tony Oursler & Diedrich Diederichsen, Stan Douglas, Harun Farocki, Ed van der Elsken, Walker Evans, Aldo van Eyck, Heiner Goebbels, William Kentridge, Ulrike Grossarth, Richard Hamilton, Vito Acconci, Raymond Hains, Pier Paolo Pasolini, Siobhán Hapaska, Ecke Bonk, Carsten Höller & Rosemarie Trockel, Carl Michael von Hausswolff, Lois Weinberger, Hélio Oiticica, Gabriel Orozco, Olaf Nicolai, Michelangelo Pistoletto, Gerhard Richter, Thomas Schütte, Marc Pataut, Gordon Matta-Clark, Christian Philipp Müller, Matt Mullican, Antoni Muntadas, Jean-Luc Moulène, Reinhard Mucha, Álvaro Siza, Toyo Ito, John C. Portman Jr., Paulo Mendes da Rocha, Mariella Mosler, Josef Beuys, Steve McQueen, Chris Marker, Lothar Baumgarten, Jean Dubuffet, Kerry James Marshall, Maria Lassnig, Rem Koolhaas, Joachim Koester, Suzanne Lafont, Sigalit Landau, Helen Levitt, Garry Winogrand, Brassaï, Le Corbusier, Antonin Artaud, and so many more...

Very Good coy, light wear. Good dust jacket with some creasing and edge wear.

File under: Mike Kelley Tony Oursler Carsten Höller Rosemarie Trockel Archigram Martin Kippenberger Archizoom Associati Art & Language Hans Haacke Samuel Beckett Franz West Andrea Zittel Heimo Zobernig Jean-Luc Godard Marcel Broodthaers Lygia Clark Jörg Herold Fischli & Weiss Dan Graham Robert Adams Peter Friedl Öyvind Fahlström Paweł Althamer Liam Gillick Stan Douglas Harun Farocki Ed van der Elsken Walker Evans Aldo van Eyck Siobhán Hapaska Reinhard Mucha Mariella Mosler Steve McQueen Chris Marker Lothar Baumgarten Kerry James Marshall Maria Lassnig Rem Koolhaas Joachim Koester Suzanne Lafont Sigalit Landau Helen Levitt Garry Winogrand Jean-Luc Moulène Hélio Oiticica Thomas Schütte Christian Philip Muller Gabriel Orozco Olaf Nicolai Michelangelo Pistoletto Gerhard Richter Marc Pataut Gordon Matta-Clark Matt Mullican Antoni Muntadas Heiner Goebbels William Kentridge Ulrike Grossarth Richard Hamilton Vito Acconci Raymond Hains Ecke Bonk Carl Michael von Hausswolff Lois Weinberger Carsten Höller Pier Paolo Pasolini Joseph Beuys Nancy Spero Le Corbusier Brassaï Jean Dubuffet Alvaro Siza Toyo Ito Rainer Werner Fassbinder Paulo Mendes Da Rocha John C. Portman Jr. Antonin Artaud Diedrich Diederichsen Catherine David Yana Milev Klaus Biesenbach Nancy Spector Hans-Ulrich Obrist Theodor W. Adorno Maurice Blanchot Pier Paolo Pasolini Paul Celan Amílcar Cabral Masao Miyoshi Hannah Arendt Michel Foucault Gilles Deleuze Félix Guattari Jacques Rancière Tadao Sato Youssef Ishaghpour Josef Beuys Samuel Beckett Albert Camus Rainer Werner Fassbinder Rem Koolhaas Sandra Álvarez de Toledo Witold Gombrowicz Herve Joubert-Laurencin Jean-François Chevrier Marguerite Duras Edward Said Henri Alleg Pierre Vidal-Naquet Uwe Johnson Jerzy Grotowski James Clifford Primo Levi Pierre Clastres Andrea Branzi Fabrizio Gallanti Gérard Chaliand Stig Björkman Daniel Defert Saskia Sassen Benjamin Buchloh Paul Virilio Serge Daney Étienne Balibar Nadia Tazi and many others documenta / Kassel Art Group Shows / Collections Curatorial Out-of-print / Rare Sculpture / Installation Australian Photography Performance / Dance / Theater Protest / Revolt Theory / Essay Architecture / Interior Conceptual Art Film / Video Sound / Music Painting Photography Ecology

The Lyotard Reader and Guide
Edited by Keith Crome and James Williams

2006, English
Softcover, 376 pages, 15.5 x 23 cm
1st Edition, Out of print title / used / very good
Published by Columbia University Press / New York

$35.00 - Out of stock

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First edition.

The Lyotard Reader and Guide is a one-stop companion to Lyotard's thought. It covers the full range of his works, from his three main books (Discours, figure; Libidinal Economy; and The Differend) and up to his influential essays in The Inhuman and Postmodern Fables.

The readings are organized into sections on philosophy, politics, art, and literature. Several have never before been translated into English. Detailed introductions to each section by two leading Lyotard scholars explain the philosopher's key ideas and provide crucial social, political, aesthetic, and philosophical context. As a sourcebook and guide, this is the most up-to-date and comprehensive volume on Lyotard. It is indispensable to students and scholars in philosophy, literature, the arts, and politics.

Keith Crome is lecturer in philosophy at Manchester Metropolitan University. He is the author of Lyotard and Greek Thought: Sophistry.

James Williams is a leading Lyotard scholar. He is senior lecturer and head of philosophy at the University of Dundee and is the author of Understanding Poststructuralism and The Transversal Thought of Gilles Deleuze: Encounters and Influence.

Very Good copy.

File under: Antonin Artaud Hans Bellmer John Cage Daniel Buren Paul Cézanne Marcel Duchamp Pierre Klossowski Albrecht Dürer Jean-François Lyotard Georges Bataille Gilles Deleuze & Felix Guattari Felix Guattari Gilles Deleuze Immanuel Kant G. W. F. Hegel Pierre Klossowski Karl Marx Sigmund Freud Friedrich Nietzsche Plato Ludwig Wittgenstein Theodor W. Adorno Denis Diderot Columbia University Press / New York Theory / Essay Out-of-print / Rare Art

A Thousand Plateaus : Capitalism and Schizophrenia
by Gilles Deleuze and Felix Guattari

1987, English
Softcover, 640 pages, 15.6 x 23.4 cm
Published by University of Minnesota Press / Minnesota

$75.00 - In stock -

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A Thousand Plateaus continues the work Gilles Deleuze and Félix Guattari began in Anti-Oedipus and has now become established as one of the classic studies of the development of critical theory in the late twentieth century. It occupies an important place at the center of the debate reassessing the works of Freud and Marx, advancing an approach that is neither Freudian nor Marxist but which learns from both to find an entirely new and radical path. It presents an attempt to pioneer a variety of social and psychological analyses free of the philosophical encumbrances criticized by postmodern writers. A Thousand Plateaus is an essential text for feminists, literary theorists, social scientists, philosophers, and others interested in the problems of contemporary Western culture.

"Full of brilliant insights, this series of brief, seemingly random essays on hot topics — war and death, territoriality and the anthropology of groups, model theory, and psychosis — provides much material for thought. An excellent introduction and extraordinary translation of this most difficult book." — Sander L. Gilman, University of Chicago

Translated with foreword by Brian Massumi

File under: Felix Guattari Gilles Deleuze & Felix Guattari Gilles Deleuze University of Minnesota Press / Minnesota Theory / Essay

Intolerable
Writings from Michel Foucault and the Prisons Information Group 1970-1980

2021, English
Softcover, 456 pages, 21.6 x 14 cm
Published by University of Minnesota Press / Minnesota

$89.00 - Out of stock

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A groundbreaking collection of writings by Michel Foucault and the Prisons Information Group documenting their efforts to expose France's inhumane treatment of prisoners.

Authors: Michel Foucault and Prisons Information Group
Edited by Kevin Thompson and Perry Zurn
Translated by Perry Zurn and Erik Beranek

Founded by Michel Foucault and others in 1970–71, the Prisons Information Group (GIP) circulated information about the inhumane conditions within the French prison system. Intolerable makes available for the first time in English a fully annotated compilation of materials produced by the GIP during its brief but influential existence, including an exclusive new interview with GIP member Hélène Cixous and writings by Gilles Deleuze and Jean Genet.

These archival documents — public announcements, manifestos, reports, pamphlets, interventions, press conference statements, interviews, and round table discussions — trace the GIP's establishment in post-1968 political turmoil, the new models of social activism it pioneered, the prison revolts it supported across France, and the retrospective assessments that followed its denouement. At the same time, Intolerable offers a rich, concrete exploration of Foucault's concept of resistance, providing a new understanding of the arc of his intellectual development and the genesis of his most influential book, Discipline and Punish.

Presenting the account of France's most vibrant prison resistance movement in its own words and on its own terms, this significant and relevant collection also connects the approach and activities of the GIP to radical prison resistance movements today.

File under: Michel Foucault Prisons Information Group (GIP) Hélène Cixous Gilles Deleuze Jean Genet University of Minnesota Press / Minnesota Theory / Essay Protest / Revolt

Other Mechanisms

2018, English
Softcover, 144 pages, 22 x 21 cm
Published by Secession / Vienna

$75.00 - Out of stock

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This catalogue accompanies "Other Mechanisms", a major group show at Secession in Vienna, 2018, that continues on from the exhibition "Mechanisms", held at CCA Wattis in San Francisco.

"Other Mechanisms" points to a present moment when machines don't look much like machines. Many aren't even called machines. Heavy and greasy machinery is absent from the smooth surfaces of digital interfaces and the weightlessness of cloud computing. Tool, appliance, device, apparatus, instrument, computer, hardware, software, program, server, processor, microchip, setting, algorithm, infrastructure, system, logistic, protocol, parameter - the terms for today's machines accumulate, evolve, and overlap.

Machines are part of the air we breathe, overseeing our lives and our bodies, from the way we communicate and consume to the way we trade and travel. Some are made of metal, but many others are made of rules or algorithms, which are infinitely more fluid and flexible. Some are objects or devices, but others are systems and infrastructures - a machine can be a thing as well as a method for organizing things. Objects yield to infrastructure. Work turns to management. Machines become mechanisms.

The works in this exhibition reflect on what it could mean to contest the regime of the machine. They compromise its tools, misuse its technologies, reroute its engineering, complicate its measurements. These other mechanisms add detours or dead ends to circulation routes, or insert delinquent trajectories that create distortions over time. They are made of knots, blanks, and incompatible settings. They demand more from their "users," forgoing protocols of convenience and immediate intelligibility. They reinsert the awkwardness of the human body, with all of its irregularities and inefficiencies.

Art can't stop the machine - nothing can. The question is not whether or not to embrace the machine - it's too late for that - but how to complicate it by testing existing systems with impossible tools and elaborate protocols that misalign outputs from their inputs.

Texts by: Jennifer Alexander, Franco Berardi, Benjamin H. Bratton, Gilles Châtelet, Gilles Deleuze & Felix Guattari, Keller Easterling, Vilém Flusser, Sigfried Gideon, Martin Heidegger, Anthony Huberman, K.G. Pontus Hultén, Maurizio Lazzarato, Pamela Lee, Les Levine, Jean-François Lyotard, Robert King Merton, Meredith Meredith, Lewis Mumford, Gerald Raunig, Nishant Shah, Robert Snowden, and Joseph Vogl.

With works by artists: Zarouhie Abdalian, Lutz Bacher, Nairy Baghramian, Eva Barto, Patricia L. Boyd, Nina Canell & Robin Watkins, Jay DeFeo, Trisha Donnelly, Harun Farocki, Howard Fried, Aaron Flint Jamison, Jacob Kassay, Garry Neill Kennedy, Frederick Kiesler, Pope.L, Louise Lawler, Sam Lewitt, Park McArthur, Jean-Luc Moulène, Cameron Rowland, Sturtevant, and Danh Vo.

File under: Zarouhie Abdalian Lutz Bacher Nairy Baghramian Eva Barto Patricia L. Boyd Nina Canell & Robin Watkins Jay DeFeo Trisha Donnelly Harun Farocki Howard Fried Jacob Kassay Garry Neill Kennedy Frederick Kiesler Louise Lawler Sam Lewitt Park McArthur Jean-Luc Moulène Cameron Rowland Sturtevant Danh Vo William Pope.L Jennifer Alexander Franco Berardi Benjamin H. Bratton Gilles Châtelet Keller Easterling Vilém Flusser Sigfried Gideon Martin Heidegger Anthony Huberman K.G. Pontus Hultén Maurizio Lazzarato Pamela Lee Les Levine Jean-François Lyotard Robert King Merton Meredith Meredith Lewis Mumford Gerald Raunig Nishant Shah Robert Snowden Joseph Vogl Gilles Deleuze Felix Guattari Secession / Vienna Art Sculpture / Installation Conceptual Art Group Shows / Collections Curatorial

Hatred of Capitalism (A Semiotext(e) Reader)
Chris Kraus and Sylvère Lotringer (Eds.)

2002, English
Softcover, 430 pages, 15.2 x 23 cm
Published by Semiotext(e) / Los Angeles

$45.00 - In stock -

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Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)’s most beloved and prescient works. Semiotext(e)’s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding French theory with the American art world and punk underground. Its Foreign Agents, Native Agents, Active Agents and Double Agents imprints have brought together thinkers and writers as diverse as Gilles Deleuze, Assata Shakur, Bob Flanagan, Paul Virillio, Kate Millet, Jean Baudrillard, Michelle Tea, William S. Burroughs, Eileen Myles, Ulrike Meinhof, and Fanny Howe. In Hatred of Capitalism, editors Kraus and Lotringer bring these people together in the same volume for the first time.

Chris Kraus is a filmmaker and the author of I Love Dick and Aliens & Anorexia, and coeditor of Hatred of Capitalism: A Semiotext(e) Reader. Index called her “one of the most subversive voices in American fiction.” Her work has been praised for its damning intelligence, vulnerability and dazzling speed.

Sylvère Lotringer, general editor of Semiotext(e), lives in New York and Baja, California. He is the author of Overexposed: Perverting Perversions (Semiotext(e), 2007).

File under: John Cage Assata Shakur Bob Flanagan Chris Kraus Cookie Mueller Eileen Myles Fanny Howe Gilles Deleuze Jean Baudrillard John Cage Kate Millet Michel Foucault Michelle Tea Paul Virilio Sylvère Lotringer Ulrike Meinhof William S. Burroughs Semiotext(e) / Los Angeles Art Feminism Fiction / Poetry Theory / Essay

Jahresring 62: Toward an Aesthetics of Living Beings
Cord Riechelmann, Brigitte Oetker (Eds.)

2015, English / German
Softcover, 288 pages, 17 x 24 cm
Published by Sternberg Press / Berlin

$85.00 $20.00 - Out of stock

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Texts by Alain Badiou, Karen Barad, Gregory Bateson, Bruce Chatwin, Gilles Deleuze, John Dewey, John Dupré, Sergei Eisenstein, Félix Guattari, Donna Haraway, Alexandre Kojève, Osip Mandelstam, Cord Riechelmann

The question of life has always been one of modernity’s main preoccupations, but it was the advent of the camera—with its ability to record moving creatures—that initiated a new phase in the human investigation of animal behavior. In the world of contemporary art, animals now occupy center stage. Artworks such as Joseph Beuys’s I Like America and America Likes Me (1974), a weeklong performance in New York during which the artist lived with a coyote, and Rosemarie Trockel and Carsten Höller’s Haus für Schweine und Menschen at documenta X (1997), demonstrate the idea that culture, self-consciousness, and language do not exclusively belong to man. Drawing on key texts by Sergei Eisenstein, Gilles Deleuze, Félix Guattari, and Donna Haraway, and analyzing works by Pierre Huyghe, Christoph Keller, and Helen Marten, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

The Jahresring series is edited by Brigitte Oetker and published on behalf of Kulturkreis der deutschen Wirtschaft im BDI e.V.

Design by Surface

File under: Carsten Höller Christoph Keller Helen Marten Joseph Beuys Marcel Broodthaers Pierre Huyghe Rosemarie Trockel Alain Badiou Alexandre Kojève Brigitte Oetker Bruce Chatwin Cord Riechelmann Felix Guattari Gilles Deleuze Gregory Bateson John Dewey John Dupré Karen Barad Kulturkreis der deutschen Wirtschaft im BDI e.V. Osip Mandelstam Sergei Eisenstein Donna J. Haraway Sternberg Press / Berlin Art Ecology Theory / Essay SALE

TENSION 21
The Duchamp Factor / The Biennale Stripped Bare, June 1990

1990, English
Softcover, 76 pages, 23 x 33 cm
1st Edition, Out of print title / used / good
Published by Tension / South Yarra

$30.00 - Out of stock

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Tension 21 (June 1990) features "The Readymade Disaster" by John Sampson, "Paraculture" by Chris McAuliffe, Neil Dawson by Jim and Mary Barr and Robert Leonard, Sydney and Melbourne Film Festivals by John Sampson, 8th Biennale of Sydney : Certain Relations in 20th Century Art by Catharine Lumby, Christina Davidson, Max Delany, John Young and Dale Frank, Marcel Proust by Gerald Murnane, Martin Heidegger by Fergus Armstrong, Giorgio de Chirico by Tony Clark, Marcel Duchamp by Peter Tyndall, Surrealism by Rosslynd Piggott, Peter Ellis, and Jon Cattapan, "Rock'n'Roll" by Kevin Murray, Roger Taylor, Chris Dyson and Jon Campbell, "New Wave Cinema" by Ross Harley and Scott Murray, "Gilles Deleuze and Cinema" by Adrian Martin, Tim Jones by Ashley Crawford, reviews, and much more.

TENSION (1983-1990) was one of the central "popular" culture arts periodicals to come out of Melbourne in the 1980s, emerging from the ashes of Virgin Press. Independently published and edited by critic Ashley Crawford, Tension magazine lasted for 25 bi-monthly issues dedicated to Art, Music, Fashion, Theatre, Film, Photography, across reviews, interviews, reports, critical essays and artist pages. Now an important document of culture in Australia, and especially Melbourne in the 1980s, issues featured the writing and contributions of Paul Taylor, McKenzie Wark, Mike Parr, John Nixon, Catharine Lumby, Philip Brophy, Adrian Martin, Ashley Crawford, Peter Tyndall, Jean Baudrillard, Timothy Leary, Gerard Malanga, Keith Haring, Gerald Murnane, and many more. In 1985 Crawford, with John Buckley, staged an exhibition issue of the magazine, 'Visual Tension', at ACCA featuring the work of Howard Arkley, Marianne Baillieu, Peter Booth, Paul Boston, Peter Cripps, Richard Dunn, Maria Kozic, John Lethbridge, Geoff Lowe, Linda Marrinon, John Matthews, John Nixon, Stieg Persson, Robert Rooney, Gareth Sansom, Vivienne Shark LeWitt, Imants Tillers, Peter Tyndall, Jenny Watson, John Young.

File under: Jon Campbell Neil Dawson Dale Frank Marcel Duchamp Giorgio de Chirico Peter Tyndall Rosslynd Piggott Jon Cattapan Tim Jones John Sampson Jim & Mary Barr Robert Leonard Catharine Lumby Christina Davidson Max Delany John Young Dale Frank Marcel Proust Gerald Murnane Martin Heidegger Fergus Armstrong Tony Clark Peter Tyndall Rosslynd Piggott Peter Ellis Jon Cattapan Kevin Murray Roger Taylor Chris Dyson Jon Campbell Ross Harley Scott Murray Gilles Deleuze drian Martin Ashley Crawford Tension / South Yarra Out-of-print / Rare Periodicals Film / Video Sculpture / Installation Painting Australian Art Theory / Essay Dada Surrealism

Gilles Deleuze
Desert Islands and Other Texts, 1953-1974

2004, English
Softcover, 328 pages, 15 x 22.5 cm
Published by Semiotext(e) / Los Angeles

$39.00 - Out of stock

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A fascinating anthology of texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze.

"One day, perhaps, this century will be Deleuzian," Michel Foucault once wrote. This book anthologizes 40 texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze, who died in 1995. The early texts, from 1953-1966 (on Rousseau, Kafka, Jarry, etc.), belong to literary criticism and announce Deleuze's last book, Critique and Clinic (1993). But philosophy clearly predominates in the rest of the book, with sharp appraisals of the thinkers he always felt indebted to: Spinoza, Bergson. More surprising is his acknowledgement of Jean-Paul Sartre as his master. "The new themes, a certain new style, a new aggressive and polemical way of raising questions," he wrote, "come from Sartre." But the figure of Nietzsche remains by far the most seminal, and the presence throughout of his friends and close collaborators, Felix Guattari and Michel Foucault. The book stops shortly after the publication of Anti-Oedipus, and presents a kind of genealogy of Deleuze's thought as well as his attempt to leave philosophy and connect it to the outside -- but, he cautions, as a philosopher.

Translated by Mike Taormina
Edited by David Lapoujade

File under: Mike Taormina David Lapoujade Gilles Deleuze Semiotext(e) / Los Angeles Theory / Essay Art

Psychoanalysis and Transversality : Texts and Interviews 1955–1971
By Félix Guattari

2015, English
Softcover, 384 pages, 15 x 23 cm
Published by Semiotext(e) / Los Angeles

$48.00 - Out of stock

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Introduction by Gilles Deleuze
Translated by Ames Hodges

Originally published in French in 1972, Psychoanalysis and Transversality gathers all the articles that Félix Guattari wrote between 1955 and 1971. It provides a fascinating account of his intellectual and political itinerary before Anti-Oedipus: Capitalism and Schizophrenia (1972), the ground-breaking book he wrote with Gilles Deleuze, propelled him to the forefront of contemporary French philosophy.

Guattari’s background was unlike that of any of his peers. In 1953, with psychoanalyst Jean Oury, he founded the La Borde psychiatric clinic, which was based on the principle that one cannot treat psychotics without modifying the entire institutional context. For Guattari, the purpose of “institutional psychotherapy” was not just to cure psychotic patients, but also to learn with them a different relation to the world. A dissident in the French Communist Party and active in far-left politics (he participated in the May 1968 student rebellion), Guattari realized early on that it was possible to introduce analysis into political groups. Considered as open machines (subject-groups) rather than self-contained structures (subjugated groups), these subject-groups shunned hierarchy and vertical structures, developing transversally, rhizomatizing through other groups.

Psychoanalysis and Transversality collects twenty-four essays by Guattari, including his foundational 1964 article on transversality, and a superb introduction by Gilles Deleuze, “Three Group-Related Problems.”

About the Author
Félix Guattari (1930–1992), post-‘68 French psychoanalyst and philosopher, is the author of Anti-Oedipus (with Gilles Deleuze), and a number of books published by Semiotext(e), including The Anti-Oedipus Papers, Chaosophy, and Soft Subversions.

File under: Ames Hodges Felix Guattari Gilles Deleuze Semiotext(e) / Los Angeles Theory / Essay Philosophy

Chance
Edited by Margaret Iversen

2010, English
Softcover, 240 pages, 145 x 210 mm
Published by The MIT Press / Massachusetts Whitechapel / London

$49.00 - Out of stock

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The chance situation or random event—whether as a strategy or as a subject of investigation—has been central to many artists' practices across a multiplicity of forms, including expressionism, automatism, the readymade, collage, surrealist and conceptual photography, fluxus event scores, film, audio and video, performance, and participatory artworks. But why—a century after Dada and Surrealism's first systematic enquiries—does chance remain a key strategy in artists' investigations into the contemporary world?The writings in this anthology examine the gap between intention and outcome, showing it to be crucial to the meaning of chance in art. The book provides a new critical context for chance procedures in art since 1900 and aims to answer such questions as why artists deliberately set up such a gap in their practice; what new possibilities this suggests; and why the viewer finds the art so engaging.Artists surveyed include: Vito Acconci, Bas Jan Ader, Francis Alÿs, William Anastasi, John Baldessari, Walead Beshty, Mark Boyle, George Brecht, Marcel Broodthaers, John Cage, Sophie Calle, Tacita Dean, Stan Douglas, Marcel Duchamp, Brian Eno, Fischli & Weiss, Ceal Floyer, Huang Yong Ping, Douglas Huebler, Allan Kaprow, Alison Knowles, Jiri Kovanda, Jorge Macchi, Christian Marclay, Cildo Meireles, Robert Morris, Bruce Nauman, Yoko Ono, Gabriel Orozco, Cornelia Parker, Robert Rauschenberg, Gerhard Richter, Daniel Spoerri, Keith Tyson, Jennifer West, Ceryth Wyn Evans, La Monte Young

Writers include: Paul Auster, Jacquelynn Baas, Georges Bataille, Daniel Birnbaum, Claire Bishop, Guy Brett, Benjamin H. D. Buchloh, Stanley Cavell, Lynne Cooke, Fei Dawei, Gilles Deleuze, Anna Dezeuze, Russell Ferguson, Branden W. Joseph, Siegfried Kracauer, Jacques Lacan, Sarat Maharaj, John Miller, Alexandra Munroe, Gabriel Pérez Barreiro, Jasia Reichardt, Julia Robinson, Sarah Valdez, Katharina VossenkuhlDocuments of Contemporary Art series
Copublished with Whitechapel Gallery, London

File under: Alison Knowles Allan Kaprow Bas Jan Ader Brian Eno Bruce Nauman Ceal Floyer Cerith Wyn Evans Christian Marclay Cildo Meireles Cornelia Parker Daniel Spoerri David Weiss Douglas Huebler Francis Alÿs Gabriel Orozco George Brecht Gerhard Richter Huang Yong Ping Jennifer West Jiri Kovanda John Baldessari John Cage Jorge Macchi Keith Tyson La Monte Young Marcel Broodthaers Marcel Duchamp Mark Boyle Peter Fischli Peter Fischli & David Weiss Robert Morris Robert Rauschenberg Sophie Calle Stan Douglas Tacita Dean Vito Acconci Walead Beshty William Anastasi Yoko Ono Alexandra Munroe Anna Dezeuze Benjamin H. D. Buchloh Branden W. Joseph Claire Bishop Daniel Birnbaum Fei Dawei Gabriel Pérez Barreiro Georges Bataille Gilles Deleuze Guy Brett Jacquelynn Baas Jacques Lacan Jasia Reichardt John Miller Julia Robinson Katharina Vossenkuhl Lynne Cooke Margaret Iversen Paul Auster Russell Ferguson Sarah Valdez Sarat Maharaj Siegfried Kracauer Stanley Cavell The MIT Press / Massachusetts Whitechapel / London Art Photography Surrealism Theory / Essay

F.R. DAVID
Autumn 2017 "Recognition"

2017, English
Softcover, 254 pages, 12 x 19 cm
Published by Uh Books / Amsterdam

$20.00 - Out of stock

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Each issue of ‘F.R. David’ features a wide array of artists and writers and a unique theme. This fourteenth release features “The Labor of the Inhuman” by Reza Negarestani, “Vaster than Empires and More Slow” by Ursula K. Le Guin, poems by Ralph Hotere, and “The Companion Species Manifesto” by Donna Haraway. Further, Zoe Todd investigates indigenous relationships to fish in Canada, while Ayesha Siddiqi writes about the growth of online communities for marginalised groups, plus contributions by Aurelia Armstrong, Kosen Ohtsubo, Ian White, Eileen Myles, Marcel Broodthaers, Witold Gombrowicz, Ian McCammon, Noam Chomsky, Gilles Deleuze, and more.

File under: Marcel Broodthaers Ian White Reza Negarestani Donna J. Haraway Ursula K. Le Guin Ralph Hotere Ayesha Siddiqi Zoe Todd Aurelia Armstrong Kosen Ohtsubo Ian White Eileen Myles Marcel Broodthaers Witold Gombrowicz Ian McCammon Noam Chomsky Gilles Deleuze Uh Books / Amsterdam Art Theory / Essay Fiction / Poetry Periodicals Ecology Feminism

New Ways of Doing Nothing
Vanessa Joan Müller, Cristina Ricupero, Nicolaus Schafhausen (Eds.)

2016, English
Softcover, 144 pages, 21 x 29.7 cm
Published by Kunsthalle Wien / Vienna Sternberg Press / Berlin

$32.00 - In stock -

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Texts by Giorgio Agamben, Claire Fontaine, Gilles Deleuze, Julius Gavroche, Paul Lafargue, Vanessa Joan Müller, Cristina Ricupero, Tereza Stejskalová, Enrique Vila-Matas

“New Ways of Doing Nothing,” a group exhibition that took place at Kunsthalle Wien in 2014, devoted itself to artistic production that opposes activity and instead gives an affirmative slant to forms of doing nothing or refraining—a major influence being the titular character of Hermann Melville’s “Bartleby the Scriviner: A Story of Wall Street.” The book presents the displayed works and artists, but also continues the process that led to the exhibition. Included along with a conversation between the curators is a text collage of reprints and excerpts that introduces those artists and thinkers who, in the words of Bartleby, “prefer not to.”

Featuring work by Robert Breer, Alejandro Cesarco, Étienne Chambaud, Claire Fontaine, Natalie Czech, Oskar Dawicki, Edith Dekyndt, Mathias Delplanque, Heinrich Dunst, Gardar Eide Einarsson, Marina Faust, Ryan Gander, Lasse Schmidt Hansen, Julia Hohenwarter, Karl Holmqvist, Sofia Hultén, Jiří Kovanda, Rivane Neuenschwander, Georges Perec / Bernard Queysanne, Superflex, Mario García Torres

Vanessa Joan Müller, Cristina Ricupero, Nicolaus Schafhausen (Eds.)

Copublished with Kunsthalle Wien
Design by Anna Haas

File under: Alejandro Cesarco Bernard Queysanne Claire Fontaine Edith Dekyndt Étienne Chambaud Gardar Eide Einarsson Georges Perec Heinrich Dunst Jiri Kovanda Julia Hohenwarter Karl Holmqvist Lasse Schmidt Hansen Marina Faust Mario Garcia-Torres Mathias Delplanque Natalie Czech Oskar Dawicki Rivane Neuenschwander Robert Breer Ryan Gander Sofia Hultén Superflex Claire Fontaine Cristina Ricupero Enrique Vila-Matas Gilles Deleuze Giorgio Agamben Julius Gavroche Nicolaus Schafhausen Paul Lafargue Tereza Stejskalová Vanessa Joan Müller Kunsthalle Wien / Vienna Sternberg Press / Berlin Art Theory / Essay Group Shows / Collections Sculpture / Installation

Animals
edited by Filipa Ramos

2016, English
Softcover, 240 pages, 145 x 210 mm
Published by The MIT Press / Massachusetts Whitechapel / London

$52.00 - Out of stock

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Animals have become the focus of much recent art, informing numerous works and projects featured at major exhibitions including dOCUMENTA (13) (2013), the 10th Shanghai Biennale (2014), and the 56th Venice Biennale (2015). Contemporary art has emerged as a privileged terrain for exploring interspecies relationships, providing the conditions for diverse disciplines and theoretical positions to engage with animal behavior and consciousness.

This interest in animal nature reflects a number of current issues. Observations of empathy among nonhumans prompt reconsiderations of the human. The nonverbal communication of animals has been compared with poetic expansion of the boundaries of language. And the freedom of animal life in the wild from capitalist subordination is seen as a potential model for reconfiguring society and our relationship to the wider environment. Artists’ engagement with animals also opens up new perspectives on the dynamics of dominance, oppression, and exclusion, with parallels in human society. Animal nature is at the heart of debates on the Anthropocene era and the ecological concerns of scientists, thinkers, and artists alike. Centered on contemporary artworks, this anthology attests to the trans-disciplinary nature of this subject, with art as one of the principal points of convergence.

Artists surveyed include
Allora & Calzadilla, Francis Alÿs, Julieta Aranda, Brandon Ballengée, Joseph Beuys, Marcel Broodthaers, Lygia Clark, Marcus Coates, Jimmie Durham, Marcel Dzama, Simone Forti, Pierre Huyghe, Natalie Jeremijenko, Joan Jonas, Eduardo Kac, Mike Kelley, Henri Michaux, Robert Morris, Henrik Olesen, Lea Porsager, Julia Reodica, Carolee Schneemann, Michael Stevenson, Rodel Tapaya, Rosemarie Trockel, Apichatpong Weerasethakul, Haegue Yang, Adam Zaretsky

Writers include
Giorgio Agamben, Steve Baker, Raymond Bellour, Walter Benjamin, John Berger, Jonathan Burt, Ted Chiang, Simon Critchley, Gilles Deleuze, Jacques Derrida, David Elliott, Carla Freccero, Maria Fusco, Tristan García, Félix Guattari, Donna J. Haraway, Seung-Hoon Jeong, Miwon Kwon, Chus Martinez, Brian Massumi, Thomas Nagel, Jean-Luc Nancy, Ingo Niermann, Vincent Normand, Ana Teixeira Pinto, Will Self, Jan Verwoert, Eduardo Viveiros de Castro

About the Editor
Filipa Ramos is editor-in-chief of art-agenda and a Lecturer in Experimental Film at Kingston University and Moving Image at Central Saint Martins, London. She is the author of Lost and Found: Crisis of Memory in Contemporary Art (2009).

File under: Adam Zaretsky Allora & Calzadilla Apichatpong Weerasethakul Brandon Ballengée Carolee Schneemann Eduardo Kac Francis Alÿs Haegue Yang Henri Michaux Henrik Olesen Jimmie Durham Joan Jonas Joseph Beuys Julia Reodica Julieta Aranda Lea Porsager Lygia Clark Marcel Broodthaers Marcel Dzama Marcus Coates Michael Stevenson Mike Kelley Natalie Jeremijenko Pierre Huyghe Robert Morris Rodel Tapaya Rosemarie Trockel Simone Forti Ana Teixeira Pinto Brian Massumi Carla Freccero Chus Martínez David Elliott Donna J. Haraway Eduardo Viveiros de Castro Felix Guattari Filipa Ramos Gilles Deleuze Giorgio Agamben Ingo Niermann Jacques Derrida Jan Verwoert Jean-Luc Nancy John Berger Jonathan Burt Maria Fusco Miwon Kwon Raymond Bellour Seung-Hoon Jeong Simon Critchley Steve Baker Ted Chiang Thomas Nagel Tristan Garcia Vincent Normand Walter Benjamin Will Self The MIT Press / Massachusetts Whitechapel / London Art Ecology Theory / Essay

Collapse Volume III: Unknown Deleuze
Robin Mackay (Ed.)

2012, English
Softcover, 458 pages, 10.7 x 17.5 cm
2nd Edition,
Published by Urbanomic / Cornwall

$52.00 - Out of stock

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Collapse Volume III: Unknown Deleuze (Reissued Edition)
Robin Mackay (Ed.)
Associate Editors: Dustin McWherter

Philosophical Research and Development.

Collapse III contains explorations of the work of Gilles Deleuze by pioneering thinkers in the fields of philosophy, aesthetics, music and architecture. In addition, we publish in this volume two previously untranslated texts by Deleuze himself, along with a fascinating piece of vintage science fiction from one of his more obscure influences. Finally, as an annex to Collapse Volume II, we also include a full transcription of the conference on 'Speculative Realism' held in London in 2007.

The contributors to this volume aim to clarify, from a variety of perspectives, Deleuze's contribution to philosophy: in what does his philosophical originality lie; what does he appropriate from other philosophers and how does he transform it? And how can the apparently disparate threads of his work to be 'integrated' - what is the precise nature of the constellation of the aesthetic, the conceptual and the political proposed by Gilles Deleuze, and what are the overarching problems in which the numerous philosophical concepts 'signed Deleuze' converge?

Contents
ROBIN MACKAY - Editorial Introduction
THOMAS DUZER - In Memoriam: Gilles Deleuze 1925-1995
GILLES DELEUZE - Responses to a Series of Questions
ARNAUD VILLANI - "I Feel I Am A Pure Metaphysician": The Consequences of Deleuze's Remark
QUENTIN MEILLASSOUX - Subtraction and Contraction: Deleuze, Immanence and Matter and Memory
HASWELL & HECKER - Blackest Ever Black
GILLES DELEUZE - Mathesis, Science and Philosophy
INCOGNITUM - Malfatti's Decade
JOHN SELLARS - Chronos and Aion: Deleuze and the Stoic Theory of Time
ÉRIC ALLIEZ & JEAN-CLAUDE BONNE - Matisse-Thought and the Strict Ordering of Fauvism
MEHRDAD IRAVANIAN - Unknown Deleuze
J.-H. ROSNY THE ELDER - Another World
RAY BRASSIER, IAIN HAMILTON GRANT, GRAHAM HARMAN, QUENTIN MEILLASSOUX - Speculative Realism

File under: Arnaud Villani Éric Alliez Gilles Deleuze Graham Harman Haswell & Hecker Iain Hamilton Grant Incognitum J.-H. Rosny The Elder Jean-Claude Bonne John Sellars Mehrdad Iravanian Quentin Meillassoux Ray Brassier Robin Mackay Thomas Duzer Urbanomic / Cornwall Fiction / Poetry Periodicals Theory / Essay